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    Philippine Drama

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    Mark Lester Torres
    This document provides a history and overview of Philippine drama television programs, known as teleseryes. It discusses the origins and evolution of teleseryes from soap operas in the 1960s to modern formats. Key points include: 1) Teleseryes first emerged in 2000 and are produced mainly by ABS-CBN and GMA Network. They are characterized by social realism and focus on themes of love, betrayal, and family. 2) Storylines and genres have diversified over time, including fantaseryes, superhero teleseryes, and adaptations of films. 3) Modern teleseryes feature more unpredictable twists and open-ended conclusions while addressing topics like fame, jealousy, and

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    Philippine Drama

    Uploaded by

    Mark Lester Torres
    675 views4 pages
    This document provides a history and overview of Philippine drama television programs, known as teleseryes. It discusses the origins and evolution of teleseryes from soap operas in the 1960s to modern formats. Key points include: 1) Teleseryes first emerged in 2000 and are produced mainly by ABS-CBN and GMA Network. They are characterized by social realism and focus on themes of love, betrayal, and family. 2) Storylines and genres have diversified over time, including fantaseryes, superhero teleseryes, and adaptations of films. 3) Modern teleseryes feature more unpredictable twists and open-ended conclusions while addressing topics like fame, jealousy, and

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    Art Appreciation

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    This document provides a history and overview of Philippine drama television programs, known as teleseryes. It discusses the origins and evolution of teleseryes from soap operas in the 1960s to modern formats. Key points include: 1) Teleseryes first emerged in 2000 and are produced mainly by ABS-CBN and GMA Network. They are characterized by social realism and focus on themes of love, betrayal, and family. 2) Storylines and genres have diversified over time, including fantaseryes, superhero teleseryes, and adaptations of films. 3) Modern teleseryes feature more unpredictable twists and open-ended conclusions while addressing topics like fame, jealousy, and

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    675 views4 pages

    Philippine Drama

    Uploaded by

    Mark Lester Torres
    This document provides a history and overview of Philippine drama television programs, known as teleseryes. It discusses the origins and evolution of teleseryes from soap operas in the 1960s to modern formats. Key points include: 1) Teleseryes first emerged in 2000 and are produced mainly by ABS-CBN and GMA Network. They are characterized by social realism and focus on themes of love, betrayal, and family. 2) Storylines and genres have diversified over time, including fantaseryes, superhero teleseryes, and adaptations of films. 3) Modern teleseryes feature more unpredictable twists and open-ended conclusions while addressing topics like fame, jealousy, and

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    Torres, Mark Lester Cerdeña February 11, 2019

    BS Psychology 1-1

    Report in
    Art Appreciation
    Submitted to: Sir Glenn Dela Cueva

    Rubrics
    Delivery (20 pts) _____/20

    Questioning Technique (10 pts) _____/10

    Ppt./ Visual Presentation(10 pts) _____/10

    Total (40 pts) _____/40


    Philippine Drama
    Philippine Drama – notably called teleserye and/or telenovela in television is a form of
    melodramatic serialized fiction and aired in the Philippines.
    Teleserye – rooted from two words “Tele” short for Television, and “Serye”, a tagalog term for
    series
     Came into existence in 2000 when ABS-CBN aired its official form of teleserye, Pangako
    Sa’Yo.
     Filipino Soap Operas were called either telenovelas or soap operas
     Characteristics: Social Realism of Filipinos
    Teleserye are produced by two main Philippine TV networks and two independent
    companies. ABS-CBN, which is Philppine’s pioneer producer and exporter of Teleseryes and,
    GMA Network. TAPE, Inc. and the movie producer Viva Entertainment were two largest
    companies.
    Timeline
     Soap Operas in the Philippines originated in radio, then it expanded into television in
    early 1960s
    o The first Filipino TV soap opera was Hiwaga sa Buhay na Bato in 1963
    produced by ABS-CBN
     Most Popular Daytime Soap Operas: Gulong ng Palad, Flor de Luna, Mara Clara,
    Annaliza, Aguila and Valiente.
    o 1996 – Soap Opera programming was moved to primetime due to the popularity
    gained by Mexican telenovela, Marimar, aired on RPN 9.
     This is the start of telenovela craze in the Philippines.
     2000 – ABS-CBN, made a milestone in Philippine telenovelas when it introduced
    Pangako Sa’Yo which was known to be the first official teleserye, and Kay Tagal
    Kang Hinintay, which set the standard of present teleserye productions.
     Before which, GMA Network have made teledrama before ABS-CBN does but their
    series does not give too much drama which the audience are irritated
     2004 – ABS-CBN revived the genre of teleserye which mixes soap opera, fantacy, myth,
    magic and enchantment. This genre is called Fantaserye
    o Marina – first official fantaserye that was shown on primetime TV
     Mid-2004 – GMA Network, embarked on its own term of fantaserye which are called
    telefantasya. GMA produced Marinara and Mulawin
     ABS-CBN focuses on airing teleserye for its primetime slots although it sometimes
    produces fantaserye as well.
     2004 – started further variations of the teleserye genre under the terms
    o Superserye – Superheroes (e.g. Krystala, Super Inggo)
    o Sineserye – film serialized to a TV series (e.g. Maligno)
    o Cinenovela - the local word for TV movies (e.g. CineMo!)
    Storylines
     Love story between two different individuals, a rich individual who fells inlove with a
    poor individual, who are often separated by ill-fate.
     Search of a parent for their child or vice versa
     Focus: Love, Betrayal, Jealousy, Social Status, and Revenge between characters
    Twists
     Romance between couples is that they will find out that they were brothers and sisters,
    but in the end they will also find out that they were not siblings because one of them is an
    adopted child.
    Villains
     Created to make the life of the protagonist especially miserable.
     Old Soap Operas: were very violent and usually used the power and money to make the
    protagonist miserable. Often they aim to full out kill the protagonist.
     Present Teleserye: less violent. They no longer murder a character in the story to take
    revenge, except that they are still evil and cause the protagonist to suffer
    Ending
     Villains meeting spectacularly violent, gruesome, painful, and gory end.
     Protagonist will end up getting married and with a child
    However, the predictability of teleserye endings have become an issue and audience
    sometimes complain that the plot and ending of teleseryes are becoming repeatitive, predictable
    and tiresome.

    Modern Philippine Drama (2006-Present)


    Storylines
     Common love stories were renovated like having son or daughter to make the protagonist
    easier to return their past (e.g. Bakekang, Bituing Walang Ningning and Pangarap na
    Butuin)
     Former friends and siblings were fighting for fame and popularity
     Classical dramas were enhanced
     Main Topic of Drama: Love, Jealousy, Family, and Revenge
    Twist
     Unpredictable twist were used even though the artist is starting the upcoming twist.
     Modern twist were being built-up in the start of the story from little additional plot which
    can alter the original story path in order to further extend series
     Some twist include having the protagonists as the scapegoat for the wrongdoings of the
    villain which further make them suffer.
    Ending
     Allow room for forgiveness and reconciliation between the main characters.
     Some protagonists die and do not survive the tumultuous lives they lived (e.g. Crazy for
    You and Maria Flordeluna)
     Opened up possibilities for a series to return whereby the finale of the teleserye leaves a
    cliff-hanger leading to a nail-biting ending.
     Introducing unknown characters in the ending of the story are also being used as evident
    in Maging Sino Ka Man were Angelika Panganiban and Rosanna Roces were
    introduced and lead the story to Maging Sino Ka Man: Ang Pagbabalik
    Additional Genres
    New genres were packaged into different sub-genre and can be called:
     Suspenserye – Dead characters were mostly used (La Vendetta and the hit Patayin sa
    Sindak si Barbara). Revenge was common topic on the stories
     Musicaserye – Bituin of the Superstar Ms. Nora Aunor (First Musicaserye)
    o Kaputol ng Isang Awit
    o Bakekang
    o Bituing Walang Ningning
    o Pangarap na Bituin
     Adventureserye – Adventures of Pedro Penduko and Asian Treasures
     Actionserye – Basta’t Kasama Kita, Palos, Asero, and Totoy Bato
     Comedieserye – My Girl and Full House
    New Face of Dramas
     Philippine drama is very melodramatic containing complicated plot and outstanding and
    critically praised storyline.
     However, due to very heavy stories involved, the audiences have diverted themselves into
    lighter drama series thus prompting for a drastic change.
    o Foreign and imported television series dubbed in Tagalog language
    o Remakes: Mexican telenovela Marimar in Filipino version.
     Koreanovelas: My Girl, Ako si Kim Samsoon, and Full House
     Colombian series: I Love Betty La Fea
     Argentinovela: La Lola
     Older Philippine Drama series have been exported to foreign markets
    o Pangako Sa’Yo which have been sold to more than 10 countries worldwide

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