Engin Isin

Raised by Wolves follows the aftermath of a war caused by the polarizing strife between two factions: atheists and believers. Failing to find common ground, they resort to violence, nearly leading to mutual annihilation. Sent to uncharted territory where imminent danger is always around the corner, a pair of androids are programmed to foster a new civilization. The series carries all the traits of the sci-fi genre and is a classic Ridley Scott production. The Tyrell Corporation's slogan in Blade Runner (1982), "more human than humans," resonates in the desperate attempt to give humanity another chance, relying on self-intuitive machines designed to express emotions and mimic behavior. Father (Abubakar Salim) is no match for the strength and complexity of Mother, a more evolved android. Mother (Amanda Collin), the benefactress of the newly founded colony, is also a deadly necromancer of astonishing power, going on killing sprees during hysteric attacks when danger is imminent and using her primal sonic scream as a weapon. Her powers emanate from her eyes. She carries another set of regular eyeballs in a pouch and uses them for everyday life, changing to necromancer-superpower eyeballs when in attack mode. Eyes are a window to the soul-or, in this case, to the android's internal struggle between fostering or destroying life. This is similar to Blade Runner, where the Voight-Kampff test monitors physiological responses and determines if the subject is human or replicant. Blade Runner's Los Angeles urban space covered in Japanese billboards, dark streets with multicultural crowds speaking various languages in a time when Japan appeared to be the next global power and Japanese investors flocked to buy US real estate, alludes to real fears and precedes Huntington's anxiety-packed Clash of Civilizations. Rising environmental awareness is seen in the foggy and dusty skyline, while grimy, tarnished streets provide a stark contrast to gleaming skyscrapers, highlighting class division and acting as a prelude to the discourse about the 1%. The series and the genre rely on preying on anxieties. Both Raised by Wolves and Blade Runner reflect the very polarizing world we live in.

Lifestyle migration is a now-established subfield within the anthropology of migration, and interdisciplinary migration studies, usually justified by its extensive and increasing spread, globally. Yet, bar a few exceptions, the political behaviour of lifestyle migrants has been relatively neglected. I redress this imbalance by critically comparing two overlapping processes where British migrants to Spain act politically: elected councillors in town halls; and campaigning anti-Brexit activists. This pair is as comparable as it is contrastive. In theoretical terms, I argue that modern versions of practice theory are a useful mode for analysing municipal activity by foreign agents, while the Brexit process, because novel, fast-paced, and open-ended, is better understood via Isin's 'enactment of citizenship' approach. Both explanatory modes are powerful, have perspectival slants, and are best applied to different contexts and styles of contest: practice theorists research how people work with change; Isinians research how they produce it. The article also furthers the anthropology of citizenship by investigating a case where citizenship of a country is no longer a prerequisite for legitimate political activity in it.

In 2011, the Malaysian police banned the sexuality rights festival Seksualiti Merdeka. As Seksualiti Merdeka responded by defending the rights of LGBTs, some self-identified LGBTs in Malaysia resisted the sexual rights activists's appeal to international human rights for sexual identities. For them, the citizenship proffered by human rights appear counter-intuitive to their own survival strategies or are antithetical to their political stances. Through a discourse analysis of how marginalised sexual subjects perform citizenship norms, I argue that different modes of citizenship have been structured by the racialised politics of Malaysia, tendering different citizenship statuses to different citizens. The contestation over the potential for sexual citizenship in the public is therefore crucial for LGBTs in Malaysia in the way we imagine our place within the nation.