Flautas Merced    

Perfecto Artola Prats

                       
         
1
        
        
f p

      
  
                       
       
2 
13
 
     
f

     
               
 
                  
26 
     
p f pp

  

              
           
3
   
39

     
p

          
           
4
         
   
51

   
p p

                           
      
63
5


    
p mf f p

        
75
             
   
p p

         
84
           
 
    
mf p pp f
Fco. Haro - 2008
Oboes Merced Perfecto Artola Prats
   
1
                 
                                
   
f p


2
        
       
13
  
               
 
           
f


                  
        
26

             
 
p f pp

3
        
      
39
    
  
            
    
p

4
            
51

                             
p p

5
   
63
                         
         
p mf f p

 
75

                    
   
p p

84
          
                 
mf p pp f
Fco. Haro - 2008
 Clarinete Pral. Merced Perfecto Artola Prats
                       
1
   
                    
  
f p

      
2

  
                   
         
13

     
 
f

                   
            
26

         
p f pp

     
3
           
39

                   



p

    
4
    
      
51

                      
 p p

5
      
64
                            
 
p mf f p

 
76

                    
p p

84
         
                
mf p pp f
Fco. Haro - 2008
 Clarinete 1º Merced Perfecto Artola Prats
                       
1
   
                    
  
f p

      
2

  
                   
         
13

     
 
f

                   
            
26

         
p f pp

  
3
           
39

                   
    
p

    
4
    
      
51

                      
 p p

5
      
64
                            
 
p mf f p

 
76

                    
p p

84
         
                
mf p pp f
Fco. Haro - 2008
 Clarinete 2º Merced 1
Perfecto Artola Prats

            
                     

f           p

2
    
     
13

                  
         
  
f

27
           
           
     
          
p
 pp  
f

3
 
           
40

                
 p
      

54
4

                                  
      p p p

67
5

                                    
mf f p p

80

                        
p mf p 
    pp   
f
Fco. Haro - 2008
 Clarinete 3º Merced 1
Perfecto Artola Prats

            
                     

f           p

2
    
     
13

                  
         
  
f

27
           
           
     
          
p
 pp  
f

3
 
           
40

                
 p
      

54
4

                                  
      p p p

67
5

                                    
mf f p p

80

                        
p mf p 
    pp   
f
Fco. Haro - 2008
 Saxofón Alto 1º Merced Perfecto Artola Prats
                   
      
1
     
 
      
          
f
   p

     
      
    
                   
2
    
13

     
f


26
                                

             
 p f
 pp

  
                     
3

        
39

     
p

  
          
              
4
           
51

  
p p

                           
5
     
64

   
p mf f p

             
   
76

    
p p

         
84
         
 
    
mf p pp f
Fco. Haro - 2008
Saxofón Alto 2º Merced 1
Perfecto Artola Prats
                                  
 
f
          p

2
    
            
15
             
   
f
     

3
            
         
29

              
p f
      pp
 
p

                
42

             

4
       
                    
56

        
p p p mf

5
               
69
               
   
f p p

                   
81

      
p mf p pp f
Fco. Haro - 2008
Saxofón Tenor 1º Merced Perfecto Artola Prats
                       
1
   
                    
  
f p

     
2
 
   
                             
13

     

f

                       
          
 
26

         
p f pp

  
3
              
39

                   
 
p

    
4

          
51

                          
p p

5
            
63

                                    
p mf f p

75

            
   
   
             
p p

     
            
83

            
pp f
mf p
Fco. Haro - 2008
Saxofón Tenor 2º Merced 1
Perfecto Artola Prats
      
                                    
f
     p

2
       
          
15

            
      

f

 
3
29
             
                  
 p
f

4
          
49

                            
p p

5
            
62

                                    
p mf f p

74

                                      
p p

 
               
83

                      
mf
  pp f
p
Fco. Haro - 2008
Saxofón Baritono Merced 1
Perfecto Artola Prats
         
                     





    
f
     p

2
    
14

                        
    
f
   

27
    
                  
   
p f
       
 pp    

3
 
40

                          
    
p

4
     
53

                       
 
p p p

66
5
    
         
              
mf f p p


80

             
p
   mf
  
p
              
pp f
Fco. Haro - 2008
Trompeta 1º Merced 1
Perfecto Artola Prats
      
                               
         

f     p


2
   
                        
14

              
  
f


3
           
        
27

   
     
  
      
f
  pp p

    
                      
43

               


4
 
56

                           
p
 
p p mf

5
        
70

                  
      
f p p

81
        
                    
p mf p pp f
Fco. Haro - 2008
Trompeta 1º Merced 1
Perfecto Artola Prats
      
                               
         

f     p


2
   
                        
14

              
  
f


3
           
        
27

   
     
  
      
f
  pp p

    
                      
43

               


4
 
56

                           
p
 
p p mf

5
        
70

                  
      
f p p

81
        
                    
p mf p pp f
Fco. Haro - 2008
Trompeta 2º Merced 1
Perfecto Artola Prats

     
               

f               
   

p
 

14
2

          
                  
       f
     


28
3

          
                     
 f
       pp p

44
4

                          
      

58

                         
 
 
 
p p p mf f

71
5

                       
     p p

82

                
p mf p
   pp   
f

Fco. Haro - 2008
Trompa en Fa 1º Merced 1
Perfecto Artola Prats
     
                                           
f
      p

2
14
 
                                             
f

26
           
                        
 p f
 pp

39
3

                                            
p

  
51

                                         
p p

5

63

                                      
p mf f p


75

                              
p p

  
               
84

              
mf p pp f
Fco. Haro - 2008
Trompa en Fa 2º y 3º Merced Perfecto Artola Prats
    
1
     
 
                      
             
   p
          
f

13

                                                  
                  


             
2
25
 

                                      
        

f p f pp

38
3

                                            
    
 
p 
4

  
50

                                         
     p

61
     
                               
 
         
p p mf f

5

73

      
     
 
            
 
 
   
   
 
p p p

83
               
              
                       
mf p pp f
Fco. Haro - 2008
Trombón 1º Merced 1
Perfecto Artola Prats
               
      
            
              
f p

14
2 
                         
                   
f

26                  
          
          
p f pp

39
3
                           
                 

p

51
4
                      
                      
p p

63
5
  



 

 

 





 
     
          

 

p mf f p

75
      
 

 

 





 

 

 





p p

84
                       
         

mf p pp f
Fco. Haro - 2008
Trombón 2º Merced 1
Perfecto Artola Prats
  
      
  
   
      
                             
f p

13
                                                

25
2
             
     
               
 
 

f p f pp

38
3
                                       
    
p

50
4
                                           

 

p p

62
5
   
                                        

p mf f p

74
          
                        
p p

84
                                 

mf p pp f
Fco. Haro - 2008
Trombón 3º Merced 1
Perfecto Artola Prats
     
 

 

 
      
                                  
f p

14
2
              
                                 
f

26
       
                
       
     
p f pp

39
3
                                             

p

51
4
                                             

p p

63
5
      
                                
p mf f p

75
                               

p p

84
                      
           
mf p pp f
Fco. Haro - 2008
Bombardino 1º Merced 1
Perfecto Artola Prats
                       
  
                 
      
f p

    2
14          
                              
  

 
f

26
          
  
                 
    
p f pp

3    
39
           
                           
    
p

4
51          
 
                            
   
p p

63
5
   
                                        

  


p mf f p

75
             

  

  
 
      

  

  


p p

84
           
                       

mf p pp f
Fco. Haro - 2008
Bombardino 2º Merced 1
Perfecto Artola Prats
     
 


 

 
    
                       
f
  p

14
2
     
    
                        
f

27 
                          
           

p f pp

40
3
                                

p

53
4
        
                     
p p p

66
5
                  
           
mf f p p

80 
     
                             

p mf p pp f
Fco. Haro - 2008
Tuba Merced 1
Perfecto Artola Prats
          
      
 
    

f   

       p
     

14
2
         
  
    
   
                 f
 

27
   
              
   
  p         
  pp
   
 f

40
3
 
       
 
p
                        

53
4

    
          
       p         
p p

66
5
  
          
                 
mf f p p

80
       
                          
 p  mf p pp f
Fco. Haro - 2008
Bombo y Platos Merced 1
Perfecto Artola Prats

                                   
f                    
 p

15
2

                              
               f      

29
3

                              
      pp
p f p  

43

                             
                    

57
4

                            
                         
p p p mf f

71
5

                       
                    
p p p

82

                             
                 
mf p Fco. Haro - 2008 pp
f
Caja Merced 1
Perfecto Artola Prats

                                             

   
      
f p

11 
                                            
            
        

22
2 
                 f                   p                    
     
   

33
3

      

         

         

         

               
f pp p

43 
           
      
     
      
                               

54
4
                                                                     
 p p

65
5
   





    





    



    





    





    





    





                 
 p
p mf f

75
                                                           

p p

84  
                                    
   
           
mf p pp f
Fco. Haro - 2008