BIBERCE - English
BIBERCE - English
BIBERCE - English
PEPPERCORN
CHARACTERS
MOTHER
PEPPERCORN
THE QUEEN
NANNY
PROLOGUE
CHOIR
COURTIERS
PROLOGUE
PROLOGUE
CHOIR
PROLOGUE
CHOIR
PROLOGUE
PROLOGUE
PROLOGUE
CHOIR
PROLOGUE
CHOIR
PROLOGUE
CHOIR
Only, oh alas!
PROLOGUE
CHOIR
PROLOGUE
CHOIR
PROLOGUE
CHOIR
FIRST LADY-IN-WAITING
SECOND LADY-IN-WAITING
CHOIR
FIRST COURTIER
Fairy tale.
CHOIR
Fairy tale.
SECOND LADY-IN-WAITING
CHOIR
THIRD COURTIER
(Exit all.)
ACT ONE
Scene One
SWAGGERER
PEPPERCORN
GOODFELLOW
SWAGGERER
PEPPERCORN
Why don’t you look better?
SWAGGERER
Let us try again. (He takes his sword, and they both assume fighting positions.)
GOODFELLOW
(To Swaggerer)
SWAGGERER
I do not admit.
GOODFELLOW
SWAGGERER
I won’t.
PEPPERCORN
SWAGGERER
PEPPERCORN
SWAGGERER
PEPPERCORN
I am not so sure.
SWAGGERER
PEPPERCORN
GOODFELLOW
(Tries to bend the bow to put the string on it, but does not succeed.)
PEPPERCORN
SWAGGERER
(He boastfully shows his muscles; then he tries to string his bow, but does not succeed.)
GOODFELLOW
It cannot be bent.
SWAGGERER
PEPPERCORN
(He takes the bow, sits on it, and tries to bend it.)
GOODFELLOW
GOODFELLOW
PEPPERCORN
SWAGGERER
PEPPERCORN
SWAGGERER
(Threatening.)
GOODFELLOW
SWAGGERER
(To Peppercorn.)
PEPPERCORN
Maybe it is so. But our friends know well
Who’s afraid of whom, surely they can tell.
SWAGGERER
GOODFELLOW
SWAGGERER
GOODFELLOW
SWAGGERER
I will fight with one hand, and you will with both
PEPPERCORN
GOODFELLOW
PEPPERCORN
SWAGGERER
(Falling down.)
PEPPERCORN
Hey! Hold on now!
SWAGGERER
PEPPERCORN
GOODFELLOW
SWAGGERER
Scene Two
(Mother, Peppercorn)
MOTHER
PEPPERCORN
MOTHER
You should better tell him not to fight with you.
PEPPERCORN
MOTHER
PEPPERCORN
MOTHER
PEPPERCORN
Scene Three
(Centenarian, Peppercorn)
CENTENARIAN
Hallo, there,
PEPPERCORN
Hallo, granddad.
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
In stories.
PEPPERCORN
(Imploring.) Granddad!
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
(Thinking it over.)
PEPPERCORN
CENTENARIAN
PEPPERCORN
Why?
CENTENARIAN
PEPPERCORN
CENTENARIAN
(Disappointed.)
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
(Impatiently.)
CENTENARIAN
PEPPERCORN
CENTENARIAN
Yes, if until next Wednesday
The Queen manages to find a brave lad.
But the task’s so awful, even to think of.
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
(Slightly amazed at the thought that Peppercorn is still thinking about the dragon.)
(Centenarian goes out; Peppercorn stays by the door for a moment, hesitating; then he
takes the sword that is hung above his bed.)
Scene Four
(Peppercorn, alone)
PEPPERCORN
(To the sword)
(He kisses the sword, then puts it back into its sheath and ties the sheath around his
waist: the sword is too big for him, so it drags itself on the ground; then he takes the
quiver with the arrows.)
Scene Five
SWAGGERER
PEPPERCORN
Is that a threat?
SWAGGERER
Of course it is.
I must have my revenge for this.
PEPPERCORN
SWAGGERER
You did. Just wait and see what lies ahead.
PEPPERCORN
SWAGGERER
GOODFELLOW
SWAGGERER
PEPPERCORN
GOODFELLOW
SWAGGERER
GOODFELLOW
(Runs in.)
GOODFELLOW
SWAGGERER
(Affecting seriousness.)
PEPPERCORN
GOODFELLOW
PEPPERCORN
SWAGGERER
GOODFELLOW
PEPPERCORN
GOODFELLOW
PEPPERCORN
GOODFELLOW
PEPPERCORN
GOODFELLOW
SWAGGERER
(Shouting after him.)
Scene Six
(Goodfellow, Swaggerer)
SWAGGERER
GOODFELLOW
(Getting angry.)
SWAGGERER
GOODFELLOW
(Worried.)
SWAGGERER
CURTAIN
PROLOGUE
(By the side of the lake; a plaintive song is heard, gradually becoming louder.)
QUEEN
Scene One
(Starman, Grace with the old Nanny, the Knight of Fear, Prince Howard Coward)
QUEEN
QUEEN
QUEEN
CHOIR
GRACE
No, mother!
QUEEN
GRACE
Leave me alone.
QUEEN
Scene Two
(Badman, the former, Blunty)
BADMAN
(Offstage.)
CHOIR
Ohhh....
BADMAN
CHOIR
Ohhhh.....
QUEEN
BADMAN
QUEEN
STARMAN
QUEEN
(To Grace.)
NANNY
QUEEN
BADMAN
(Bows to her.)
QUEEN
QUEEN
(To Grace.)
GRACE
Goodbye, mother.
QUEEN
Scene Three
STARMAN
BADMAN
I don’t need that.
STARMAN
BADMAN
(Calling.)
Blunty! Blunty!
(Thinks for a while, then shouts after Starman, who has already gone.)
(Starman returns.)
STARMAN
BADMAN
STARMAN
BADMAN
Don’t talk like that. He serves me faithfully.
I won’t allow anyone to treat him unruly.
STARMAN
BADMAN
STARMAN
Scene Four
BADMAN
(To himself)
(Puts it on an elevated point and watches for a couple of moments as the sand is running
out; to Grace.)
BADMAN
BLUNTY
A bird.
BADMAN
A bird.
BLUNTY
A birdie.
BADMAN
BLUNTY
BADMAN
Like I want.
(Together.)
BLUNTY
BADMAN
BLUNTY
You to.
BADMAN
(Blunty sits down and looks at the hourglass intently; Badman goes down – to the lake.)
(Agitatedly.)
Scene Five
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
I cannot be saved.
PEPPERCORN
(Surprised.)
GRACE
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
(Peppercorn smiles, kneels by her and puts his head upon her lap.
GRACE
PEPPERCORN
Peppercorn.
GRACE
PEPPERCORN
GRACE
Grace.
PEPPERCORN
GRACE
I can’t
PEPPERCORN
(Grace starts singing hesitatingly; every now and then, she looks at the hourglass.)
GRACE
(Sings.)
PEPPERCORN
All of us to defend.
(Thunder and lightning; the wind howls; Grace continues with great effort.)
GRACE
PEPPERCORN
(With huge lightning and loud wind’s howling, the dragon appears.)
PEPPERCORN
(He looks at her; sees her frightened face; follows her intent look, sees the dragon, and
hurls himself at it. Grace screams.)
Scene Six
PEPPERCORN
(Retreating.)
GRACE
PEPPERCORN
(Retreating.)
PEPPERCORN
My arm!
GRACE
PEPPERCORN
GRACE
PEPPERCORN
(Pierces it.)
GRACE
We are saved!
PEPPERCORN
We are saved!
GRACE
Peppercorn!
PEPPERCORN
Grace!
Scene Seven
(Peppercorn, Grace)
GRACE
(Hesitatingly approaches the dragon. When she sees it is dead, she runs to Peppercorn
and embraces him.)
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
PEPPERCORN
GRACE
PEPPERCORN
GRACE
(Merrily.)
PEPPERCORN
GRACE
PEPPERCORN
GRACE
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPERCORN
(He cuts open the dragon’s belly and takes out its heart.)
GRACE
(Surprised.)
PEPPERCORN
(Holding the heart.)
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
Freedom can be seen on the horizon.
No one will be slave from now on.
GRACE
PEPPERCORN
GRACE
PEPPERCORN
(Preparing to leave.)
GRACE
PEPPERCORN
GRACE
PEPPERCORN
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
Grace!
GRACE
(With hope.)
Peppercorn!
PEPPERCORN
GRACE
Peppercorn!
But first of all I must tell my mother.
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
The court?!
GRACE
PEPPERCORN
Why should you be there, say?
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
PEPPERCORN
GRACE
There is no other.
PEPPERCORN
GRACE
GRACE
PEPPERCORN
(He runs off; Grace makes a couple of steps after him, smiles and waves after him. All of
a sudden Badman appears; she is startled.)
Scene Eight
GRACE
BADMAN
(Appears with Blunty, cautiously, but when he sees the killed dragon, he becomes bold.)
(He makes sure the dragon is dead; pushes it with his leg.)
GRACE
BADMAN
If you think that maybe I am not so bold
I have to remind you: she died from my sword.
GRACE
BADMAN
(Points at Blunty.)
GRACE
BADMAN
GRACE
BADMAN
GRACE
Of course I will.
And besides, there’s another thing.
BADMAN
GRACE
BADMAN
GRACE
(Shocked.)
BADMAN
(Laughing.)
GRACE
BADMAN
Why not?
GRACE
Peppercorn!
BADMAN
BADMAN
(Catches her.)
CURTAIN
ACT THREE
Scene One
NANNY
NANNY
QUEEN
(Singing.)
NANNY
NANNY
QUEEN
ALL
NANNY
MEN
ALL
Scene Two
QUEEN
(Embraces Grace.)
GRACE
QUEEN
(Kisses her; Grace goes away with Nanny; Badman takes the dragon’s head from his bag
and throws it down.)
QUEEN
Oh...oh...
ALL
Oh... oh...!!!
ALL
BADMAN
Blunty!
QUEEN
O-o-o!
ALL
O-o-o!
QUEEN
BADMAN
QUEEN
It is horrendous.
Badman is great.
QUEEN
BADMAN
ALL
O-o-o!
QUEEN
Take another.
BADMAN
(Drinks it up.)
It pleases me so.
QUEEN
(Laughter.)
QUEEN
(Applause.)
ALL
COURTIER
Admire!
COURTIER
MEN
Alive.
COURTIER
ALL
Dragon.
WOMEN
Dragon, dragon.
MEN
WOMEN
MEN
Praised.
ALL
MEN
ALL
Should be raised. Should be raised!
COURTIER
ALL
Dock!
COURTIER
FIRST LADY
FIRST COURTIER
SECOND LADY
SECOND COURTIER
THIRD LADY
BADMAN
You too!
THIRD LADY
NANNY
COURTIER
ALL
Knick-knack!
(Applause.)
BADMAN
QUEEN
Talk now.
LADIES
Yes, talk!
BADMAN
ALL
A lightning!
BADMAN
LADIES
The dragon!
BADMAN
ALL
Put on!
BADMAN
Me?
BADMAN
It will be my pleasure!
BADMAN
Seven?!!!
BADMAN
Precisely so,
One of these heads hot fire was throwing
While from the other a cold wind was blowing
The third was exuding poisonous smoke
While the fourth was wiggling its tongue.
CHOIR
BADMAN
CHOIR
BADMAN
CHOIR
BADMAN
CHOIR
... Charged.
BADMAN
CHOIR
BADMAN
ALL
...Nose.
BADMAN
CHOIR
...Stoned.
BADMAN
ALL
A snake?!!
BADMAN
A snake.
BADMAN
(Enters Peppercorn.)
Scene Three
PEPPERCORN
COURTIER
(Apologizing.)
He came in by force.
CHOIR
By force! By power!
QUEEN
PEPPERCORN
But why?
PEPPERCORN
ALL
Oh-hoh!
BADMAN
What an impertinence.
Go away, or else my sword will arise. (Draws his sword.)
PEPPERCORN
QUEEN
PEPPERCORN
Yes.
QUEEN
PEPPERCORN
QUEEN
PEPPERCORN
BADMAN
PEPPERCORN
BADMAN
QUEEN
Blunty!
CHOIR
QUEEN
BADMAN
(Confused.)
It is a bit queer.
Let me just remember it all...
QUEEN
Sssssh! Be quiet.
ALL
Sssssh!
QUEEN
PEPPERCORN
BADMAN
(Threatening.)
PEPPERCORN
BADMAN
QUEEN
PEPPERCORN
BADMAN
(Dragging Blunty.)
CHOIR
Will flow? (3 times women, 3 times men)
BADMAN
BADMAN
The dragon!
CHOIR
The dragon!
BADMAN
The sword!
CHOIR
(A pantomimic scene in which Blunty, repeating all Badman’s gestures almost in detail,
describes what he was told to describe.)
BADMAN
QUEEN
BADMAN
QUEEN
By no means at all!
BADMAN
QUEEN
BADMAN
QUEEN
Scene Four
STARMAN
QUEEN
(Pointing at Peppercorn.)
STARMAN
(Staring at Peppercorn.)
BADMAN
(Triumphantly, ironically)
(Pointing at Peppercorn.)
QUEEN
BADMAN
PEPPERCORN
BADMAN
QUEEN
PEPPERCORN
QUEEN
PEPPERCORN
ALL
Grace.
QUEEN
(Surprised.)
PEPPERCORN
STARMAN
BADMAN
But...
STARMAN
PEPPERCORN
(To Peppercorn)
STARMAN
PEPPERCORN
STARMAN
PEPPERCORN
ALL
The Princess!
Scene Five
GRACE
(Joyfully.)
Peppercorn!
(She stops short, seeing that beside him stands Blunty, ready to draw his sword; beside
her stands Badman, with stern and threatening look; no one notices these threats,
because they are all concentrated upon what Grace will say: they interpret her
withdrawal after the outburst of joy as a sign that she has mistaken Peppercorn for
someone else and that she is now becoming aware of her mistake.)
QUEEN
(A pause. Everyone is intently waiting. Grace hesitates, but when she realizes that if she
discovers the truth Badman will have his revenge, she comes to a decision.)
GRACE
PEPPERCORN
(Shocked.)
Grace!
CHOIR
Oooooh!
QUEEN
(To Grace)
Scene Six
BADMAN
QUEEN
BADMAN
STARMAN
QUEEN
Forgive him?
BADMAN
QUEEN
(To Peppercorn)
He won’t.
BADMAN
QUEEN
BADMAN
QUEEN
(To Peppercorn)
BADMAN
(To Peppercorn.)
BADMAN
STARMAN
QUEEN
STARMAN
QUEEN
STARMAN
BADMAN
I do prefer the second virtue:
Forgive where forgiveness is due.
BADMAN
QUEEN
PEPPERCORN
(Calmly, quietly.)
(To Badman)
PEPPERCORN
WOMEN
Alas, alas!
MEN
A duel.
(Peppercorn draws his sword; everybody moves to one side: the duel starts; at one point,
when he understands that he will be overpowered, Badman gives a sign to Blunty, who
attacks Peppercorn.)
PEPPERCORN
STARMAN
Stop it!
CHOIR
Oh!
PEPPERCORN
CHOIR
Ouch!
(The fight goes on; Badman’s fear is more and more obvious. Peppercorn succeeds in
throwing Badman’s sword out of his hand; Badman is terrified.)
CHOIR
Ouch, ouch!
BADMAN
PEPPERCORN
BADMAN
PEPPERCORN
BADMAN
(Defeated.)
(General surprise.)
CHOIR
Oh... hoh!
QUEEN
You ran away. That changes the whole thing.
(To Peppercorn.)
PEPPERCORN
QUEEN
PEPPERCORN
QUEEN
(Surprised.)
PEPPERCORN
PEPPERCORN
Hold on!
Scene Seven
QUEEN
BADMAN
QUEEN
BADMAN
QUEEN
Yes, it is important.
FIRST COURTIER
BADMAN
QUEEN
Well, now...
CHOIR
CHOIR
GRACE
CHOIR
O-o-oh!
QUEEN
What you just said the whole thing explains
Take him away and put him in chains.
CHOIR
In chains!
BADMAN
But I...
QUEEN
Not a word.
BADMAN
(They exit.)
Scene Eight
GRACE
QUEEN
MEN
GRACE
No, he will want to go back
Therefore, I will have to leave.
GRACE
QUEEN
I shall go too.
Prepare the carriage. There’s no time to waste.
CHOIR
CURTAIN
PROLOGUE
Scene One
GOODFELLOW
He can’t be found.
SWAGGERER
MOTHER
GOODFELLOW
(Embarrassed.)
He said...
MOTHER
(Intently.)
What?
SWAGGERER
(Helping Goodfellow.)
MOTHER
GOODFELLOW
(Whispering.)
SWAGGERER
MOTHER
(Mostly to herself.)
SWAGGERER
MOTHER
Scene Two
(Goodfellow, Swaggerer.)
GOODFELLOW
GOODFELLOW
SWAGGERER
GOODFELLOW
SWAGGERER
Yes.
GOODFELLOW
There is no doubt:
For Peppercorn ‘twill be death and disaster.
SWAGGERER
Not necessarily.
GOODFELLOW
SWAGGERER
(Makes a gesture with his hand as if he were fencing; then he stops short, and starts
thinking.)
GOODFELLOW
SWAGGERER
If he summons all his powers at once
He might beat the monster – well, perchance.
GOODFELLOW
SWAGGERER
GOODFELLOW
SWAGGERER
Then look!
Come on!
GOODFELLOW
I won’t!
SWAGGERER
(Friendly.)
(Goodfellow thinks for a moment, then agrees; he bows down and the “fight” begins;
Goodfellow blows all the time, as if he were the dragon, blowing fire; he pushes
Swaggerer back.)
SWAGGERER
GOODFELLOW
GOODGELLOW
SWAGGERER
(He jumps over Goodfellow and “pierces” him before he manages to turn his head.)
Scene Three
PEPPERCORN
(They are so absorbed in their game that they do not take note of him – even if they did,
they would not recognize him; he approaches Goodfellow, who is still lying and thinking.)
GOODFELLOW
SWAGGERER
It’s no big deal. One blow and it is finished...
(Peppercorn smiles, understanding the whole thing. Goodfellow raises himself; the game
is over.)
PEPPERCORN
SWAGGERER
PEPPERCORN
SWAGGERER
PEPPERCORN
Oh!
SWAGGERER
PEPPERCORN
Oh!
SWAGGERER
SWAGGERER
PEPPERCORN
(Feigning amazement.)
Really?
SWAGGERER
PEPPERCORN
GOODFELLOW
(Getting interested.)
PEPPERCORN
SWAGGERER
GOODFELLOW
(To Peppercorn)
SWAGGERER
(Reluctantly.)
PEPPERCORN
GOODFELLOW
PEPPERCORN
And then?
PEPPERCORN
GOODFELLOW
It is me.
PEPPERCORN
Are you?
GOODFELLOW
(Persuading him.)
I am.
PEPPERCORN
SWAGGERER
PEPPERCORN
SWAGGERER
Well... I am not.
GOODFELLOW
PEPPERCORN
(To Swaggerer.)
SWAGGERER
(Sincerely.)
PEPPERCORN
SWAGGERER
PEPPERCORN
GOODFELLOW
SWAGGERER
PEPPERCORN
(Goodfellow and Swaggerer turn towards him; he smiles, they recognize him; for a
couple of moments they are flabbergasted.)
Ppp...pppp...Peppercorn!
SWAGGERER AND GOODFELLOW
GOODFELLOW
SWAGGERER
PEPPERCORN
SWAGGERER
GOODFELLOW
PEPPERCORN
GOODFELLOW
SWAGGERER
GOODFELLOW
SWAGGERER
The whole thing is s-s-o utterly s-s-strange.
S-s-so that he might swoon in amazement.
Scene Four
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
CENTENARIAN
(With a sigh.)
PEPPERCORN
CENTENARIAN
(With disbelief.)
PEPPERCORN
It is not a joke.
CENTENARIAN
PEPPERCORN
CENTENARIAN
PEPPERCORN
Yes, I do know.
GOODFELLOW
(To Centenarian)
SWAGGERER
(To Peppercorn.)
GOODFELLOW
CENTENARIAN
Oh, lightning and thunders, heavens and stars
The royal carriage is coming towards us!
GOODFELLOW
The Queen!
SWAGGERER
The Princess!
GOODFELLOW
CENTENARIAN
PEPPERCORN
CENTENARIAN
What is it today?
What’s going on here?
Scene Five
GRACE
Peppercorn!
PEPPERCORN
I see it turned out as I’d apprehended.
Time for me now to other things to turn
I know he’s a courtier, so I don’t blame you.
GRACE
PEPPERCORN
GRACE
QUEEN
PEPPERCORN
QUEEN
PEPPERCORN
QUEEN
PEPPERCORN
QUEEN
PEPPERCORN
Yes!
PEPPERCORN
PEPPERCORN
GRACE
Peppercorn!
PEPPERCORN
Grace!
QUEEN
PEPPERCORN
Scene Six
QUEEN
ALL
QUEEN
MEN
WOMEN
(Peppercorn and Grace hide themselves behind Knight and Prince; Mother approaches.)
QUEEN
MOTHER
QUEEN
I do.
MOTHER
ALL
Whaaat?
QUEEN
MOTHER
QUEEN
CHOIR
A real hero.
(The Queen gestures towards Knight and Prince, telling them to move aside.)
MOTHER
Peppercorn!
PEPPERCORN
SWAGGERER
ALL
(They all sit in the carriage and leave. Or they leave in some other way.)
EPILOGUE
CURTAIN