Sony A7, A7R & A7S

Custom Setup Suggestions

A professionals perspective

www.MarkGaler.com
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Contents
Meet the Author
Why customise your A7, A7R or A7S camera?
Getting Started

Camera Settings Custom Settings Additional Information

Changing the Focus Settings Live View Display: Setting Effect Setup: Power Save
AF Illuminator Display Options: Auto Review When manual is still auto?
Adjusting Quality: Stills Display Options: Histogram Useful Accessories
Exposure Compensation for RAW Exposure Settings Guide Lens Adapters
Creative Styles Manual Focus Settings PlayMemories Apps
Adjusting Quality: Movies Focus Peaking & MF Assist
Memory Recall Back-Button AF
Optimum settings for moving subjects Changing the ISO control
Register Settings: Stills Function Menu Settings
Register Settings: Movies
 MARK GALER has a commercial background
in editorial photography and is a recognized
Photoshop expert. He was the Program
Director and Senior Lecturer in Photography at
RMIT University and has published twenty
photography titles for the International
publisher Focal Press.

His books have been translated into 7

languages including Chinese and Russian
and have been adopted widely across Europe
and the USA as curriculum texts for aspiring
commercial photographers.
Mark owned the original Alpha 100 and
currently owns an A99, A6000, A7S and A7R.

Mark Galer
Sony Ambassador

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4
Why customise your A7 or A7R camera?
The Sony A7, A7II, A7R and A7S are
professional cameras that are highly
customisable to meet the demanding
needs of a broad range of photographers.
This guide has been designed to provide
you with ideas and suggestions so that
you can start on the path to customise
your own camera.

After extensive shooting with the Sony A7,

I have now settled on the custom settings
that enable me to work quickly and
intuitively to maximise control and
creativity in all shooting situations.

Note > The settings outlined in this guide

are suggestions only and are not intended
as definitive settings that will suit all
photographers.
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5
Getting Started

To customise the settings of the

camera press the Menu button (1)
and navigate the menus using the
Control Wheel (2). Press the Center 1
button (3) to select an option and
press the Menu button to cancel or
move back to the main menu.
2
The camera can be customised by
using the first two tabs of the menu.
3
Camera Settings

Custom Settings

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6
Camera Settings

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Changing the Focus Settings
Focus Settings are the default settings assigned
to the Custom button C1. The Default focus
setting is set to wide. You can change this to
Flexible Spot if you would like more precise
control over where in the scene the camera
chooses to focus. If the C1 button has not been
re-programmed to another task, it changes its
function when the camera is placed into Manual
Focus mode to Focus Magnifier. This is useful for
zooming in to your subject to check accurate
focus as the focus ring on the lens is turned.

Modify the Focus area and Focus settings from

the Camera Settings menu, or by pressing the C1
button and rotating the Control Wheel. When
Flexible spot is selected simply press the C1
button and adjust the position of the focus spot
by moving the front and rear dials.

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8
AF: Illuminator

This may not be a major concern for many

photographers but I prefer to switch the AF
illuminator to the Off position. In low light
conditions I would prefer not to shine a bright
red light into the scene I am photographing.
In theses instances, if the autofocus cannot
find the edge contrast to aid focus, I prefer to
switch to manual focus.

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9
Adjusting Quality: Stills

The default Quality setting for

the A7 cameras is to capture
Fine Quality JPEGs. For
photographers who prefer to
process their own images in a
Raw converter, such as Adobe
Camera Raw or Photoshop
Lightroom, this needs to be
changed to RAW.

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10
Exposure Compensation for RAW

I have found that the average exposure

used for capturing JPEG images is
appropriate, but given the highlight
headroom of the RAW file, I adjust the
Exposure compensation to +0.7. If this
is done through the Custom Settings
menu, rather than the Exposure
compensation dial, the dial must first be
set to zero. There is, however, no
advantage to using the Custom Settings
menu as using the Exposure
Compensation dial will override the
menu setting, i.e. the adjustments are
not cumulative.
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11
 Sydney Harbour by Mark Galer
Sony A7R with FE 16-35 F4 ZA OSS
30 seconds at f/11, ISO 100
Possum by Mark Galer
Sony A7 with E 16-70mm F4 ZA OSS
1/125 sec at f/6.3 800 ISO
Creative Styles
The Creative Style settings have no effect on
RAW files as these files are not processed by
the camera. The settings can, however, be used
to change the way the scene appears in the EVF
(electronic viewfinder), on the LCD screen and
in the movie files processed by the camera.
In both instances I prefer to lower the Contrast to
-3. This will make it easier to view shadow and
highlight detail in the EVF when the contrast of
the scene is high and also protect these details
from being clipped or lost when recording
movies.
Note > If this setting is used for recording movie
files, the contrast may have to be restored when
the movie files are processed using computer
software.

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Adjusting Quality: Movies

The default movie Record setting

for the A7 and A7R cameras is to
capture movies in the 60 or 50i
(interlace) format. This is ideal for
burning the movies to Blue-Ray
disks and shooting an occasional
video in P mode, but for all other
purposes it is advisable to select
the 50p or 60p (progressive)
format. Most HD TVs are now
1080p (progressive).

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Great Dividing Range by Mark Galer
Sony A7R with 70-400 F4-6.6 G SSM II
1/250 sec at f/8 100 ISO
Memory Recall
It is possible to save custom shooting settings
to the two memory recall options on the
Shooting Mode dial. I typically assign ideal
settings for wildlife or sports to Register 1 and
Movie settings to Register 2. As these two styles
of shooting are very different to my usual style
of shooting (landscapes and portraits), I find it
easy to quickly change multiple settings on the
camera in an instant.

Before going to Memory in the Camera

Settings tab of the Menu, you must first adjust
the capture settings, which can be accessed by
pressing the Custom Keys or the buttons on the
Control Wheel and the Shooting Mode dial on
the top of the camera.

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17
Optimum settings for moving subjects 1. The Custom 2 button, by default, gives
access to the Focus Modes. For moving
subjects this should be switched from AF-S to
AF-C or Continuous Autofocus.
2. Press the left button of the Control Wheel to
change the drive mode from Single Shooting
to Continuous shooting. The Speed Priority
1 2 Continuous option will allow for a higher
frames per second burst, but at the expense
of accurate focus tracking.
3. Switch on the Lock-on AF option in the
Camera Settings menu (no. 5). I prefer to
activate this feature by half-pressing the
shutter release (Start w/shutter).
4. When moving the camera to follow a moving
subject, switch off SteadyShot in the Camera
3 4 Settings menu (no. 6). This may not be an
option if the lens is not equipped with
SteadyShot.

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Register Settings: Stills
When you have selected all the optimum
settings for shooting a moving subject, you can
then go to the Memory option in the Camera
Settings menu. Press the Center button to enter
the register and then press the Center button a
second time to register the settings.

Note > From the illustration to the left you will

see that I have also selected 1/250 Second
shutter speed (a good starting point for
capturing a moving subject) and Auto ISO
which will ensure appropriate exposure when
lighting conditions are not ideal.

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Register Settings: Movies
For the second Memory recall option I have
saved all my favourite movie settings to this
register. These include:
Manual Focus
Auto ISO
Shutter Priority @ 1/50 Second (optimum for
shooting with 25p video) although this could be
raised to 1/100 when shooting with 50p or 60p.
AVCHD movie file format on the A7 or A7R
XAVC S format on the A7S or A7II.
Picture Style Setting that includes -3 Contrast
(some videographers would also lower
saturation and sharpness but Lightroom cannot
sharpen video, so I leave these set to zero).

Note > Shooting at 1/50 second may require the

use of a Neutral Density filter in bright conditions
where shallow depth of field is required.

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 Pete by Mark Galer
Sony A7 with FE35mm F2.8 ZA
1/60 sec at f/3.2 640 ISO
Custom Settings

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Live View Display: Setting Effect
If you are used to using an optical
viewfinder, instead of the OLED Electronic
Viewfinder (EVF) of the Sony A7 and A7R,
there is a custom setting that will need
some explanation. With the Setting Effect
switched ON (go to the Live View Display
option), the viewfinder or LCD screen will
appear too dark or too light if the
exposure is not appropriate for the scene
being photographed. This makes
Exposure Compensation using the
Exposure Compensation dial on the top of
the camera very intuitive, e.g. if the image
appears too dark increase the exposure.
The only reason to switch this effect off is
when the camera is being used in Manual
mode using studio flash (the modelling
light of the studio flash is not the final
intensity of light used for the exposure.

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Display Options: Auto Review

Fo the casual photographer who wants to

review every image after they have
captured it, the Auto Review is a useful
feature. For a photographer capturing
sequences of images over a short period
of time the Auto Review feature would
serve to distract from the image capture
process. I prefer to turn this feature off.

One instance where I am keen to turn this

feature back on is when creating a Time
Lapse sequence at dawn or dusk so that I
can monitor the exposure between each
and every shot.

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Display Options: Histogram

Another important advantage of an EVF

display over an optical viewfinder is the
information that can be included in the
finder. Perhaps the most useful
information that a photographer can have
access to at the time of capture is a live
histogram (a graphical representation of
the exposure values). This can be added
to the display by checking the Histogram
from the Finder options. Go to Custom
Settings > DISP Button > Finder.

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25
Honeyeater by Mark Galer
Sony A7R with 70-400 F4-6.6 G SSM II
1/320 sec at f/5.6 2000 ISO
Exposure Settings Guide

The Exposure Settings can be displayed

temporarily in the EVF or on the LCD
screen in a magnified view as the
photographer makes a change to the
settings (other settings will be hidden
from view when the Exposure Settings
appear). To enable this feature, go to the
Custom Settings > Exposure Set. Guide
and switch the feature to ON.

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27
Manual Focus Settings
When I decide to work in Manual
Focus (usually when the depth of field
is very narrow and sharp focus is very
critical) I prefer not to have to hold the
AF/MF button down to disable the
Autofocus. I would prefer to press it
once to switch it off and again to
switch it back on. This preference can
be actioned by selecting the AF/MF
button and setting it to Toggle rather
than Hold.

Note > I have also decided to change

the AEL button to Focus Magnifier as
I use the Exposure Compensation dial
when I need to override the Meter
Indicated Exposure (M.I.E.).

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28
Focus Peaking & MF Assist
Focus Peaking is a feature that allows you to see
what parts of your image are sharp by
highlighting high contrast edges in your scene
with yellow, red or white. It is strongly advised to
switch this to Low, Mid or High and then choose a
Peaking Color.

If the Custom 1 button (near the shutter release

button) has been left at its default setting it will
give you access to the Focus Magnifier feature
after Manual Focus is selected from the AF/MF
button. I prefer to have the MF Assist option set to
OFF so the view does not automatically magnify
when I adjust the focus ring on the lens.

Note > Focus peaking provides the photographer

with approximate focus. It is strongly
recommended when using wide apertures to use
the Focus Magnifier to achieve critical focus.

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29
Back-Button AF (Alternative Technique)
In the default setting the camera will autofocus when
the shutter release is half-pressed. Some
photographers, however, prefer to disable the
autofocus feature from the shutter release button and
activate it by pressing another button on the back of
the camera. This method of activating the autofocus is
called Back-Button AF.

On the A7 or A7R camera this can be set up by first

setting the Focus mode to Continuous AF or AF-C
(press the C2 button). Set the AF w/ shutter
button in the Custom Key Settings to Off and change
the function of the AEL button (Auto Exposure Lock) to
AF-On.

This focus method may take a while to get used to, so

you may need to give it a week or two before your
decide if Back Button AF better suits your needs.

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30
Terminal by Mark Galer
Sony A7R with FE55 F1.8 ZA
1/60 sec at f/4 250 ISO
Changing the ISO control
Out of the box the Control Wheel adjusts ISO on all
A7 cameras except the A7II. This wheel is, however, all
too easily adjusted and could lead to inappropriate
settings when knocked.

This behaviour can be changed so

that you first have to press the
Down button of the Control Wheel
before you can adjust the ISO (the
down button does not, by default,
have an assigned function).
Before you can implement this you
have to first disable the Control
Wheels primary function
(adjusting ISO). Go to the Custom
Key Settings, select the Control
Wheel option and choose Not Set
from the options.

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32
ISO: Step Two

With the ISO function temporarily

disabled, we can then move to the
second menu in the Custom Key
Settings and choose Down Button.
Press the Center button to access the
functions and choose ISO from the list.
We can now adjust ISO with the Control
Wheel, but only after first pressing the
Down Button. We can also adjust ISO,
after first pressing the Down button,
using the front and rear dials (ideal
when the cameras EVF is being used.

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33
Gekko by Mark Galer
Sony A7R with 70-400 F4-6.6 G SSM II
1/320 sec at f/8 2500 ISO
Function Menu Settings

When all of the custom features are set up

on the A7 and A7R cameras, most
photographers will find that they are only
accessing the menu button to format the
memory card. Up to 12 frequently
accessed custom settings can be
accessed via the Fn button on the back of
the camera. As a Raw shooter and after
assigning Flash Compensation to the
Custom 3 key I actually cant think of 12
things I want to change regularly. To clean
up the view in the EVF and on the LCD
panel I have set the first 6 function
settings on the Upper level to Not set.
This clears the entire row of options.

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Function Menu Settings

I have set the lower 6 options to

functions that are normally associated
with movie capture.

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Vegemite and Gourds by Mark Galer
Sony A7 with FE 35mm F2.8 ZA
1/60 sec at f/5.6
Additional Information

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Setup: Power Save
One setting that I would strongly recommend
you to change, would be the default time of the
Power Save Start Time. It can be annoying if the
camera is continually sending itself to sleep
between shots and then having to wait a few
seconds for the camera to wake up so you can
capture another decisive moment that may now
have passed. I would recommend selecting
either the 5 or 30 minute options and carrying a
spare battery in your pocket. In this way the
camera will usually be ready to capture those
fleeting moments.

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39
When manual is still auto?
This is not a custom setting but is a feature that can easily be
overlooked if you are new to professional Sony cameras.

Manual Mode on the A7 and A7R can be used

in conjunction with Auto ISO.

This means that the optimum shutter speed and

aperture is set by the photographer and the ISO
is adjusted automatically by the camera, so that
an average auto-exposure is achieved. Use the
Exposure compensation dial to increase or
decrease the exposure. I prefer this setting
instead of Aperture priority when using wide-
angle lenses because the shutter speed
selected by the camera in Aperture Priority can
sometimes be too slow for the moving subject I
am photographing.

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Useful Accessories
Some accessories for your A7 or A7R
camera that you may like to consider is
a spare battery or two (NP-FW50) and
a dedicated battery charger. Sonys
BC-QM1 allows you to charge two
batteries at the same time from a single
power point (the one in the charger
and the one in the camera). As the
megapixel count of both cameras is
generous it is worth considering
moving up to a larger class 10 SD card
(94 MB/s). For photographers working
with the camera on a tripod, Sonys
RM-VPR1 remote release is a perfect
companion.

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Lens Adapters
Sonys LA-EA4 Adapter will allow
you to mount any Sony A-Mount
lens onto your A7, A7R or A7S.
This effectively expands the range
of lenses that you can use with
your camera. Lens adapters for
Nikon, Canon, Leica, Voigtlander
and other makes of lenses are also
available to use with the E-Mount
of the A7 and A7R cameras.

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PlayMemories apps
You can increase the fun and functionality of your A7 or
A7R camera by exploring Sonys PlayMemories camera
apps. My first recommendation would be to download
the free Smart Remote Control app that allows you to
use your mobile device to control your camera.

You can also purchase apps such as Lens

Compensation that will enable you to correct lens
distortions from non-Sony lenses (in-camera), even
when using the Raw file format. The Time Lapse app
installs an intervalometer in your camera. The app can
make a time-lapse movie in the camera or you can
choose to shoot JPEG or Raw stills that you can later
use to make the time-lapse movie on your computer.

I have found it easier to download and install the apps

directly from the camera rather than using a computer.

https://www.playmemoriescameraapps.com

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Alpha Creative Skills on YouTube
You can learn about your Sony Alpha camera, pick up some
useful techniques to improve your camera craft and learn how to
optimise your images in Photoshop Lightroom by subscribing to
the Alpha creative Skills YouTube Channel.

https://www.youtube.com/c/AlphaCreativeSkills

Join an Alpha community

You can meet other Alpha owners online by joining one of the
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44
 Eureka by Mark Galer
Sony A7R with FE16-35 F4 OSS
10 seconds at f/11, ISO 100
Queenscliff by Mark Galer
Sony A7 with E10-18mm F4 OSS
1/125 sec at f/8 100 ISO
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Sony A7, A7R & A7S