94 BJR GB News Without Journalists
94 BJR GB News Without Journalists
94 BJR GB News Without Journalists
News without
Journalists
real threat or horror story?
Copyright © 2010
SBPJor / Sociedade
Brasileira de Pesquisa
Erik Neveu
em Jornalismo Institut d’Etudes Politiques de Rennes (France)
This paper’s title may sound bombastic. I fear that it is simply realistic. Journalism
as a profession and know-how is caught in a whirlwind of changes.
The nature of the media, of skills and knowledge traditionally linked to
the idea of journalism is changing with a combination of brutality and
anxiety, but also of excitement and innovation. A prominent manager
of the French press, Bernard Poulet, wrote a much debated book a few
months ago whose title is simply The end of newspapers (La fin des
journaux, 2009)? The end of newspapers would not automatically mean
the end of journalism or journalists, but it is hard to imagine how the
collapse of the institution, which has been the cradle of the profession,
of its working culture and identity, could occur without triggering an
earthquake in the definition and practice of journalism. The threat can
be simply expressed: Journalism, as a professional culture with codified
and peculiar skills runs the risk of being watered-down into the blurred
continuum of those already called “information workers”.
To answer the question which structures this contribution, I will
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shot from a mobile phone, on sites such as You Tube. It comes from
the growing connection between social networks (Twitter, Facebook)
and news circulation and production, or the invention of alternative
media, such as the Korean OhmyNews (Kim & Hamilton, 2006), where
ordinary citizens work with professional journalists. For the web users,
the result is an almost infinite supply of free news sites, with layouts of
code writing and narrative templates similar to those of the press and
“official” media. In this new “sea of narratives”, it is not always easy to
get the answer to very simple questions such as Who speaks (a media,
a company, a lobby?), Who writes (a journalist, a public relations expert,
a fan or an activist?) and What for (to inform, to plead, to criticize?). Can
one interpret these changes that we are witnessing as the triumph of
journalism? Using the journalistic order of discourse, its template and
its skills is definitely the necessary condition for speaking in the new
public sphere. All are journalists: here is the triumph of the profession!
Such an interpretation does not fit in with many facts. Many of the basic
principles and regulations of the profession are forgotten. The simple
rule of fact-checking is no longer central, the basic functioning of many
sites is based on cutting and pasting news produced by others, hijacking
the work of real journalists, or laundering as “news” the communication
of institutional sources or organized interests – these are a few examples.
To put it in a nutshell, the effect of internet can be summarized in
a paradox. Never in history has so much data been available to mass
audiences. Never has the production of accountable and analytical
news – journalism – been so strongly weakened by the crumbling of
its funding sources.
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press agencies – at least for the companies able to pay4 - more often from
institutional sources (companies, administrations and politicians, NGOs)
that are usually offering information which does not paint them black.
Speaking of recycling also leads to questioning the writing of templates.
Journalistic formats will not lose their peculiarity but they will be closer
to advertising ones, caught in the straightjacket of very short texts and
attractive layouts, no longer available for pyrotechnics à la Tom Wolfe,
as this is visible in the free Metro, from Stockholm to Madrid. To use
the linguistic categories of Jakobson, an information worker must be
obsessed by the ”phatic” and “conative” functions of language – checking
the contact, anticipating the audience reaction – much more than by
those coined as “referential” or “meta-lingual”, targeting the explanation
of the backgrounds or questioning the precise meaning and choice
of words. No more George Orwell, Joseph Liebling, or Albert Londres
among them; their articles were awfully long and impossible to read,
using more than a 400 word vocabulary! The growing focus on the quest
for the attention of audiences, caught in a whirlwind of messages and
media exposures, suggests the new trend. Modern journalism works
as the “chewing gum of the eyes”, to use Ramonet’s metaphor about
Television, rather than having to make sense of the world for oneself.
Theorizing what they describe as a new paradigm of “communication
journalism”, the Canadian researchers from Laval University in Quebec
(Brin, Charron, de Bonville, 2005) are offering an illuminating description
of the style and rhetoric of these new news-workers. The claims of such
journalists are no longer the analytical distance, the over-arching vision
of those located at the core of the panoptikon or any authority linked
to the old idea of Enlightenment. Communication journalists/workers
are claiming closeness and simplicity. They boast that they identify
with their readers’ visions and needs. They promise nothing more than
making things simple, offering useful advice to find one’s way in a world
structured by the consumption of goods, leisure, and services. This last
category includes even politics. It is also the symbolic capital, the driving
force coming from the belief – even if mythical – of belonging to an
extraordinary profession, of serving the public which vanishes here.
The information worker is a man or a woman bound by many
constraints. The size and format of his/her papers are defined by a
computer program; working in an open space, he/she does not even have
a private office space, most of the time he/she stays in the newsroom,
the telephone and the screen replacing the old legwork. Of course
getting a secure job would usually require years of short-term contracts
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remove news produced by press and media which, on the other hand,
suffer from a growing hemorrhage of funding and audiences, the final
result could only be the disappearance of main news producers. How,
then, would it be possible to recycle or process news which would no
longer be produced? Such a self-cannibalizing system will require policy
action, or future access to accountable and rich information will be
the privilege of the well-to-do and well-educated. It will become news
production shifting towards institutional and corporate sources without
any journalistic control and critical processing.
A second starting point, and a more political one, would be to claim
that a democracy is something more that the rule of market applied to
politics. This does not mean that the market is evil, or that citizens never
behave as consumers. One can even reasonably claim that a selfish and
rational voting behavior, if such a thing exists other than in the dreams
of rational choice theoreticians, can boost critical abilities A democracy,
however, is a system which needs citizens reasonably well-informed on
public issues, and not only on sports results or sales, and such access to
the news requires press and media.
Public policies can in many different ways bring their contribution to
a news production based on strong standards of quality, respecting the
professional standards of journalists’ codes. The state can help institutions
and companies producing (and not just recycling) original and trustworthy
news. A small tax on the salaries of each public relations expert or
professional “communicator” could produce lots of money which could
be channeled into financial support for press agencies – those respecting
the requirement of “citizen contents”. For over two centuries, even in the
U.S. (Cook, 1998), peculiar and friendly fiscal regulations or postal rates
have been applied. Paid public communication has been channeled first
towards general information press and media. One can even imagine
a system of public certification of the quality of the news with a kind
of ISO label which could testify that most of the news are produced,
not merely cut and pasted. Such norms should also pay attention to the
relative weight of some newsbeats (politics, International information,
social problems) which would receive a fair percentage of the newspaper
pages or air time. More reactive repertoire policies could tax the websites
or news suppliers based on the simple reuse or hijacking of news that
they do not produce. A survey of the experiments carried out in different
countries would suggest many solutions and paths: offering tax shelters
for newspapers or media channels choosing to act as foundations or
non-profit organizations, or giving – as President Sarkozy did in France
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their snapshots. It was thus able to produce the proof that he had been
hit by policemen. When the scandal of the private expenses of British
Members of Parliament covered by public money exploded, journalists
were facing an impossible challenge: investigating all the available bills
and documents would have meant checking nearly 500,000 documents.
The Guardian made 460,000 of these documents available online and
23,000 Internet-users started ferreting, opening 210,000 of these
files. They discovered more cases of corruption that a whole pack of
investigative reporters would ever have, and their discoveries hit the
headline of The Guardian, giving birth to critical and in-depth analysis by
the journalists. When The Guardian started to investigate the strategies
for tax evasion by big companies, some of the most interesting data
were sent to its website by employees and trade unionists from the
Barclays Bank. As it was already visible with the best or the “public/
civic” journalism, there is clearly room for innovation in professional/
amateur journalism, combining the best of the analytical and expressive
skills of journalists with the investigative and ubiquitous resources of the
audience. The Guardian’s innovations have also been indexing the link to
some of its papers and reports produced with the help of readers to their
networks on Twitter. The number of people connected to the technology
news section is now three times larger than the number of subscriptions,
generating more advertising revenues which allow funding for good
scientific journalists. Downie and Schudson (2009) highlight the fact that
the most recent Pulitzer Prize for “explanatory reporting”, given in 2009 to
two journalists of The Los Angeles Times for reporting on the causes and
prevention of wildfires8, rewarded papers making wide use of online data
but improving them by a “fresh and painstaking exploration”. Finally the
more directly “participative” experience of “Get Off the Bus”9, supported
by the Huffington Post and Jay Rosen during the 2008 presidential
election in the U.S., had thousands of citizens contributing to campaign
coverage going much beyond the small world of candidates and public
relations experts and political reporters. It produced scoops such as the
report of Obama’s desperate statement on rural working class voters:
“It’s not surprising then they get bitter, they cling to guns and religion
or antipathy for people who aren’t like them”. If the experience was
criticized, it is mainly for its lack of fine editing, a weakness which would
have been prevented precisely by more cooperation with professional
journalists (Michel, 2009).
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Journalism Unbound
Winning back the value of creativity is another approach. For several
reasons, including: standardization of article sizes by computer software,
newsroom downsizing, convergence considered as a mere importation of
screen layouts on paper pages, the invention of new formats and original
templates has shifted from newsrooms to websites, from journalists
to talk show hosts. The obsessive focus on practical training in many
journalism schools should also be questioned. When the good journalist
is simply someone answering the five Ws in 400 words, using computer
software to put a video on line, or cutting and pasting press releases into
a paper, in-depth analysis and bright style vanish.
Journalists must explore and invent new genres, practice textual and
visual interbreeding to conquer new audiences. The New Journalism has
offered an example of an original and striking combination of ethnography,
soft news and experimental writing. It offered this kind of realistic
approach that Brecht defined as “making sense of the complexity of social
relationships”. To suggest examples borrowed from the French press and
media, narrative métissage could mean reinventing old genres. Legavre
(2004) shows how the portrait was reinvented, combining photographs,
interviews and mini-biographies, utilizing psychological and sociological
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tool kits, seriousness and smile. Long considered as dull and boring,
the old genre of the obituary recently gained new youthfulness in “Le
Monde” with elegant black and white photos and long papers sometimes
used as alibis for looking back at commitments or moments of history
with or without capital H. Narrative interbreeding is also invention and
diversion. Due to the low cultural status of television, it is only during
the eighties that columns dedicated to TV criticism appeared in the
press. Journalists such as Serge Daney (1988), Daniel Schneiderman
and Pierre Marcelle transformed the commentary of TV programming
and shows into a witty and illuminating exploration of French politics
and society. Launched in 2003, So Foot offers a surprising redefinition
of a sport magazine. This monthly combines interviews and gossip. Its
readers can find in the same issue sexy pictures of players’ girlfriends,
reports on clubs or fans with a true sociological background and ironic
self-analysis. The initial bet was to produce a journal which would not
claim to get scoops from leading characters (coaches, star players). The
distance from these powerful sources will provide the freedom of a less
deferential style. The audience support was strong enough, less than ten
years later, to give So Foot enough weight to gain interview access with
the French coach Domenech, lampooned in each issue. The quest for new
patterns of journalism is also visible online with Mediapart. Access to this
online news site is only possible with a paid subscription. The editorial
contents combine the contribution of journalists and a “club”, fed by the
blogs of subscribers, including a significant number of academicians,
offering in-depth analysis of major policy issues or events. As websites
exist for every kind of passion and interest, journalism would have to
explore and invent niches. In a French media landscape where tradition of
magazines such as the US New Yorker or Esquire never existed, a handful
of journalists, fed up with shorter formats and curtailed travel budgets,
decided to launch a quarterly, XXI, dedicated to long reports, investigation
of ordinary lives (fruit-pickers in Provence, postman in the remote French
countryside). The bet looked like suicide, but after a difficult start, XXI
rose from 23,000 issues sold to 45,000 eighteen months later, with
subscriptions skyrocketing from 500 to 5,000 in two years.
Giving back to journalists and journalism their ability to attract
audiences also rehabilitates critical speech. Critical is not a synonym for
partial or politically committed, it simply means questioning authorities
and institutional discourses, challenging the routines of common sense
which is often the mask for power and interest. Why should audiences
spend money and demonstrate their trust to support business journalism
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Notes
6 Bree Nordenson, “The Uncle Sam Solution: Can the government help
the Press? Should it?” CJR September-October 2007, pp 37-45, and more
recently a complete editorial “A Helping hand”, November-December
2009, p 4.
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7 h t t p : / / w w w. j o u r n a l i s m . c o l u m b i a . e d u / c s / C o n t e n t S e r v e r /
jrn/1212611716674/page/1212611716651/JRNSimplePage2.htm
8 http://www.pulitzer.org/citation/2009-Explanatory-Reporting
9 The name is a reference to Timothy Crouse’s book “ The boys in the bus”.
Crouse showed how the permanent closeness of journalists, politicians
and their advisors, spending weeks in the same buses, hotels and planes
was producing both dependence on the official sources and a shared
vision of what mattered and was newsworthy.
Bibliography
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