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The journal Troianalexandrina: Yearbook of Classical Material in Medieval Literature invites au- thors to send their contributions by June 1st to be considered for publication for the 2022 volume, to be published in December of the same year. Troianalexandrina publishes articles on medieval European works on the matter of antiquity (Trojan matter, Alexander the Great, Greek and Latin literatures and mythology) and, more generally, about the survival of classical culture in the Middle Ages. Interdisciplinary contributions focusing on the study of images and iconographic tradition, or exploring elements of medie- val visual culture related to classical themes and motives are also welcome. The journal accepts articles of up to 125,000 characters (with spaces) / 18,000 words, including notes and bibliography. All manuscripts undergo double-blind peer review.
This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.
Envisioning Worlds in Late Antique Art, 2019
Friedrich, Matthias. Image and Ornament in the Early Medieval West: New Perspectives on Post-Roman Art. Cambridge: Cambridge University Press, 2023
https://doi.org/10.1017/9781009207768 Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.
NB 23 Part 2, 2015
المجلة العلمیة للتربیة البدنیة وعلوم الریاضة. جامعة حلوان
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