This document provides a review of key topics for the AP European History Unit 1 Test, covering the early, high, and late Middle Ages as well as the Renaissance period. It outlines major events, civilizations, social developments, and influential figures during these eras, including the growth of feudalism and manorialism, the impact of invasions and the Black Plague, the development of universities and scholasticism, and the artistic and intellectual achievements of the Italian and Northern Renaissance. A number of significant Renaissance artists, writers, humanists, and patrons are also listed.
This document provides a review of key topics for the AP European History Unit 1 Test, covering the early, high, and late Middle Ages as well as the Renaissance period. It outlines major events, civilizations, social developments, and influential figures during these eras, including the growth of feudalism and manorialism, the impact of invasions and the Black Plague, the development of universities and scholasticism, and the artistic and intellectual achievements of the Italian and Northern Renaissance. A number of significant Renaissance artists, writers, humanists, and patrons are also listed.
This document provides a review of key topics for the AP European History Unit 1 Test, covering the early, high, and late Middle Ages as well as the Renaissance period. It outlines major events, civilizations, social developments, and influential figures during these eras, including the growth of feudalism and manorialism, the impact of invasions and the Black Plague, the development of universities and scholasticism, and the artistic and intellectual achievements of the Italian and Northern Renaissance. A number of significant Renaissance artists, writers, humanists, and patrons are also listed.
This document provides a review of key topics for the AP European History Unit 1 Test, covering the early, high, and late Middle Ages as well as the Renaissance period. It outlines major events, civilizations, social developments, and influential figures during these eras, including the growth of feudalism and manorialism, the impact of invasions and the Black Plague, the development of universities and scholasticism, and the artistic and intellectual achievements of the Italian and Northern Renaissance. A number of significant Renaissance artists, writers, humanists, and patrons are also listed.
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AP European History Unit 1 Test Review
I. Early, High, Late Middle Ages
A. Charlemagne and the Carolingian Empire i. Martel: founder; grandson=Charlemagne a. Changed marriage laws; monogamy ii. Carolingian Renaissance: Return to Classical time period iii. Treaty of Verdun: Divided the great Carolingian empire into 3 parts after the death of Charlemagne B. Invasions i. 3 major invaders: Muslims, Vikings, Magyars ii. Consequences: disrupted political, religious, and economic development of Europe C. Feudalism i. Knights: vassals to Lord ii. Chivalry: code under which knights were expected to act; violation was punishable by death a. Principles iii. Fiefs: compensation in the form of land D. Manorialism i. Serfs: tied to land; contract with lord; owed labor ii. Manors: village farms iii. Agricultural innovations: 3-field system; plow, riding equipment E. Growth i. Climax in High Middle Ages ii. Overall growth; Easter Europe has less growth F. Byzantine Civilization: Eastern Europe, capital=Constantinople, established by Constantine, decline was much slower than that of Rome G. Role of the Catholic Church i. Crusades: take back Holy Lands; Europe re-introduced Classical learning ii. The Great Schism: Pope Clemont moves center of church to Avignon; result of 2 popes; Council of Constance resolved issue H. Intellectual and Artistic World i. Growth of Universities: resulted from renaissance of ancient knowledge ii. Scholasticism: system of thought; brought together faith and reason iii. Thomas Aquinas: accepted by faith, explained by reason iv. Medieval Art and Architecture a. Gothic Art Lacked of depth and perspective Lacked background Religiously themed Not realistic and made no sense geometrically or physically Subjects did not show emotions except for calm/piety b. Emphasis on Religion: medieval art heavily featured religion c. Church as Patron: in medieval times, church=major patron I. Social Trends i. Population: population doubled in Europe over short amount of time ii. Types of food (peasants, nobles): peasants rarely had meat iii. Marriage (age, role of Church): church gained control over marriage; one wife policy iv. Role of women (peasants, nobles): women in general were subjugated; ran households and raised children v. Role of men: upper-class chief occupation=warfare, lower-class=labor vi. Anti-Semitism: hatred of Jews vii. Growth of Towns and Cities: growing demand of foodmore people moving into cities a. North=Flanders b. South=Italisn states J. Guilds K. Hundred Years War i. Causes: long history of prejudice and animosity between France and England; Flanders; Edward IIIs claim to French Throne ii. Joan of Arc: Maid of Orleans, rallied troops and delivered Orleans from English iii. Consequences: French won L. Black Death/Plague: decimated population by 50-60% M. Holy Roman Empire i. Barriers to Centralization ii. The Hanseatic League II. Renaissance A. Definition: rebirth B. Italy i. Birthplace of the Renaissance a. Why did it start in Florence? Center of trade; heart of Roman empire; growth of middle class; patronage; Rome-center of church; competition; higher concentration of people ii. Roles of the Middle Class iii. City-States: free to develop and grow; led to separations and rivalrydiplomacy iv. Home of Medicis: charged interest; large patrons of arts; politically powerful C. Renaissance Values and characteristics i. Individualism: work for self ii. Revival of Antiquity: classical learning iii. Secularism: separation from Church iv. Quantification: rationalism; use of numbers and logic v. Humanism: revival of antiquity a. Vernacular: local language b. Role of the Printing Press: spread education and learning; increased literacy c. Civic Humanism: actively engage in human life d. Neoplatonists e. Christian Humanism vi. Italian Art D. Italian vs. Northern Renaissance Italian Northern Wealthy/Church were patrons Kings and princes were patrons Secular Non-secular Humanists=elites Humanists=Middle-class 7 characteristics: Realism and expression (first nudes) Perspective (first use of linear perspective) Classicism Emphasis on individualism Geometrical arrangement of figures Light and shadowing/softening Artists as personalities and celebrities 6 characteristics: Continuation of late medieval attention to details Tendency toward realism and naturalism Interest in landscapes More emphasis on middle class and peasants Details of domestic interiors Great skill in portraiture *English were more interested in architecture than painting Spread to France: French invasions of Italian peninsula Francis I: most important royal patron School of Containebleu E. Women and the Renaissance: upper-class women and nuns experienced partial Renaissance; women of virtue=maintain household and hold conversation F. Rennaisance Man: well-rounded, well-educated G. Politics i. England ii. France iii. Holy Roman Empire H. Exploration and economic Renewal i. Reasons for European Exploration: Gold, God, Glory, Rivalries ii. Results of European exploration for Europe, America, and Africa: Columbian Exchange, decimation of native populations, increasing numbers of slaves iii. Columbian Exchange: system of trade between the New World and Old World iv. Mercantilism: creating a favorable balance of trade v. Encomienda: wealthy were given land and native labor for a certain amount of time vi. African Slave Trade III. Significant Artists, Humanists, Writers and Patrons A. Francesco Petrarch: first humanist B. Boticelli: painter, Birth of Venus C. Leonardo da Vinci: Renaissance Man; botanist; painter, architect; anatomist D. Filippo Brunelleschi: domed buildings; architect; Cuppolo of St. Maria E. Lorenzo Ghiberti: goldsmith F. Michelangelo: Sistine Chapel; sculptor G. Baldassare Castiglione: Courtier H. Niccolo Machiavelli: The Prince I. Desiderius Erasmus: translated First Testament J. Jan Van Eyck: French painter; more courtly and aristocratic work; reflections; worked name into paintings K. Titian: painter; Venus of Urbino; mannerism i. Mannerism: dramatic and dynamic effects; elongated forms; exaggerated, out-of-balance posses; unrealistic lighting L. Albrecht Durer: greatest of German artists; scholar; Maxmillian I=patron M. Bruegel: one of the greatest artistic geniuses; master of landscapes; NOT a portraitist N. Donatello: sculptor; David statue; first free-form nude bronze statue O. Masaccio P. Raphael: School in Athens; painter Q. Giotto R. Johann Gutenberg: invented the printing press; first print=bible S. Thomas More: Utopia; executed for refusing to recognize Henry VIIIs marriage to Anne Boleyn T. Francois Rabelais U. Cosimo and Lorenzo de Medici V. El Greco: most famous Spanish painter; actually Greek; MANNERISM; Spanish Counter Revolution W. Shakespeare: playwright