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Under the Lens: The Art of Discovery

2024, Under the Lens: The Art of Discovery

Under the Lens showcases works from the Croce Collection, a reflection of scientist Carlo M. Croce’s inquisitive mind and relentless pursuit of discovery. Since acquiring his first painting at the age of twelve, he has assembled one of the largest and most significant private collections of Italian Baroque art in the United States. Through contributions from leading international experts and art historians, this volume focuses on individual works, ranging from paintings by early seventeenth-century Bolognese artists to the ultra-Baroque creations of Pietro da Cortona and eighteenth-century tapestry designs. Rather than acting as a catalogue raisonné, Under the Lens introduces the Croce Collection for the first time to scholars and art enthusiasts alike, providing fresh insights into key Baroque masters and paving the way for further research on both the collection and this important period in art history. https://www.campisanoeditore.it/index.php/10-collana-storia-dell-arte/398-under-the-lens-the-art-of-discovery

Under the Lens: The Art of Discovery Campisano Editore edited by Francesca S. Croce pag. 7 From Laboratories to Allegories: An Introduction to the Croce Collection Francesca S. Croce PAINTINGS 21 Pietro Faccini, appunti per un’accademia bolognese «alternativa» Emilio Negro 29 Divine Depictions: Analyzing the Heavenly Representations of Mary in the Croce Collection Helen Kohn 41 Falsi e veri caravaggeschi: un Martirio di Sant’Agata di Mario Minniti a Columbus, Ohio Antonio Vannugli 49 Un portrait peint par Vouet représenté dans un tableau italien du XVIIème siècle: une Allégorie de la peinture Arnauld Brejon de Lavergnée 53 Gli eroi del passato nel racconto epico di Pietro da Cortona Anna Lo Bianco 63 Due nuove Madonne del velo di Onorio Marinari Francesca Baldassari 69 Copy or Cartoon? A Painting after Raphael’s Miraculous Draft of Fishes from the Croce Collection Larissa Mohr 79 Altre aggiunte al catalogo della produzione nota di Filippo Falciatore Nicola Spinosa DRAWINGS 91 Due studi di figura: Tintoretto e una proposta per Paris Bordone Cristiana Romalli 99 ‘Quel quadro che atterrisce tutti’: Ludovico Carracci and Guercino for Bologna’s Santi Gregorio e Siro Francesca S. Croce 111 Photographic Credits 5 Table of Contents