Kullu Shawls occupy a place of pride among the Handicrafts of Kullu.

They are world famous for

their elegant look, brilliant traditional patterns  , quality and reasonable cost.

A shawl is a light woolen fabric measuring 1 x 2 meters. It is usually draped around and over the
chest and shoulders by women. Generally, the yarn   is Merino Wool, Angora Wool, Pashmina
Wool, local sheep wool or a combination of any of these. Men also wear shawls, these are known
as Loi or Chaddar.

Kullu shawls occupy an imperative position in the economy of the valley and
to realize the demand 20000 to 22000 people are partially engaged in this
field and about 10000 people fully earn their livelihood from the industry.

Price
The price of shawls depends upon the quality of wool   and the pattern  and
ranges from Rs. 100 to Rs. 12000. The ones made on the handloom are
expensive as compared to those made on the powerloom

During the pre-independence era clothes from industrialized

regions couldn't reach the valley due to lack of transportation
facilities. As Kullu Valley falls under temperate Himalayan
region, the cold climate prevalent is suitable for sheep and
goat rearing, which also fulfills the necessity for woolens.

Initially the people of Kullu used to weave Patti   which is

18'', 20'' or 22'' wide, and having an appropriate length.
They wove it to fulfill the bare necessity of covering their
body and protecting themselves of severe cold. Menfolk wove
Patti for coats and suthan (pyjamas) and women used it
as Pattus   for themselves. Men also made caps out of Patti,
which was originally, woven in natural colors of wool i.e.
black, white and grey.

Until 1936 pattus were made on the pitloom, but after that handlooms came into way, this
probably happened because of British influence. When weavers from Bushehar (Shimla) came to
the valley in early 1940's their craft influenced the people of Kullu Valley. The weavers of Bushehar
were acquainted with the geometrical designs, which they successfully used on Pattus.

In 1942 when Indian film star Devika Rani, daughter-in-law of famous Russian painter Nicholas
Roerich   , came to Kullu. She took a zealous interest in the looms and it was at her request that
Sh. Sheru Ram of Banontar village fashioned the earliest urban size shawl (72" x 36"). On being
inspired from Mr. Sheru Ram, Pt. Urvi Dhar started manufacturing shawls commercially.

The advent of synthetic threads in Kullu too dates back to 1940's when Busheheras came to the
valley. As there weren't any spinning mills in the valley, weavers started importing yarn   from
Ludhiana (Punjab) and used them in pattus and shawls. Most of these are being imported even
today.

In 1957 Kullu Shawl Improvement Center opened up in the valley and Mr. Devi Prakash Sharma
joined there as a technician. He developed diverse designs, visited the various co-operative
societies and individual weavers and gave them new designs.

With time shawls are now being manufactured in a wide variety of patterns and the use of
vegetable dyes, which augment an exotic array of subdue.

he raw materials for shawls is easily available in the Valley. If not produced here it is easily
imported from the neighboring states and countries. The wool obtainable in Kullu Valley are:
Australian Merino Wool
Natural fair fleece- ends, imported from Australia are cleaned, carded and spun at the spinning
mills at Ludhiana, Amritsar, Panipat, Kullu, etc. The fiber is soft and well in worth.

Most of the Kullu shawls are prepared in this quality wool tinted in diverse
colors. At times hand- spun Merino wool may also be used for the weft in
the case of the hand- spun array of shawls.

Usually the count of the yarn used for the body ranges from 2/44's to 2/
50's. The count of the reed used maybe 36's, 40's or 42's. Most
commonly, a 2/ 48's warp is woven using a reed of 42's count- this is
considered to be the ideal combination for weaving the ground fabric as
well as the patterned border of the shawl.

Local Wool
This is the wool acquired from sheep bred in Himachal Pradesh. Most of
them are migratory. In summer, the sheep migrate from the villages in
the lower plains to the higher up Himalayan paddocks for grazing with the Gaddies or local
shepherds. Through the glacial iciness, the sheep are brought back to their villages in the lower
Himalayas. These sheep are sheared twice a year during the autumn and spring seasons i.e. in the
months of September and April.

This wool is obtainable in natural white, black, grey and brown. Due to its coarseness, local wool is
usually used for floorings and blankets.

Pashmina Wool
This wool is taken from the under belly of the Pashmina goat existing in Tibet. The shawls woven
from Pashmina range from a fine to super- fine quality. They are pure and light, yet tremendously
warm. Owing to the high cost of labor involved in the sorting of fine Pashmina fiber they are pretty
expensive but trendy.

Angora Wool
This is the wool of the Angora rabbit, procured from the local Angora breeding farms. These
rabbits are imported from Germany. Since they have a very high birth rate and death rate, they
are bred for about two years and then sold off as meat. They are trimmed once in every three
months. Angora wool is enormously warm, soft and sleek to feel.

Due to its fine quality, it is manually spun only on the 'takli' (i.e. the spindle). It is originally found
in white, brown, grey and black colors and may be dyed in the same colors as sheep wool. Owing
to its fibrosity, it is extremely difficult to weave a 100% Angora shawl; they are hence woven
using merino for the warp and angora for the weft.

Staple Yarn: Cotton fiber, used as warp.

Acrylic Yarns: Synthetic wool, used in making patterns.

Technical Specifications of Kullu Shawl:

Yarn Used:
Warp- 2/ 44's, to 2/ 64's Woolen Worsted
Weft- 2/ 44's to 2/ 64's Woolen Worsted , Hand Spun- Pashmina, Angora, etc.
Patterning- 2/ 32's Woolen Worsted / Acrylic. 2-3 ply.
Size - 2Mt. x 1Mt.
Weave - 2/2 Twill (base) & Weft rib in patterning.
Weight - If woven in 2/ 48's count the weight of a shawl may vary from 360to 390gms,
conditional on the outline & design.

The extra weft woven shawl

Due to limitations in geometrical designs certain modifications have been done in Kullu Shawls by
imparting extra weft for patterning.
In this type of shawls many new designs can be woven by imparting extra weft for patterning in
place of typical patterning. It is also simplified, less time consuming, cheaper in cost and
commercially viable.

Technical Specifications of extra weft woven shawl :

Yarn used:
Warp - 2/ 44's to 2/ 64's Woolen Worsted
Weft - 2/ 44's to 2/ 64's Woolen Worsted, Hand Spun- Pashmina, Angora, etc.
Patterning - 2/ 32's Woolen Worsted / Acrylic 2- 3 ply.
Size - 2Mt. x 1Mt.
Weave - 2/ 2 Twill (base) & Weft rib in patterning.
Weight - if woven in 2/ 48's count the weight of a shawl may vary from 360 to 390gms,
depending on the patterning & design.

The process of shawl weaving consists of making of reels from Ruffle, Pashmina and Angora
wool yarn   first.

In case of the pitloom, the warp is made manually by winding it around

peg- stands separated by a definite amount of distance. The drafting and
denting of the ends is done by pulling them through the thread healds and
the reed with the help of fingers. The warp is then set onto the loom, its
ends are tied and its tension adjusted as per the requirement.

The warp for the fly shuttle flame loom is wound on the warping machine.
It is transferred to the warp beam under tension, which is then put on the
loom for drafting and denting. The warp ends are drafted and dented with a reed hook, the loom
tie-ups and tension are re- adjusted and the loom is geared up for weaving.

The basic structure for the shawl is 2/2 twill woven on a straight or pointed drafting order. The
surface texture could be as follows:

 Straight lifting plan woven on a straight drafting plan to give diagonal lines.
 Pointed lifting plan woven on a straight drafting plan to give vertical zigzag.
 Straight lifting plan woven on a pointed drafting plan to give a horizontal wavy pattern.
 Pointed lifting plan woven on a pointed drafting plan to give a diamond shaped structure.

The decorative border of the shawls is always woven in a basket weave with the dove- tailing or
slit- tapestry techniques. The colored graph of the design to be woven is used as a reference and
the number of ends per design is considered.

Cut lengths of the colored acrylic wool threads are placed in the warp in 2- 3 plys. The technique
used to produce the pattern is intertwining or the 'dove- tailing' technique also referred as the
tapestry weave.
  Prior to early forties plain shawls were in fashion in the valley. With
the arrival of Bushehras from Rampur Busheher (Shimla), the native
weavers took to patterning shawls. The initial designs that were
geometrical in outline basically depicted local flora and fauna. The
colors, usually intense, perhaps endeavor to portray the Kulluites'
enthusiasm for life.

Mr. Devi Prakash Sharma who joined Kullu Shawl Improvement

Center as a technician developed diverse designs, visited the various
co-operatives and individual weavers and promoted new designs.

The patterns:

 Plain shawl made of single color without any design or pattern.

 Plain with border of a traditional pattern or colored stripes on the four sides.
 Plain with ek phool i.e. traditional pattern on its both ends.
  Plain with teen phool i.e. three traditional patterns on two ends.
 Shawl having design all over it.
 Designed Shawl with ek phool i.e. one traditional pattern on both ends.
 Designed Shawl with teen phool i.e. three traditional patterns on both ends.

Status of Weavers

Nearly every dwelling in the valley is involved in shawl weaving. Most of it focuses in and around
Kullu. Lag Valley, Parbati Valley and Beas Valley have higher concentration of weavers, as it is
easy to procure raw- material and marketing facilities.

There are about 20000- 22000 weavers engaged in the craft. The weavers earn Rs.20 to Rs.30
per shawl with no designs, Rs.60- Rs.500 per shawl having one traditional pattern, Rs.80- Rs.700
per shawl having two traditional patterns, Rs.80- Rs.2700 per shawl having three traditional
patternsl and Rs.500- Rs.1000 per shawl with designs all over. The average earning of a
craftsman is from Rs.50 per day to Rs.110 per day. Their economic condition is not satisfactory as
weaving a shawl is laborious and the high cost of raw- material. The handloom weavers also have
to compete with the shawls from the powerloom.

Problems of the Industry

Problem of Raw- Material  : The non- availability of certain raw- materials locally causes
cost of imported raw- material to be very high. Their increasing costs have resulted in increased
rates of shawls and consequently demand of shawls has fallen.

Efforts should be made to provide ample raw- material at subsidized rates. It may also be
suggested that the quality of locally available woolen yarn from indigenous wool may also be tried
to improve with the efforts of Government of H.P. i.e. research and development, as Himachal
Pradesh is traditionally a wool producing area and annual wool production is more than 1500 M.T.

The supply position of Pashmina yarn is influenced by the govt. policies of Jammu & Kashmir, as
Laddakh being the main source of quality Pashmina, weavers mainly depend on them for
Pashmina.

Imposition of sale tax on the purchase of raw- material has increased cost of production and
hence low demand.

Problem of Marketing: Appalling condition of marketing infrastructure in the valley is a

crucial problem of the native shawl industry.

The shawl weavers find it difficult to compete with the machine made shawls of Ludhiana.
Consequently they do not get reasonably paid. Due to lack of awareness, entrepreneurship and
proper channels for export the local weavers have to face cut- throat competition within the
valley.

Sincere efforts need to be made on part of the government for imparting latest technical know-
how of the looms for improving the status of weavers of the valley.