빛의 도시, 리옹 - Lyons Light Festival

2013

Dae'sun sa'sang nonchong, 2023

Journal of the Architectural Institute of Korea, 2015

KOREA NEOLITHIC RESEARCH SOCIETY, 2022

In order to activate ritual researches in Korean prehistoric archaeology, this paper reviewed the existing ritual-related discussions and looked at the social functions and meanings of feasts, which have not received so much attention in the meantime, in connection with archaeological materials. Feasts are a strategic behavior performed for the main purpose of confirming the identity of groups and securing solidarity, acquiring, maintaining, and strengthening socio-political power by hosts who held those feasts. Essential parts of the feasts are the hospitality, and among others alcoholic beverage is an indispensable drink in the feasts. In this paper, after reviewing in detail the cases in China where the existence of alcohol was confirmed through archaeo-scientific analysis, theoretical discussions on rituals and feasts and critical review of ritual-related studies in Korea were conducted. After that, I briefly reviewed the archaeological data that can be interpreted in relation t...

Journal of Chinese Historical Researches , 2009

The Palace Lady Ban Jieyu was daughter of Ban Kuang (班況), and a grandfather's sister of Ban Gu (班固 32-92), who wrote "The Book of Late Han (後漢書)". She has the episode with emperor Cheng (漢成帝, reg. B.C. 32-7), in which once emperor Cheng stayed in a sedan chair which was carried by four bearer. Emperor let Lady Ban Jieyu be riding together on the sedan chair. After she mentioned about the last emperor of Xia(夏), Yin(殷), Zhu(周, B.C. 1046-771), who took theirs concubine instead of faithful retainer in it, excused. And she asked him how could it be thought about them in history, if she is getting together him on the sedan chair. In this article, I make an attempt the Panofsky's iconographic theory to apply for analysis of the Eastern Painting. Three works of which are emerged the abovementioned episode of Ban Jieyu as I found - Admonitions of the Court Instructress to Palace Ladies 女史箴圖, The Story of Ban Jieyu in Sima Jinlong tomb 司馬金龍墓 and the episode of Jieyu refused to sit in the same sedan chair (with the emperor Cheng) 婕妤辭輦 in the Painting about the three basic principles in human relations 三綱行實圖. They consist of one emperor in the sedan chair and one palace lady, which are accordingly getting out a general rule to depict of this motif in each painting. Furthermore, it makes iconographic meaning "Emperor Cheng and Ban Jieyu" which will be made "Iconography of Ban Jieyu". Also it will be made the allegory of Ban Jieyu, with that can be easy to understand and interpret another artworks in same motif. The Palace Lady Ban Jieyu was daughter of Ban Kuang (班況), and a grandfather's sister of Ban Gu (班固 32-92), who wrote "The Book of Late Han (後漢書)". She has the episode with emperor Cheng (漢成帝, reg. B.C. 32-7), in which once emperor Cheng stayed in a sedan chair which was carried by four bearer. Emperor let Lady Ban Jieyu be riding together on the sedan chair. After she mentioned about the last emperor of Xia(夏), Yin(殷), Zhu(周, B.C. 1046-771), who took theirs concubine instead of faithful retainer in it, excused. And she asked him how could it be thought about them in history, if she is getting together him on the sedan chair. In this article, I make an attempt the Panofsky's iconographic theory to apply for analysis of the Eastern Painting. Three works of which are emerged the abovementioned episode of Ban Jieyu as I found - Admonitions of the Court Instructress to Palace Ladies 女史箴圖, The Story of Ban Jieyu in Sima Jinlong tomb 司馬金龍墓 and the episode of Jieyu refused to sit in the same sedan chair (with the emperor Cheng) 婕妤辭輦 in the Painting about the three basic principles in human relations 三綱行實圖. They consist of one emperor in the sedan chair and one palace lady, which are accordingly getting out a general rule to depict of this motif in each painting. Furthermore, it makes iconographic meaning "Emperor Cheng and Ban Jieyu" which will be made "Iconography of Ban Jieyu". Also it will be made the allegory of Ban Jieyu, with that can be easy to understand and interpret another artworks in same motif.

2008

Dae'sun sa'sang nonchong, 2023

Transactions of the Korean Society of Mechanical Engineers A, 2013

Bilingual Research (이중언어학) , 2009

Wang Hye-Sook. 2009. 2. 28. Learning while Laughing: Integrating Language and Culture through Humor. Bilingual Research 39, 171-211. This paper examines the use of humor in Korean language education. While various materials such as movies, TV dramas, proverbs, folk tales and the like have been widely used in Korean language education over the past decade or so, the application of humor in the classroom has not received due attention from educators and researchers to date. Although some teachers must have been using humor to varying degrees in their classes, the field lacks more formal discussion of the use of humor in Korean language education in general. The present paper discusses ways to use humor, the benefits and pitfalls of using humor in language classes, guidelines and principles of choosing humor, challenges of using humor, and actual examples that could be considered for use in the classroom. Humor can be, if properly used, an effective tool for integrating language and culture education

Journal of the Korean Society for Aeronautical & Space Sciences, 2013