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5 PDF
TABLE 1. Age, Sex, and Employment Status of Patients With Body Dysmorphic Disorder, Major Depressive Episode, Post-
traumatic Stress Disorder (PTSD), or Obsessive-Compulsive Disorder (OCD)
Body Dysmorphic Depression
Characteristic Disorder (N=100) (N=100) PTSD (N=100) OCD (N=100) Analysis
Mean SD Mean SD Mean SD Mean SD F df p
Age (years) 29.8 9.23 42.9 13.4 40.0 14.4 34.2 12.0 14.0 3, 399 <0.001
N N N N χ2 df p
The patients with body dysmorphic disorder were signif- own appearance. An equally plausible explanation is that
icantly more likely to have an occupation or education in patients with body dysmorphic disorder tend to have an
art and design than patients with major depressive episode interest in aesthetics.
(χ2=12.12, df=1, p<0.001), patients with PTSD (χ2=22.22, The association raises an interesting question about the
df=1, p<0.001), and patients with OCD (χ2=14.20, df=1, definition of body dysmorphic disorder as a preoccupa-
p<0.001). There were no significant differences among the tion with an imagined defect. Patients with body dysmor-
three comparison groups except that patients with major phic disorder might have higher aesthetic standards than
depressive episode were significantly more likely to have the mental health professionals who diagnose them, who
an occupation or education in art and design than those may not appreciate beauty to the same degree. Harris (5)
with PTSD (4% versus 0%). (χ2=4.08, df=1, p<0.04). has proposed that individuals seeking cosmetic surgery
are more aesthetically sensitive (an attribute like being
Discussion musical, which varies in different individuals). Another ex-
To our knowledge, no occupational or educational asso- planation is that patients with body dysmorphic disorder
ciation has been identified previously in patients with have idealized values about the importance of appearance
body dysmorphic disorder. Our findings reveal a possible and aesthetics, which have become overidentified with
association between body dysmorphic disorder and an in- the “self” (3).
terest in art or design. The differences between the body A significant limitation of the present study was the rel-
dysmorphic disorder group and the three comparison atively small number of subjects in the study groups,
groups were relatively large, and the rates in the three which may have led to a selection bias. A larger prospec-
comparison groups were similar, suggesting that the asso- tive study is required in a community sample matched ac-
ciation is worth investigating further. cording to age, sex, and parental social class to confirm
Individuals in certain occupations are at a greater risk of our findings and to determine whether the interest in art
developing a psychiatric disorder; for example, firefighters occurred before the onset of body dysmorphic disorder. It
are more likely to develop PTSD and ballet dancers are would also be interesting to know if art or design is associ-
more likely to have eating disorders. However, we know of ated with specific areas of “imagined” defects. However, it
no psychiatric disorder that has an association with a par- will also be necessary to disconfirm our findings with
ticular occupation except one study (4), which found that other broad groupings of occupation (e.g., health care
patients with schizophrenia were more likely to select oc- professionals).
cupations with a low potential for arousal (e.g., janitors). If the association between body dysmorphic disorder
We do not have any evidence for a causal relationship and an interest in art and design is truly positive, then it
between body dysmorphic disorder and interest in art and raises an intriguing question—if we encouraged our pa-
design. Nor are we able with these data to determine tients with body dysmorphic disorder who do not have an
whether the interest was acquired before or after the onset education in art and design to take up such an interest,
of body dysmorphic disorder. The onset of this disorder is would it help focus their attention away from their ap-
usually gradual during adolescence, and an interest in art pearance or would it make their preoccupation worse?
may be a contributory factor to its development in some Alternatively, should we be discouraging patients with
patients. Patients might develop a more critical eye and body dysmorphic disorder with an interest in art from
appreciation of aesthetics, which are then applied to their such pursuits?
Brief Report
Joseph Levine, M.D. Method: A one-way analysis of covariance with age and sex as
covariates was performed on the total plasma homocysteine
Ziva Stahl, M.Sc.
levels of 193 patients with schizophrenia compared with 762
Ben Ami Sela, Ph.D. subjects without the diagnosis of schizophrenia who were eval-
Slava Gavendo, M.Sc. uated in a screening program for employee health.
Vladimir Ruderman, M.D. Results: The effect of schizophrenia was marked: the mean ho-
Robert H. Belmaker, M.D. mocysteine level was 16.3 µM (SD=11.8) in patients with schizo-
phrenia compared with 10.6 µM (SD=3.6) in healthy compari-
son subjects. The difference between groups was almost
Objective: Elevated plasma homocysteine has been found to
entirely attributable to the homocysteine levels of young male
be a risk factor for Alzheimer’s disease as well as cerebral vascu-
patients with schizophrenia.
lar disease, suggesting that some risk factors can accelerate or
increase the severity of several CNS disease processes. The au- Conclusions: Elevated levels of homocysteine in young male
thors measured plasma homocysteine levels in patients with patients with schizophrenia could be related to the pathophys-
chronic schizophrenia in their catchment area. iology of aspects of this illness.