Tournament Culture in
the Low Countries and England
Mario Damen
In 1279 John I, duke of Brabant, travelled to England to arrange a marriage
for his son with Margaret, daughter of King Edward I.1 According to the
chronicler Jan van Heelu the duke deliberately sought out tournaments and
chivalric games (tornoy ende feeste) and he was not disappointed. A tournament was arranged, probably at Windsor, with the royal couple as the most
important spectators. But when the time came to divide the teams, it emerged
that the duke’s conroi was short of a few tourneyers. hen Queen Eleanor
of Castile decided that six bannerets, ‘the best of the entire country’, probably with their retinues, should join the duke’s team. However, according to
Van Heelu, it was commonly known that one could not beat the duke of
Brabant even without equal numbers. After the tournament ‘young and old,
both knights and heralds’ spoke of the duke’s performance and his chivalric
deeds, all of which increased his honour and prestige and inally produced the
marriage alliance to which he aspired.2 he marriage was concluded in July
1290 and was preceded again by a big tournament, probably a Round Table,
this time at Winchester and with the participation of Edward’s prospective
son-in-law, the future John II of Brabant, who by then had already been
staying at Edward’s court for ive years.3 John I died at a tournament in Barle-Duc in 1294, organised on the occasion of the marriage of the duke of
Bar with Eleanor, another daughter of Edward I. Numerous English knights
his article was written within the framework of the research programme ‘Burgundian
Nobility, Princely Politics and Noble Families, 1425–1525’, inanced by the Netherlands
Organisation for Scientiic Research (NWO).
2 Rijmkroniek van Jan van Heelu betrefende de Slag van Woeringen van het jaar 1288,
ed. J. F. Willems (Brussels, 1836), verses 896–950 (see also the digital edition at www.
dbnl.org). See also W. van Anrooij, Spiegel van ridderschap: Heraut Gelre en zijn ereredes
(Amsterdam, 1990), p. 16.
3 M. Biddle, King Arthur’s Round Table: An Archaeological Investigation (Woodbridge,
2000), pp. 361–2, 372.
1
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MARIO DAMEN
must have witnessed the fatal wounding of the duke’s arm during a joust with
a French knight.4
In England and the Low Countries towards the end of the thirteenth
century, a common chivalric culture had emerged which permitted exchanges
and mutual participation in tournaments on both sides of the Channel.5 On
the fringes of the kingdom of France and the Holy Roman Empire in particular, the ‘classic’ tournoi came into being.6 It was a spectacular imitation battle
between two teams of hundreds of tourneyers over several square kilometres
in the countryside. Towards the end of the Middle Ages, however, the English
tournament became a more formalised, ritualised and exclusively aristocratic
event. A similar development took place in the Low Countries, but not at the
same moment, and indeed, the earlier reciprocity of form between English
and Low Countries’ tournaments was replaced by divergence. In his book
on medieval courts and culture, Malcolm Vale has already pointed at this
tendency towards ‘greater exclusiveness’, especially in the Low Countries. Yet
until the advent of the house of Burgundy, which between 1384 and 1430
acquired most of the principalities of the Low Countries, jousts and tournaments had ofered the possibility for the noble and urban elites who did not
form part of the ducal household, to intermingle with the ruler and his direct
surroundings on an informal basis. After the Burgundian takeover, however,
this situation changed and there was an ‘increasing sense of separation between
Burgundian court society and the urban society in which it lived’.7
Whilst the English case has been much discussed in the historiography,
this essay aims to provide a counterpoint by exploring the case of the Low
Countries. It will show that the aristocratisation of the tournament in the
Low Countries became indeed increasingly evident, but not before the second
half of the ifteenth century. Only then were elites, who did not form part of
or were not connected to the princely household, excluded from tournaments.
To demonstrate this I will focus on the classic tournament form, the mêlée.
he mêlée was in fact the traditional tournoi, which was usually fought in the
countryside, but in the later Middle Ages transferred to a conined urban
setting: two equal-sized teams, normally composed according to geographical
origin, battered each other with special tournament batons and swords.8
T. Hage, ‘Tornoye die minde hi sere. Bij de dood van Jan I van Brabant (1294)’, Madoc
(1994), pp. 195–202 (at 196–8).
5 J. Vale, Edward III and Chivalry: Chivalric Society and its Context 1270–1350
(Woodbridge, 1982), pp. 22–3.
6 D. Crouch, Tournament (London, 2005), pp. 1–9, 119–31.
7 M. Vale, he Princely Court: Medieval Courts and Culture in North-West Europe, 1270–
1380 (Oxford, 2001), p. 199.
8 See on the terminology, M. Vale, War and Chivalry: Warfare and Aristocratic Culture
in England, France and Burgundy at the End of the Middle Ages (London, 1981), pp. 67–8.
4
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
One of the best known late medieval mêlées is the one organised in Bruges
in 1393 by the Flemish nobleman Jan van der Aa, lord of Gruuthuse, who
assembled ifty tourneyers against a team of equal strength of Jan, lord of
Ghistelles. his tournament seems to have been the main source of inspiration for the famous illustrations in the René d’Anjou’s Livre de tournois; a
century later, the then lord of Gruuthuse would order a copy of this book,
and present it to the king of France.9 In the tournament book of René d’Anjou
as well as in that of Antoine de la Sale, both dating from the 1450s, the mêlée
is considered to be the most prestigious tournament in terms of the honour
that could be gained. he writers of these books were not only inspired by a
nostalgic view of a chivalric past but also aimed to create an incentive for the
nobility of their own day to perform ‘deeds of arms’, at tournaments and on
the battleield.10 Paradoxically, however, it was only in the second half of the
ifteenth century that these books gained popularity: by this time, the massive
mêlée-tournament had become obsolete whereas other more individual forms
of combat began to overshadow the collective tournament.
In England the last mêlée was set up in 1342 in Dunstable; subsequently,
Edward III turned the tournament into a court festivity.11 his transformation came later in the Low Countries. Malcolm Vale wondered whether the
Bruges mêlée of 1393 was the last mêlée ever organised, or the irst one of a
series intended to revive the genre.12 his article will show that there were at
least three other big mêlée-type tournaments organised in Brussels, one of
the most important cities in the duchy of Brabant, during the irst decades of
the ifteenth century. he social exclusivity of late medieval tournaments was
not so marked before circa 1450 in the Low Countries. hese tournaments
continued to ofer possibilities for social and inter-regional exchange, in stark
contrast to English tournaments, with which the tournaments organised on
the other side of the Channel had less and less in common. he integration
he most recent article on this tournament is J. M. van den Eeckhout, ‘Het tornooi
van Brugge van dinsdag 11 maart 1393’, De Vlaamse stam, 46 (2010), pp. 377–406. See
also J.-B.-B. Praet, Recherches sur Louis de Bruges, seigneur De La Gruthuyse (Paris, 1831),
pp. 265–84; Vale, War and Chivalry, p. 84; A. Brown, ‘Urban Jousts in the Later Middle
Ages: he White Bear of Bruges’, Revue belge de philologie et d’histoire, 78 (2000), pp.
315–30 (at 321).
10 Vale, War and Chivalry, pp. 66–7. See the edition of the tournament book of Antoine
de la Sale in S. Lefèvre, Antoine de la Sale: La fabrique de l’œuvre et de l’écrivain, suivi
de l’édition critique du traité des anciens et des nouveaux tournois (Geneva, 2006). For an
English translation of the tournament book of René d’Anjou by Elizabeth Bennett, see
http://www.princeton.edu/~ezb/rene/renehome.html (accessed 8 May 2011).
11 Crouch, Tournament, p.130.
12 M. Vale, ‘Le tournoi dans la France du Nord, l’Angleterre et les Pays-Bas (1280–1440)’,
in Actes du 115e congrès national des sociétés savantes (Avignon, 1990) (Paris, 1991), pp.
263–71 (at 269).
9
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MARIO DAMEN
of Brabant into the Burgundian personal union created tensions between the
new rulers and the ruling elites in town and countryside, whereas at the same
time opportunities (for jobs and land acquisition) arose as the duchy now
formed part of a larger composite territorial state.13 At least at the beginning
of Burgundian rule, the tournament was the occasion par excellence where
tensions could be released and opportunities could be exploited.
he Organisers
In the Low Countries, tournaments had become typical urban events by the
1400s. hey were not put on simply as amusement for or by the prince and his
household, but rather they provided a meeting space for the noble and urban
elites where business (such as political contacts or marriage arrangements)
could be transacted.14 In Bruges and Lille jousts were organised annually by
jousting societies, but were entirely inanced by the civic authorities. During
these spectacles (called, respectively, the White Bear and the Épinette), wellof patricians and merchants from the town would joust with their counterparts from other cities, with nobles, courtiers, and sometimes even with the
count of Flanders himself or members of his household. In this way, interurban and urban-courtly contacts were stimulated.15
Although Brussels did not host a jousting society as was the case in Bruges
or Lille, the town was an important tournament venue from an early stage.16
In the irst decades of the ifteenth century, tournaments were organised regularly on the Grote Markt, or Grand-Place, the central market square.17 he
Castilian nobleman Pero Tafur, who visited the court of Philip the Good in
R. van Uytven, ‘Vorst, adel en steden. Een driehoeksverhouding in Brabant van de
twaalfde tot de zestiende eeuw’, Bijdragen tot de geschiedenis, 59 (1976), pp. 93–122 (at
104–6).
14 A. Janse, ‘Tourneyers and Spectators: he Shrovetide Tournament at he Hague,
1391’, in he Court as a Stage: England and the Low Countries in the Later Middle Ages, ed.
A. Janse and S. Gunn (Woodbridge, 2006), pp. 39–52 (at 41); A. Brown and G. Small,
Court and Civic Society in the Burgundian Low Countries c. 1420–1530 (Manchester,
2007), pp. 23–5, 213–15; T. Zotz, ‘Adel, Bürgertum und Turniere in deutschen Städten’,
in Das ritterliche Turnier im Mittelalter: Beiträge zu einer vergleichenden Formen- und
Verhaltensgeschichte des Rittertums, ed. J. Fleckenstein (Göttingen, 1985), pp. 450–99 (at
483–4, 499).
15 Brown, ‘Urban Jousts’, pp. 315–30; P. de Gryse, ‘Toernooien en steekspelen ten tijde
van Lodewijk van Gruuthuse’, in Lodewijk van Gruuthuse. Mecenas en Europees diplomaat
ca. 1427–1492, ed. M. Martens (Bruges, 1992), pp. 87–92 (at 90–2); Brown and Small,
Court, p. 10.
16 Vale, he Princely Court, pp. 197–8.
17 A. Chevalier-de Gottal, Les fêtes et les arts à la cour de Brabant à l’aube du XVe siècle
(Frankfurt am Main, 1996), pp. 105–11.
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
Brussels in 1438, was struck by the ‘constant succession of tournaments and
everything that makes for pleasure’.18 At least on three occasions – in 1409,
1428 and 1439 – a big mêlée was organised on the Brussels Grote Markt.
Evidence shows that on all three occasions Philip the Good (1396–1467),
duke of Brabant from 1430, was present. In 1409, as an adolescent, he had
witnessed a tournament in Brussels on the occasion of the wedding of the
duke of Brabant, his uncle Anthony of Burgundy (1384–1415).19 Antoine de
la Sale saw this tournament, so his description of how a tournament should
be performed was probably inluenced by this chivalric event. He reveals that
there were more than ive hundred helms present on both sides (de deux lez).
Even if this igure may be exaggerated, it must have been a massive event.20 In
1428 there was again a mêlée on the Grote Markt. At this tournament, Philip
of Saint-Pol (1404–30), the then duke of Brabant, and his cousin Philip
the Good, then count of Flanders, made combat with 140 to 160 heaumes
(helms, tourneyers) each.21 here is a detailed account of this tournament by
the chronicler Enguerrand de Monstrelet. He mentions that the event was
organised by Jacob van Abcoude, lord of Gaasbeek (d. 1459, see Figure 5), one
of Brabant’s most inluential baanrotsen (bannerets).22 he baanrotsen played
a prominent political and military role in the duchy of Brabant. hey derived
their prestige from their seigneuries (called terra or land) held in ief, with
high jurisdiction, from the duke of Brabant.23 Jacob did not only own Gaasbeek, an important seigneury south-west of Brussels, but also key possessions
Pero Tafur, Travels and Adventures 1435–1439, ed. M. Letts (London, 1926), p. 195.
La chronique d’Enguerran de Monstrelet en 2 livres avec pièces justiicatives, 1400–1444,
ed. L. Douët-d’Arcq, 5 vols (Paris, 1857–62), II, pp. 32–3; Chevalier-Gottal, Les fêtes, p.
118.
20 De la Sale states that one of the tournaments that he has witnessed was ‘a Bruxelles
du temps du duc Anthoine de Brabant, il y a cinquante ans ou plus’. As he wrote his book
in 1459–60 it must have been the 1409 tournament described by Monstrelet: Lefèvre,
Antoine de la Sale, pp. 35, 261–2, 311. he igure of ‘plus de Vc heaumes de deux lez’ is
found in one manuscript, whereas in another manuscript it reads ‘IIIc’.
21 Chronique d’Enguerran de Monstrelet, ed. Douët-d’Arcq, IV, pp. 306–8.
22 But Monstrelet states that ‘duquel tournoiment estoit le chef, le ilz du damoisel de
Gazebeque’, that is that the son of the squire of Gaasbeek was the tournament’s chief.
He is most probably referring to Jacob van Aboude, lord of Gaasbeek, who was in fact an
escuier-banneret because he was never dubbed a knight. His father Zweder van Abcoude
had already died in 1400.
23 A. Uyttebrouck, Le gouvernement du duché de Brabant au bas Moyen Âge (1355–1430)
(Brussels, 1975), pp. 438–41; M. Damen, ‘Heren met banieren. De baanrotsen van Brabant
in de vijftiende eeuw’, in Bourgondië voorbij. De Nederlanden 1250–1650, ed. M. Damen
and L. H. J. Sicking (Hilversum, 2010), pp. 139–58.
18
19
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MARIO DAMEN
Figure 5. Jacob van Abcoude
painted by A. Buchelius after
a stained glass window (now
disappeared) in the cathedral of
Utrecht. Jacob is wearing a tunic
with his coat of arms and is holding
his banner with the coats of arms
of his four seigneuires: Gaasbeek,
Abcoude, Strijen and Putten.
(A. van Buchel, Monumenta passim
in templis ac monasteriis Trajectinae
urbis atque agri inventa, fol. 7v.
Utrecht, Het Utrechts archief
(Bibliotheek), ms. XXVII L 1)
in the neighbouring principalities of Guelders, Holland and the prince-bishopric of Utrecht.24
According to the manuals of René d’Anjou and Antoine de la Sale, the
mêlée-style tournament could only be initiated by princes, bannerets or even by
puissans chevaliers ou esuiers.25 In reality, the duke, let alone a banneret, would
simply not have been able to organise such an event on his own. he cooperation of the town was essential. Although there are no surviving accounts of
the Brussels town government from these years, other sources indicate that
the town regularly sponsored tournaments.26 he practical organisation of
A. C. de Groot, ‘Zweder en Jacob van Gaasbeek in Zuid-Holland’, Zuid-Hollandse
Studien, 9 (1959), pp. 39–99 (at 64–5); Uyttebrouck, Gouvernement, pp. 653–4.
25 R. Barber and J. R V. Barker, Tournaments: Jousts, Chivalry and Pageants in the Middle
Ages (Woodbridge, 1989), p. 180. Although René d’Anjou speaks of ‘quelque prince, ou
du moins hault baron, ou banneret’ as possible initiators, De la Sale thinks that ‘ceulx qui
entreprenoyent a faire cest behourt, estoient seigneurs ou puissans chevaliers ou escuiers’:
Lefèvre, Antoine de la Sale, p. 307.
26 L. Galesloot, ‘Notes extraits des anciennes comptes de la ville de Bruxelles’, Compte
rendu des séances de la Commission royale d’histoire, 3e série, 9 (1867), pp. 475–500 (at
24
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
the tournament – tasks such as the construction of the lists and a tribune,
covering the soil of the Grote Markt with sand, renting space in houses from
which to watch the tournament – was undoubtedly carried out by the town
government. At least this was normally the case in Ghent, Bruges and Lille.27
So in the later medieval Low Countries, princes did organise tournaments
but they were not the only important players. Nobles and patricians, sometimes united in tourneying societies, played an active role in staging chivalric
events. Moreover, the cooperation of urban governments was indispensable.
In England, by contrast, the majority of the jousts and tournaments were
already in the fourteenth century exclusively dependent on royal patronage.28
his was probably the result of the tournament ordinances issued by Richard
I in 1194 and Edward I in 1292. According to Keen and Barker, the ordinances enabled the king not only to train his knights in a regulated way, but
also to control the heavily armed tourneyers and thus maintain the peace, to
protect the royal forests by assigning only a few tournament sites and, last but
not least, to receive the fees that participating tourneyers were obliged to pay.29
In the Low Countries the most obvious places to organise a tournament
in the later Middle Ages were the market squares of the cities, not only in
the aforementioned cities of Brussels, Bruges and Lille, but also in Ghent,
Louvain, Antwerp, Mons, Valenciennes and in a number of smaller cities as
well.30 For the English, however, there were only three important tournament
locations: in London at Smithield; along the frontier with France, especially
in the marches of Calais; and along the frontier with Scotland. he proximity
of hostile armies was a stimulus for the organisation of tournaments as they
were still important for training combat techniques, particularly during times
of peace.31 Smithield, on the other hand, was not a straightforwardly urban
site like the market squares of the Low Countries. It was a place of recreation
for town-dwellers, and, in many ways, more like a border area. At the same
time, however, it was referred to as the ‘king’s ield’. his ambiguous status of
the site made it in theory an ideal place for social interaction. Nevertheless,
482) mentions expenses made by the town during tournaments ‘op die merct’ (on the
Grote Markt) in 1416 and 1417 in the presence of the duke of Brabant.
27 Brown, ‘Urban Jousts’, pp. 317–19; E. Van den Neste, Tournois, joutes, pas d’armes
dans les villes de Flandre à la in du Moyen Age (1300–1486) (Paris, 1996), pp. 71–5;
D. Nicholas, ‘In the Pit of the Burgundian heatre State: Urban Traditions and Princely
Ambitions in Ghent, 1360–1420’, in City and Spectacle in Medieval Europe, ed. B. A.
Hanawalt and K. L. Reyerson (Minneapolis, MN, 1994), pp. 271–95 (at 275–7).
28 Barber and Barker, Tournaments, p. 37.
29 M. H. Keen (with J. Barker), ‘he Medieval English Kings and the Tournament’, in
idem, Nobles, Knights, and Men-at-Arms in the Middle Ages (London, 1996), pp. 83–100
(at 85–7).
30 Van den Neste, Tournois, pp. 67–8.
31 Barber and Barker, Tournaments, pp. 36, 40.
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MARIO DAMEN
most tournaments were organised solely by the king in contrast to most other
London festivities, such as entries and processions, which were arranged in
collaboration with the town administration. he lists even reserved a part
of the public space of Smithield for tourneyers and closed it of for normal
citizens. Even on the stands, common Londoners, who had to pay to see the
tournament, were separated from royal guests.32 Tournaments at Smithield
had become, by the late Middle Ages, almost exclusively ‘royal, household,
events and, insofar as the Londoners played a part in them it was as honoured
guests, spectators and, no doubt, also as suppliers’.33
he Burgundian Court Meets Brabant
A similar contrast is revealed through an analysis of the participants. In
England the tourneyers formed, as Juliet Barker says, a ‘close knit society’
consisting of nobles who were ‘members or cadet branches of the comital and
great baronial families of England or men of their households and retinues’.
Even they were more and more dependent on royal or magnate patronage as
the costs of tourneying harnesses, armour and horses grew.34
What can we say about the participants of the mêlée tournaments in Brussels? Apart from the three prize winners, one for each day of the tournament,
Enguerrand de Monstrelet does not reveal the names of the participants of
the tournament of 1428. In this sense we are better informed on a third
mêlée, organised in Brussels in May 1439, which will be treated here in more
detail. his tournament is mentioned in a variety of sources: ducal accounts,
chronicles and above all in two occasional rolls, both copies from the sixteenth
century, but trustworthy. 35 In these two manuscripts the coats of arms are
depicted of 235 participants arranged in thirty-seven companies.36 Nineteen
S. Lindenbaum, ‘he Smithield Tournament of 1390’, Journal of Medieval and
Renaissance Studies, 20 (1990), pp. 1–20 (at 5–7).
33 C. Barron, ‘Chivalry, Pageantry and Merchant Culture in Medieval London’, in
Heraldry, Pageantry, and Social Display in Medieval England, ed. P. Coss and M. H. Keen
(Woodbridge, 2002), pp. 219–42 (at 221).
34 J. Barker, he Tournament in England, 1100–1400 (Woodbridge, 1986), p. 134;
Lindenbaum, ‘he Smithield Tournament’, p. 11.
35 In French, armorial occasionel. See M. Pastoureau, Les armoiries (Turnhout, 1976), p.
39. See also Crouch, Tournament, pp. 37–8.
36 he irst manuscript is Josse van Becberghe, Echevins de Bruxelles et tournoys, 1582.
Archives de la ville, Brussels, Archives historiques [hereafter B.A.V., A.H.], 3357. he
second is to be found in Rijksarchief, Ghent, Fonds Familie D’Udekem d’Acoz, 4498. I
would like to thank Robert Stein (Leiden) and Frederik Buylaert (Ghent) for generously
giving me the references of these occasional rolls. In another essay I treat the economic
importance of the tournament for the town of Brussels in detail: M. Damen, ‘he Town,
32
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
companies were conducted by bannerets and eighteen by pennon-holders.
Among the tourneyers we ind the duke himself as knight banneret and
leader of a company, the ine leur of his household and numerous nobles and
patricians, mainly from the duchy of Brabant. he only comparable English
document is the Dunstable tournament roll of 1309, analysed half a century
ago by A. Tomkinson. hese armorials ofer the possibility of analysing the
retinues of the leaders of the diferent companies and the positions of every
retainer within the retinue.37
For the mêlée, the companies had to be grouped together into two teams. In
1439 Philip the Good, then duke of Brabant, was almost certainly the leader
of one team, whereas one of the Brabantine bannerets would have been the
other chef d’équipe. his banneret may well have been Jacob van Abcoude,
lord of Gaasbeek, the organiser of the 1428 tournament and of other chivalric events, and apart from the duke himself, the only one among them with
ten helms in his company (Figure 5).38 It is highly probable that we owe the
existence of the (copies of the) armorial to the fact that these two teams were
not composed at random, but rather by taking into account the strength and
capability of all tourneyers. his is explicitly formulated by Monstrelet when
describing the Brussels tournament of 1428. According to the chronicler the
tourneyers ‘furent partis l’un contre l’autre, et paraillement grand partie de
leurs gens, par advis et déliberacion d’aucuns saiges de leurs consaulx et des
oiciers d’armes, adin de eschever toutes rigueurs qui peussent advenir’: that
is to say, in order to avoid any atrocities, some wise councillors and heralds
helped to compose two teams of equal strength.39 To achieve this, probably a
list of names of the participants was drawn up. Such a list must have been the
main source of the armorial for the 1439 tournament.40 But the herald must
have used other ‘sources’ for his compilation. We know that the coats of arms
of the tourneyers were fenestrated, probably at the inns where the tourneyers
the Duke, his Courtiers and their Tournament: A Spectacle in Brussels, 4–7 May 1439’,
in Staging the Court of Burgundy, ed. T.-H. Borchert (Turnhout, 2012). Furthermore, I
intend to make an edition of both rolls in which I will compare the manuscripts more
extensively. he tournament is mentioned (but not analysed) by Van den Neste, Tournois,
p. 308, no. 322.
37 A. Tomkinson, ‘Retinues at the Tournament of Dunstable, 1309’, English Historical
Review, 74 (1959), pp. 70–89. See also Keene and Barker, ‘he Medieval English Kings’,
p. 93.
38 B.A.V., A.H., 3357, fols 38v–39r (Philip the Good’s company) and fols 44v–45r
( Jacob van Abcoude’s company). In 1441 Jacob van Abcoude organised a tournament in
Utrecht: A. Janse, Ridderschap in Holland. Portret van een adellijke elite (Hilversum, 2001),
p. 342.
39 Chronique d’Enguerran de Monstrelet, ed. Douët-d’Arcq, IV, p. 307.
40 Tomkinson, ‘Retinues’, pp. 85–6 and Crouch, Tournament, pp. 73–4.
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MARIO DAMEN
were staying.41 Moreover, one of the chroniclers states that there was a helm
show on the eve of the tournament where all participants had to show their
banners, pennons, helms and crests.42
With respect to the origin of the tourneyers, Brabant is dominant, providing
almost sixty per cent of the tourneyers. Of the neighbouring principalities,
Holland and Zeeland are completely absent. he only Hainaut banneret,
Simon de Lalaing, won the prize of the tournament, at least according to
the chronicler Olivier van Dixmuide. Jacques de Lalaing, later nicknamed
le bon chevalier for all his deeds of arms at tournaments and battleields all
over Europe, formed part of Simon’s company at what must have been one
of his irst tournaments.43 Van Dixmuide furthermore states that hardly
any Flemish nobles were present.44 Indeed, high-ranking Flemish household
oicers like Hue de Lannoy and Roland d’Uutkerke were absent. Maybe they
were too old for tourneying or simply busy with more important matters. But
there may also be a more political explanation. De Lannoy and d’Uutkerke
belonged to the pro-English faction within Philip’s council and did not share
the views of the pro-French (councillor)-chamberlains, Antoine and Jean de
Croÿ, the lords of Charny, Ternant and Crèvecoeur, who at that time played a
leading role in the duke’s policies, and also played a central part in the tournament (see below).45
he prominence of the ducal milieu was striking. In his book on the
princely court, Malcolm Vale states that the ‘blending of service in war, tournament, and the household’ marks ‘a synthesis of chivalric and courtly activities and obligations’.46 He was then evaluating the irst half of the fourteenth
century but a century later little seems to have changed according to analysis
of the participants of the Brussels tournament and their links with Philip the
Good’s household. When comparing the 235 tourneyers with the household
B.A.V., A.H., 3357, fol. 168 where it is stated that one of the tourneyers had his coat
of arms fenestrated (‘doen veijnsteren’).
42 Chronique de Jean de Stavelot, ed. A Borgnet (Brussels, 1861), p. 433.
43 See on him Les chevaliers de l’Ordre de la Toison d’Or au XVe siècle. Notices
bio-bibliographiques, ed. R. de Smedt (Frankfurt am Main, 2000), no. 51. Prosopographia
Curiae Burgundicae [hereafter P.C.B., see www.prosopographia-burgundica.org, accessed
8 May 2011], no. 1097; Barber and Barker, Tournaments, pp. 131–2; M. de Riquer, ‘Les
chevaleries de Jacques de Lalaing en Espagne’, Comptes-rendus des séances de l’Académie des
inscriptions et belles-lettres, 135/2 (1991), pp. 351–65.
44 Olivier van Dixmude, Merkwaerdige gebeurtenissen, vooral in Vlaenderen en Brabant, en
ook in de aengrenzende landstreken, van 1377 tot 1443, ed. J. Lambin (Ypres, 1835), p. 167.
45 On the two political factions at the Burgundian court, see R. Vaughan, Philip the Good:
he Apogee of Burgundy (London, 1970), pp. 100–1.
46 Vale, he Princely Court, p. 189.
41
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
ordinance of 1438 and the (daily) lists of wages of May 1439,47 it appears
that forty-six participants, that is twenty per cent, can be linked to the ducal
household. In Philip’s own company no less than eight of the ten tourneyers
were household oicers. What is more, three of them had been members of
the Golden Fleece since its foundation in 1430 and a fourth joined the chivalric order in 1433.48 As members of both the household and the Order of
the Golden Fleece, they were bound to the duke with a double oath of loyalty.
he involvement of the household was not limited to the company of the
duke. Out of the thirty-seven companies present at the tournament, twentyone of the company leaders boasted a connection with the duke’s household.
heir presence was even more manifest among the bannerets (seventeen out
of nineteen) than among the pennon-holders (four out of eighteen). Most
of these were (councillor-) chamberlains, high-ranking household oicers,
or even close relatives of the duke such as John, son of the duke of Cleves,
and the counts of Étampes, Nevers and Saint Pol.49 Some of them had been
raised at the Burgundian court and appear as special guests in the paylists of
the household.50 Four bannerets (apart from Philip the Good himself ) were
members of the Golden Fleece.51 Since the leaders of the most prestigious
companies of the tournament had a direct, sometimes even intimate, relationship with the duke, the household in many ways really dominated the
tournament.
he oicers of Brabantine origin formed a special category within the household of Philip the Good. In 1433 the duke created twenty-eight extra oices
for nobles who had been born in, or had possessions in Brabant. It provided
a way of embedding the leading Brabantine lineages irmly in the princely
H. Kruse and W. Paravicini, Die Hofordnungen der Herzöge von Burgund I: Herzog
Philipp der Gute, 1407–1467 (Ostildern, 2005), pp. 147–228. he paylists can be
consulted on the website of the P.C.B.
48 It concerns the four knights that are irst mentioned in Philip’s company: Pierre de
Baufremont, Colard III de Brimeu, Jacques de Crèvecoeur and Philippe de Ternant. On
them, see Les chevaliers, ed. de Smedt, nos 16, 20, 21 and 29. P.C.B., nos 0181, 0297, 0321,
0437.
49 Les chevaliers, ed. de Smedt, nos. 10, 47, 53. P.C.B., nos. 0384, 0533, 0664, 0697.
50 P.C.B., écrou 11053 (paylist of 4 May 1439). he preparations for the wedding between
Charles of Viana, grandson of the king of Navarra, and Agnes of Cleves were also going
on in this month. See Vaughan, Philip the Good, p. 290; M. Sommé, Isabelle de Portugal,
duchesse de Bourgogne: une femme au pouvoir au XVe siècle (Villeneuve d’Ascq, 1998), pp.
74–6. Agnes, princess of Navarra, is equally mentioned in the paylists and she must have
witnessed the tournament. On the boat trip from Brussels to Bilbao later that year, Agnes
was accompanied by, among others, her brother John and Hervé de Mériadec, member
of the company of Philip the Good: W. Paravicini, ‘Un tombeau en Flandre: Hervé de
Mériadec’, Francia, 33 (2007), pp. 85–146 (at 100).
51 It concerns Antoine and Jean II de Croÿ, Simon de Lalaing and Jean V de Crequy : De
Smedt, Les chevaliers, nos 15, 22, 23 and 26; P.C.B., nos 0075, 0228, 0403, 0392.
47
257
MARIO DAMEN
environment.52 his had been preceded by the creation of a pro-Burgundian
noble party in Brabant established already by Philip’s grandfather Philip the
Bold (1342–1404) through the grant of money iefs (ief rentes). Eventually, in addition to the positive disposition of the Brabantine cities towards
the Burgundian dynasty, this led to the voluntary integration of the duchy
within the Burgundian personal union in 1430 when Philip of Saint Pol died
without leaving a male successor.53 he lords of Breda (Nassau), Bergen-opZoom, Gaasbeek, Rotselaar and Roost, who all led companies during the
tournament, had already been mentioned in the household ordinance of 1433.
Like their ancestors, they had played a prominent political role within the
duchy of Brabant. Together with some ten other lords, they formed a special
category within the knighthood of Brabant, the aforementioned baanrotsen or
bannerets. he relative weight of Brabantine oiceholders within the household (twenty-one per cent in 1438)54 is more or less mirrored in the presence
of Brabantine bannerets (ive out of nineteen, or twenty-six per cent) at the
tournament.
In the mêlée, unlike in the more individualised joust, collaboration within
both company and the entire team was important. he tournament could
in this way enhance the ‘team building’ within the household. Moreover,
because the duke supplied most of his household oicers with robes, armour
and horses, or money to buy or hire such equipment, the bond between the
lord and his men was strengthened. For these courtiers it did not matter
whether they served their master on the battleield or in tournaments. Both
provided opportunities for ‘deeds of arms’ and the demonstration of prowess
and loyalty to the duke.55
his was a very present concern in the late 1430s when the duke was
involved in several military confrontations, irst against the insurgents of
Bruges, and second against the English. In fact, the martial interaction of the
Burgundian court with the urban communities of the Low Countries was not
conined to the tournament on the market square. What is more, ducal-urban
exchanges at the tournaments should not obscure outright urban hostility
which was normally encountered by severe armed oppression by the duke
and his armies. In May 1437, when combating the Bruges insurgents, Hervé
de Mériadec, a member of Philip the Good’s company, guarded the Bouverie-
W. Paravicini, ‘Expansion et intégration. La noblesse des Pays-Bas à la cour de Philippe
le Bon’, Bijdragen en mededelingen betrefende de geschiedenis der Nederlanden, 95 (1980), pp.
298–314 (at 306–12).
53 R. Stein, Politiek en historiograie. Het ontstaansmilieu van Brabantse kronieken in de
eerste helft van de vijftiende eeuw (Leuven, 1994), pp. 176–204.
54 Paravicini, ‘Expansion’, p. 313.
55 Vale, War and Chivalry, pp. 67, 78–80; Vale, he Princely Court, p. 191.
52
258
TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
gate of Bruges with Charles de Rochefort and Jean, bastard de Renty, also
present at the tournament, under the command of Jean, bastard de Dampierre, another member of the duke’s company.56 In the same year De Mériadec
was rewarded, together with Jean de Chaumergy, another company member,
for ighting against the English.57 his illustrates that combat techniques exercised during tournaments and the resulting team spirit still had a practical
function in military confrontations.58
he Tournament and the Urban Patricians
However, the exchanges fostered by tournaments in the Low Countries were
more complex than this noble-focused model might suggest. After visiting the
Low Countries in 1438 and marvelling at the Burgundian court and the tournaments in Brussels, Pero Tafur went to Schafhausen in the Upper Rhine
region. He noticed there that every man could joust (justar) and participate
in any knightly game. However, the tournament (torneo) was restricted to
those nobles (idalgos) with a known coat of arms. According to the Spanish
traveller this was a good rule because it would make clear who belonged to a
knightly and noble lineage and who did not.59 Tafur remarked a sharp social
distinction between jousts and (mêlée-) tournaments. Participation in a mêlée
was a way to show your noble status. his kind of distinction can be noticed in
the tournament culture of the Low Countries in the irst half of the ifteenth
century as well. According to the rules of the tournament books, only nobles
who could demonstrate that they had four noble ancestors could participate
in the mêlée.60 he chronicler Olivier van Dixmuide doubts, however, that
this rule was applied very strictly at the 1439 tournoi: ‘one said that they [the
tourneyers] had to have four noble ancestors but I think that many slipped
through’.61 Even to contemporaries it was clear that these massive chivalric
events were not as exclusive as they pretended to be.
his becomes clear when we shift the focus from the top categories among
the tourneyers towards other socially more humble participants. Sixty-two
tourneyers (more than twenty-six per cent), can be identiied as members of
Chronique d’Enguerran de Monstrelet, ed. Douët-d’Arcq, V, p. 285; J. Dumolyn, De
Brugse opstand van 1436–1438 (Kortrijk-Heule, 1997), p. 228; Paravicini, ‘Hervé de
Mériadec’, p. 97.
57 Paravicini, ‘Hervé de Mériadec’, pp. 108, 111–15, 136–7.
58 Vale, War and Chivalry, pp. 70, 78–80.
59 Tafur, Travels and Adventures, pp. 195, 208.
60 Vale, War and Chivalry, p. 96.
61 Van Dixmude, Merkwaerdige gebeurtenissen, p. 167: ‘ende also men seide, zo moesten
zy alle eydel zyn van vier zyden, maer ic meene datter vele duere slopen.’
56
259
MARIO DAMEN
Figure 6. Detail of the occasional roll of the tournament
(Brussels manuscript) displaying the company of Costen
van Halmale. ( Josse van Becberghe, Echevins de Bruxelles
et tournoys (1582). Brussels, Archives de la ville, Archives
historiques 3357, fol. 56r)
families who were active in the town administrations of Brussels, Antwerp,
Louvain and Bois-le-Duc. I qualify them here as patricians, political oiceholders who were part of the economic elite of the town which consisted
of landowners, cloth manufacturers and wholesalers.62 he majority of the
tourneying patricians, thirty-three, were from Brussels.63 his gave the spectators a chance actively to support their fellow-citizens. Of course, we should
not overestimate the bond between spectators and tourneyers. In a town like
Brussels, with some thirty-ive thousand inhabitants, social diferences were
big, and time and again tensions between the diferent social categories came
to the fore. Although these patricians saw themselves as representatives of the
town, at the same time, they rather preferred to be associated with higherranking nobles present at the tournament than with the Brussels populace.
Still, it is a notable contrast with the tournaments at Smithield, where the
urban elite from London was not only excluded from participating in but even
from organising the event.64
See on the terms ‘urban nobility’ and ‘patriciate’: F. Buylaert, Eeuwen van ambitie. De
adel in laatmiddeleeuws Vlaanderen (Brussels, 2010), pp. 259–66 and ibid., ‘La “noblesse
urbaine” à Bruges (1363–1563). Naissance d’un nouveau groupe social?’, in Les nobles et la
ville dans l’espace francophone (XIIe–XVIe siècles), ed. T. Dutour (Paris, 2010), pp. 245–73.
63 See on the participation of the Brussels patricians, Damen, ‘he Town’.
64 Lindenbaum, ‘he Smithield Tournament’, p. 12.
62
260
TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
Fifteen of the eighteen pennon-holders can be categorised as patricians.
A good example is Costen van Halmale, who was the leader of one of the
smallest companies at the tournament of only three helms.65 Van Halmale
was the son of a knight and had been active as an alderman in the Antwerp
town administration since 1426.66 His company consisted of Peter Bode and
Willem Colibrant, both from Antwerp patrician families, and of Costen’s
brother Jan van Halmale (Figure 6). Although his company was small, the
alderman must have spent a fortune to stay for a week in Brussels, paying
for the lodgings of himself and his company and buying or hiring horses,
harnasses and arms. And the Brussels tournament was not a once-in-a-lifetime event for Costen. He left a kind of annuary in which he enumerates the
tournaments, both mêlées and jousts, in which he participated in Antwerp,
Louvain, Brussels, Malines, Bruges and Utrecht. For the Brussels tournament
he mentions the same four precise companies from Antwerp which are listed
in the occasional roll with a total of seventeen tourneyers.67 his suggests that
he was not only proud to show a chivalric attitude but also to represent his
town with his fellow-patricians. At the same time the tournament served as a
means of distinction in relationship to others.
Although I was not able to make a comprehensive prosopographical analysis of all tourneyers, it is evident that the majority of the Brabantine tourneyers were from families that were regularly summoned for the meetings of
the Estates. In the convocation lists of these meetings they are mentioned in
the second estate, that of the bannerets, knights and esquires.68 In the duchy
of Brabant the title of knight was not hereditary but personal, although
members of knightly, and de facto noble families, were destined to be dubbed
as knights. In Brabant, as in most other principalities of the Low Countries,
the knightly title was not hereditary but could be obtained by the accolade
which was granted by another knight (mostly the territorial prince) on the
eve of a battle or a siege. However, there were other occasions for obtaining
a knighthood, for example after coronation ceremonies or at the Holy Grave
in Jerusalem.69
B.A.V., A.H. 3357, fol. 95r.
See on the functions of Van Halmale and his fellow patricians in his team, F. Prims,
Geschiedenis van Antwerpen VI. Onder de hertogen van Bourgondië, hertogen van Brabant
(1406–1477) (Brussels, 1936), pp. 182–92.
67 B.A.V., A.H. 3357, fols 190v–191r.
68 See the names in the convocation lists of the estates of Brabant in the ifteenth
century in M. Damen, ‘Prelaten, edelen en steden. De samenstelling van de Staten van
Brabant in de vijftiende eeuw’, Handelingen van de Koninklijke Commissie voor Geschiedenis
(forthcoming).
69 A. Janse, ‘Ridderslag en ridderlijkheid in laat-middeleeuws Holland’, Bijdragen en
mededelingen betrefende de geschiedenis der Nederlanden, 112 (1997), pp. 317–35 (at
324–8).
65
66
261
MARIO DAMEN
Jacob van Abcoude, lord of Gaasbeek belonged to the special category of
the écuyers banneret, or esquires banneret, a recurrent type in Brabant until
the advent of the Burgundian dynasty.70 hey derived their status from
the importance of their seigneuries and not from their military title which
supposed a hierarchical relationship between the giver (the prince) and the
recipient. In his company only the irst-listed, Jan Zwaef, was a knight in
1439. Van Abcoude’s men had other qualities: seven of them were aldermen
in Brussels, occupying this oice before or after the tournament, and nearly
all of them were descendants of the so-called Burgundian party among the
Brussels patricians – aldermen who had received money iefs from Duke
Philip the Bold of Burgundy at the end of the fourteenth century and who
actively supported the Burgundian takeover in Brabant.71 Van den Heetvelde,
the leading family within this pro-Burgundian party, is represented by two
tourneyers in Van Abcoude’s team, Wouter and Willem. hey had strong ties
with this banneret as his iefholders in the land of Gaasbeek. As a symbol
of their origin and adherence, their coat of arms was charged with a lion
rampant argent crowned or, the heraldic device of Gaasbeek.72 heir brotherin-law Gerrit van der Borch was on the team as well but there were other
familial bonds. Jan Zwaef was married to the daughter of Simon van Ophem,
a iefholder of the lord of Gaasbeek, who tourneyed under his feudal lord
together with his son Iwein.73 So the bonding during the tournament did
not only take place on the highest level, that of the duke and his household oicers, but on a lower level as well. For bannerets such as Jacob van
Abcoude the tournament was an ideal opportunity to enforce the bonds with
and among his friends, clients and relatives who formed part of his company.
he competitive element of the tournament was not the exclusive domain of
Damen, ‘Heren met banieren’, pp. 152–6.
Stein, Politiek, pp. 221–6. he aldermen were Jan Zwaef, Jan ’t Serclaes, Simon van
Ophem, Willem and Wouter van den Heetvelde, Gerelijn and Jan Happart. On them and
their coats of arms, R. Laurent and C. Roelandt, Les échevins de Bruxelles (1154–1500).
Leurs sceaux (1239–1500) (Brussels, 2010), nos 197, 198, 210, 231, 452, 559, 698.
72 heir complete coat of arms was: Or, a bend gules charged with three hammers silver,
the irst charged with an inescutcheon sable, a lion rampant argent crowned or. he land
of Gaasbeek was given in 1236 as an apanage to a younger son of the duke of Brabant.
73 For the family relations of Van den Heetvelde and Ophem, see F. de Cacamp et al.,
‘Généalogie des familles inscrites au lignage Sweerts en 1376 d’après le Liber familiarum
de Jean-Baptiste Houwaert’, Brabantica. Recueil de travaux de généalogie, d’héraldique et
d’histoire familiale pour la province de Brabant, 5 (1960), pp. 376–540 (at 459, 483, 507–9);
F. de Cacamp and P. de Tienne, ‘Généalogie des familles inscrites aux lignages de Bruxelles
en 1376 d’après le Liber familiarum de Jean-Baptiste Houwaert’, Brabantica. Recueil de
travaux de généalogie, d’héraldique et d’histoire familiale pour la province de Brabant, 10
(1971), pp. 1069–214 (at 1159–61).
70
71
262
TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
individuals, nobles or patricians, but extended to feudal followings and urban
communities.
All this evidence likewise makes clear that the mêlée in 1439 was irst and
foremost a local event, open to the social and political elites of the duchy
of Brabant. his corresponds to a general pattern in tournament culture in
the Low Countries during the irst half of the ifteenth century. In Bruges
and Lille as well, the jousts were primarily local or regional events involving
local patricians, participants from other Flemish cities and nobles from the
direct surroundings.74 Although there are of course exceptions, the bulk of the
tourneyers originated from the town, the surrounding district or principality
where the tournament was organised. he social and geographical range of
the participants involved in these tournaments contrasts strongly with the
English case. English tournaments increasingly served explicitly diplomatic
functions (especially in border areas), and this brought a growing social exclusivity combined with a more overtly international setting.
In short, the mêlée of May 1439 can be characterised as a meeting between
the Burgundian court and Brabant. Brussels was for a week the place to be
in the Low Countries, and a point where the prince, his household and the
local elites converged. Because of the presence of manifold noble and patrician tourneyers, their wives, friends and clients, this made the tournament
an ideal occasion to arrange alliances and marriages. De Monstrelet gives a
perfect illustration when describing the ‘afterparties’ of the 1428 event: ‘A large
number of dances and banquets was organized there. here were many dames
and damsels, dressed up richly according to the fashion of their country. And
concerning the masquerades (mommeries), both of men and women, there
were lots of them.’75 In this sense nothing had changed since the early days
of tournament: the chivalric event was not only an opportunity to ight and
show of one’s armorial skills, but also to establish or conirm relationships
and secure or improve one’s social position.76
Epilogue
In June 1467 a tournament was organised at Smithield by Anthony Woodville, Lord Scales. On this occasion he challenged Anthony, count of La Roche
and illegitimate son of Duke Philip the Good of Burgundy, better known as
the Great Bastard of Burgundy.77 It had taken Woodville two years to get the
Brown, ‘Urban Jousts’, p. 322.
Chronique d’Enguerran de Monstrelet, ed. Douët-d’Arcq, IV, p. 307.
76 Crouch, Tournament, p. 67.
77 On this pas d’armes, see S. Anglo, ‘Anglo-Burgundian Feats of Arms: Smithield, June
1467’, Guildhall Miscellany, 2 (1965), pp. 271–83. On the Great Bastard, see Les chevaliers,
ed. de Smedt, no. 54.
74
75
263
MARIO DAMEN
Burgundian nobleman to England. he tournament consisted of a joust with
sharp spears, followed by a ight with swords. However, it took both parties
a full day to discuss the way in which the combats on horseback and on foot
ought to be fought. Apparently, tournament traditions on both sides of the
Channel had been growing apart. In England, it was only the third important feat of arms in a period of twenty-ive years, whereas in the Burgundian
territories there is testimony of at least sixty-ive jousts and tournaments in
the same period, including no fewer than seven pas d’armes.78 But there may
have been another reason for the diiculties in agreeing the terms of play.
he negotiations regarding a marriage treaty between Duke Charles the Bold
(1433–1477) and Margaret of York, sister of Edward IV, were still going
on at that time. It is possible that, as Sidney Anglo indicates, all the ‘rules,
regulations, precautions [were] taken to mitigate the dangers for all those
taking part, lest there might ensue any heightening of political tension’.79 he
combats between the two noblemen took place during an entire week and
were alternated with combats of their entourages and, of course, banquets and
feasts. On 19 June, however, all the festivities were cancelled, when the news
of the death of Duke Philip the Good, four days earlier in Bruges, reached
the tournament venue.80
Just as in 1278, the tournament played a function in the diplomatic relationships between England and the Low Countries. hat said, it is clear that
the 1467 tournament was a far more formalised and ritualised event than its
predecessor of two centuries earlier. he chivalric encounter between the two
Anthonys is characteristic of the tournament culture in the second half of the
ifteenth century. he tournament developed into a more regulated contest,
and became increasingly a purely courtly occasion. he traditional mêlée with
two teams opposing each other became obsolete after 1440. It is possible that
this kind of tournament had become too expensive for both organisers and
participants. However, it was not just a pragmatic shift: in the second half of
the ifteenth century individual prowess assumed greater prominence in the
chivalric ethos, and became more highly valued in the eyes of the contemporaries than team work.81 For nobles, and especially for the higher echelons of
the aristocracy, the mêlée tournament was simply too massive, and thus too
anonymous, to provide them with an opportunity to distinguish themselves.
hey looked for other, maybe less dangerous, tournament forms in which they
could shine and into which there was no admission for simple aldermen; every
participant had to demonstrate that he was a man with four noble ancestors.
Visibility, distinction and the demonstration of individual qualities were key
78
79
80
81
Van den Neste, Tournois, pp. 308–28; Barber and Barker, Tournaments, p. 110.
Anglo, ‘Anglo-Burgundian Feats of Arms’, pp. 275, 282.
Ibid., pp. 280–2.
Barber and Barker, Tournaments, pp. 110–12.
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TOURNAMENT CULTURE IN THE LOW COUNTRIES AND ENGLAND
concepts in these chivalric encounters. It is therefore no surprise that the pas
d’armes became the dominant tournament form in this period. Princes also
withdrew from the city centres and erected tournament lists next to their
residences, as exempliied by the lists constructed next to the ducal palace of
the Coudenberg in Brussels.
he result was that, in the second half of the ifteenth century, the interaction between the prince and his household, the nobility and the urban
governments in the Low Countries, at least on the tournament ield, came
to a standstill. In this sense, tournament culture in the Low Countries was
heading towards the English model, in which the prince and his household
played a predominant role in the convocation and organisation of tournaments and in which participants other than high-ranking nobles with connections at court were simply absent. On the other hand, this social exclusivity
brought with it renewed exchange between tournament forms in England and
the Low Countries; for instance, the Burgundian pas d’armes, introduced in
1467, turned out to be the dominant tournament form in England towards
the end of the ifteenth century. It became a medium which could be used not
only to foster military skills but also the political loyalty of English nobles.82
In conclusion, whereas tournaments of the late thirteenth century were
infused with cross-channel contact, whether in reciprocity of form or in the
international composition of the participants involved, by the early ifteenth
century, tournament forms in England and the Netherlands had signiicantly
diverged. As has been thoroughly explored by recent historians, English
tournaments became increasingly socially exclusive, whilst retaining an international dimension in the interests of diplomacy. However, this essay has
demonstrated that this development was by no means typical of all late medieval tournaments. he case of the Low Countries demonstrates that the more
socially inclusive style tournaments did continue into the ifteenth century,
and provided an opportunity for the ducal household and noblemen to come
into contact with patrician townspeople and even more diverse urban audiences.
S. Gunn, ‘Tournaments and Early Tudor Chivalry’, History Today, 41 (1991), pp. 15–25
(at 16–19).
82
265