Ficha Técnica
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CMOS
DESIGN
BANG-SUP SONG
Micro
CMOS
DESIGN
Circuits and Electrical Engineering Series
Series Editor
Wai-Kai Chen
MicroCMOS Design
Bang-Sup Song
FORTHCOMING
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Preface............................................................................................................................................ xiii
Acknowledgments.........................................................................................................................xv
The Author................................................................................................................................... xvii
1. Amplifier Basics.......................................................................................................................1
1.1 Driving-Point and Transfer Functions........................................................................ 1
1.2 Frequency Response...................................................................................................... 2
1.3 Stability Criteria.............................................................................................................5
1.4 Operational Amplifier (Opamp) in Negative Feedback...........................................6
1.5 Phase Margin..................................................................................................................9
1.6 Transient Response...................................................................................................... 12
1.7 Feedback Amplifier...................................................................................................... 14
1.8 Feedback Effect............................................................................................................. 16
1.8.1 Linear Range Improvement.......................................................................... 18
1.9 Left-Half or Right-Half Plane Zero............................................................................ 19
1.10 Stability of Feedback Amplifiers................................................................................22
1.10.1 Frequency-Dependent Feedback Factor......................................................22
2. Amplifier Design................................................................................................................... 27
2.1 Abstract Low-Frequency Model of Transistors....................................................... 27
2.1.1 Large Signals................................................................................................... 27
2.1.2 Small Signals................................................................................................... 28
2.1.3 Transconductance gm and Output Resistance ro. ....................................... 29
2.1.4 Small-Signal Model........................................................................................ 30
2.1.5 Body Effect....................................................................................................... 31
2.2 Driving-Point Resistances at Low Frequencies........................................................ 32
2.3 Resistance Reflection Rules........................................................................................34
2.3.1 Local Shunt Feedback..................................................................................... 37
2.4 Three Basic Amplifier Configurations...................................................................... 39
2.5 Nine Amplifier Combinations................................................................................... 41
2.5.1 CS-CS................................................................................................................ 41
2.5.2 CS-CG............................................................................................................... 41
2.5.3 CS-CD...............................................................................................................44
2.5.4 CG-CS, CG-CG, CG-CD.................................................................................44
2.5.5 CD-CS............................................................................................................... 45
2.5.6 CD-CG.............................................................................................................. 45
2.5.7 CD-CD.............................................................................................................. 46
2.6 Differential Pair............................................................................................................ 46
2.6.1 Common-Mode Rejection.............................................................................. 46
2.6.2 Symmetric Transfer Function....................................................................... 47
2.7 Gain Boosting............................................................................................................... 48
2.7.1 Doublet Constraints........................................................................................ 49
2.7.2 Other Gain-Boosting Concepts..................................................................... 50
v
vi Contents
2.8 Biasing........................................................................................................................... 51
2.8.1 Cascode Biasing for Maximum Swing........................................................ 52
2.8.2 Current Source Matching.............................................................................. 53
2.9 Voltage and Current Sources......................................................................................54
2.9.1 VGS and ∆VGS-Referenced Current Sources..................................................54
2.9.2 Bandgap Reference......................................................................................... 55
References................................................................................................................................ 59
From the early 1970s, the digitization of media has dramatically changed our lives, and
shaped the way in which we consume digital information. Because digital systems ben-
efit greatly from advanced complementary metal-oxide semiconductor (CMOS) technolo-
gies, they will prevail in the foreseeable cloud-computing and predominantly portable
multimedia era through wireless networks. In all digital systems, the processed data are
transmitted and received through wireline or wireless channels in the analog form. They
are also stored and recovered through magnetic or optical media. Most digital systems
are based on massive systems-on-chip (SoCs) with multiple analog/radio-frequency (RF)
interfaces. Analog/RF designs in this SoC environment require designers to be familiar
with both system- and transistor-level design aspects. As the complexity of SoCs grows,
analog/RF systems need to be designed using abstract concepts of the large components,
such as operational amplifiers (opamps), analog-to-digital converters (ADCs), and phase-
locked loops (PLLs).
This book aims to introduce analog design methodologies with specific emphasis on
analog systems that can be integrated into SoCs. The design starts from extracting an
abstract concept of both bipolar junction transistor (BJT) and metal-oxide semiconductor
(MOS) transistors, and builds larger systems using them. Readers may notice that this
book does not focus on the analysis but on the design aspect. Analog design concepts are
presented without resorting to derivations of lengthy equations for analysis. More intui-
tive approaches are taken based on the core design concepts. There are four introductory
chapters that emphasize the fundamentals of feedback stability (Chapter 1), the transistor/
amplifier concept (Chapter 2), data converter basics (Chapter 4), and PLL basics (Chapter 8).
The other five main chapters discuss opamps (Chapter 3), Nyquist-rate converters (Chapter
5), oversampling converters (Chapter 6), high-resolution converters (Chapter 7), and syn-
thesizers and clock recovery (Chapter 9). All feedback systems such as opamps, ∆Σ modu-
lators, and PLLs are presented consistently using common basic circuit concepts and the
same parameters for linear small-signal analysis.
This book is mainly written and organized to give proper perspectives on the various
designs of data converters and PLLs, which are the two most common analog circuit com-
ponents in SoCs. The materials covered in the book are suitable for graduate-level students
and advanced engineers in the field, though the four introductory chapters are written
for engineers with an undergraduate background. Readers are advised to review the four
introductory chapters to become familiar with the basic circuit concepts before they move
on to the main chapters for practical designs of microCMOS systems.
Bang-Sup Song
La Jolla, California
xiii
Acknowledgments
Many thanks go to my graduate students Seung-Hoon Lee, Unku Moon, Tzishiung Shu,
Sung-Ung Kwak, Myung-Jun Choe, Alex Bugeja, Woogeun Rhee, Hsinshu Chen, Chun
Huat Heng, Seung-Tak Ryu, Sourja Ray, Supisa Lerstaveesin, and Yunshiang Shu, and
also to my industry friends M. Tompsett, K. Bacrania, D. Soo, P. Lakers, S. Gillig, T. Cho,
D. Kang, Y. Konno, K. Tomioka, Y. Aiba, K. Yamazoe, K. Hamashita, J. Kamiishi, T. Suzuki,
S. Takeuchi, K. Koyama, and T. Yoshioka. Without their contributions, this book would
not exist.
Special thanks go to Professor Wai-Kai Chen, University of Illinois, Chicago; the staff at
Taylor & Francis/CRC Press; and also to Drs. Chong Lee and John Hong, Qualcomm, for
their encouragement.
xv
The Author
Bang-Sup Song, Ph.D., received a B.S. from Seoul National University, Korea, in 1973,
an M.S. from Korea Advanced Institute of Science in 1975, and a Ph.D. from the University
of California–Berkeley in 1983. From 1975 to 1978, he was a member of the research staff
at the Agency for Defense Development, Korea. From 1983 to 1986, he was a member of
the technical staff at AT&T Bell Laboratories, Murray Hill, New Jersey, and was also a
visiting faculty member in the Department of Electrical Engineering, Rutgers University,
New Jersey. From 1986 to 1999, Dr. Song was a professor in the Department of Electrical
and Computer Engineering and the Coordinated Science Laboratory at the University of
Illinois at Urbana. In 1999, Dr. Song joined the faculty of the Department of Electrical and
Computer Engineering, University of California, San Diego, where he is endowed with the
position of Charles Lee Powell Chair Professor in Wireless Communication.
Dr. Song received a Distinguished Technical Staff Award from AT&T Bell Laboratories
in 1986, a Career Development Professor Award from Analog Devices in 1987, and a Xerox
Senior Faculty Research Award from the University of Illinois in 1995. His Institute of
Electrical and Electronics Engineers (IEEE) activities have been in the capacities of an asso-
ciate editor and a program committee member for the IEEE Journal of Solid-State Circuits,
IEEE Transactions on Circuits and Systems, International Solid-State Circuits Conference, and
International Symposium on Circuits and Systems. Dr. Song is an IEEE fellow.
xvii
1
Amplifier Basics
vi ( s) i ( s)
Z( s) = , and Y ( s) = i . (1.1)
ii ( s) vi ( s)
The former is the driving-point impedance, and the latter is the driving-point admittance.
Their units are Ω and 1/Ω, respectively. At low frequencies, they are commonly called
driving-point resistance and conductance, respectively. That is, if the input and output are
referred to the same port, the term driving point is used. Similarly, in the two-port case as
shown on the right side, the four ratios can be defined as follows:
vo ( s) i ( s) v ( s) i ( s)
Av ( s) = , Ai ( s) = o , Z( s) = o , and Y ( s) = o , (1.2)
vi ( s) ii ( s) ii ( s) vi ( s)
where Av(s) and Ai(s) are the unit-less transfer functions called the voltage and current
gains, respectively. The latter two definitions are the same as in Equation (1.1) for the one-
port network, but they are now called transimpedance and transadmittance as the input
and output ports are referred to two ports. The prefix trans relates voltages and currents
in two different terminals. Of course, at low frequencies, they are more commonly called
transresistance and transconductance, respectively.
1
2 MicroCMOS Design
ii ii io
vi Network vi Network vo
FIGURE 1.1
Driving-point and transfer concepts.
N ( s) b1 sm + b2 sm−1 + + bm
H ( s) = = . (1.3)
D( s) a1 sn + a2 sn−1 + + an
The solutions of D(s) = 0 are poles, and those of N(s) = 0 are zeros. Poles and zeros affect
both the frequency and transient responses.
If s is replaced by jω, the steady-state frequency response is obtained. The frequency
response is expressed as a complex transfer function H(jω), which can be written in a
vector form:
For the gain and phase-response plots, the magnitude and phase responses in Equation
(1.4) can be rewritten as follows:
M(ω ) = H ( jω ) = H R2 (ω ) + H I2 (ω ). (1.5)
H I (ω )
θ(ω ) = H ( jω ) = tan −1 . (1.6)
H R (ω )
The following is an example of the frequency response defined in Equation (1.4) with
three poles and two zeros:
Amplifier Basics 3
jω jω
ao 1 + 1+
ω z1 ω z 2
H ( jω ) = , (1.7)
jω jω jω
1 + ω 1 + ω 1 + ω
p1 p2 p3
where ωp1, ωp2, ωp3, ωz1, and ωz2 are pole and zero frequencies. Note that the frequency
is normalized to each pole or zero frequency. This factorized transfer function is a
convenient form to use for analysis. It enables designers to handle the gain and phase
responses separately. Therefore, the most common amplifier design strategy is to
set the direct current (DC) gain parameter and to consider the high-frequency effect
individually.
At low frequencies where ω/ωp or ω/ωz is far smaller than 1, all imaginary terms can be
ignored, and the transfer function is very close to the real number ao with no significant
phase shift. Therefore, ao in the voltage or current gain transfer function is commonly
called a small-signal, low-frequency, or DC gain. In general, the small-signal parameter
ao can be any of the small-signal low-frequency parameters such as driving-point resis-
tance, driving-point conductance, voltage gain, current gain, transresistance, or transcon-
ductance as defined in Equations (1.1) and (1.2). Now at high frequencies where ω/ωp or ω/
ωz is no longer negligible compared to 1, the imaginary terms begin to contribute to the
transfer function, and its gain and phase vary with frequency. Both the gain and phase
responses given by Equations (1.5) and (1.6) can be derived for the example of Equation
(1.7) as follows:
jω jω ω2 ω2
ao 1 + 1+ 1+ 2 1+ 2
ω z1 ω z2 ω z1 ω z2
M(ω ) = = ao . (1.8)
jω jω jω ω 2 ω 2 ω2
1 + 1 + 1 + 1 + 1 + 1 +
ω p 1 ω p 2 ω p 3 ω 2p 1 ω 2p 2 ω 2p 3
ω ω ω ω ω
θ(ω ) = tan −1 + tan −1 − tan −1 − tan −1 − tan −1 . (1.9)
ω z1 ω z2 ω p1 ω p22 ω p3
Consider an example of a transfer function with a DC gain of 100 dB (105), one zero at
107 rad/sec, and three poles at 10, 106, and 108 rad/sec, respectively. Then, the transfer func-
tion of Equation (1.7) is given by
jω
105 1 + 7
10
H ( jω ) = . (1.10)
jω jω jω
1 + 10 1 + 106 1 + 108
4 MicroCMOS Design
Both gain and phase responses can be derived by plugging the real numbers from Equation
(1.10) into Equations (1.8) and (1.9).
ω2
1 + 1014
M(ω ) = 105 . (1.11)
ω2 ω2 ω2
1 + 1 + 1 +
102 1012 1016
ω ω ω ω
θ(ω ) = tan −1 − tan −1 − tan −1 6 − tan −1 8 . (1.12)
107 10 10 10
The standard Bode plots are these two separate gain and phase responses as sketched
in Figure 1.2 using the log scale for gain and frequency. The solid straight lines in the plots
are just for illustration, and the actual gain and phase responses should make smooth
transitions across the pole and zero frequencies as sketched with dotted lines. The over-
all gain slope varies from –6 dB/oct to –12 dB/oct, and the phase delay is maintained at
about –90° at low frequencies but approaches –180° gradually at high frequencies. The
zero in the middle makes some irregularities both in the gain and phase slopes.
Note that gain increases and phase leads after passing zero frequencies, while gain
decreases and phase lags after passing pole frequencies. That is, the magnitude decreases
as a function of 1/ω after each pole, which is equivalent to the gain slope of –6 dB/oct or
–20 dB/dec in the Bode gain plot. Here in the unit, the frequency multiples of octave (×2)
and decade (×10) are abbreviated as oct and dec, respectively. At a pole frequency, the gain
drops by about –3 dB, which is equivalent to the attenuation by 1/ 2 . The phase delay
is a nonlinear tan–1 function, and at the pole frequency, the phase delay is –45°, which is
–tan–11. The same can be said for each zero with the gain slope of 6 dB/oct or 20 dB/dec,
log M(ω)
ωp1 = 10
Ao = 105
(100 dB) –6 dB/oct ωp2 = 106
ωz1 = 107
ωp3 = 108
log ω
–12 dB/oct
θ(ω)
log ω
–90°
–180°
FIGURE 1.2
Bode gain and phase plots.
Amplifier Basics 5
and the gain of 3 dB and the phase lead of 45° at the zero frequency. These simplified
graphical representations of the open-loop Bode gain and phase plots are convenient for
stability analysis.
where pi is a pole, and ki is a constant set by the transient condition. Zeros only affect the
transient condition, not the natural response. Because pi is a complex number, it has both
real and imaginary parts like pi = α + jω. The real part represents the exponential enve-
lope, and the imaginary part is the frequency component. If poles are negative real poles,
the natural response is a pure decaying exponential because the real part of pi is negative.
Otherwise, it is a sinusoid decaying exponentially.
The real part of Equation (1.14) is the natural response of the complex conjugate poles, and
the imaginary part is its quadrature image. Therefore, for any system to be exponentially
stable, the real parts of its poles should be negative (α < 0) so that any transients may decay
exponentially over time.
Figure 1.3 shows three cases with the same negative real pole but with different transfer
functions. The circuit on the left side is the Norton’s equivalent circuit of the low-pass filter
vo R vo 1 vo sRC
= = =
ii 1 + sRC vi 1 + sRC vi 1 + sRC
R C
vo vo vo
ii C R vi C vi R
FIGURE 1.3
Single resistance-capacitance (RC) pole cases.
6 MicroCMOS Design
jω jω
α α
FIGURE 1.4
Location of poles in the complex s-plane.
shown in the middle. The circuit on the right is a high-pass filter. They all have the same
time constant of resistance-capacitance (RC), and the negative real pole is at –1/RC. The
high-pass filter has a zero at DC due to the capacitor in the signal pass. Note that signal feed-
forward through a capacitor always creates a zero. The natural responses of the three are the
same because they have the same pole. Because the signal is attenuated by 3 dB at the pole,
the pole frequency is also called –3 dB bandwidth or cut-off frequency, as defined below:
1 1 1
ω −3 dB = = , f−3 dB = , ω −3 dB = 2 πf−3 dB , (1.15)
RC τ 2 πRC
where the units for ω−3dB, f−3dB, and τ are rad/sec, Hz, and sec, respectively. Only the time
constant τ affects the exponential decay of the natural response, and it is set by the net-
work parameter RC regardless of the signal source.
If there is no feedback applied to any networks that consist of transistors, resistors, and
capacitors, their poles are always negative real as shown in Figure 1.4. If they include
inductors, poles become complex conjugate but remain in the open left-half complex
s-plane. Therefore, all networks without feedback such as open-loop amplifiers are always
stable.
Stability is a concern only in feedback amplifiers. If the feedback loop gain is increased,
poles may move into the right-half complex s-plane, thereby causing instability. Stability of
the feedback network can be analyzed using either the Root-Locus method in the complex
s-plane or the Bode gain and phase plots. The latter is far simpler, as the former is dif-
ficult to obtain analytically without using computers. Simplified Bode plots as shown in
Figure 1.2 are handy for all stability analysis.
log M(ω)
+ ωp
a(s) ao
− –6 dB/oct
ωunity = aoωp
ao log ω
a(s) =
1 + s/ωp
θ(ω)
DC Gain (G) = ao
Bandwidth (B) = ωp
log ω
GB = aoωp = ωunity
−45°
−90°
FIGURE 1.5
An opamp and its open-loop gain and phase responses.
log M(ω)
ωp ωk = (1 + To)ωp
vi + ao
− a(s) vo ao ωunity = aoωp
−
1 + To
log ω
f
θ(ω)
FIGURE 1.6
An opamp-based feedback amplifier.
Assume that opamp has a DC gain of ao and a single negative real pole at –ωp, which sets
the open-loop –3 dB bandwidth to be ωp. The phase delay at the pole frequency is about
–45°, and the total phase delay after one pole becomes –90°. Therefore, the gain-bandwidth
(GB) product is aoωp, which is the frequency where the open-loop gain becomes unity. This
open-loop unity-gain frequency is marked as ωunity. Note that opamp is a high-gain ampli-
fier, but its open-loop bandwidth is very narrow. Therefore, the excess gain can be traded
for wider bandwidth with negative feedback.
Figure 1.6 shows a closed-loop feedback amplifier using an opamp. In this standard
negative feedback example, the output is attenuated by f and subtracted from the input.
The forward gain of the opamp is a(s), and the feedback factor is f, which is assumed to be
8 MicroCMOS Design
independent of frequency with a value ranging from 0 to 1. If f = 0, there is no feedback, and
the amplifier is an open-loop amplifier with the gain of a(s). If f = 1, the whole output is fed
back and subtracted from the input. This feedback condition is called the worst-case unity-
gain feedback. The loop gain T(s) and the closed-loop gain H(s) can be defined as follows:
T ( s) = a( s) f .
vo ( s) a( s) a( s) (1.16)
H ( s) = = = .
vi ( s) 1 + a( s) f 1 + T ( s)
The following relation between the two low-frequency (DC) parameters, DC loop gain To
and closed-loop DC gain Ho, clearly explains the feedback effect that the gain decreases as
the loop gain increases.
To = ao f .
ao ao a 1 (1.17)
Ho = = ≈ o = .
1 + ao f 1 + To To f
The negative feedback improves the amplifier performance drastically. Because the
open-loop DC gain ao is lowered by (1 + To) after feedback, the closed-loop DC gain Ho is
about 1/f as given in Equation (1.17) if the DC loop gain To is high. This implies that the
closed-loop DC gain is no longer affected by the open-loop DC gain ao, which heavily
depends on process, supply voltage, and temperature (PVT) variations. Although the DC
gain ao is reduced after feedback, all other parameters such as linearity, impedance, signal
range, bandwidth, and sensitivity to PVT are improved. One of the most notable trade-
off effects is that the closed-loop bandwidth ωk is widened by the same factor (1 + To) as
sketched using the solid line on the right side of Figure 1.6. Note that ωk is the frequency
where the feedback loop gain is unity. Therefore, ωk can be called either unity loop-gain
frequency or −3 dB bandwidth of the closed-loop gain.
This single-pole negative feedback is absolutely stable with a phase margin of 90° because
the total loop phase delay is only –90° at ωk. However, real opamps have many nondomi-
nant high-frequency poles, which contribute some phase shift at ωk. Therefore, the stability
FIGURE 1.7
Three cases of Root Locus as To increases.
Amplifier Basics 9
of feedback amplifiers using opamps should be closely looked at. To ensure the stability
of a feedback amplifier with opamp, its poles of the transfer function that are the solutions
of 1 + T(s) = 0 should be in the open left-half complex s-plane. Three cases of Root Locus in
Figure 1.7 show the poles in the complex s-plane when the loop gain is increased.
In one- or two-pole cases, poles still stay in the open left-half plane, but in the three-pole
case, two complex conjugate poles are moving toward the right-half plane as To increases.
Therefore, three-pole opamps are conditionally stable only with low loop gain and would
be unstable for most usable feedback conditions. The situation gets far worse with more
poles than three.
log |T(jω)|
ωp
To ~ aof
log M(ω) ωk
ωp log ω
ao
To ~ aof ωk
~1/f ωunity
log ω
log |H(jω)|
ωk
ao
~ 1/f
1 + To ωunity
log ω
FIGURE 1.8
Bode gain plot with feedback.
10 MicroCMOS Design
ω k = ( 1 + To ) ω p ≈ Toω p = ( ao f ) ω p = fω unity .
a a (1.18)
GB = o ω k = o ( 1 + To ) ω p = aoω p = ω unity .
1 + To 1 + To
For frequencies higher than ωk, the closed-loop gain stays the same as the open-loop gain
because the feedback loop gain is less than unity.
The gain or phase margin (GM or PM) is defined as a room for extra loop gain or loop
phase until the negative feedback opamp becomes unstable. In order to define the GM,
another frequency ω180, which is the frequency where the extra loop phase delay becomes
–180°, should be defined. Using ωk and ω180, the GM and PM are graphically explained in
the Bode gain and phase plots of a three-pole feedback opamp in Figure 1.9.
Because each pole contributes a phase delay of 90°, a total of –270° phase delay by three poles
can cause a negative feedback opamp to be unstable with high loop gain. Two dotted lines are
drawn horizontally in both the gain and phase plots where the loop gain is unity and where
the phase shift is −180°, respectively. So, both GM and PM can be estimated as follows:
1
GM = , T ( jω 180 ) = −180o.
T ( jω 180 ) (1.19)
PM = 180o − T ( jω k ) , T ( jω k ) = 1.
However, it is not necessary to specify both GM and PM, and either one would suffice. In
practice, PM is more widely used. For the three-pole one-zero transfer function example
log M(ω)
ωp1
ao ωp2
To ~ aof ωk
~1/f GM
log ω
ωp3
θ(ω)
log ω
−45°
−90°
−135°
PM
−180°
ω180
FIGURE 1.9
Open-loop Bode plots of a three-pole opamp.
Amplifier Basics 11
given in Equation (1.10), PM can be estimated from Equation (1.19) as follows for any given
feedback factor f:
ω 2k
1 + 1014
105 f = 1.
ω 2k ω 2k ω 2k
1 + 102 1 + 1012 1 + 1016 (1.20)
ωk ω ω ω
PM = 180o + tan −1 − tan −1 k − tan −1 k6 − tan −1 k8 .
107 10 10 10
After finding ωk from the gain plot, it can be used to estimate the PM in the phase plot.
In most feedback amplifiers, the optimum PM to target is greater than 60°. If PM is
smaller than 60°, the frequency response exhibits a slight peaking at the unity loop-gain
frequency, and the transient response tends to ring. If PM is 45°, the closed-loop gain at ωk
becomes
a ( jω k ) a ( jω k )
H ( jω k ) = = ≈ 1.3 a ( jω k ) . (1.21)
1 + T ( jω k ) 1 + e − j 135o
This implies that the frequency response would peak by about 30% at the pass-band edge
as sketched in Figure 1.10.
If PM = 0°, the loop gain becomes −1 at ωk because T(jωk) = exp(−j180°) in Equation (1.21).
Then the closed-loop gain becomes infinite, which means instability. Any noise power
at ωk will grow exponentially. Because ±jωk are the solutions of the denominator polyno-
mial D(s) = 0, they are poles of the closed-loop transfer function H(s). That is, two complex-
conjugate poles are at ±jωk on the imaginary axis. This also implies that the Root Locus of
two complex-conjugate poles are right on the imaginary axis. When the unity loop-gain
frequency ωk is close to the second pole, PM is about 45°. Therefore, to achieve a PM greater
than 60°, it is necessary to either move the second pole out to frequencies higher than ωk or
add a zero to compensate for the phase delay contributed by the second pole. However, if
the pole-zero cancellation occurs at lower frequencies than ωk, the transient response will
still settle slowly with the time constant of the canceled pole. In practice, to avoid peak-
ing in the frequency response and ringing in the transient response, PM greater than 60°
should be warranted without any pole-zero cancellation.
PM = 45°
log |H(jω)|
30%
~1/f
PM = 60°
log ω
ωk
FIGURE 1.10
Phase margin (PM) effect on the frequency response.
12 MicroCMOS Design
ao aoω p ω unity
a( s) = ≈ = .
s s s (1.22)
1+
ωp
a( s) 1 1
H ( s) = ≈ .
1 + a( s) f f s (1.23)
1 +
ω k
Now if the step input with a magnitude Vstep is applied at t = 0, its Laplace transform is
Vstep
Vi ( s) = . (1.24)
s
From Equations (1.23) and (1.24), the output in the complex frequency domain is obtained
as
Vstep 1
Vo ( s) = H ( s)Vi ( s) = .
f s (1.25)
s 1 +
ω k
Therefore, by taking its inverse Laplace transform, the transient response is obtained as
Vstep −
t
1 1
vo (t) = 1− e τ , τ = = . (1.26)
f ωk fω unity
As expected, the natural response to the step input is exponential and has a time constant
of 1/ωk, and the output step voltage is Vstep/f as shown in Figure 1.11.
t=0
Vstep/f
τ = 1/ωk
FIGURE 1.11
Transient response of a feedback amplifier.
Amplifier Basics 13
This most desirable exponential step response is achievable only with negative real
poles. However, complex-conjugate poles are generated in any feedback amplifier. In the
worst-case unity-gain feedback (f = 1), the step response of the voltage follower can exhibit
both exponentially decaying and sinusoidal natural responses as shown in Figure 1.12.
Depending on PM, one feature is more prominent than the other.
In real feedback opamps, the zero in the open-loop transfer function or poor PM can
cause the transient peaking or ringing, and excessive ringing due to poor PM should be
avoided. Assume that a feedback amplifier has a poor PM with two complex-conjugate
poles. In the complex-conjugate pole case, the following form of the closed-loop transfer
function H(s) is more convenient to use:
1 1 1 1
H ( s) = = ,
f 1 s s2 f s s2 (1.27)
1 + + 1 + 2ρ +
Q ω o ω 2o ω o ω 2o
where Q is the quality factor, and ρ is the damping factor. The complex poles in the s-plane
and the overshoot and ringing in the transient output are explained in Figure 1.13.
High Q means that the poles are closer to the imaginary axis. As a result, PM decreases,
and the ringing in the transient response lasts longer with a longer time constant. The
decaying time constant is inversely proportional to the distance from the imaginary
axis. That is, the higher the Q, the longer is the decaying time constant. The ringing
PM < 60°
−
vo
vi +
PM > 60°
t=0 t=0
FIGURE 1.12
Transient response of an opamp in a unity-gain feedback.
jω
ωο
α
ωο
2Q
t=0
FIGURE 1.13
Conjugate poles with ringing and overshoot in the transient response.
14 MicroCMOS Design
frequency is given as the vertical distance from the real axis in the complex s-plane.
Accurate analysis of the ringing is not worth the effort because ringing transient
responses are slow and nonlinear and should be avoided by all means when designing
feedback amplifiers.
Note that the transient response obtained based on the small-signal linear analysis
is only valid when the feedback opamp operates in a small-signal linear mode. With
a sudden large step input applied, the opamp input stage can be easily driven into a
nonlinear region, and real opamps behave nonlinearly and slew as will be discussed in
Chapter 3.
log M(ω)
ωp1
ao
vi + ~aof ωk
a(s) vo
−
~1/f ωunity
R2
log ω
f
ωp2
R1
log |T(jω)|
ωp2
ao ~aof
a(s) = ωk
(1+s/ωp1) (1+s/ωp2)
log ω
R1
f=
R1 + R2
log |H(jω)|
R1
To = aox ωk
R1 + R2
~1/f
R1 + R2 ωunity
Ho = log ω
R1
ωp2
FIGURE 1.14
Opamp feedback with a resistive divider.
Amplifier Basics 15
Inverting R2
vo R2
=–
vi R1
R1
vi −
vo Ri = R1, Ro = Rop/To
a(s)
+
R1
f=
R1 + R2
Noninverting R2
vo R1 + R2
=
vi R1
R1
− Ri = ∞, Ro = Rop/To
a(s) vo
vi +
R1
f=
R1 + R2
FIGURE 1.15
Inverting and noninverting gain amplifiers.
signals, one drawback of this noninverting amplifier is the input common-mode swing.
For good PM greater than 60°, the nondominant pole ωp2 should be placed at far higher
frequencies than ωk in this example.
It is also possible to get the inverting gain from the same feedback amplifier. If the input
node is grounded to avoid the input common-mode swing, the signal can be applied
through the input resistor R1. Because the opamp input is a virtual ground, the resistor
R1 works as a voltage-to-current converter. The input current passes through the feedback
resistance R 2 and generates the negative output. Therefore, the same opamp feedback con-
figuration makes an inverting amplifier. Both inverting and noninverting amplifiers are
compared in Figure 1.15.
Although the gains of the two cases are different, both cases are identical in terms of
feedback as they use the same resistor-divider feedback network. That is, the feedback
factor f stays the same in both cases, as does the unity loop-gain frequency ωk. Note again
that the stability depends on the network parameters regardless of the signal applied.
Therefore, both amplifiers have the same PM.
Let’s see how the feedback factor f is related to the inverting feedback gain. If we relate
the output to the summing node after multiplying the open-loop gain a(s), the following
is obtained:
vo = − a( s){vi + ( vo − vi ) f }. (1.28)
vo − a( s)( 1 − f )
= . (1.29)
vi 1 + a( s) f
16 MicroCMOS Design
Inverting
R1 R2
R2
vo = − v
R1 i
vi
Noninverting R1 R2
R1 + R2
vo = vi
R1
vi
FIGURE 1.16
Inverting and noninverting gain amplifier concepts.
v o − ao ( 1 − f ) − ( 1 − f ) R
= ≈ =− 2. (1.30)
vi 1 + ao f f R1
This negative gain means that the low-frequency signal polarity is inverted because it is
equivalent to the 180° phase shift. Although feedback factor is identical, depending on
where the input is applied, the gain can be different, but the closed-loop bandwidth stays
the same for two cases. The inverting amplifier is more useful in most applications as its
input common-mode is grounded.
This concept of inverting and noninverting amplifiers is explained with a simple
analogy in Figure 1.16. A straight line can be drawn crossing one reference point marked
by a darkened triangle, which is equivalent to the signal ground. As in the example,
depending on which part of the line is pushed (input), the other loose end moves by the
ratio of the distances from the reference point (output). The direction of movement repre-
sents the polarity of the input or output. If two points move in the same direction, the gain
is positive. Otherwise, the gain is negative. Because the resistances R1 and R 2 represent
the distance from the reference point, the input and output voltages are obtained by their
ratios as shown.
R2 R2
R1 ix R1
Ri
−
a(s) + vx − ixR1
+ −ao(vx − ixR1)
vx
−
+ Rop ix
a(s) Ro −aofvx
+
−
vx
f fvx f −
FIGURE 1.17
Input and output resistances of the inverting amplifier.
vx − ix R1 + ao ( vx − ix R1 ) = ix R2 . (1.31)
vx R2
Ri = = R1 + ≈ R1 . (1.32)
ix 1 + ao
Due to this shunt feedback, the opamp input node becomes the virtual ground with
the resistance level of R 2/(1 + ao) ~ 0. However, the input resistance of the noninverting
amplifier is still very high due to the high input resistance of the opamp.
Similarly from Figure 1.17, the output resistance of the inverting amplifier can be derived.
Ignore the current through the feedback network when looking into the output port,
vx + ao fvx
ix = . (1.33)
Rop
vx Rop
Ro = = . (1.34)
ix 1 + ao f
As shown in Equation (1.34), the output resistance Rop of the opamp is reduced by the
amount of the loop gain.
18 MicroCMOS Design
ao
Ho = ≈ 1. (1.35)
1 + ao
As in the frequency response, the DC transfer characteristic is also modified when feed-
back is applied as shown in Figure 1.18. The high/low output swing (VH/VL) of the opamp
is limited due to the supply rails (VDD/VSS). In the open-loop case (f = 0), the opamp out-
put Vo changes approximately from VL to VH for a very small input from –VL/ao to VH/ao
because the DC gain ao is very high. Furthermore, the input offset voltage, which is defined
as an input voltage to make the output zero, is typically on the order of mV or two. As a
result, this open-loop configuration is of no use because it is impossible to bias the input
due to its high gain, and the bandwidth is too narrow.
With feedback, a wide bandwidth with a realistic gain is attained. As in the example,
when the feedback factor f is 0.1, the closed loop gain is ~1/f (~20 dB), and this feedback
amplifier now has a wider input range from –0.1 VL to 0.1 VH. The closed-loop bandwidth is
now widened by the same feedback factor from the narrow open-loop bandwidth ωp to 0.1
ωunity (fωunity). For the unity-gain feedback (f = 1), the input range is widest from –VL to VH
with the achievable maximum bandwidth of ωunity. However, the closed-loop gain is 0 dB.
That is, the feedback effect improves all amplifier parameters. In the unity-gain feedback
Vo
VH
VDD f = 0.1
Vi f=0
+ f=1
a(s) Vo
−VL −0.1VL
−
Vi
VSS
0.1VH VH
f
VL
FIGURE 1.18
DC transfer characteristics of the opamp and feedback amplifier.
Amplifier Basics 19
(f = 1), the open-loop gain is traded for the widest input range, the maximum bandwidth
ωunity, and the lowest output resistance.
log M(ω)
ωp
ωz
k ao
ωunity
k
log ω
vi +
a(s) vo θ(ω)
−
log ω
+a(s)
−90°
−a(s)
−180°
FIGURE 1.19
Creating zero by feed-forwarding.
20 MicroCMOS Design
If the amplifier gain is positive, the transfer function and the zero can be derived as
follows because ao ≫ k.
s
ao + k
vo ( s) ao ω p
= +k≈ . (1.36)
vi ( s) s s
1+ 1+
ωp ωp
ao ω p ω unity
z≈− =− . (1.37)
k k
It is a negative-half plane zero if the gain is positive (ao > 0). Otherwise, the zero moves
to the right-half plane, and the phase lags like a pole. Therefore, the right-half plane zero
should be avoided in any feedback system because the delay it causes can easily make the
system unstable.
Only one right-half plane zero case exists. A Miller capacitance is added to frequency-
compensate two-stage opamps. The unexpected side effect of this pole-splitting Miller
compensation is that the input and output of the negative-gain amplifier are shorted
together by the capacitance at high frequencies as shown in Figure 1.20.
Assume that the capacitor shunts input and output of the inverting amplifier. Then the
transfer function and the right-half plane zero are given by
g
RC s − m
vo ( s) C g (1.38)
= , ωz = m .
vi ( s) 1 + sRC C
log M(ω)
ωp
gmR
C ωz
1 log ω
vi −
gm vo θ(ω)
+
R
log ω
−90°
−180°
FIGURE 1.20
Right-half plane zero due to Miller capacitance.
Amplifier Basics 21
log M(ω)
ωp
gmR
Rz = 0, 2/gm
Rz ωz
C
1 log ω
vi − Rz = 1/gm
gm vo θ(ω)
+
R
log ω
Rz = 2/gm
−90° Rz = 1/gm
Rz = 0
−180°
FIGURE 1.21
Right-half plane zero cancellation.
The bandwidth is ωp = 1/RC, and the right-half plane zero is at the unity-gain bandwidth
of ωk = ωunity = gm/C. This implies that if the amplifier gain becomes lower than unity, the
signal passes through the capacitance without being inverted.
The simplest way to eliminate the right-half plane zero is to add a resistance Rz in series
with the capacitance. Then, Equation (1.38) can be rewritten as follows:
g
RC s ( 1 − g mRz ) − m
vo ( s) C 1
= , ωz = . (1.39)
vi ( s) 1 + s ( R + Rz ) C 1
g − Rz C
m
This becomes the same equation as Equation (1.38) if Rz = 0. Both the pole and right-half
plane zero change as the value of Rz increases. If Rz = 1/gm, the zero is completely canceled.
If Rz is further increased, the zero moves to the left-half plane. Once in the left-half plane, it
helps to lead the phase. With any nonzero value of Rz, the bandwidth becomes 1/(R + Rz)C.
However, because Rz is typically much smaller than R, this narrow-banding effect due to
the pole movement is minimal, but the zero movement should be considered. In the three
cases of Rz = 0, 1/gm, and 2/gm, the zero is placed at gm/C, ∞, and −gm/C, respectively, and
the Bode gain and phase plots are sketched in Figure 1.21.
To broadband feedback amplifiers, a left-half plane zero is intentionally added to cancel
the delay of a pole. The close-by pole-zero pair is called a doublet. The doublet is not det-
rimental to obtaining desired frequency and phase responses, but it affects the transient
response. This is because the spectrum of any transient input such as a step or an impulse
is spread over a wide range of frequencies. Let’s consider a transfer function with a pole wp
and a zero wz placed close by as follows:
22 MicroCMOS Design
s s
1+
vo ( s) ωz ω p − ω z ω p
= = 1+ .
vi ( s) s ω z s (1.40)
1+ 1+
ωp ωp
For example, this transfer function responding to the unit step input of vi(s) = 1/s can be
derived by taking the inverse Laplace transform of vo(s):
ω p − ω z − −t 1
vo (t) = 1 + e τ , τ= .
ω z ωp (1.41)
Note that the transient response has a slow-settling component given by the canceled pole.
Its magnitude is proportional to the distance of the zero from the pole. Therefore, when
accurate transient settling is required, the doublet should be placed only at higher fre-
quencies than the unity loop-gain frequency.
− −
+ +
(a) (b)
− −
+ +
(c) (d)
FIGURE 1.22
Opamps in feedback.
Assume that the opamp used in both the integrator and differentiator has a single-
pole roll-off with a DC gain of ao and a bandwidth of ωp as shown in Figure 1.23. In the
integrator case, the following relation can be written:
sRC ao
− vi + ( vo − vi ) × × =v .
(1 + sRC ) + s o (1.42)
1 w p
Then the closed-loop transfer function and the feedback factor can be derived as follows:
1
vo ( s ) ao sRC
≈− ≈− .
vi ( s ) s 2 RC s
(1 + ao ) sRC + ω 1+
ao ω p (1.43)
p
sRC
f= .
1 + sRC
That is, the feedback factor is a high-pass filter, and above the closed-loop unity-gain
frequency 1/RC, f remains constant at 1, which is the unity-gain feedback.
Because the feedback network includes a pole, the closed-loop response of the
integrator has two poles as shown. At frequencies lower than 1/RC, Equation (1.43) can be
written as
24 MicroCMOS Design
C R
R C
νi − νi −
νo νo
+ +
ωunity ωunity
log ω log ω
FIGURE 1.23
Frequency responses of the integrator and differentiator.
vo ( s) ao −1
≈− ≈ . (1.44)
vi ( s) 1 + ( 1 + ao ) sRC sRC
It is the integrator as expected, and the dominant pole is at 1/(1 + ao)RC, which is expected
considering the Miller capacitance (1 + ao)C at the input node. At frequencies higher than
1/RC, Equation (1.43) can be approximated as
1
vo ( s) ao
≈− ≈ − sRC . (1.45)
vi ( s) s2 RC s
(1 + ao ) sRC + ω 1+
a ω
p o p
This places the nondominant pole at the open-loop unity-gain frequency ωunity = aoωpo as
sketched in Figure 1.23. Therefore, opamps used in the integrator should be compensated
up to the unity-gain frequency ωunity with the worst-case feedback factor of f = 1.
In the differentiator case also shown in Figure 1.23, the closed-loop transfer function is
similarly affected due to the frequency-dependent feedback network, which is now the
low-pass filter instead of the high-pass filter in the previous integrator case. Therefore,
vo ( s) ao sRC
=− .
vi ( s) s s2 RC
1 + ao + sRC + +
ωp ωp (1.46)
1
f= .
1 + sR C
Amplifier Basics 25
vo ( s) a sRC
≈− o ≈ − sRC. (1.47)
vi ( s) 1 + ao
vo ( s) ao sRC ao
≈− =− .
vi ( s) s 2 RC 1 + ao s (1.48)
1 + ao + sRC + 1+ +
ωp sR C ω p
The second term of the denominator shows that the transfer function is a differentiator
until the third term gets larger and becomes dominant. As the third term increases, the
transfer function follows the open-loop transfer function of the opamp.
The break frequency is obtained by equating the second term and the third term.
( 1 + ao ) ω p ω unity
ω bp ≈ ≈ . (1.49)
RC RC
There are two poles at this frequency, which is the geometric average of two frequencies
of 1/RC and ωunity as sketched in Figure 1.23. Therefore, opamps used in the differentiator
should be compensated up to this frequency ωbp, where the loop gain is unity.
In general, practical feedback factors are all frequency dependent at high frequencies.
However, all feedback systems can be assured to be exponentially stable if the loop phase
delay is less than 180° with sufficient PM at the unity loop-gain frequency whether the
feedback factor is frequency dependent or not.
Amplifier Design
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