Contemporary
Marxist Theory
A Reader
ANDREW PENDAKIS,
JEFF DIAMANTI,
NICHOLAS BROWN,
JOSH ROBINSON,
AND
IMRE SZEMAN
Bloomsbury Academic
An imprint of Bloomsbury Publishing Inc
N E W Y OR K • L ON DON • N E W DE L H I • SY DN EY
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Bloomsbury Academic
An imprint of Bloomsbury Publishing Inc
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BLOOMSBURY and the Diana logo are trademarks of
Bloomsbury Publishing Plc
First published 2014
© Andrew Pendakis, Jeff Diamanti, Nicholas Brown, Josh Robinson,
Imre Szeman, and contributors, 2014
All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical,
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can be accepted by Bloomsbury or the author.
ISBN: HB: 978-1-4411-0342-0
PB: 978-1-4411-0628-5
Library of Congress Cataloging-in-Publication Data
Contemporary Marxist theory : a reader / edited by Andrew Pendakis,
Jeff Diamanti, Nicholas Brown, Josh Robinson, and Imre Szeman.
pages cm
Includes bibliographical references and index.
ISBN 978-1-4411-0342-0 (hardback : alk. paper) –
ISBN 978-1-4411-0628-5 (pbk. : alk. paper)
1. Socialism. 2. Communism. 3. Marx, Karl, 1818–1883. I. Pendakis, Andrew.
HX73.C657 2014
335.4–dc23
2014005606
Typeset by Newgen Knowledge Works (P) Ltd., Chennai, India
Printed and bound in the United States of America
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CONTENTS
Acknowledgments viii
Introduction: Marxisms Lost and Found
PART ONE Notes on the Conjuncture
1
19
1 Capitalistic Systems, Structures, and Processes
Félix Guattari and Eric Alliez 25
2 Rethinking Marx’s Critical Theory Moishe Postone
3 The Impasses of Liberal Productivism Alan Lipietz
4 Recapturing Paulin Hountondji 67
5 Immaterial Labor Maurizio Lazzarato 77
6 Women, Land Struggles, and Globalization:
An International Perspective Silvia Federici 93
7 The Idea of a “Chinese Model” Arif Dirlik 109
PART TWO Shapes of the Social
55
123
8 Is there a Neo-Racism? Étienne Balibar 129
9 Marx after Marxism: A Subaltern Historian’s
Perspective Dipesh Chakrabarty 141
10 The Logic of Gender: On the Separation of Spheres
and the Process of Abjection Maya Gonzalez and
Jeanne Neton 149
11 Postmodernism or Class? Yes, Please Slavoj Žižek
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41
175
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vi
CONTENTS
12 Communization in the Present Tense
Théorie Communiste 203
13 Patriarchy and Commodity Society: Gender without
the Body Roswitha Scholz 217
PART THREE Vicissitudes of Truth
233
14 Scattered Speculations on the Question of Value
Gayatri Spivak 239
15 Philosophy as Operation Pierre Macherey 261
16 What is Transcritique? Kojin Karatani 275
17 The Idea of Communism Alain Badiou 295
18 The Kingdom of Philosophy: The Administration of
Metanoia Boris Groys 309
19 Twenty-Five Theses on Philosophy in the Age of
Finance Capital Imre Szeman and Nicholas Brown
PART FOUR Theories of Culture
321
337
20 Misplaced Ideas: Literature and Society in
Late-Nineteenth-Century Brazil Roberto Schwarz 343
21 Traditionalism and the Quest for an African
Literary Aesthetic Chidi Amuta 357
22 Marxist Literary Theory, Then and Now
Imre Szeman 379
23 The Antinomies of Postmodernity Fredric Jameson 389
24 Reading Dialectically Carolyn Lesjak 407
25 Creative Labor Sarah Brouillette 441
26 The Work of Art in the Age of its Real Subsumption
Under Capital Nicholas Brown 449
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vii
CONTENTS
PART FIVE Machinations of the Political
469
27 State Crisis and Popular Power Álvaro García Linera
28 Constituent Power: The Concept of a Crisis
Antonio Negri 487
29 Radical Politics Today Chantal Mouffe 501
30 On Political Will Peter Hallward 515
31 Communicative Capitalism: Circulation and
the Foreclosure of Politics Jodi Dean 533
32 Ten Theses on Politics Jacques Rancière 555
33 A Contradiction between Matter and Form
Claus Peter Ortlieb 573
34 Misery and Debt: On the Logic and History of
Surplus Populations and Surplus Capital
Aaron Benanav and John Clegg 585
Sources
Index
475
609
613
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ACKNOWLEDGMENTS
Free and unacknowledged labor is one of the worst consequences of a
project this large. In the now three years since it began, countless hours
from people all over the world have made it possible for this book to
transform from concept into reality. Marie-Claire Antoine—the original
editor of this project—and our current editorial leaders at Bloomsbury,
Matthew Kopel and Kaitlin Fontana, have offered the best kind of support
for which academics of our lot could hope. The Canada Research Chair
program, through assistance with the cost of permissions and by providing
funding for research assistants (RAs), has likewise made it possible to bring
this book to life.
The work of a number of RAs have been indispensable to the creation
of this anthology, including Alice Haisman at the University of IllinoisChicago and Sarah Blacker and Justin Sully at the University of Alberta.
Bringing the project to a close with countless hours of copyediting and
grueling transcription were Zoran Vuÿkovac and Cynthia Spring. And
without Sean O’Brien at the University of Alberta, the whole thing would
have been impossibly clumsy and endlessly illegal.
Nicholas Brown mainly wants to thank everyone involved for putting up
with his constant tardiness.
Jeff Diamanti: I owe a bunch to Imre Szeman, and everything else to
Marija Cetiniý. Mathias Nilges taught me Marxism. And Jason Potts
showed me how to “make it cleaner.” Some kind of beautiful force burst
onto the scene in Edmonton, and I’ll never think the same having been
part of it. They’re cut from that high-grade communist cloth we’ve all
heard about. Brent Bellamy and David Janzen, who lent me eyes for this
project, are good for the long haul. Alberto Toscano offered much needed
commentary in OT. Marcel, i nally, has shown me a thing or two about
labor for itself.
Andrew Pendakis would like to thank his mom, Mary Pendakis, whose
agapic Christian idealism found its way (inverted!) into the heart of his
politics, and his dad, Paul Pendakis, who died after 30 years driving trucks
and buses a few months into his retirement.
Josh Robinson: I should like to thank the President and Fellows of
Queens’ College, Cambridge and the School of English, Communication
and Philosophy, Cardiff University. For support, encouragement,
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ACKNOWLEDGMENTS
ix
friendship, discussion, and disagreement of many kinds I’m grateful to
friends and comrades including Andrea Trumann, Ben Trott, Bernadette
Grubner, Christoph Plutte, David Graumann, Dirk Rudolph, Dorothea
Hensel, Emma Dowling, Felix Kurz, Gabriele Lohß, Jeanne Neton, Karen
Robertson, Katrin Scharnweber, Lis Paquette, Meade McCloughan, Nils
Turnbull, Norbert Trenkle, Robert Ogman, Tadzio Müller, and Ziggy
Melamed. Above all, thanks to Eef.
Imre Szeman: I feel fortunate to have been able to work with such
generous and insightful co-editors. My colleagues and close friends have
helped to make some dificult years into ones worth celebrating. Thanks
to Brent Bellamy, Lauren Berlant, Sarah Blacker, Dominic Boyer, Sarah
Brouillette, Anna Brown, Adam Carlson, Todd Dufresne, Jon Flatley,
Matthew Flisfeder, Susan Hamilton, Dan Harvey, Andrew Johnson, Tim
Kaposy, Marty Kreiswith, Leigh Claire La Berge, Graeme MacDonald,
Mary O’Connor, Julie Rak, Valerie Savard, Will Straw, Joseph Szeman,
Jennifer Wenzel, and Heather Zwicker—and others whom I’ve forgotten to
list (you know who you are).
And to Pulpo: I know that our dream of becoming Chilangos and sharing
coffee at the Vaca Oxidado is bound to become a reality.
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Introduction: Marxisms Lost
and Found
Andrew Pendakis and Imre Szeman
I
The conluence of the collapse of the Soviet Union with what was quickly
framed as a new and inexhaustible paradigm of American-style growth
worldwide, generated a tremendously persuasive historical narrative, one
in which Marx became the signiier par excellence of theoretical hubris,
redundancy, and error. In a lash, the Marxist cosmos, complete with
whatever remained of its claim upon the future, disappeared. In its place
emerged an order we once referred to euphemistically (and perhaps even
a touch hopefully) as “globalization,” but which we have since come to
realize was little more than an ever iercer and more menacing capitalism
in disguise. Although continuously emphasizing its historical novelty, this
was an order simultaneously convinced of its own eternity and naturalness,
a system of living and believing that claimed to have left behind for good
the petty limits and aporias of ideological thinking. Not only did neoliberal
hegemony rewrite history, it elided our capacity to speculate (retrospectively)
alternative narrative arcs and possibilities, negating the ontological right of
the past to its own contingency and open-endedness. Although virtually
no Sovietologist in the 1980s would have predicted the imminent fall of
the Soviet Union, from the angle of the 1990s Marxism was not merely
defeated, but born dead, impossible from the very beginning.
It is essential to remember that in 1979 there was no reason to believe
that the election of Margaret Thatcher was anything but an anomaly
on a planet that was still, if not really moving Left, at least idling there.
Capitalism was in crisis, gripped by unemployment, inlation, recession,
and industrial unrest. Marxism, though certainly beleaguered everywhere
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2
CONTEMPORARY MARXIST THEORY
after 1980, was nevertheless a corporeal institutional universe. Included in
this universe were not only those regimes explicitly governed by principles
(ostensibly) derived from Marx’s work—states governing almost one-third
of the planet’s population—but the whole ramifying complex of Marxinlected political movements (in El Salvador, Afghanistan, Nicaragua,
etc.), institutes, publications, union, and university connections that existed
all over the world. From the vestigial Marxist-Leninist groupuscles and
parties that still toiled from Paris to La Paz, to Western Marxist students
and professors on university campuses around the world, to the material
infrastructure and prestige of social democracy (surely an echo of Marx if
ever there was one), Marxism then possessed a quiddity, an empire of things
(MIGs, ofices, rubles) such that it could in no way be placed unequivocally
on the list of history’s future extinct. It was a hundred years of ambivalent
knowledge and practice, inseparable success, and failure, a vast, ambiguous
coniguration of inertia and possibility—and yet it was swept into oblivion
at light speed.
This can be partially explained by the fact that the United States in
the 1990s appeared to have dei nitively detached itself from a broad range
of nagging twentieth-century materialities and limits. A novel species
of growth—intensive rather than extensive, continuous rather than
intermittent—seemed to be in the process of establishing itself, as business
cycles and manufacturing-based trade surpluses dissolved into the debti nanced effervescence of the “new economy.” Growth without inlation
(and without explicit unemployment), the apparent stabilization of wages,
housing, and stock prices that appeared to rise without a hint of ceiling: all
of these had the effect of producing the fantasy of an economy capable of
resolving every possible social contradiction and tension. Although growth
has had associations with utopic, depoliticized abundance in the United
States since at least World War II, the dependence of the 1990s on highly
fetishized technological innovation, especially in communications and
medicine, imbued it with an aura of qualitative difference, a new order
charged with connotations of social connectivity, ontological variety, and
novel forms of political liberty. Even if the Soviet Union hadn’t collapsed,
the disconnect between its extensive growth—“stupid” lows of steel and
wheat—and the American magic of computers would have been enough
to secure a narrative of socialist backwardness and failure. Compact discs
and social networks on one side of the Berlin Wall, steam-belching Fordist
factories encrusted with dirt and rust on the other: the Soviet Union wasn’t
just politically illegitimate, but an aesthetic failure.
For 20 years Marx was deprived the right to have even been the name for a
process of thinking: he was no longer—whatever his limits and mistakes—a
canonically un-ignorable philosopher, but a stick-igure killer, a blunderer,
a brain on repeat. When not ignored entirely Marxism came to exist in most
spaces of academic, journalistic, and governmental knowledge production
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INTRODUCTION
3
as the easiest of foils, a laughable (though grimly brutal) form of secularized
religion. Even if it were to be conined to a mere emendation in the history
of ideas, we are happy to afi rm that this period of caricature and ignorance
vis-à-vis the work of Marx is now ending. Within the domain of what we
still routinely call “theory” the status of Marx has changed so dramatically
that any genuine reckoning with the scale of the shift requires a dreamy
lashback sequence through the period furniture, gestures, and dress of
twentieth-century in-de-siècle critique. For those of us who loated in and
out of universities, especially English and Comp. Lit. departments around
this time, the 1990s strike us as now fully sutured to their own speciicity, a
process that is only now discernible as a completed historico-spiritual unit.
These years have a discernible scent, a particular modulation of light, a telltale tone of the voice. Describing something as “problematic”—that was
the 1990s. Garrulous paeans to the ineffable; denunciations of the violence
inherent in universals and the impossibility of the general proposition;
endless questing after innumerable limit-experiences, border zones, and
outsides: whatever the continuing value of the theories informing these
gestures, we can no longer deny that something has transpired within the
intensity or coherence of their persuasiveness. Hegel’s great innovation,
one adapted brilliantly by Marx himself, was his method of determinate
inquiry into all that is dead and alive in an age. We see as incontrovertible
the necessity of curating this dificult eye to the historical metabolism of
discourses. It is from this methodological starting-point that we want to
suggest that the spirit of the 1990s is led, even if its letters— the texts and
theories on which it was based— must continue to be learned from, and
remain, in some very real way, irreplaceable.
From the angle afforded today by retrospection, the factor most
characteristic of 1990s criticism was the almost complete absence of political
economy. This was a tendency inherited via the French post-Nietzscheanism
upon which so much 1990s thinking relied for its style, objects, and
method. Marxist economic analysis of the kind practiced by (say) Joan
Robinson, Harry Magdoff, or Ernst Mandel operated within disciplinary
and conceptual coordinates so foreign to those of post-1968 French
thought that the former could only be perceived by thinkers inluenced by
the latter as archaic, determinist, and plagued by untheorized metaphysical
remainders. The language of political economy, rarely stylized or selfrelexive, emptied of the ritual skepticism and play endemic to the writing
of the period, to say nothing of the (mistakenly) intuited proximity of this
language to the stale rhetoric of institutionalized communism allowed for
its consignment to the invisibility of the already said. Political economy was
to post-1968 thought what the Fordist factory was to the design aesthetic
of Apple stores: heavy and left behind by time instead of light, futural, and
effervescent. The shift away from an earlier Structuralist investment in the
objectivity of the social sciences and toward a post-Heideggerian paradigm
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4
CONTEMPORARY MARXIST THEORY
grounded in the epistemological fecundity of literature and artistic practice
further marginalized economics as a particularly misguided echo from the
ruined modern dream of a truth expressible in math.
This trend was only compounded by the sense that the century’s
communist revolutions, entranced by the deus ex machina of heavy
infrastructure, had failed to de-link from the political space of nineteenthcentury liberalism, conserving against (or within) their best intentions its
disciplinary, statist, familialist, and productivist norms. Whether in the
form of the self-transparent, rational homo economicus or a socialized new
man, an isomorphism appeared from the perspective of the period between
liberal and communist iterations of the economic. Both seemed to rely on
rationalist, humanist subjects that were to varying extents grounded in
nature (from Adam Smith’s bartering essence to Marx’s naturalized species
being) just as both seemed intent on domesticating human experience in
the normative disciplinary circuits of production/consumption. Economics
became the very paradigm of disciplinarity, of a thought which, far from
liberating bodies, worked instead to insidiously train and domesticate
them.
Also at work behind the scenes was a certain discomfort with the entire
conceptual terrain occupied by the motif of causality. Time and time again,
Marx distinguishes historical materialist science from the vague—in fact
idealist—moralisms of the “true socialists;” what they lack, according to
Marx, is precisely an expository or analytic power, an understanding of
just how it is that capitalism actually works. Although Marx’s dialectical
method protects him from allegations of positivism, he always conceived of
his work as within the nineteenth-century tradition of scientiic naturalism,
and clearly believed that historical materialism unlocked provisionally not
only the causal structure of the past, but that of the near future, insofar
as it was tendentially contained within a dynamic, politically ambivalent
present.
All of these ideas will fare badly in the context of the post-Nietzschean
turn in French theory. Linked on the side of the object with Newtonian
mechanism and on the side of the subject with crude associationism,
causation would henceforth be largely seen as belonging to the same wrongheaded epistemological space as representation itself. In all of the great
genealogical texts of Michel Foucault, and despite his avowed commitment
to movement and lux, there is a clear—classically Structuralist—
predilection for the synchronic: one gets complex snapshots of historical
systems at different moments in time, but very little in the way of a concrete
narration of the causal nexus which intermediates their difference. In the
work of Gilles Deleuze and Félix Guattari, causal knowledge is to some
extent forgone for a philosophy organized around the creation of percepts,
affects, and concepts; knowledge, to paraphrase Foucault, is not made for
understanding, but to cut, produce, or intervene.1 In Jacques Derrida’s
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INTRODUCTION
5
corpus, the task is to dust away the layers of the palimpsest, rather than
to articulate mediations within a broader, determinative causal context.
Generally speaking, 1990s criticism—drawing on the sources mentioned
above, and with the notable exception of the work of Fredric Jameson—
eschewed a knowledge grounded in the uncovering of causes (often etiolated
unfairly as “origins”) for one anchored in the production and dispersion of
effects. It was via this broad rejection of the category of causation that
Marxism—always interested in the myriad ways in which culture, politics,
and life are multiply determined (and determine) economic reality—could
be reframed as determinist and necessitarian, the error of an enlightenment
will to truth matched only by the proper name of (Pierre-Simon) Laplace.
Another factor in the theoretical eclipse of Marx was a key
transformation in the way we understand power. With the post-1968 turn
in French philosophy, exploitation notoriously drains out of its classical
moorings in the primary capital/labor binary and saturates the whole
ield of social relations. This ission of exploitation into a fragmented
cosmos of micro-oppressions characterized along axes of race, gender, and
sexual orientation—a process which echoed urgent, contemporary social
struggles—nevertheless scrambled the signal of Marx’s universal subject of
history, and with it the grandeur and mythos of the revolutionary project
itself. These “others” were not uninvited guests whose arrival spoiled the
party: the latter was in many ways already moribund and should in fact
have been re-rejuvenated by these new energies of dissidence and rebellion.
At the time, however, for reasons that are complex and retrospectively
intelligible, this division between the multiple subjectivities excluded by
history and the universal subject named by Marx could only be registered
as crisis.
Although power and domination now looded into the tiniest gestures—
ranging from the operations of language to the movement of a gaze, from
relations between a doctor and their patient to the ostensible violence of
metaphysics itself—it paradoxically emptied out of precisely those domains
previously understood under the category of the economic. The experience
of exploitation undergone in an increasingly globalized, deregulated
process of production; the low-wage, precarious, and beneit-less realities
of life in the fast exploding service sector; the increasing i nancialization of
existence, ranging from new practices of mass investment to unprecedented
levels of personal and public indebtedness; the complete colonization of
the time and space of experience by advertising and commodity exchange:
all of this went largely unnoticed in the 1990s and has only been widely
registered by critical and theoretical commentators in the last decade,
often under the codewords of “globalization” or “neoliberalism.” The
critical practice known as “cultural studies,” unmoored from its New Left
origins and more and more widely practiced, did take note of some of these
developments as they were occurring. But even in cultural studies, causation
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6
CONTEMPORARY MARXIST THEORY
and political economy tended to be pushed aside in favor of a thematics of
identity, meaning, and culture.
This was not conspiracy or malice, but that overcompensation and
hiding that always takes place in the transition between the closing of one
paradigm and the opening of another. From the angle of 1990s criticism
talk of economic domination—and by this we do not merely point to the
drama of labor, production, and distribution, but the power capital has over
time, over the future, and over space, bodies, and practices—was largely
bypassed as vestigial, a question subtended by a pre-Foucauldian conception
of power that could no longer be taken seriously. With the ideas of the
Marquis de Sade always there in the background of many of the period’s
most inluential thinkers—Foucault, Pierre Klossowski, and Jean-François
Lyotard come to mind—oppression itself lost its own transparency and social
suffering became suddenly reinscribable as unconscious or transgressive
pleasure. In the context of what was essentially a generalized nominalism,
particularities, fragments, and identities lourished, and with them a
conception of politics as privatized resistance or transgression. Revolution,
not just as the description of a style of politics, but as the mere prospect of
an outside to the general tenor of the present, now functioned as the very
model of the violence always already present in the project of the universal.
Although this again may be slavishly Hegelian on our part, we can’t help but
retrospectively name all of this as both necessary and true. Not only did the
poststructural eclipse of Marx echo real conjunctural contradictions, it was
in many ways the necessary precondition for the hybridization of a Marx
much better equipped to grapple with and think the present. The lexibility
and rigor of the Marxisms present in this anthology could not have come
to be without the “excesses” and missed encounters of the interregnum of
1990s criticism, a moment that now seems as dated as the Soviet factories it
once imagined itself to be leaping over into the future.
II
Just as Marxist analysis was eclipsed in line with the erasure of the economy
as a viable category for thought, so too have its theoretical fortunes been
revived alongside a renewed interest in economic forms. This is not merely
some relex epiphenomenon of 2008, the turn toward “alternatives” that
even The Economist lirts with at the downside of every business cycle or
protracted crisis. Certainly, the i nancial crisis and the Occupy movement
it continues to gestate have dramatically placed back onto the radar of
popular consciousness whole swaths of economic reality largely ignored
for almost a quarter of a century. Inequality, unemployment, class, the
role that i nance plays in a deregulated neoliberal economy: these have all
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INTRODUCTION
7
found their way into journalistic everydayness in a way unthinkable in the
1990s. What we might then call the “economic turn” is not just a whimsical
shift in academic taste, that belatedness vis-à-vis “current events,” which
is always generating new, embarrassingly precise ield names (9/11 studies
being perhaps the most symptomatic). This turn goes far beyond a question
of academic “interest” or “relevance;” it involves an intense, violent, and
labyrinthine irruption of the economic itself. Like an iceberg striking the
hull of a ship, it is a question of a shift in the ontology of the present, a
situation as likely to produce new knowledge and practice as it is wide-eyed
bewilderment and collapse.
One key factor in the recalibration of the cultural visibility of the
economic was the string of wars initiated by the United States at the turn
of the century. Although war is often misconstrued as the outside or limit
of an economy’s smooth reproduction, an extra-mundane exception to
“business as usual,” it became quickly apparent to the millions mobilized
by the antiwar movement just how brazenly intertwined these phenomena
were in an era dominated by fantasies of a “new American century.”
Of course, this relation has crucially sustained industrial demand in the
United States since the 1940s and become an ever more critical element
of its economic order since Ronald Reagan, but in this new conjuncture
(national, capitalist) Realpolitik, industrial/corporate welfare and elite
political cronyism merged so spectacularly that the relevance of that
most Leninist of categories—imperialism itself—gained new theoretical
purchase and texture (as captured so persuasively in David Harvey’s The
New Imperialism [2005]). The wars in Iraq and Afghanistan were like
parodic object lessons in “vulgar” Marxism, events so clearly articulated
at a distance from their explicit, liberal intentions—human, women’s
and minority rights—that not only the classic Marxist hypothesis of an
analytically and causally primary infrastructural domain, but also that of a
state-structure grounded in the false universality of a speciic class interest,
again became plausible—even indispensable—explanatory devices. War
uncovered the economic, not in the mode of a machine silently subtending
the future, but as a raw tissue of manipulations, interests, and brute force.
This image of the economy to some extent echoes the kind of inlated
materialism one i nds in Marx’s writing between 1844 and 1846 at
precisely the moment he is trying to emphatically distinguish his position
from both idealism and the “contemplative” materialisms circumambient
to the period. This is not the late Marx construed by Louis Althusser as
having quietly embedded within the body of Capital an (inchoate) dialectical
materialist epistemology, but that Marx, much closer to Lenin, of “real
premises from which abstraction can only be made in the imagination.”2
In this sense, oil and blood, interest and falsehood stand to the avowed
humanitarianism of United States’ twenty-i rst-century wars with precisely
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CONTEMPORARY MARXIST THEORY
the same ontological pretensions as Marx’s “real individuals” do to the
spiritual phantoms of the Young Hegelians: in each instant something
palpable, gritty, and epistemologically unmediated is counterposed to
the inexistence of the merely Ideal. This was, then, an ambivalent turn.
On the one hand, the wars aggressively invalidated the digital economy’s
claim to an equilibrium without friction, one happily separated from the
anachronistic heaviness of resources, scarcity, nation-states, and class.
They belied dramatically its claims to ontological difference and newness.
On the other hand, the casual Marxism resurrected by the wars had the
drawback of injecting into our understanding of how an economy works a
certain atmosphere of conspiracy —a conception of politics grounded in the
intentional malevolence of a ruling class or cabal (themselves untouched by
ideology). If it was tempting at the time to rephrase the ontological speciicity
of the economic in the language of a sinister holism—“the System” invoked
darkly as an entity without parts or limits—the wars, and the economic
strings to which they were attached, could just as easily be dismissed by
liberal centrists as atomized exceptions to the good rule of sensible capital
(the kind of position taken, for example, by Nobel Prize winning economist
and New York Times columnist Paul Krugman).
Equally critical in the remattering of the economic as a usable
epistemological category has been the explosion into consciousness, both
“theoretical” and “popular,” of what we sometimes call “the ecological
crisis.” However stalled and ineffective existing political responses to the
crisis have been, and however far we are from even remotely beginning
to assess its full import, the presence to mind of the crisis is now
undeniable. Even if it is too often expressed in the same tone reserved for
mundane changes in the weather—that tone set aside for banal, inevitable
phenomena—we are nevertheless now keenly aware of our location on the
edge of an ecological abyss. This has had an important number of effects
on the discursive positioning of Marxist thought. First, the crisis has clearly
displaced an earlier (poststructuralist) fascination with the workings of
representation and language, and redirected attention to what we might
call an emergency of the object. Although good dialecticians tirelessly
remind us that neither crisis nor nature, nor even an imminent nature in
crisis remotely compromise the rule of mediation, and though any notion of
a return to a zero point of the object beyond language or discourse is pure
fantasy, it is nevertheless the case that we are witnessing a broad return,
whether via Graham Harman’s object-oriented philosophy or a certain
(often de-Marxiied) Deleuze, to the object in all its complexity, immanence,
and material thickness. If the gesture par excellence in the Derridean era
was that of stammering—a lingering on the edge of the utterance, a certain
pleasure taken in the surface of language—our own seems to be that of an
excitement taken in the intricacy and complexity of that which is mediated
by and produced through language, the plenitude (and exigency) of the
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framed itself. The sophistic, skeptical tendencies of the 1990s have been
replaced, for example, by the kind of Deleuzian (actually Spinozist) realism
found in the works of Antonio Negri, a realism that conceives of language
not as a mere instrument of representation, nor as a Lacanian thorn in the
lesh, but as a communal power that passionately links us to the world
and to each other. In the wake of the exhaustion of epistemology and its
impasses there is a new hunger for determinate material knowledge, a
knowledge or research that is at the same instant indistinguishable from an
engaged form of political practice.
With this new theoretical openness to an engagement with a properly
planetary object—escaping the motif, popular in the 1990s, of a plurality
of incommensurable worlds—a transformation has taken place in the
valence of two concepts long seen as indispensible to the Marxist project.
First, the planetary emergency has put a dei nitive end to the habits of mind
that styled as statist, inherently violent, or Eurocentric the very idea of a
determining economic totality. This is not just because the ecological itself
requires an idea of interconnected structure, nor simply that globalization
has dissolved any possibility of an enclave beyond the law of exchange,
but also because the economic origins of the crisis are so patently obvious.
Marxists are making use of complex totalities and a reconigured notion
of system completely de-linked from their early associations with spiritual
holism or i nal causality, just as they have done away, once and for all, with
any trace of an implied “scale of being” that locates particularities in a low
and ontologically impoverished distance from the high, substantial, causal
abstractions of capital and labor. At the same time, the crisis has seemed
to generate the conditions for a new receptivity to the notion of political
universality, one mirrored within the domain of capitalist production by
the now global experience of precarity. Such a conluence, despite all of
the theoretical and practical obstacles, creates obvious openings for the
reintensiication of the political scale indexed by the concept of revolution.
To insist on the fact that everything must change no longer requires a
subscription to moral or political perfectionism or a naïve, progressivist
faith in the good-heartedness of history; it is not a question of human nature
perfected or a society holistically “improved” (in the Baconian sense),
but a series of globally localized technical problems linked to the urgent
incompatibility of capitalism and life. Although such change might portend
a thousand shifts in the distribution of dailiness—from the structure and
feel of a workday to the ready availability of day care, from the shape of
cities to the visual content of our cinemas—ecological crisis has made
systemic change the necessary precondition for that most English (and
“realist”) of Hobbesian impulses—survival itself. Revolution, already fully
domesticated by its expropriation by advertising, no longer draped in class
terror or violence, is simply innovation, good, practical commonsensical
thinking.
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Also at work in the redistribution of interest in Marx is the waning
of what we might call the frission of the margin, the orientation, long
endemic to the poststructural, toward phenomena that take place at the
borders, outskirts, and interstices of systems. With the shift away from
an earlier Structuralist investment in the self-regulating and autonomous
functioning of systems, and toward those qualities, phenomena, or events
that consistently elude or violate them, came what was essentially a new
regime of intellectual taste. Very schematically, we might say that this was
a shift from the domain of Law to that of Crime. Madness, violence, error,
the body, sex, forgetfulness, and death constituted a stable constellation
of objects internally linked precisely via their shared distance from the old
idealist norms and protocols—an idealism that was paradoxically expanded
to include Marxist materialism as well! This was certainly a critical project
and one that was in many ways invaluable: in an instant a whole terrain
of phenomena long ignored as beneath or beyond the dignity of thought
emerged into view and with it a completely reimagined sense for what could
be done with thinking.
From today’s vantage point, however, it sometimes appears as if this
trend might itself have suffered from a one-sidedness popularly imputed
(though mistakenly) to Marx himself: a certain incapacitating hatred
of the bourgeoisie! This hatred of (really French) bourgeois culture—
what Foucault once described in code as the whole realm of “mid-range
pleasures” and which Deleuze and Guattari never tired of parodying—
when translated into the recursive (and often very derivative) patterns of
1990s criticism became an obliviousness or indifference to all of the spaces
and practices traficked by commerce, property, and money.3 Thought
today no longer labors on the edges of normativity, but immerses itself
in its concrete texture and details: the turn toward Marx and economics
constitutes a different turn to the phenomena ignored by thought—a turn
toward the banal and the barely noticed, toward objects so grey they’re
interesting. What can we learn about the literature of the World Bank?
What would an ethnography of Wall Street tell us? What is the precise
style of governance adopted by a neoliberal state? How does a factory in
Guangzhou subjectivize its workers? What can be learned about the social
ontology of the new communications technologies? What are the linkages
between serial femicide in places like Ciudad Juarez and the social and
phenomenological coordinates of the maquiladora? How does capital alter
the logic of urban spaces? This generation appears more open to reading
texts their subcultures have trained them to instinctively dislike; however
much they might prefer to be reading de Sade, Nietzsche, or Georges
Bataille, they have their noses in Adam Smith, John Locke, and Friedrich
Hayek, and can even be found lipping (half-bored, half-fascinated) through
the pages of the Wall Street Journal.
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III
If there is anything, however, which has directly reviviied interest in Marxist
theory it is the sudden appearance on the scene, impossible to anticipate from
the perspective of 1990s thinking, of a new generation of people for whom
the word communism no longer merely signals stupidity, death, and failure,
but a new horizon of political possibility and meaning. The speciicity of
the word matters here: the transfused energies of the word “communist”
never cease to recall all that stands to be lost, botched, or destroyed by any
genuine (transformative) political process. Unlike today’s liberal democrats,
whose political afiliation effortlessly channels associations with liberty and
progress (wholly screening out its historical complicity with slavery, racism,
pauperization, war, and other injustices), the communist elects to take on
a political sign culturally saturated by the synecdoche of the gulag. In this
sense, stupidity, death, and failure are the internalized (but not suficient)
i rst principles of every neocommunism, a nontransferable subjective debt
that can in fact be dialectically (even ethically) fruitful, a testing spur to
better thought and politics. For some, communism’s abjection, its arrival
from a space that is necessarily compromised and incomplete, is the very
secret of its power: it is from this angle, one iltered through Jacques Lacan’s
suspicion of wholeness as intrinsically alienating, that Slavoj Žižek can
produce his injunction to “fail better.”4 For most, however, an awareness
of communist crime and the atmosphere of shame it produces is only a
negative i rst moment in a much more capacious process of afi rmation,
one replete with positive new pleasures, concepts, forms of togetherness,
and imagination. Neo-communism today marks out a terrain populated
less by austere igures of organized militancy or dogma, than by a montage
sequence of reading groups, free schools, art sites, grafiti, protest, and
occupation. They come from everywhere, these new communists—these
communizers —from anarchism and from Lenin, from Christianity and
Yoga, from Operaismo, unemployment, and art. What they share is
a common sense of revulsion in the face of consumerist banality and a
conviction that there is more to life than work, debt, and insecurity. For
those of us who haven’t spent time on university campuses or with the
urban youth and unemployed of Europe’s sinking cities, or among a new
generation of students in places like São Paulo, Cairo, or Shanghai, this is
a phenomenon without an image or concept: such talk will be registered as
little more than wishful thinking or fantasy. However fragile its numbers,
however inchoate its organizational strategy and strength, it nevertheless
remains that communism as a scattered concatenation of bodies, a desirous
conception of the good life and as a style of passionate analysis and politics
is again drifting around on the horizon. The full force of this shift has been
echoed in a recent lood of texts ranging from Jodi Dean’s The Communist
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Horizon to Bruno Bosteels’s The Actuality of Communism. The genealogy
of this turn, conceived of in terms of dated publications, would appear
to have begun in North America with 2001’s Empire (through which the
entire corpus of Antonio Negri was then rediscovered), with other textual
landmarks along the way, including Retort’s Aflicted Powers (2005),
The Invisible Committee’s The Coming Insurrection (2007), and, most
recently, Alain Badiou’s The Communist Hypothesis (2010). Conceived
of in terms of political sequences, the new communism seems to have
emerged in the West between Seattle and Occupy, a decade-long cycle of
intermittent engagements that continues to draw on the political energies
and organizational intelligence of movements (mostly South American)
ranging from the Movimento Sem Terra in Brazil to Zapatismo in Oaxaca,
from Venezuelan Bolivarianismo to Los Indignados in Argentina.
Often obscured by Marxism’s traditional contempt for the disciplinary
privacy and quietism of ethics are the contours of its own special ethicoaffective dimension. We are not thinking here of a system of moral maxims or
imperatives thought to undergird his politics, the unwritten ethical substrate
of a society in which “the free development of each is the condition for the
free development of all.”5 Nor do we have in mind the Hegelian residues of
an early Marxist conception of communism that longed to mingle essence
and nature, being and truth, in a political structure grounded in universal
recognition. By ethics we don’t mean the kind of individualist moral
calculus often associated with the word, but an affective register at once
personal and collective that is rarely associated with Marxism, but always
present therewith. Marx’s complex proximity to the discursive codes of
nineteenth-century science as well as his suspicion (inherited in part from
Hegel) toward bleeding-heart reformers and utopians, has covered over and
concealed what we would simply like to note as the pleasures of Marxism.
This is a subjective plenitude, a kind of dialectical joy, one which
conjoins in the same breath a materialist clarity and distinctness, a
science without mastery or comfort, with a genuine over-brimming of
the “spirit.” The latter combines a hatred of injustice with a love of the
future, a feeling of connectedness to everything that has happened and
that will happen on the planet with an almost painful awareness of the
speciicity and limits of one’s locale. When it is not linked into vibrant,
activist networks, the congeniality of political connection and work,
Marxism retains nevertheless unique theoretical pleasures that delight of
the understanding so passionately expressed by Spinoza in the context of
seventeenth-century science. Even Locke writes of the “constant delight”
afforded by the work of knowing, a “sort of hawking and hunting, wherein
the very pursuit makes a great part of the pleasure.”6 How much greater and
intense this pleasure is in the context of an immanent encounter not with
being or nature or even “society,” but with the interesting and infuriating
lesh of capital: concealed and intelligible at the same time, mappable yet
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ini nitely complex there is a purely speculative, tinkerer’s pleasure here,
one represented perfectly by the thin, straining diagrams of inance made
by conceptual artist Mark Lomardi or the organized chaos and texture
of Andreas Gurski’s photographs of visually exploding Chinese factories.
This is that today rare sense that one is in touch with an essence of things,
a “substance” composed out of nothing more than relations and forces,
one that is entirely historical, contingent, and certainly very slippery, but
which nevertheless has about it an utterly unforgettable expository weight,
a power to reveal and to lay bare. This (provisional) conviction is precisely
the same affective texture one experiences in the presence of others in
the street during protest: though one encounter is ostensibly solitary and
objective and the other subjective and crowded it would be impossible to
divide this pleasure, this desire for knowledge and justice, which happens
in the same breath.
We mention this unique Marxist jouissance, the self-sustaining pleasure
of Marxist research and practice, because we are painfully aware that we
are living, despite the shifts in the fortune of political Marxism mentioned
above, in the ruins of the Left. This is in no way an inescapable fate and
there are myriad reasons for hope, but the present nevertheless constitutes
a miserable state of affairs for those taken by the possibilities of a different
kind of world—a space in which the 1 percent has gained vastly at the
expense of the 99 percent, in which we can expect an increase in global
temperature of 4°C by the end of the century, and in which both unjust
and damaging outputs of the present are as widely known as they are
under-politicized. If the expository or analytic pertinence of Marx today is
dificult to doubt—even the New York Times concedes this (though in the
same register it reserves for “curiosities” of all kinds)—obvious strategic
questions remain in the domain of politics. We live within tantalizing
historical reach of a Left politics the corporeality, intensity, and scale of
which dwarf our own or indeed that of past. We are not thinking here only
of the so-called people’s democracies, but all of the anarchisms, unionisms,
antiimperialisms, feminisms, and social democratic movements that
accompanied them across the long twentieth century. Living in the ruins
does not mean living in the shadow of an absent perfection or harboring
a desire to rebuild on the spot. It is, however, infuriatingly lonely in a way
that constitutes an ever-present threat to the stamina and perseverance of
a genuine politics. The theories anthologized here address in various ways
a Marxism at once alive and dead, conjuncturally essential and nothing
at the same time. For example, Badiou’s philosophy is tailored to the
maintenance of subjective organizational intensity in hard political times,
an unambiguous philosophy of hope: it is the necessary spiritual fuel of the
beleaguered (potentially universal) corpuscle. The autonomists have their
own solution: communism is not, as Marx sometimes envisioned, a project
20, 30, 50 years in the making, but a project to be immanently produced in
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the interstices of the present, one that we should invent in the here and now
rather than await in the form of a messianic future event. Although there
are signs of a shift in the winds, we live (and should admit it) in the ruins,
a context without guarantees of “progress” or redemption. Nothing in this
political conjuncture, however, even remotely threatens the relevance and
pleasure of Marxist theory and practice, just as the continuing existence of
patriarchy has no effect at all on the relevance and pleasures of feminism.
The fact that things may be dificult doesn’t mean that the very real openings
generated by the analytic rigor of Marxism, or the energetic way of being in
the world produced by the connections and communities of Left practice,
are unreal, or unnecessary, or aren’t desperately needed. Indeed, Marxist
thought is a necessary (though not suficient) condition if there is to be any
hope at all of creating a world in which human beings can at long last shape
maximally their own possibilities in the just and lively company of those
with whom they share the planet.
IV
Anthologies are uniquely irritating objects, which is not to say that we
can do without them or that there aren’t important differences between
one kind of irritation and another. The question is not really whether but
how an anthology fails. This one is no different, a tangle of awkward
adjacencies and truncations. At the heart of the desire to anthologize are two
irreconcilable injunctions. When grounded in a principle of inclusiveness—a
kind of neutral scanning of the breadth and heterogeneity of a ield—what
is won in the domain of variety is often lost in thematic tightness or unity:
pieces come to be incoherently tumbled together like items tossed into a
laundry bag. When, however, the organizing principle isn’t adequation, but
a strong, coherent shaping of the ield’s structuring tensions and problems,
the danger arrives in the form of exclusions and oversights of work and
igures that everyone might think should be represented in an anthology.
Where the i rst option gains a kind of panoramic, documentary breadth
(while losing something like “spiritual” form), the latter gains coherence
at the expense of the richness and depth of the ield. The dangers are even
more pronounced in a book of contemporary Marxist theory, one whose
very title will be intelligible for many only as comedy or oxymoron. Isn’t
to utter the words Marx and Theory in the same sentence already to speak
in contradiction? Marxism, of course, is regularly parodied as beneath the
threshold of thought, a politics born of blind practice or psychopathology,
just as its contemporaneity to anything but the nineteenth century is still by
many called into question. We’re conident that the texts included here are
more than capable of de-mystifying both of these clichés.
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This anthology has no interest in establishing the sanctity of a canon.
Its exclusions are not passive aggressions, undeclared acts of war against
unnamed schools or thinkers. We are tired of these rituals of faction, habits
that are intellectually incurious and politically ruinous. We have excluded
representatives from world-systems theory, Analytic Marxism, liberation
theology, the New Dialectic, the UMass, and Monthly Review crews, as
well as many other interesting clusters of contemporary Marxist research,
not out of uninterest or suspicion, but out of an editorial commitment to
using the word “theory” found in the title of this book not merely as a
synonym for thought per se, but in the sense it has come to be used in North
America as a byword for the transformation within philosophy enacted
by the triple torsion of Marx, Nietzsche, and Freud. There are exceptions
here: our choice to include Arif Dirlik’s essay met what we thought was
an urgent need to acknowledge the role played by “the rise of China” in
the new conjuncture, while Alain Lipietz’s work, though not conversant
with the continental tradition, seemed pertinent in the context of the
overwhelmingly productivist imperatives of contemporary capitalism.
What does it mean for a thought to be “Marxist?” What criteria or
protocol legitimates this predicate? Is it a question of content, adherence to
a package of empirical economic hypotheses or political tenets? Is there an
axial Marxist hypothesis or position, one which when removed qualitatively
changes the substance of a discourse? Or is it a matter of thresholds, a point
reached in the complexion of a thought after which it simply ceases to be
recognizably Marxian? Is it, instead a question of method or form? Here
we might recall György Lukács’s suggestion that if all of Marx’s signature
empirical hypotheses were proven false—the rate of proit to fall, the labor
theory of value, and so on—the “truth” of Marxism would in no way
be affected. What he meant of course was that the richness of dialectical
materialism survives the failure of any given positive Marxian postulate,
that a thought characterized by dialectical precision must by dei nition
perpetually overcome and surpass itself. Ultimately, we have to confess to
i nding the question of just what it is that qualiies a thought as Marxist
uninteresting, at least insofar as it envisions itself as anything beyond
an intriguing specialist imbroglio. Certainly, we also experience all the
categorical and deinitional impulses of anyone caught up in the pleasures
of theory, that desire to create and clarify differences and to defend logical
attachments, and there may indeed be more at stake in these distinctions in
the context of a discourse that actively insists on the inseparability of theory
and practice. But we have to admit that we discern in the background of
this question a tired paraphernalia of patrol, the specter of blindly guarded
territory.
If pressed, however, we would offer the following. If the vocational
destiny of feminism is that of rigorously safeguarding the capacity of the
human to think itself beyond the limits imposed on thought and practice
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by patriarchy, then that of Marxism pertains to the need to equally contest
the limits placed on thought and practice by the historical existence of
capitalism. Both are arts and sciences of justice, which is to say, utterly
essential analytic apparatuses and visionary political injunctions. The
decisions that we made in bringing together the writers collected here
was to offer an overview of the ways in which Marxism has responded
to the complexities of our particular coniguration of capitalism. It is
a coniguration in which capitalism reigns supreme, untouched, and
unchallenged on the scale that would be needed to undo its logics and its
structures, even as its self-certainties have been put into question and its
ideologies no longer secure its future—a moment in which capitalism is
undeniably powerful, constituting the very terrain of the quotidian, and yet
stands all too ready to be jettisoned in favor of some other reality by the
99 percent for whom it doesn’t even provide Keynesian comforts as it goes
about rapidly making the planet uninhabitable.
Far from merely being characterized by tangential philosophical
interests—something undertaken on the outskirts of the serious business
of economics or politics—Marxist theory has functioned as an essential
vector for the reinvigoration of philosophy itself. This is an improbable
fate for a discourse often construed as fundamentally organized around
a desire to escape or transcend the philosophical tradition. We have seen,
precisely via the Marxisms of Étienne Balibar, Negri, Badiou, Žižek, and
others, a tremendous resurgence of interest in the history of philosophy
among a new generation of students and theorists. Balibar’s recent
comprehensive reevaluation of Locke, Negri’s treatments of both Descartes
and Spinoza, Žižek’s Hegel and Schelling, Badiou’s Plato: everywhere we
discover Marxists scavenging essential theoretical bits and pieces from
thinkers not just at a distance from their own tradition, but sometimes
classically opposed to it. There are those for whom this pluralism will no
doubt be the clearest symptom of revisionist decadence and confusion, a
theory now so fully detached from practice (a further coni rmation of Perry
Anderson’s famous argument about the character of Western Marxism)
that it can risklessly drift, one enfeebled worldview among an ini nity of
others. However, we feel that this turn toward Marx within philosophy
is not just another instance of the latter responding belatedly to exigent
historical conditions, but a genuinely dialectical shift within its own
disciplinary and normative space, one in some sense being grown from
within the limits, exhaustions, and aporias of the tradition itself. We see
this omnivorousness of contemporary Marxist thought as a mark of its
strength, a desire to contend with diverse positions and to hybridize what
it has learned with other strains of thought. By putting various strands of
contemporary Marxist theory into dialogue within a single text, we hope to
further those philosophical and political inquiries that promise to reshape
the terrain on which we will live out our collective futures, a terrain i lled
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to the brim with questions and dangers, but also unnervingly beautiful
glints of reddish light.
Notes
1 The case of Deleuze, as seen below, is an ambivalent one. Although he makes
certain to distinguish the passive, representational habits of tracing from the
active qualities of the map, he is far more interested than Jacques Derrida or
Maurice Blanchot in diagramming material assemblages. Nevertheless, the
Marxism afirmed by Deleuze is less concerned with creating comprehensive
maps of capitalism than it is with the task of subverting it.
2 Karl Marx, The German Ideology, ed. C. J. Arthur (New York: International
Publishers, 1999), 42.
3 Michel Foucault, Foucault Live, ed. Sylvère Lotringer (New York: Semiotext(e),
1996), 378.
4 Žižek, In Defense of Lost Causes (London: Verso, 2008), 210.
5 Karl Marx, Later Political Writings, ed. Terrel Carver (Cambridge, MA:
Cambridge University Press, 2004), 20.
6 An Essay Concerning Human Understanding (Indianapolis: Hackett, 1996), 1.
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