Zhuang Zi, The Void, Mingmen, Tanzhong: Universidad de Valencia. Master Acupuntura
Zhuang Zi, The Void, Mingmen, Tanzhong: Universidad de Valencia. Master Acupuntura
Zhuang Zi, The Void, Mingmen, Tanzhong: Universidad de Valencia. Master Acupuntura
ABSTRACT
In Chinese Medicine, the silent and constant flow of the energies indicates the health of the body-
mind. One of the variants of the energy flow arises from the relationship between the fundamental
notion of void (represented by more than one sinogram) and two anatomical spaces mingmen and
tanzhog, whose existence is suggested by Zhuang Zi in Qiwulum he second chapter of his work.
The present paper studies the terms of that relationship from the description of the siesta of Nan
Guo Zi Qi who moves energies in his harmonious breathing. Since the Chinese admit breath and
its dynamisms as a fundamental reality, the void will never lack so harmonically balanced energies
that are imperceptible once again the void.
Nan Guo Zi Qi
We know that both in Classical Greek culture and in Ancient China, medicine was a part of philosophy
from which the practitioners obtained many of their theoretical foundations. Thus, the wise thinkers
when addressing the nature included the study of the human body both in health and disease
interweaving the different elements of the universe in their conceptions.
It is common that classical Chinese texts, whether philosophical, literary, historical or technical,
approach issues directly linked to the human body and its functions -medicine in any case- or that
after being interpreted, notions applicable to medical subjects can be obtained from them.
In order to do so and in this particular case, comes to my assistance Zhuang Zi, whose work reflects
the close relationship that thinkers of the time had with the conception of nature and therefore with
men. Numerous are the statements, sometimes symbolic some other times metaphorical and also
direct ones, result of observations on natural phenomena or geographical details linked to morpho-
physiological characteristic of men or its emotional-moral modalities, which allow their concepts to
be applied to Chinese medicine contents.
From the inner chapters, reputed as authentic, I would like to distinguish here Qiwulun, the second,
that allows me to study the concept of void (which was also conceived by Greeks who were,
approximately, contemporary of Zhuang Zi) void needed for the energetic dynamisms of the body
and, thus, explaining the functionality of the mingmen and tanzhong spaces.
Zhuangzi translations show his sensibility before the subtlety of sense in language and the beauty
of this language as well, and on behalf of our logic, surely not like his, his texts cannot be enclosed
2. VOID
When describing the nap of his character Nan Guo Zi Qi, Zhuang Zi suggests the existence of
mingmen and tanzhong through the Taoist notion that the formless can acquired form through the
movements of breaths in those functional areas without organicity which process a high charge of
energy.
Nan Guo Zi Qi was napping in an almost ecstatic state; his disciple Yen Cheng Zi Yu, watching the
scene, was restless because he did not recognize the one who had been napping the day before,
surely it was his Master but not in his habitual state, familiar to Yen. Zi Qi with his back (yang) against
a footstool attached to the ground (yin) and his abdomen-chest (yin) receiving light and heat from
the sun (yang) breathed placidly, exhaling a mild blow that proved he was alive.
There is a space between these two organic referents (back/chest-abdomen) through which subtle
breaths and energies can flow. To exhale a mild breath is expressed by the ideogram xu which,
when prived of his right side (kou mouth) is read xu as well but with the meaning of void. This
sinogram is one of those ones used in medical texts to express void in the sense of a space of
circulation: we can see on the upper side of the character an uncultivated surface, naked, that favours
the passage of the wind, the circulation of breaths between heaven and earth; the lower part shows
small sprouts coming from the ground surface which are really tiny because the lack of obstacles
is important.
The silent and undisturbed regular breaths represented by Zi Qi breathing which when circulating
make use of the void of the organism so as conceive life, creating it through its movement and
keeping it alive as well. Another ideogram to express void is chong that has, on the left hand side,
the semantic element of water that talks about the passage of the fluid par excellence, constituent
basis of life. And on the right hand side, appears zhong, square target which indicates that the fluid
is captured rightly and with strength, an arrow that reaches the target. And lastly the void kong
phonetically very sonorous, as if resounding in an empty hollow, void, the one from the blue vault
where the universal breaths move and which Tao Te King equals to a never exhausted bellow.
Nowadays, among us, void is synonym to nearly nothing; very little says the notion of void to a
western spirit and when it does, it is in a negative sense.
To the Chinese if something is empty is because what was there before is not there any longer or
because the place is filled with something imperceptible, or that being emptied out awaits being
treaded or filled up again. Naturally, it is very difficult in our language to find another suggestive term
capable of substituting the word void, especially when talking about more abstract significances.
The void means inane (empty, unoccupied) as Lucretius named the emptiness namque est in rebus
inane (because inside the things exists the void): So, there is an impalpable space, imperceptible,
unoccupied, not rendered, and virgin. But, in reality, is the container empty?
Let us remember that Democritus imagined the void to be that which allows the movement between
atoms, and their rest as well.
In order to create a harmonious, balanced current the yinyang breaths should flow without a single
squeak in the empty space for that matter determined. This completed flowing is health, that is to
say, it is not an absence but a serene, regular trade of energies in the organism. He who is healthy
perceives no symptoms, but when disharmony-disease appears, becomes aware of the imbalance.
A very simple explanation of the presence and role of the void is given by the flight of a kite which
by stopping the wind with its sail creates, on the opposite side, a void that drives the kite upwards.
A number of functional roles in our daily life presuppose the void, concept which makes me understand
blood circulation: each systole drives a contents in a container which once emptied, awaits (diastole);
the pleural space (virtual) uses the void, created by its negative pressure to cooperate in both blood
and lymph return; appetite occurs when by evacuating the rectum, stomach has room for more, and
so many other activities of our physiology.
The constant interrelationship between theory and practice is manifested, for instance in the Tai Ji
Quan positions, in the exercise of holding the ball of energy which covers the area round the navel
up to the thorax on the sternum zone.
Access to tanzhong in the middle of chest is gained through the acupuncture point renmai 17,
important place of energy interchange and resonance of the heart between 2nd. 3rd and 4th intercostal
spaces as well, area covered by three points of acupuncture: RM 17, 18 and 19 which, from the
center of the sternum relate with the major arterial, venous and lymphatic vessels. Through tanzhong
passes zongqi, the ancestral energy that mediates between the genetic lineage we come from and
the singular being each one of us is; this energy is also known as thoracic energy because it is stored
in the center of the thorax, center that is no other than tanzhong. Here we are facing the zones
where yuanqi and zongqi are processed, initial biological energies, fundamental ones.
Tanzhong also known as shanzhong, center or sea of upper energy, also conveys the meaning of
container with fat-tan - fat that smells. Shan means ram smell. Usually, tan the fat, whether in
cholesterol form or in lymph form, as well as the membranous tissues (peritoneum, aponeurosis,
pleurae) tend to have a strong and particular odour. The mediastinum is an important crossroad of
organic elements, membranes and lymphatics.
In Suwen 8 it is explained that The liver system is the Office of the General, planning is its product.
The gall bladder is the office of the Fair Correctors (judges) who issue decisions. Shanzhong is the
Minister counselor who rules the office and the transmission of the messages of happiness sent to
the monarch.
These two spaces without organicity but indispensable- are symmetric, tanzhong between the two
lungs and mingmen between both kidneys, only functional, with a large mobile energetic charge,
one in the thorax and the other in the abdomen; just like the parallelism between the two places
which stand out when contemplating the description of Zi Qi nap told by Zhuang Zi in his Qiwulun,
for which The leveling which makes things equivalent is at this point of our work, the proper
translation.
Mingmen is the conception of an abstract function ruled by the element fire and without a corresponding
organ. It is a presence justified by its action, without a precise organicity and without equivalence