The Seven Deadly Sins: A Visitor's Guide
The Seven Deadly Sins: A Visitor's Guide
The Seven Deadly Sins: A Visitor's Guide
THE
SEVENa visitor
DEADLY
s guide SINS
LAWRENCE S. CUNNINGHAM
ave maria press
____________________________________
2012 by Lawrence S. Cunningham
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without written permission from Ave Maria Press, Inc., P.O. Box 428, Notre
Dame, IN 46556.
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Paperback: ISBN-10 1-59471-340-5, ISBN-13 978-1-59471-1-340-8
E-book: ISBN-10 1-59471-359-6, ISBN-13 978-1-59471-359-0
Cover image Veer
Cover and text design by Brian C. Conley.
Printed and bound in the United States of America.
Library of Congress Cataloging-in-Publication Data
Cunningham, Lawrence.
The seven deadly sins : a visitors guide / Lawrence S. Cunningham.
p. cm.
Includes bibliographical references.
ISBN 978-1-59471-340-8 (pbk.) -- ISBN 1-59471-340-5 (pbk.)
1. Deadly sins. 2. Catholic Church--Doctrines. I. Title.
BV4626.C86 2012
241.3--dc23
2012022140
Contents
Introduction
David Finchers 1995 film, Seven, chronicles a serial killer who chooses victims that exemplify each of the seven
deadly sins. To narrate a terrible story set in contemporary
times, Fincher examines a hallowed tradition of a moral
category whose history dates back to the late fourth century. An earlier retelling is the 1933 ballet The Seven Deadly
Sins, choreographed by George Balanchine, with music
composed by Kurt Weill and words by Bertolt Brecht. Its
the story of two sisters who committed the seven sins in
different cities. The ballets creative team and the filmmaker drew upon commonplace beliefs in the medieval
world. Dante used the seven deadly sins to organize his
Purgatorio, the second part of the Divine Comedy. In The
Canterbury Tales, Chaucer has the good Parson preach an
edifying sermon on the sins. In Bunyans The Pilgrims
Progress, we meet the sins personified. The sinful list has
lingered into our own time and, as we shall see, shows up
in various ways.
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Introduction
reflects a powerful psychological insight into wayward interior motives. In time, these subtle explorations into illusions would become known as deadly sins, but in their
origin they were considered more of a prelude to sin.
John Cassians works had a powerful influence on later
monasticism. The Rule of St. Benedictthe foundational
guide for subsequent monastic life in the Westpays tribute to Cassian. It was Pope Gregory the Great (ca. 540
604), himself once a monk and biographer of St. Benedict,
who changed the list of the eight logismoi into the seven
sins we know today. In a vast, sprawling work glossing
over the Book of Jobknown as the Moralia in Job
Gregory collapsed vainglory and pride into pride alone
and folded dejection (sadness) into acedia while adding
the sin of envy, thus making the list as we know it today.
Gregory also argued that the root of all these sins was
pride. Such was the authority of Gregory and his Moralia
that the list of seven sins became standard in the West. He
saw these sins as capital (from the Latin caputhead),
as the source of all other sins. St. Thomas Aquinas would
repeat Gregorys observation that from these sins all sorts
of other sins would come.
Vainglory (pride)
Envy
Sadness (sloth)
Avarice
Wrath
Lust
Gluttony
Gluttony
Lust
Avarice
Wrath
Sadness
Sloth
Vainglory
Pride
Of course, there is nothing sacrosanct or doctrinally binding about the list. Indeed, the late political theorist and philosopher Judith Shklar, in her collected essays Ordinary
Vices, singled out cruelty, hypocrisy, snobbery, betrayal,
and misanthropy as particularly noxiousboth for individuals and society. It takes only a moments reflection,
however, to understand that something as powerful as hatred can flow from envy or wrath, just as egomania is but
a contemporary way of describing pride or greed. Those
permutations are numerous, and our only reason for writing these chapters on the traditional seven is to give us
latitude to observe behavior in our contemporary setting.
In other words, the list of seven sins is not normative but
suggestive.
Whether following the traditional litany of sins or not,
contemporary writers, both theologians and ethicists, have
exhibited a continuing interest in ruminating on virtues
and vices. Deadly Vices, a recent book by the British philosopher Gabriele Taylor, states that the seven deadly sins
are still worthy of consideration because, as Taylor writes
in her introduction, these so-called deadly sins were correctly so named and correctly classed together. Irrespective of their theological background they can be seen to
be similar in structure in their agents thoughts and desires
while differing in content depending on the vice in question, with focus primarily on the self and its position in the
world. They are similar also in that in each case, they are
destructive of that self and prevent its flourishing.1 The
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Introduction
Introduction
ONE
Some Gratifying
Thoughts on Gluttony
Philippians 3:19
results noxious for human beings. In a curious reflection on gluttony, St. Thomas Aquinas defines gluttony as
an inordinate desire for food and drink and says that it
brings forth five daughters: inappropriate pleasure, surliness, uncleanliness, stupidity, and hebetudo mentis, which
may be understood roughly as mental slowness.
Dante, describing his exemplar of gluttony in the Inferno,
notes that Ciacco the Hog stays stupefied on a pile of
garbage with his head down and afflicted with strabismus
(crossed eyes)symptomatic, according to medieval medicine, for hebetudo mentis. William Langland, the writer of
the allegorical narrative poem Piers Plowman, has a more
vivid description:
And to drink all days in diverse taverns . . .
to gobble food on fasting days
before the fitting time,
and then to sit supping until
sleep assails them,
and to grow portly as a town
pig and to repose in soft beds
Till sloth and sleep sleek their
sides.
The constant stuffing of food and drink brings with it observable results: obesity, dullness, and the odd pleasure
of eating for the sake of eating. Langland also notes that
gluttony leads to another deadly sin: sloth. Of course, this
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the gospel writers as so important that all four of them recorded the event. In his last great sermon on the end times
recorded in Matthews gospel (chapter 25), Jesus says that
when we give food to the hungry we are, in effect, giving
food to him. The Christian tradition has always, from its
beginnings, taught that feeding the hungry is one of the
great acts of mercy and justice. Jesus tells of the rich man
and Lazarus in chapter 16 of the Gospel of Luke. It begins
with the poor man fighting with dogs for scraps from the
rich mans table. The unspoken point, of course, is that the
rich man is a true villain in the storycompletely indifferent to the plight of the poor.
Although the glutton may not be conscious of it (and,
given his preoccupation for the self and its satisfactions,
he would typically not be), the abuse and misuse of food,
even for personal gratification, is an affront to the poor
of the world. It would be wrong, then, to look at gluttony
solely in terms of the harm that it does to the individual.
Food is, in a radical fashion, a social reality. The teaching
of the contemporary Buddhist teacher Thich Nhat Hanh,
who argues that all humans must learn mindfulness, has
always impressed me. He says that we need to cultivate
awareness of where our food comes from, learn who has
produced it for us, and, finally, be mindful of those who
have no food. That sentiment is similar to one that the early
medieval monk Alcuin of York prayed: Whenever we eat
we should give thanks to You. And having received from
your hands, let us give with equally generous hands to
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those who are poor, breaking bread and sharing our bread
with them. For you have told us that whatever we give to
the poor, we give to you. Amen. Even more pointed about
the sources of our food is this old blessing from Scotland:
No ordinary fooda sacrament awaits us / on our table
spread / For men are risking lives on sea and land / that we
may dwell in safety and be fed! One of the most recommended spiritual customs in Catholic life is to offer words
of gratitude before meals. That simple act is, in itself, a
talisman against the abuse of food, and gluttony is high on
the scale of such abuse.
Gluttony and Fasting
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To order rightly our eating and drinking is not only an exercise of temperance but also a profoundly Christian act.
St. Paul reaches for the metaphor of food to make the point
that the right use of food (and he has in mind, especially,
the Eucharist) has profound implications that involve both
our common humanity and our bonds with the risen Lord:
Because the loaf of bread is one, we, though many, are
one body, for we all partake of the one loaf (1 Cor 10:17).
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