Curator: Museums As Restorative Environments
Curator: Museums As Restorative Environments
Curator: Museums As Restorative Environments
• • • • •
• • • • •
Introduction
R and R, or ‘‘rest and recuperation,’’ is an acknowledged need for soldiers on the front-
lines. It is not, however, uniquely the concern of the battle weary. Many people suffer
from mental fatigue, decreased attention span, and irritability, and few seem to have an
abundance of tranquillity, serenity, or peace of mind.
—Kaplan, Kaplan and Ryan (1998, 67)
Mental fatigue, caused by the stresses and strains of everyday life, is a common com-
plaint in today’s society, and the need to escape from the personal and interpersonal
demands of life is one of the major reasons that people have for engaging in tourism
and leisure experiences (Iso-Ahola 1980). As we tire mentally over the course of a
Jan Packer (j.packer@uq.edu.au) is a senior research fellow and Nigel Bond (n.bond@
uq.edu.au) is a senior research officer in the School of Tourism, University of Queens-
land (St Lucia), Australia 4072.
421
422 JAN PACKER AND NIGEL BOND • RESTORATIVE ENVIRONMENTS
attributes such as fascination, being away, extent, compatibility; and restorative out-
comes such as feeling calm or peaceful and engaging in reflection). They found that such
comments were quite prevalent, especially among frequent visitors. In a follow-up ques-
tionnaire study, the researchers confirmed that most visitors felt they had a restorative
experience in the art museum, and identified two factors that appeared to contribute to
the restorative potential of the setting: feeling comfortable or at ease in the setting, and
being able to find one’s way around.
Subsequent research has demonstrated that different types of museum environ-
ments (including art museums, history museums, gardens, and zoos) have the potential
to offer visitors a restorative experience that provides respite from the stresses of life and
replenishes their cognitive capacity. For example, visitors to two public gardens in New
York rated relaxation and stress reduction as their most important reasons for coming to
the gardens, and 91 percent of respondents reported some level of perceived stress reduc-
tion after visiting the gardens (Bennett and Swasey 1996). Similarly, visitors to the
Brisbane Botanic Gardens rated restoration as one of their most important reasons for
visiting (Ballantyne, Packer, and Hughes 2008). Rest, relaxation and recovery from stress
were also among the reasons people had for visiting museums and galleries (Packer and
Ballantyne 2002). According to Scopelliti and Giuliani (2004), visiting a museum and
taking a walk in a park were among a range of experiences that people considered would
allow them to regain wellbeing and effectiveness in their everyday activities. Pals, Steg,
Siero, and van der Zee measured the perceived restorativeness of two different attractions
in a Dutch zoo (2009). They found that, on average, visitors agreed that the attractions
possessed the four restorative components, and that measures of fascination and escape
(being away) were significant predictors of both experienced pleasure and preference for
the attraction. Despite the obvious differences among types of museum environments, it
would appear that their common features, including the provision of free-choice or
leisure learning experiences, may contribute to their effectiveness as restorative environ-
ments.
Packer (2006) noted a significant overlap between the conditions that make learn-
ing in museum settings enjoyable, and those suggested by Kaplan (1995) as being neces-
sary for a restorative experience (in particular the presence of fascination or attention
that requires no effort; an environment that is rich and coherent; and compatibility
between the environment and one’s purposes or inclinations). The phenomenon of
restoration was further explored in Packer’s study of the beneficial outcomes ‘‘beyond
learning’’ that visitors seek and obtain from a museum visit (2008). Interviewees in the
latter study gave many examples that reflected both the restorative attributes of museum
environments and the restorative benefits of a museum visit. In fact the majority of
visitors reported having attained a sense of relaxation, peace and tranquility, or thought-
fulness as a result of their visit, and some reported having gained a renewed ability to
deal positively with life. When Falk (2009) used the term ‘‘rechargers’’ to refer to the
motivational segment he had previously labeled ‘‘spiritual pilgrims’’ (Falk 2006), he
brought a new level of attention to this small but significant group of museum visitors.
Falk described rechargers as ‘‘individuals who visit in order to reflect, rejuvenate, or
generally just bask in the wonder of the place’’ (2009, 203–204). Given this recent
424 JAN PACKER AND NIGEL BOND • RESTORATIVE ENVIRONMENTS
attention, it seems timely to further examine the extent to which visitors perceive muse-
ums to be restorative environments.
This paper aims to extend our understanding of museums as restorative environ-
ments by exploring visitors’ perceptions of the restorative attributes and benefits of four
different sites, two of which are focused on cultural exhibits (history museum and art
gallery) and two on natural exhibits (aquarium and botanic garden). Research has dem-
onstrated that frequent or repeat visitors are more likely to seek restorative experiences
than first-time visitors (Kaplan, Bardwell, and Slakter 1993; Ouellette, Kaplan, and Kap-
lan 2005). This may indicate that familiarity with the environment is a prerequisite for a
restorative experience, or that those who encounter a restorative experience are more
likely to return to the environment. However, the relationship between familiarity and
perceived restorativeness is not a simple one (Purcell, Peron, and Berto 2001) and may
vary according to the context, or level of familiarity. This research will investigate the dif-
ferences between various visitor groups (first-time and repeat visitors; frequent and occa-
sional visitors; tourists and local visitors) in their perceptions of the restorative attributes
and benefits of various environments.
This research also aims to explore the factors that make a restorative experience
more likely. Previous research has identified a number of such factors, which are mostly
associated with visitor comfort (Herzog, Maguire, and Nebel 2003; Packer 2008). In
extending this research from nature settings to museum environments, there is a need to
incorporate new variables that may facilitate restorative experiences. To this end, the sat-
isfying experiences framework (Doering 1999) was employed. This framework has been
found to be particularly important in understanding visitor experiences in museum envi-
ronments (Packer 2008). The framework was initially developed as an empirical list of
four categories of ‘‘satisfying experiences’’ that visitors generally find satisfying in muse-
ums (Pekarik, Doering, and Karns 1999): object experiences, which focus on something
outside the visitor, such as seeing rare, valuable, or beautiful objects; cognitive experiences,
which focus on the interpretive or intellectual aspects of the experience, such as gaining
information or understanding; introspective experiences, which focus on private feelings
and experiences, such as imagining, reflecting, reminiscing, and connecting; and social
experiences, which focus on interactions with friends, family, other visitors, or museum
staff.
Pekarik, Doering, and Karns found that different types of museums, and different
exhibitions within museums, appear to elicit these experiences to varying extents, and
that different visitor groups report different types of experiences as their most satisfying
(1999). The present research explores whether measures of these satisfying experiences
can contribute to the explanation of restorative benefits, beyond that explained by mea-
sures of restorative attributes, as hypothesized in figure 1.
Specifically, this research aims to:
1. measure and compare visitors’ perceptions of the restorative attributes and restor-
ative benefits of each of four museum environments;
2. compare the extent to which different visitor groups perceive restorative attributes
and experience restorative benefits; and
CURATOR 53/4 • OCTOBER 2010 425
AƩributes of the
physical environment
(wayfinding, comfort,
temperature, noise)
RestoraƟve aƩributes
(fascinaƟon, being
away, extent, RestoraƟve benefits
compaƟbility)
SaƟsfying experiences
(object, cogniƟve,
introspecƟve, social)
3. investigate the extent to which attributes of the physical environment and satisfy-
ing experiences contribute to visitors’ perceptions of restorative attributes and
restorative benefits.
Method
Results
Table 1. Perceptions of restorative environments, as rated by visitors to the four research sites
(highlighted).
were considered more restorative than art galleries and museums; and there was no
significant difference between art galleries and museums.1
There were some interesting differences, however, between visitors to the different
sites. For example, art gallery visitors’ ratings of art galleries were significantly higher
(M = 4.5) than ratings of art galleries by visitors to the other three sites (M = 3.6, 3.0,
3.2), F (3,585) = 28.66, p<.001. A similar pattern was found at each site. Further analysis
indicated that even among art gallery visitors, frequent visitors (who visit art galleries
more than twice a year) rated art galleries as more restorative than did infrequent visitors
(M = 4.8 and 4.0 respectively). The difference in visitors’ ratings according to frequency
of visitation was significant in the art gallery and the botanic garden.2 In other words,
visitors who consider a site to be restorative are likely to be those who visit it often. It is
still not clear, however, whether they visited frequently because they found it restorative,
whether familiarity contributed to the restorative effect, or whether they were inclined to
rate it as restorative because they had invested time and effort in visiting. For the botanic
garden, aquarium, and art gallery, the majority of visitors to the particular site considered
that site to be at least as restorative as a national park. This was not the case for visitors to
the museum, where 36 percent considered the museum to be at least as restorative as a
national park.
Restorative attributes of the environment—The Restorative Components Scale
(so-named by Herzog et al. [2003], referring to the un-named scale developed by
Laumann, Gärling, and Stormark [2001]) was used to compare the restorative compo-
nents (Fascination, Extent, Escape, and Compatibility) of the four sites (see table 2).
Cronbach alphas3 for the four subscales were .85, .79, .85, and .82 respectively. On this
and subsequent measures, visitors were asked to rate only the site they had just visited.
Ratings on all dimensions confirmed that visitors at all of the sites considered them to
have restorative qualities (mean ratings between 4 ‘‘rather much’’ and 5 ‘‘very much’’).
The botanic garden was significantly higher than all other sites in relation to Escape and
Extent.
Table 2. Restorative attributes of the environment (0–6 scale with midpoint 3).
Botanic Art
Garden Aquarium Gallery Museum Total
Fascination 4.7 4.6 4.5 4.4 4.5
e.g., there is plenty to discover here
Extent* 4.6 4.3 4.1 4.3 4.3
e.g., the elements here go together
Escape (Being Away)** 4.6 4.3 4.2 4.1 4.3
e.g., when I am here I feel free
from work and routine
Compatibility 4.4 4.3 4.3 4.3 4.3
e.g., the environment gives me the
opportunity to do activities that I like
Across sites, there were significant differences between frequent and infrequent vis-
itors on the Fascination subscale and the Compatibility subscale.4 Frequent visitors rated
both of these attributes more highly than infrequent visitors. There were no significant
differences overall between tourists and local residents in their ratings of the restorative
attributes of the particular sites they had visited, and no interaction effects between the
frequency of visitation and tourist-local variables.
Restorative benefits of the visit—Restorative benefits were measured using the two
subscales of the Attention Recovery and Reflection Scale (Staats et al. 2003), as well as
the Restored Mental State Scale (which was developed for this study). Table 3 presents
the means for these scales by site. Factor analysis confirmed the two-factor structure for
the Attention Recovery and Reflection Scale and one factor for the Restored Mental State
Scale. Cronbach alphas for the three scales were .94, .92, and .92 respectively.
Visitors rated the restorative benefits of their visit in the range of 3.0 (neutral) - 4.0
(rather much) at all sites, with the exception of the botanic garden where the mean
Restored Mental State score reached 4.3. The botanic garden was significantly higher
than all other sites in relation to Attention Recovery and Restored Mental State.
There was a small effect of frequency of visitation on visitors’ ratings on the
Restored Mental State Scale.5 The effect size increased (from 0.19 to 0.22) when consid-
ered in terms of whether or not this was the respondent’s first visit to the specific site:
repeat visitors felt more relaxed and restored after the visit than first-time visitors. There
were no differences overall between tourists and locals, and no interaction effects
between the frequency of visitation and tourist-local variables.
Visitor experiences that support restoration—The ‘‘satisfying experiences’’ framework
(Doering 1999; Pekarik et al. 1999) was used in this study in order to incorporate aspects
of the visitor experience that have been identified as important in museum environ-
ments, as well as those previously used to explore the restorative effects of natural envi-
ronments. Respondents were asked to select one of four types of experience—Object,
Cognitive, Introspective, and Social—that they believed had been the most satisfying in
their visit that day. As illustrated in figure 2, there were significant differences between
Table 3. Restorative benefits of the visit (0–6 scale with midpoint 3).
Botanic Art
Garden Aquarium Gallery Museum
1
Attention Recovery ** 3.7 3.4 3.2 3.1
e.g., renew energy, regain the ability to concentrate
Reflection 3.3 3.0 3.1 3.2
e.g., think about important issues,
see things in a new perspective
Restored Mental State**2 4.3 4.0 4.0 3.8
e.g., feel refreshed ⁄ restored; calm ⁄ relaxed
100.0
10.7
90.0 22.5 22.1
80.0
45.0
4.0 29.0
70.0 11.9
10.1
60.0
Proportion (%)
Social
Introspective
50.0 23.7
14.1 Cognitive
46.4 Object
40.0 4.0
63.8
30.0
20.0
36.9 36.6
10.0 19.2
0.0
Museum Aquarium Gardens Art Gallery
Site
the four sites in the type of experience selected as most satisfying. The Cognitive experi-
ence (gaining new knowledge) was seen as the most satisfying experience by visitors to
the museum. The Object Experience (seeing rare or beautiful objects ⁄ marine life) was
seen as the most satisfying experience by visitors to the aquarium. The Social Experience
(spending time with friends or family) was seen as the most satisfying experience by visi-
tors to the botanic garden. The Introspective Experience (using your mind to reflect or
imagine) was second to the Object experience as most satisfying for art gallery visitors,
but was chosen more often in the art gallery than at any other site. There were no signifi-
cant differences between frequent and infrequent visitors in the kinds of experience they
considered most satisfying, but there were between tourists and local visitors. Tourists
considered the Object and Cognitive Experiences more satisfying, while local visitors
found Social and Introspective Experiences more satisfying.6
Visitors were also asked to rate various aspects of the physical environment, such
as noise, temperature, lighting, physical and cognitive comfort, and wayfinding. The
nine items all loaded onto a single factor, and a composite measure of Attributes of the
Physical Environment was formed (Cronbach’s alpha = .85). The four sites varied signif-
icantly on the composite scale, F (3, 561) = 6.11, p < .001, the art gallery scoring lower
than the other three sites. The art gallery gave lower ratings than the other sites on six of
the nine items, including the item ‘‘I felt comfortable in the environment.’’
Regression analyses were conducted in order to explore the relationships depicted
in figure 1. In order to simplify the analysis of the relationships depicted in the model,
average scores for Restorative Benefits, Restorative Attributes, Satisfying Experiences, and
430 JAN PACKER AND NIGEL BOND • RESTORATIVE ENVIRONMENTS
AƩributes of the
physical environment
(especially feeling
comfortable) .35
Discussion
adequate physical facilities such as seats and rest areas, and ensuring that noise,
temperature, and lighting levels are pleasant, can all increase the likelihood that visitors
will encounter a restorative experience.
It was found that local visitors placed more importance on social and introspective
experiences, and tourists placed more importance on cognitive and object experiences.
Previous research on visitor motivations (Packer 2004) suggests that tourists are more
likely to be looking for a learning and discovery experience—they want to discover new
things and often try to ‘‘see as much as they can.’’ These experiences may be incompatible
with a restorative experience. Visitors who have already satisfied their initial curiosity
about the site may be more open to an introspective experience, which in turn is associ-
ated with greater restoration. Since the introspective experience was the best predictor of
restorative outcomes in this study, it might be concluded that the restorative experience
could also be enhanced by encouraging visitors to take the time to think about what
they are seeing, to make personal connections with exhibits, and to exercise their
imaginations.
Further research is needed to explore ways in which introspective experiences
might be encouraged and supported. These experiences were particularly evident in the
art gallery. Other venues might thus consider the use of visual art, poetry, and music as a
means of stimulating reflection. Experiments along these lines have already met with
considerable success—the use of poetry at the Central Park Zoo in New York, for
instance (Institute of Museums and Library Services 2006). Further research is also
needed to test the findings of this study using physiological as well as self-report mea-
sures of restoration. It may be that there is a difference between the perception of restora-
tion and the achievement of physiological effects such as reduced blood pressure or
muscle tension. Although some congruence between self-report and physiological mea-
sures has been demonstrated in natural environments (Chang et al. 2008), this needs to
be tested also in museum environments.
Focusing on the restorative benefits that museum environments can provide will
enhance and extend their contribution to their visitors’ health and well-being, and to
society in general. Providing opportunities to quickly, easily, and regularly access places
that support restoration is especially important in today’s urbanized society, where
access to natural environments is limited, and where information fatigue and stress are
increasingly prevalent.
Acknowledgements
This research was conducted with the assistance of a University of Queensland Early
Career Researcher Grant. The authors gratefully acknowledge the assistance of the
Queensland Museum, Brisbane Botanic Gardens Mt Coot-tha, UnderWater World
Aquarium, and the National Gallery of Victoria, and all the visitors who gave their leisure
time to complete our survey.
CURATOR 53/4 • OCTOBER 2010 433
Notes
1. BG-AQ, t (571) = 7.57, p < .001; BG-AG, t (583) = 13.57, p < .001; BG-MU,
t (580) = 13.90, p < .001 : AQ-AG, t (575) = 4.15, p < .001; AQ-MU
t (573) = 4.10, p < .001; AG-MU, t (584) = 0.58, p = .559.
2. Significant effects of frequency of visitation on visitors’ ratings of restorativeness:
within art gallery, F (3,133) = 6.07, p=.001; within botanic garden, F (3,147) =
7.80, p<.001.
3. The Cronbach alpha statistic provides a measure, ranging from 0 to 1, of the inter-
nal consistency of the items and thus the appropriateness of combining them into
a single scale or subscale. Values above 0.70 are usually considered acceptable.
4. Significant differences between frequent and infrequent visitors on Fascination:
t (584) = 3.34, p = .001; and Compatibility: t (583) = 3.04, p = .002.
5. Significant differences between frequent and infrequent visitors on Restored
Mental State: t (573) = 2.10, p = .036; Significant differences between first-time
and repeat visitors on Restored Mental State: t (570) = 2.63, p = .009.
6. Tourist-local x most satisfying experience: v2 (3, N = 577) = 38.00, p < .001.
7. Correlations between Restorative Benefits and Attributes of the Physical Environ-
ment (r 538= .284, p<.001); Satisfying Experiences (r 551= .630, p<.001); and
Restorative Attributes (r 563 = .567, p<.001).
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Perceptions of restorative environments—A set of nine items asked respondents to rate the
extent to which each of the four research sites, as well as five other sites (national parks,
beaches, zoos, cinemas and shopping centers), helped them to ‘‘relax and recover from
the tension of everyday life.’’ Each item was rated on a 7-point scale where 0 = not at all,
1 = very little, 2 = rather little, 3 = neither little nor much, 4 = rather much, 5 = very
much, 6 = completely. (This is the same scale used by Laumann, Gärling, and Stormark
[2001], in their Restorative Components Scale; see below.) These items were included in
order to situate visitors’ perceptions of the restorative nature of the research sites within a
broader context of natural and urban environments.
Restorative attributes—The Restorative Components Scale (so-named by Herzog et al.
[2003], referring to the un-named scale developed by Laumann, et al. [2001]) was used
436 JAN PACKER AND NIGEL BOND • RESTORATIVE ENVIRONMENTS