Creativity in Science: Leaping The Void: Juliet Edmonds
Creativity in Science: Leaping The Void: Juliet Edmonds
Creativity in Science: Leaping The Void: Juliet Edmonds
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Creativity in science:
leaping the void
Juliet Edmonds
I think the water in the puddle has disappeared because a big black dog came along and drank it
all up.
(Gita, aged 6)
the exact answer on evaporation that the teacher was expecting yet it is a
credible and creative explanation as to how water disappears from puddles in the street.
Gita had made a leap between knowing dogs need water to live, that puddles contain
water and that puddles seem to get smaller over time if the weather stays dry, to suggest
a hypothesis. It is those very leaps that scientists create to provide models of our
natural and physical world.
There is a public belief that science gains its credibility from the objectivity of scientific methodology. Scientific knowledge tends to hold a hallowed position in our society
at present, partly due to the belief that this objectivity provides knowledge which is
somehow superior and more valid than other methods of obtaining knowledge (Ziman
1968). The idea that scientists use this objective method and are methodical in their
exploration of the natural and physical world appears to exclude the idea of creativity.
Following a methodological process seems to be seen to exclude the activity of making
leaps of imagination and the process of originality. Yet this view of science neglects
to note that scientists have devised hypotheses to be tested in the first place. Having
carried out extensive, meticulous research which often involves a creative process of
making links to previous science knowledge, they then generalise the research to a
range of situations, coming up with possible explanation of patterns in data.
There are many examples of this process: Darwin and Wallace making hypotheses on
the process of evolution heretically contrary to the then current belief on creationism;
Watson and Crick playing with their cardboard base pairs to try and find a model
that would explain the results of X-ray crystallography pictures. They all provided
solutions to problems that were different to those within the prevailing paradigm of
scientific belief. Philosophers such as Thomas Kuhn would argue that these leaps of the
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Creativity in science
imagination are the very way that scientific knowledge progresses. He suggests that
current paradigms of scientific belief are destabilised through such scientific revolutions; then the ultimate replacement of an old paradigm with a new one follows (Kuhn
1970). This suggests that progression in science depends on creative leaps and links to
unexpected knowledge. I recently heard a polymer scientist on the radio discussing how
he went into the wrong room at a conference centre and found links, and inspiration,
between the application of string theory in astrophysics to his own work and vice versa.
All these scientists surely fulfil the criteria from the National Advisory Committee
for Creativity and Culture in Education Report commissioned by the DfEE that the
characteristics of creativity involve
thinking or behaving imaginatively. Second, overall this imaginative activity is purposeful: that
is, it is directed to achieving an objective. Third, these processes must generate something
original. Fourth, the outcome must be of value in relation to the objective.
(NACCCE 1999)
Unlocking Creativity
Creativity in science
Considering evidence
Considering evidence is a time where children can interpret patterns in data or observations. There is much potential here for a variety of forms of creative thinking; making
meaningful links with previous learning, applying previous learning to a new situation,
making generalisations to apply to a range of different situations from the present, and
suggesting explanations of observed patterns. Children could even be involved in
forming theoretical models to explain the evidence for example, using toy cars in a
dual carriageway filtering down to one lane, modelling the effect of electrons travelling
through a fine light bulb element.
Critical reflection
Critical reflection is also an important skill to check that imaginative ideas are purposeful and useful. Curiosity also can be the motivation behind thinking and trying
out new solutions to problems. Developing a questioning classroom through the collection of questions, teachers modelling questions, databases of questions, and recording
questions in notebooks while investigating, can be a first step in allowing curiosity to
flourish in a classroom.
Unlocking Creativity
training for Key Stage 2 pupils, so we decided to set them a problem. I used a situation
that had been posed to teachers on a CLIS (Childrens Learning in Science5 course, run
by Leeds University, where three candles of equal height were left burning under a bell
jar. The candles were placed in a line with one in the middle of the jar and the others at
either side. The children were given the task of predicting what might happen and why,
and of testing their ideas by moving and replacing candles. The candles and bell jar
were set in a sand tray to conform to health and safety guidelines. I remembered that the
course leaders had suggested that it was just as possible for a child to come up with an
answer as a university lecturer!
We started the session by asking the children about their subject knowledge from
their topic on change and also what they had learned about fire and heat during their
Junior Citizen training. We asked the children to predict what might happen to the
candles in the bell jar when they had been lit. The childrens ideas were recorded on the
whiteboard. We lit the candles and watched the sequence of events. The children were
surprised when first one outer candle then the other went out and the middle candle
continued to burn for a while. We asked the children to come up with alternative
patterns or ways to test the candles so we could find out more about why it had
happened. The children were excited and kept coming up with new hypotheses about
why the candle snuffing pattern was occurring. These hypotheses were often to do with
the length of the wick of each candle or the order of lighting. This also provided the
opportunity to explore ideas on fair testing through discussion on whether it was fair to
use the same candles in a new pattern, some of which were now shorter than others.
We got through rather a lot of candles during that lesson! The session also necessitated a great deal of new vocabulary. Children were asked to explain terms such as
oxygen and convection. The children finally went away in groups, having explored a
number of candle permutations in the jar, and argued and finalised their own explanation and theories on what was happening inside the bell jar. Many drew large diagrams
showing air movements inside the jar. Some children showed great creative thinking in
their explanations. They demonstrated original thought, albeit based on knowledge
they had built up through their learning and own experiences on the Junior Citizen
course where they had to escape from a smoke-filled room. The models helped the
children to understand why the smoke and air behave in a certain manner. Little of the
activity could be said to be covering the National Curriculum for Science (DfEE 1999)
but meaningful, relevant learning and creative thinking were going on. The children
commented that they felt they were acting like real scientists; discovering things for
the first time (Natalie, aged 11).
Another strategy using the development of process skills to develop creative thinking
is a kind of science workshop based on the writing workshop format.6 The children collect a number of science questions that arise in everyday life, during class investigations
or other science work, or from childrens personal interest. These questions were saved
in each childs notebook. The teacher then sets aside time when these questions could be
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Creativity in science
FIGURE 6.1
investigated, providing support for identifying questions that could be ethically and
viably investigated, planning, carrying out and evaluating evidence and methods. This
allows opportunities for children to develop their own curiosity about the natural and
physical world and gives children the chance to explore their own understanding and
form their own, sometimes creative, ideas about the world. Some examples of questions
for investigation were: Do square bubble blowers make square bubbles?; Can
woodlice swim? and Can children with longer legs run faster?.
Unlocking Creativity
Creativity in science
quotes the nineteenth-century scientist Faraday who was convinced that modelling
was one of the initial stages in forming scientific theories. Faraday suggested that this
modelling stage came before the scientific investigation and that the model was then
rejected or modified in light of the scientific evidence. Watson and Crick used this
method, creating models of the constituents of DNA and experimenting with a model
of a structure, trying out the models with X-ray crystallography images as well as
talking to chemists about the chemical forms possible in DNA and drawing on previous
research on the amounts of the various constituents in the structure. After a number of
false starts they found a model that agreed with all the currently held data on DNA and
also a structure which provided a possible explanation of how DNA replicates itself.
Watsons own awe and wonder is evident in his own account of the modelling. He was
concerned that the structure would turn out to be boring, but to his delight it seemed
beautiful and perfectly designed for its function (Watson 1970).
If this is the way scientific thinking can develop perhaps we need to spend more time
allowing children to create and explore their own models of such things as electrical
current, convection and so on, instead of making them conform to standard models and
analogies it will not only allow them to be more creative in their thinking but it will
also replicate the ways in which scientists work.
Unlocking Creativity
Notes
1
Useful books for developing teachers subject knowledge in science: Devereux, J. (2000) Developing
Primary Subject Knowledge in Science, PCP; or Wenham, M. (1995) Understanding Primary Science, PCP.
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Creativity in science
Useful primary science text: Harlen, W. (2000) (3rd edn) The Teaching of Science in Primary Schools.
London: David Fulton.
For a range of writing frames to support the planning of investigations and recording in science see
Nuffield (1998) Science and Literacy: A Guide for Teachers. Collins.
Contact your local police authority for information about Junior Citizen training courses.
The work of the CLIS project is described in Driver, R. et al. (1994) Making Sense of Secondary Science:
Research into Childrens Ideas, Routledge. Nuffield Primary Science draws on the SPACE research on
childrens ideas in primary schools (see www.nuffield.org.uk).
For more information on writing workshops see Wyse, D. (1998) Primary Writing. Open University Press.
Further reading
Adey, P., Serret, N., Robertson, W. and Nagy, F. (2003) Lets Think through Science. NFER-Nelson.
Ambrose, J. and Edmondson, R. (2003) Lets Think in Year 1. Presented at the Cognitive Acceleration
Convention 2003 at the Hilton Hotel, Paddington.
DfEE (2000) The National Curriculum Handbook for Primary Teachers in England Key Stage 1 and 2: London: QCA.
Edwards, D. and Mercer, N. (1987) Common Knowledge. London: Routledge.
Feasey, R. (2003) Creative futures, in ASE, Primary Science Review, 78, May/June.
Harlen, W. (2000) The Teaching of Science in Primary Schools (3rd edn). London: David Fulton.
Jelly, S. (1985) Helping children to raise questions and answering them, in Harlen, W. (ed.) Primary
Science: Taking the Plunge. London: Heinemann.
Kruger, C., Summers, M. and Palacio, D. (1989) INSET for primary science in the National Curriculum in
England and Wales: Are the real needs of teachers perceived? Journal for Education in Teaching, 16(2).
Kuhn, T. (1970) The Structure of Scientific Revolutions. Chicago: University of Chicago Press.
Lee, O. (1995) Subject matter knowledge, classroom management and instructional practices in middle
school science classrooms. Journal of Research in Science Teaching, 32(4).
Littledyke, M. (1997) Science education for environmental awareness. Paper presented at the Third
Summer Conference for Teacher Education in Primary Science, University of Durham, July.
Millar, R. and Osborne, J. (eds) (1998) Beyond 2000 Science Education for the Future. London: Kings College.
National Advisory Committee on Creative and Cultural Education (NACCCE) (1999) All our Futures:
Creativity, Culture and Education. London: DfEE.
Nuffield (1995) Primary Science. London: Collins Educational.
Ofsted (2002) Science in Primary Initial Training. London: HMSO.
Osborne, R. and Freyberg, P. (1985) Learning in Science: the Implications of Childrens Science. London:
Heinemann.
Sutton, C (1996) Beliefs about science and beliefs about language. International Journal of Science Education, 18(1).
Tobin, K. and Fraser, B. (1990) What does it mean to be an exemplary science teacher? Journal of Research in
Science Teaching, 27(1).
Watson, J. (1970) The Double Helix. London: Penguin.
Ziman, J. (1968) Public Knowledge. Cambridge: Cambridge University Press.
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