LABELS FOR ETERNITY: TESTING PRINTED LABELS FOR
USE IN WET COLLECTIONS
G.G. BEINER
National Natural History Collections at the Hebrew University of Jerusalem, Berman Building,
Edmond J. Safra Campus, Givat Ram, Jerusalem 9190401, Israel
gali.beiner@mail.huji.ac.il
Key words.—collection, fluid-preserved, immersion, label, Oddy test, printer, solution.
INTRODUCTION
While handwritten labels with India ink are often time proven (Carter 1998, Jackson
2013), the life span of modern printed labels is difficult to predict. The introduction of
electronic database systems made computer-generated, printed labels the method of choice.
Up to now, there were no common standards for such labels, and printer technologies have
been constantly changing. The conservation and preparation community has yet to agree on
a set of standards for printed labels for use both in fluid-preserved and in dry collections.
Surveys on the use of printed labels in fluid-based collections indicate that the range of
printers, inks, and printing substrates is considerable (Beccaloni 2016). Fast technological
turnover and the often-limited life span of printers further complicate the situation. For
example, users of some black-and-white inkjet printers received good experience using high
resolution (1,200 dpi) black-and-white printing, but the models of monochrome printers
recommended for collections are being discontinued, and the performance of color printers
has yet to be tested for stability (J.M. Gagnon, Canadian Museum of Nature, pers. comm.).
An excellent starting point to explore the diversity of printers is the Society for the Preservation of Natural History Collections (SPNHC) Wiki information page, which summarizes
key data on different types of printers currently in use (SPNHC 2020). Three main types
can be distinguished: thermal transfer, inkjet, and laser printers. Laser printers use a toner,
which is a powdered carbon-based ink. While Zala et al. (2005) found that laser-printed
labels produced by an Apple LaserWriter Plus printer are durable in 70% ethanol in distilled water or in 10% unbuffered formalin, they were concerned about the longevity of
the toner-paper bonding. As detailed in Zala et al. (2005) and the SPNHC Wiki page—
and confirmed by personal observations in the National Natural History Collections at the
Hebrew University of Jerusalem (NNHC-HUJ)—the letters present on laser-printed labels
often delaminate from the printing substrate over time. Consequently, laser printers are not
recommended for use in fluid-based collections. Therefore, our study compares only inkjet
Collection Forum 2020; 34(1):101–113
© 2020 Society for the Preservation of Natural History Collections
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Abstract.—Will printed labels survive prolonged immersion in collection fluids, and, if so, which
printing system is preferable: inkjet, laser, or thermal transfer printing? In a world with a wide variety
of printers, printing substrates, and printer technologies, the interactions between them very likely affect
long-term label preservation in the chemical environment of the preservation fluid. In fluid-preserved
collections, the main issues frequently encountered with labels include delamination, abrasion, fading,
and disintegration during immersion in solutions such as ethanol and formaldehyde aqueous solution
(widely known under the commercial name formalin). Very few publications have presented testing procedures assessing the behavior and stability of printed matter immersed in the types of solvents used
in fluid-based collections. This article presents a series of experiments set up at the National Natural
History Collections at the Hebrew University of Jerusalem to test a variety of museum labels. The tests
compared labels actually used in different natural history collections and included labels from both thermal transfer and inkjet printers. All were subjected to accelerated aging and mechanical abrasion. In our
series of tests, inkjet labels gave the best performance.
102
COLLECTION FORUM
Vol. 34(1)
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
to thermal transfer printers. These methods differ fundamentally. Thermal transfer printing involves coating on a plastic surface, while inkjet printing is injected into the paper and
is soaked by it. The key question that collection professionals still face is the question of
label and ink permanence when the labels are placed inside the sort of fluids prevalent in
fluid-based collections.
Inkjet printers use either toners or liquid inks, which may be pigment based or dye based.
Carbon pigment-based inks should be preferred, as they have better permanence qualities
compared to dye-based inks, as demonstrated by experimentation (Jackson 2013). However, pigments form only one ingredient in the list making up the ink. Inkjet inks are required to be liquid when they are jetted from the ink head. They are usually composed
of a functional molecule (e.g., a colorant, which may be a pigment), a liquid vehicle (water, organic solvents, or cross-linkable monomers), and additives with specific functions
(surfactant, preservative, or photoinitiator) and often also include a binder—a polymer
for binding the functional molecules to the substrate after printing (Magdassi 2010). Additives such as anionic surfactants or polymers with hydrophobic groups may be added
by the manufacturer to prevent agglomeration of insoluble particles of pigments (such as
carbon black) in the ink cartridges after production and filling, which may block print
nozzles (Magdassi 2010). Consequently, conventional inks usually contain pigment at concentrations below 10% w/w in order to achieve the necessary optical density (Magdassi
2010). In summary, inks of commonly used inkjet printers are not standardized and are
highly variable in their composition. The quality and durability of the printing may vary,
depending on the manufacture of the ink. Moreover, inkjet printers are often designed
to be used with specific paper to optimize the performance of the ink and the printing
quality. This is done with different coatings on the surface and bottom layer of the paper. Inkjet printers employ different paper qualities and standards, both coated, such as
with kaolin (Bundy and Ishley 1991), and uncoated (e.g., chemically inactivated tracing
paper). Various websites offer information on a variety of paper finishings (e.g., WebFX
2013, Printivity Insights 2019). The information on the chemical processes involved in
achieving these finishings is scarce, and the term “archival” does not have a standardized
meaning.
Thermal transfer printers employ a toner ribbon, which melts wax or resin-based ink into
the printing substrate. The ribbon serves as solid-state ink, applied as a very thin coating
onto polyester film, which serves as the printing medium. This ribbon is drawn between the
medium and the inkhead, where tiny pins, each representing a pixel, rapidly heat and cool to
melt and transfer the ink ribbon onto the blank substrate (CableOrganizer 2021). Thermal
printers vary in pixel size and density. The three main types of thermal transfer inks include wax, wax–resin, or pure resin ribbons (CableOrganizer 2021). Pure resin ribbon inks
are considered the most durable but are designed for use on vinyl, polyester, and polypropylene printing media and thus are unsuited for use on paper (CableOrganizer 2021). Thermal transfer printers should not be confused with direct thermal printers. Thermal transfer
printing involves the use of a printing ribbon, while direct thermal printing excludes the use
of ribbons. The ribbon acts as a buffer between the print substrate and the print head, helping to protect the latter from dust and debris, which could burn into it and reduce the quality
of the print. Thermal transfer printers are cheaper and may lack the necessary hardware for
controlling and driving a ribbon. Thus, they produce less durable prints. Conversely, direct
thermal printing substrates of high quality are more costly than thermal transfer printer
substrates because plainer, more abrasive printing substrates damage the printer head in
direct thermal printers (SATO America 2015). Alpha Systems Inc. (Elkhart, IN) offers a
BEINER—LABELS FOR ETERNITY
2020
103
Table 1. Specifications of tested museum labels.
Type
Thermal transfer
Inkjet
China ink (Pelikan)
2HB pencil
Datamax i-Class
Mark II+ pure resin
ink ribbon (300 dpi)
Epson WF-3010 + Epson
DURABrite ink
cartridges
Lexmark MS310dn +
501H high-yield return
program toner cartridge
n/a: ink applied with a pen
nib
n/a: pencil applied
manually
Substrate
Preservation Tag
spun-bond polyester
media
Resistall 100% cotton
fiber paper
FLEXDura HE
permafiber wet strength
6-point paper
Rite in the Rain
all-weather printing
paper, 75 g/m2 , USA
Rite Green
Rite in the Rain
all-weather printing
paper, 75 g/m2 , USA
Rite Green
ID Code
KU
BMNH
RBCM
RR + China ink
RR + 2HB pencil
KU = University of Kansas Natural History Museum.
BMNH = Natural History Museum London.
RBCM = Royal British Columbia Museum.
RR = Rite in the Rain all-weather printing paper.
combination of pure resin-based ink from a Datamax thermal transfer printer and a label
substrate made of spun-bound polyester for use in fluid-based collections (Bentley 2004).
Fluid-preserved collections historically include an interesting range of fluids, but ethanol
and denatured alcohol appear to be the most prevalent in current use (Beccaloni 2016).
Another still often encountered preservation fluid in collections is formalin. In order to test
the permanence of printed labels immersed in fluids, we conducted a series of accelerated
aging experiments comparing different types of printed museum labels before and after
immersion in commonly used solutions, such as ethanol and formalin.
EXPERIMENTAL SETUP
Different labels actually used in museum collections were used for this study (Table 1).
Tested labels include prints from two inkjet printers and one thermal transfer printer, the
specifications of which are given in Table 1. The label types in terms of material are identified in the table and the following discussion by their respective museum acronyms—
BMNH (Natural History Museum London), RBCM (Royal British Columbia Museum),
KU (University of Kansas Natural History Museum)—or the name of the company that
produced the label material (RR, for Rite in the Rain all-weather printing paper). Two
handwritten labels, one with China ink on RR paper and the other with 2HB pencil on
RR paper, were used in the first experiment for comparison. For each of the experimental
settings, identical letters from identical locations and identical size were extracted from the
labels, using scissors previously cleaned with 99.5% acetone (AR) and then with 99.9% absolute ethanol (Baker Analyzed line of products produced by the J.T. Baker Chemical Co.,
Radnor, PA) prior to each removal. The condition of each sample was documented before
and after treatment (see details under “Analytical Methods”). All aqueous solutions of
formaldehyde used in the tests were prepared from a supplier stock solution of 38% (w/w)
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Inkjet
Printer
104
COLLECTION FORUM
Vol. 34(1)
Experiment 1
In this group, we compared samples including label substrate plus print with samples including plain label substrates only (see Table 2 for details). Each sample was placed together
with a magnetic stirrer in 3.50 ml of the test solution in a completely new glass scintillation
vial (20 ml, screw-cap tube). Both tubes and stirrers were cleaned with 95% ethanol and
air-dried before the test. The glass vials were placed for 24 hours on a Variomag® poly 15
magnetic stirrer shaker plate, the temperature set to 80°C.
Experiment 2
Each sample was placed in 5 ml of the test solution (Table 2) within glass vials (CAP1000191PK-72 US-manufactured screw-on-cap vials) exposed to UV irradiation in a crosslinker with 8 UV lamps for 30 minutes to eliminate biological contamination. Afterward,
vials were rinsed in 99.5% cetone (AR), finally cleaned with 99.9% absolute ethanol (Baker
Analyzed), and air-dried. The glass vials were placed in a shaking water bath (Tuttnauer
Co., Jerusalem, Israel) with 15 shakes per minute at 80°C for 72 hours.
Experiment 3
The setup for Experiment 3 was identical to the setup for Experiment 2 except for the
addition of half a teaspoon of glass spheres (Tambour Fantasy ball glass 795-50X) to each
vial to test the stability of the labels and their printing against abrasion and wearing.
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
of formaldehyde (Bio-Lab Ltd, Jerusalem, Israel) and diluted to 4% using distilled water
from a Treion TSDI column (Treitel Chemical Engineering Ltd, Tel Aviv, Israel). The first
experiment (Table 2) served as an initial evaluation to gain insight into the effects of different solutions (i.e., ethanol, formalin, ethyl methyl ketone, and methyl sulfoxide) at specific
concentrations on printed thermal transfer and inkjet labels and to determine whether these
labels were more or less durable compared to handwritten labels. The next two experiments
focused more specifically on the types of labels that had shown deterioration in the first experiment, including an additional type of inkjet label (Table 2). These labels were tested in
4% formalin and 95% ethanol, with distilled water for comparison. Ethanol and formalin
were also selected because they are the most commonly used solutions in fluid-preserved
collections. The third experiment added one new factor: a test for abrasion and wearing
effects using glass spheres under accelerated aging conditions designed according to Oddy
test protocols (reasoning, origins, and variations on the original procedure have been described in a number of publications, e.g., Oddy 1973, Green and Thickett 1995, Robinet
and Thickett 2003, Thickett and Lee 2004, Beiner et al. 2015). In the field of conservation,
the so-called Oddy test for museum materials aims at creating conditions extreme enough
to trigger fast change, based on the idea that slow change achieved over long periods of
time would result in the same set of changes. For the experimental setting, it is assumed
that elevated temperatures accelerate chemical reactions, which usually occur slowly over
time, and damages thus occur faster and are more easily observable, that is, within the (relatively short) time span of the Oddy test. Therefore, our three experiments were conducted
at 80°C. The initial Experiment 1 was set to a shorter time span (24 hours) because we
wished to test our assumption that chemical change likely takes place very quickly at increased temperatures of 80°C and would be traceable in our chemical analyses. The next
two experiments were conducted over a longer time span (72 hours) because we wanted to
test the integrity of the printing and/or the substrate against wearing and abrasion. The test
conditions for all three experimental setups are summarized in Table 2.
BEINER—LABELS FOR ETERNITY
2020
105
Table 2. Details of the experimental setups for thermal transfer, inkjet, China ink, and pencil labels tested for this
study. Institutional abbreviations as in Table 1. Experiment 1 shows the results of label types from Table 1 tested in
different solutions and concentrations, with a magnetic stirring rod for agitation. Experiment 2 shows the results of
testing labels exhibiting deterioration in Experiment 1 in solutions of 4% formalin and 95% ethanol compared with
distilled water with agitation in a shaker bath. Experiment 3 shows the results of the same experimental protocol
as Experiment 2 but with further agitation provided by glass spheres. All three experiments were conducted under
accelerated aging conditions of elevated temperature (80°C) designed according to Oddy test protocols.
Experiment 1
I
II
III
IV
V
VI
VII
VIII
IX
X
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
Experiment 2
I
II
III
IV
V
ID or Source
Solution
Volume Temperature
(ml)
(°C)
Abrasion
Time
(hr)
Change
BMNH
BMNH
BMNH
BMNH
BMNH
unprinted
BMNH
unprinted
BMNH
unprinted
KU
KU
KU
KU unprinted
KU unprinted
KU unprinted
China ink + RR
China ink + RR
2HB + RR
2HB + RR
RR only
RR only
MEK
Ethanol 95%
Formalin 4%
DMSO
Ethanol 75%
3.50
3.50
3.50
3.50
3.50
80
80
80
80
80
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
24
24
24
24
24
No
No
Fixation?
No
No
Ethanol 95%
3.50
80
Magnetic stirrer
24
No
Formalin 4%
3.50
80
Magnetic stirrer
24
No
Ethanol 75%
Ethanol 95%
Formalin 4%
Ethanol 75%
Ethanol 95%
Formalin 4%
Ethanol 95%
Formalin 4%
Ethanol 95%
Formalin 4%
Ethanol 95%
Formalin 4%
3.50
3.50
3.50
3.50
3.50
3.50
3.50
3.50
3.50
3.50
3.50
3.50
80
80
80
80
80
80
80
80
80
80
80
80
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
Magnetic stirrer
24
24
24
24
24
24
24
24
24
24
24
24
Abrasion loss
Abrasion
Loss
No
No
No
No
Fixation?
No
Fixation?
No
No
KU-7
KU-8
KU-9
KU-10
KU-11
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
5
5
5
5
5
80
80
80
80
80
None
None
None
None
None
72
72
72
72
72
Craquelure
Craquelure
No
No
No
5
5
5
5
5
80
80
80
80
80
None
None
None
None
None
72
72
72
72
72
No
No
No
No
No
5
5
5
5
5
80
80
80
80
80
None
None
None
None
None
72
72
72
72
72
No
No
Fixation?
Fixation?
No
VI
VII
VIII
IX
X
RBCM-1
RBCM-2
RBCM-3
RBCM-4
RBCM-5
XI
XII
XIII
XIV
XV
BMNH-8
BMNH-9
BMNH-5
BMNH-6
BMNH-7
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
No.
106
COLLECTION FORUM
Vol. 34(1)
Table 2. Continued
No.
KU-13
KU-14
KU-12
KU-15
KU-16
VI
VII
VIII
IX
X
RBCM-6
RBCM-7
RBCM-8
RBCM-9
RBCM-10
XI
XII
XIII
XIV
XV
BMNH-10
BMNH-11
BMNH-12
BMNH-13
BMNH-14
Volume Temperature
(ml)
(°C)
Solution
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
Ethanol 99.9%
Ethanol 99.9%
Formalin 4%
Formalin 4%
Doubledistilled
water
Abrasion
Time
(hr)
Change
5
5
5
5
5
80
80
80
80
80
Glass spheres
Glass spheres
Glass spheres
Glass spheres
Glass spheres
72
72
72
72
72
Craquelure
Craquelure
No
No
No
5
5
5
5
5
80
80
80
80
80
Glass spheres
Glass spheres
Glass spheres
Glass spheres
Glass spheres
72
72
72
72
72
No
No
No
No
No
5
5
5
5
5
80
80
80
80
80
Glass spheres
Glass spheres
Glass spheres
Glass spheres
Glass spheres
72
72
72
72
72
No
No
Fixation?
Fixation?
No
MEK = 99.5% ethyl methyl ketone (C4H8O).
DMSO = 99.9% methyl sulfoxide (C2H6OS).
ANALYTICAL METHODS
All tested labels in all three parallel experimental groups were subjected to visual examination and image capture before and after testing with a Stereo Discovery V8 Zeiss microscope at three different magnifications (×1, ×2.5 or ×3, ×8). In Experiment 1, solvents in
selected test containers were analyzed using ultraviolet-visible spectroscopy (UV/Vis) using a HP 8453 diode array spectrophotometer aimed at detecting potential “leaks” due to
migration of chemical components from the ink on the labels into the solvent (Figs. 1, 2).
Liquids from the same select test containers were also analyzed using tandem mass spectrometry (MS/MS) in an Agilent 6520 QTOF analyzer (Fig. 3). This type of analysis is used
to separate and detect ions in organic substances, mainly carbon, hydrogen, nitrogen, and
oxygen, and is sensitive to smaller quantities than UV/Vis analysis. For both analyses, the
tested liquids were taken directly from the test containers after the experiment. The results
from each type of analysis were compared to results from blanks, that is, liquids from the
same stock solutions taken from test containers with and without labels in them.
RESULTS
Experiment 1
The BMNH inkjet labels exhibited no visual change (Fig. 4) other than the fact that
paper fibers recovered from accelerated aging in 4% formaldehyde showed slight swelling
(noted in Table 2 as a “fixation” effect). This may be caused by the formaldehyde, which can
induce swelling of the cell wall in some pulp fibers and binding of water molecules to the
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Experiment 3
I
II
III
IV
V
ID or Source
2020
BEINER—LABELS FOR ETERNITY
107
fiber surface (Maloney and Paulapuro 1998) or can cause disruption of interfiber bonds
to alter the original properties of the dry paper (Vitale 1993). Paper labels with China ink
and labels with 2HB pencil markings likewise displayed some “fixation” effects in formalin
but otherwise displayed no visual change. KU thermal transfer labels all exhibited marked
visual damage after accelerated aging in 75% ethanol, 95% ethanol, and 4% formaldehyde
in the form of fine abrasion lines and actual loss of imprint (Fig. 5). In addition to visual
examination of the labels, solvents from selected test containers subjected to UV/Vis analysis yielded the results presented in Figure 1. The analysis compared results from solutions
that had contained label substrate only with results obtained from solutions with imprinted
labels. Interestingly, this type of analysis detected little or no components from machinegenerated print that leached from the KU thermal transfer labels in 75% ethanol (Fig. 1A)
with nearly identical graph lines for liquids from containers with substrate plus ink versus
substrate only. Some change in the liquid was detected for KU thermal transfer labels in
95% ethanol (Fig. 1B) and in 4% formaldehyde (Fig. 1C), while samples with BMNH inkjet
labels exhibited considerably greater change (Fig. 1A–C) despite their exhibiting no visual
ink loss. In an effort to confirm or refute these results, the liquids were also analyzed using MS/MS. Containers with 95% ethanol and 4% formaldehyde were subjected to MS/MS
analysis (Fig. 3A, B). The greater number of “new” peaks in the results of the MS/MS
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Figure 1. (A) Experiment 1 results comparing UV/Vis analysis for 75% ethanol containing label substrate with and
without print. (B) Experiment 1 results comparing UV/Vis analysis for 95% ethanol containing label substrate with
and without print. (C) Experiment 1 results comparing UV/Vis analysis for 4% formalin containing label substrate
with and without print (all images © NNHC-HUJ, G.G. Beiner).
108
COLLECTION FORUM
Vol. 34(1)
analysis in ink-plus-label-substrate samples compared to label-substrate-only samples confirm that the BMNH inkjet labels may have leached considerably more printing components into the surrounding environment when immersed in 95% ethanol compared to immersion in 4% formaldehyde under accelerated aging conditions. As a final note to these
results, it should be stated that results from UV/Vis analyses on liquids from containers
with RR paper substrate with and without China ink or 2HB pencil markings in 95%
ethanol and in 4% formaldehyde (Fig. 2A, B) indicate a very high likelihood of “leaching” of ink or pencil components into the solvent environment from these handwritten
labels.
Experiments 2 and 3
In light of the results obtained from Experiment 1, it was postulated that possible reasons for the visible damage to some labels could be insufficient cleaning of the test containers, chemical contamination of the water used to prepare the formaldehyde solution,
Figure 3. (A) Experiment 1 results comparing MS/MS analysis for 95% ethanol containing label substrate with
and without print. (B) Experiment 1 results comparing MS/MS analysis for 4% formalin containing label substrate
with and without print (all images © NNHC-HUJ, G.G. Beiner). Arrows in (A) and (B) indicate substance present
due to possible leaching of ink.
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Figure 2. (A) Experiment 1 results comparing UV/Vis analysis for 95% ethanol containing RR label substrate
with and without China ink or 2HB pencil. (B) Experiment 1 results comparing UV/Vis analysis for 4% formalin
containing RR label substrate with and without China ink or 2HB pencil (all images © NNHC-HUJ, G.G. Beiner).
2020
BEINER—LABELS FOR ETERNITY
109
or contamination of the ethanol stock solution obtained from suppliers. Therefore, the experimental settings for parallels 2 and 3 were adjusted to use higher purity levels of solvents
and decontamination (see experimental settings). However, both groups showed similar results (Figs. 6, 7) again. A possible explanation why the printed surfaces in Experiment 3
showed few abrasion effects is that the horizontal shaking of upright standing containers
with glass spheres led to stirring rather than to shaking and thus to less abrasion. In the
groups from both experiments, the printing on BMNH and RBCM inkjet labels was not
visibly damaged by accelerated aging either in 99.9% ethanol or in 4% formaldehyde, while
the KU thermal transfer labels exhibited visible cracking (“craquelure”) of the imprint
in 99.9% ethanol. Otherwise, the only effect on the visual integrity of the label substrates
remained the swelling of paper fibers in BMNH labels immersed in formalin. It should
be noted that this “fixation” effect was visible only in printed areas, possibly because the
print made it easier to notice. This effect was not detected in samples immersed in distilled water or in RBCM labels, implying, first, that the “fixation” effect may be connected
to the presence of formaldehyde and, second, that one factor involved in its visibly detectable appearance may be the type of paper. The potential cause of the observed damage
to the imprint in the KU thermal transfer labels, that is, the cracks in the toner-ribbon
layer in Experiments 2 and 3 compared to the fine abrasion lines and ink loss in Experiment 1, may be because of the different mode of abrasive action caused by glass spheres
(used in Experiments 2 and 3) as opposed to magnetic stirrers (Experiment 1). The mode of
abrasion might not have been the only cause. The observed differences may also correlate
with slightly larger glass containers and thus larger space inside the test containers and the
prolonged exposure of 48 hours under these settings that caused more damage to printed
surfaces.
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Figure 4. Experiment 1 results showing BMNH inkjet and thermal transfer labels, ×3 and ×8 magnification;
images obtained from a Stereo Discovery V8 Zeiss microscope (© NNHC-HUJ, G.G. Beiner).
110
COLLECTION FORUM
Vol. 34(1)
Figure 6. Experiment 2 results comparing inkjet and thermal transfer labels, ×2.5 magnification, under a Stereo
Discovery V8 Zeiss microscope (© NNHC-HUJ, G.G. Beiner).
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Figure 5. Experiment 1 results showing KU thermal transfer labels, ×3 and ×8 magnification; images obtained
from a Stereo Discovery V8 Zeiss microscope (© NNHC-HUJ, G.G. Beiner).
2020
BEINER—LABELS FOR ETERNITY
111
CONCLUSIONS
Three sets of different experimental settings exposed a variety of labels to accelerated
aging experiments in preservation fluids typically found in fluid-preserved collections. In all
three groups, inkjet labels remained remarkably stable compared to thermal transfer labels,
although it seems that the paper as a printing medium may leach more ink components
into the immersion environment.
Although only long-term observations under real-life conditions in collections are suited
to evaluate the durability of labels in such diverse and physically and chemically complex environments such as fluid-based collections, experimental testing in typical storage
fluids under accelerated aging conditions allows insights to be drawn from the performance
of these labels. In conservation, artificial testing by submitting objects or substances to extreme conditions to trigger fast changes or reactions as in the Oddy test rests on the idea
that slow changes observed over long time periods are caused by the same or similar physical parameters. By “accelerating” these processes, such as through accelerated aging experiments, the observation span until effects become visible could be reduced. The three
experiments presented here are based on this premise and differ from “normal” collection
storage conditions in two main factors: the temperature regime and potential abrasion. The
test temperature was raised to 80°C with the specific aim of accelerating chemical processes,
in accordance with prevailing Oddy test protocols, and thus markedly differs from common
temperature settings in storage spaces dedicated to fluid-based collections. The rounded
magnetic stirrers used in Experiment 1 and the rounded glass beads used in Experiment
3 were added in effort to simulate many years of object movement against labels within a
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Figure 7. Experiment 3 results comparing inkjet and thermal transfer labels, ×2.5 magnification, under a Stereo
Discovery V8 Zeiss microscope (© NNHC-HUJ, G.G. Beiner).
112
COLLECTION FORUM
Vol. 34(1)
ACKNOWLEDGMENTS
I would like to thank the following people for their contribution of museum labels for testing: Andy Bentley (ichthyology collection manager, University of Kansas Biodiversity Institute, USA); Heidi Gartner (collection
manager and researcher, Invertebrates, Royal BC Museum, Canada); James Maclaine (senior curator, Fish Section,
The Natural History Museum, London, UK); and Joe Panella (Alpha Systems, Inc., USA). Thanks to Racheli BenKnaz Wakshlak from Prof. D. Avnir’s lab at the Institute for Chemistry at the Hebrew University for performing
the UV/Vis analysis; to Prof. Carina Hazan from the Microanalysis Lab at the Institute of Chemistry, the Hebrew
University, for performing the MS/MS analysis; and to Prof. Simon Emmanuel and Yoni Israeli from the Institute
of Earth Sciences at the Hebrew University for facilitating use of the Zeiss microscope. Thanks also to Jean-Marc
Gagnon (curator, Invertebrate Collections, Canadian Museum of Nature) and to Dirk Neumann (Ichthyology Section, Zoologische Staatssammlung München, Germany) for their information and advice on printers and labels.
Special thanks to Prof. Gila Kahila Bar-Gal, head of the NNHC-HUJ, and to Prof. Rivka Rabinovich, head of the
Palaeontology Lab, at the Hebrew University for their support that enabled and facilitated these experiments and
for the funding the chemical analyses. Thanks also to the reviewers of the manuscript, Dirk Neumann and Julian
Carter (Natural Sciences, National Museum Wales, UK).
Résumé.—Les étiquettes imprimées survivront-elles à une immersion prolongée dans les liquides de conservation
et, si oui, quel système d’impression est préférable? L’impression par jet d’encre, laser ou transfert thermique? Dans
un monde où il existe une grande variété d’imprimantes, de supports et de technologies d’impression, l’interaction
entre eux affecte très probablement la conservation à long terme des étiquettes dans l’environnement chimique du
fluide de conservation. Dans les collections en fluide, les principaux problèmes fréquemment rencontrés avec les
étiquettes sont la délamination, l’abrasion, la décoloration et la désintégration lors de l’immersion dans des solutions telles que l’éthanol et le formaldéhyde (ou formol). Très peu de publications ont présenté des procédures de test
évaluant le comportement et la stabilité des étiquettes imprimées, immergés dans les solvants utilisés dans les collections en fluide. Cet article présente une série d’expériences mises en place dans les collections nationales d’Histoire
naturelle de l’Université hébraïque de Jérusalem (NNHC-HUJ) pour tester diverses étiquettes de musées. Les tests
ont permis de comparer les étiquettes réellement utilisées dans différentes collections d’Histoire naturelle, et comprenaient des étiquettes provenant d’imprimantes à transfert thermique et à jet d’encre. Toutes ont été soumises
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
vessel in a fluid-based collection. One major deviation from the usual Oddy test procedure
was the duration of the test. Regular Oddy tests usually cover 28 days (Beiner et al. 2015).
After consultation with chemists and based on the results of Experiment 1, chemical analyses delivered results on the anticipated changes within hours; thus, prolonged testing for 28
days would not have contributed more data on the performance and damage of printed labels in this study. As noted by A. Bentley (University of Kansas Biodiversity Institute, pers.
comm.), the test conditions were very harsh and well outside the normal operation conditions of fluid-based collections. Such collections are maintained at much lower temperatures in standard practice, and the occurrence of abrasive forces— other than a presumed
very slow abrasion along label edges over long periods of time—is rare, generally being a
factor only outside of museum storage conditions when specimens in jars are transported
from the field or shipped between institutions. In addition, it is important to bear in mind
that different printers, label substrates, and inks may not yield similar results when subjected to the same conditions. Similar testing with accelerated aging experiments under the
conditions described above is easy to perform in many collections and may be a valuable
tool for the basic evaluation and assessment or the performance of (new) labels. Whenever possible, chemical analyses can add valuable insights, and the results of the chemical
analyses in Experiment 1 are relevant beyond the mere evaluation of traditional storage
conditions. For example, evidence of the release of chemical components into the solution
clearly advocates against the use of internal labels for DNA sampling and for long-term
storage in tissue collections, as released chemicals could potentially interact with the DNA
molecule and may induce (chemical) damage or degradation to samples stored in highly
concentrated ethanol.
2020
BEINER—LABELS FOR ETERNITY
113
à un vieillissement accéléré et à une abrasion mécanique. Dans notre série de tests, les étiquettes à jet d’encre ont
donné les meilleures performances.
LITERATURE CITED
Downloaded from http://meridian.allenpress.com/collection-forum/article-pdf/34/1/101/2922042/i0831-4985-34-1-101.pdf by guest on 07 October 2021
Beccaloni, J. 2016. The curation of Arachnida collections in alcohol: An international survey. Collection Forum
30(1–2):96–110.
Beiner, G.G., M. Lavi, H. Seri, A. Rossin, O. Lev, J. Gunn, and R. Rabinovich. 2015. Oddy tests: Adding the
analytical dimension. Collection Forum 29(1–2):22–36.
Bentley, A.C. 2004. Thermal transfer printers—Applications in wet collections. SPNHC Newsletter 18(2):1–2.
Bundy, W.M. and J.N. Ishley. 1991. Kaolin in paper filling and coating. Applied Clay Science 5:397–420.
CableOrganizer. 2021.Thermal Transfer Label Printers and How They Work. CableOrganizer Product Guide.
https://www.cableorganizer.com/label-printer/#article (13 April 2021).
Carter, J. 1998. The Jefferson collection of invertebrate animals: A zoological conservation project. The Conservator
22(1):36–43.
Green, L.R. and D. Thickett. 1995. Testing materials for the storage and display of artefacts—A revised methodology. Studies in Conservation 40:145–152.
Jackson, P.N.W. 2013. Permanency of labelling inks: A 25-year experiment. The Geological Curator 9(10):507–508.
Magdassi, S. 2010. Ink requirements in formulations guidelines. Pp. 19–42 in The Chemistry of Inkjet Inks (S.
Magdassi, ed.). World Scientific, Hackensack, NJ. 356 pp.
Maloney, T.C. and H. Paulapuro. 1998. Hydration and swelling of pulp fibers measured with differential scanning
calorimetry. Nordic Pulp and Paper Research Journal 13(1):31–36.
Oddy, W.A. 1973. An unsuspected danger in display. Museum Journal 73:27–28.
Printivity Insights. 2019. The Difference between Uncoated, Gloss, and Matte Paper Finishing. https://www.printivity.
com/insights/2019/07/05/the-difference-between-uncoated-gloss-and-matte-paper-finishing (13 April 2021).
Robinet, L. and D. Thickett. 2003. A new methodology for accelerated corrosion testing. Studies in Conservation
48:263–268.
SATO America. 2015. Thermal Transfer vs. Direct Thermal: Five Key Considerations. https://www.satoamerica.com/
resources/learning-center/white-papers/thermal-transfer-vs.-direct-thermal-five-key-considerations (13 April
2021).
Society for the Preservation of Natural History Collections. 2020. Labeling Natural History Collections:
Printing Technologies. https://spnhc.biowikifarm.net/wiki/Labeling_Natural_History_Collections#Printing_
Technologies (13 April 2021).
Thickett D. and L.R. Lee. 2004. Selection of Materials for the Storage or Display of Museum Objects, rev. ed. British
Museum Occasional Paper 111. British Museum Press, London. 30 pp.
Vitale, T. 1993. Effects of water on the mechanical properties of paper and their relationship to the treatment of
paper. Pp. 429–440 in MRS Online Proceedings Library, Volume 267: Symposium J—Materials Issues in Art
and Archaeology III (J.R. Druzik, I.C. Freestone, P.B. Vandiver, and G.S Wheeler, eds.). Cambridge University
Press, Cambridge. 1,095 pp.
WebFX. 2013. A Guide to Print Finishes. https://www.webfx.com/blog/web-design/print-finishes (13 April 2021).
Zala, K., N.D. Pentcheff, and R. Wetzer. 2005. Laser-printed labels in wet collections: Will they hold up? Collection
Forum 19(1–2):49–56.