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    IMSLP25298-PMLP56790-50 Maten Voor Cello PDF

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    Thomas Lim
    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

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    © All Rights Reserved
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    IMSLP25298-PMLP56790-50 Maten Voor Cello PDF

    Uploaded by

    Thomas Lim
    101 views2 pages
    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

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    IMSLP25298-PMLP56790-50_maten_voor_cello.pdf

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    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    101 views2 pages

    IMSLP25298-PMLP56790-50 Maten Voor Cello PDF

    Uploaded by

    Thomas Lim
    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

    Copyright:

    © All Rights Reserved
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    Peter Bouma zum 50.

    Geburtstag

    50 maten voor cello hugo bouma


    Grave, rubato
                 
             
     
                              
    p f

        
    mf

            
            

        
    6
     
        
          
      
    pp mp 
                  
    10
             
              
      
                       
     
                         
              
      
    15
           
                   
     
    ff
          
             
    20
            
         

        
           
     
       
         
    22
         
    mp ff
    2

                      
          
    26

              
                   
    
    mf p pp

    
                
                 
    33
       
    più mosso
         
            

                      
                                     
    38

     
    ff p

    
    42
            
              
    . a tempo
    
    ritard. . . . . .
             
    f
            

                           
          
    46
               
       
     
       
    

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