04 Repertoire PDF
04 Repertoire PDF
04 Repertoire PDF
Repertoire
From
Fundamentals
of
Jazz
Improvisation:
What
Everybody
Thinks
You
Already
Know
Dr.
Mark
Watkins
Director
of
Jazz
Studies
Brigham
Young
University–Idaho
©2010
by
Mark
Watkins
Materials herein are provided for personal use. No part may be reproduced without
written permission from the author.
Memorizing
Tunes
(20
Ways
to
Learn
the
Repertoire)
1. Repeatedly
listen
to
several
recordings
of
the
tune.
2. Learn
to
sing
the
melody,
with
text
if
a
songbook
standard.
3. Play
the
melody
at
least
10
times
in
a
row
perfectly
with
a
metronome
on
2
and
4.
4. Obtain
2‐3
lead
sheets
of
the
tune
or
transcribe
several
versions
of
the
head.
Compare
the
sources
and
decide
upon
what
will
be
memorized.
5. Analyze
the
tune:
a. Form
(AABA,
blues,
etc.)
b. Chord
changes
(commonalities
to
other
tunes,
cycles,
ii
V
I,
etc.)
c. Key
areas
(tonal
centers)
d. Melodic
content
(how
and/or
why
does
the
melody
fit)
6. Play,
memorize,
the
chord
changes
on
the
piano.
7. Play
(on
the
piano)
and
sing
the
tune
(with
text).
8. Practice
Techniques
#1:
Work
over
each
chord
individually,
without
a
recorded
accompaniment,
using
scale
and
chord
patterns
over
the
full
range
of
your
instrument.
Use
patterns
such
as
those
found
in
Jerry
Coker’s
“Patterns
for
Jazz.”
9. Practice
Technique
#5:
a. Chord
Tones
b. Arpeggios
c. Scales
d. Guide
Tones
e. Patterns
f. Scale
Shifting
10. Transcription
1:
Lift
patterns
from
a
solo
from
a
recording
of
the
tune.
11. Transcription
2:
Lift
and
memorize
a
complete
solo
from
a
recording
of
the
tune.
12. Improv
Composition:
Write
a
solo
to
the
tune
in
the
style
of
an
improvisation
(slow
motion
improvisation).
13. Play
the
head
and
solo
in
time
with
a
metronome
set
on
2
and
4,
without
a
rhythm
track.
14. Play‐a‐long
(Aebersold):
Practice
with
recorded
accompaniments.
It
is
also
valuable
to
listen
to
the
changes
without
playing.
15. Learn
the
tune
in
at
least
3
keys,
preferably
in
all
12
keys.
16. Relate
new
tunes
to
old
tunes
and
use
a
fill‐in‐the‐blank
method.
When
you
recognize
what
you
already
know
about
a
tune,
there
is
less
new
material
to
grasp.
17. Review
the
tune
weekly
for
6
months
then
periodically
thereafter.
18. Learn
a
new
tune
each
week,
every
other
week,
or
monthly
depending
on
your
schedule
and
desire
to
learn
jazz.
“Repetition
is
the
mother
of
memory.”
(David
Baker)
19. For
more
ideas
see
David
Baker,
“How
to
Learn
Tunes,”
Aebersold,
Vol.
76.
20. Gig,
gig,
gig,
gig,
gig…
What
is
a
“Standard”?
A
standard
is
that
which
is
common
to
the
general
populace
of
the
art.
A
standard
is
a
composition
that
one
is
expected
to
know.
Another
question
is,
“How
does
one
determine
standards
amidst
thousands
of
choices”?
Tunes
will
vary
from
region
to
region.
In
a
survey
conducted
in
the
summer
of
2010,
forty
highly
esteemed
professional
jazz
musicians
contributed,
including:
Anderson,
Steve
(North
Flugge,
Mark
(Columbus,
OH/Ohio
Larson,
Matt
(Salt
Lake
City,
UT)
Seaton,
Lynn
(Denton/Dallas,
Carolina/UNC)
State)
Lawrence,
Jay
(Salt
Lake
City,
UT)
TX/UNT)
Atkins,
Victor
(New
Orleans,
Foote,
Gordon
(Montreal,
Canada)
LeClaire,
Shannon
(Boston,
Sielert,
Vern
(Northwest/U
of
I)
LA/UNO)
Gudmundson,
Jon
(Seattle,
WA;
MA/Berklee)
Stowell,
John
(Portland,
OR)
Baker,
Malcolm
Lynn
(Denver,
L.A./Bay
Area,
CA;
Asheville,
Mair,
Jim
(Kansas
City,
KS)
Temple,
Brannen
(Austin,
TX/UT
CO/U
of
D)
NC;
Indianapolis/Bloominton,
Manhattan
School
of
Music
(New
Austin)
Bollenback,
Paul
(New
York,
NY)
IN;
Greeley/Denver,
CO/USU)
York,
NY)
UNC
(Greeley,
CO)
Bowen,
Ralph
(New
Hearle,
Dan
(Denton/Dallas,
Mark
Levine
(San
Francisco,
CA)
Vadala,
Chris
(Washington
D.C.;
Jersey/Rutgers)
TX/UNT)
Marsalis,
Ellis
(New
Orleans,
LA)
College
Park,
MD/U
of
M)
Calle,
Ed
(Miami,
FL/Miami
Dade)
Jensen,
Brent
(Seattle,
WA;
Boise,
Mays,
Bill
(New
York,
NY)
Vance,
Mike
(Washington
Christiansen,
Corey
(Atlanta,
GA;
ID/CSI)
Phillips,
Keith
(Chhicago,
IL;
New
D.C./Army
Band)
St.
Louis,
MO;
et
al/USU)
Jordan,
Rodney
(Tallahassee,
York,
NY;
Jackson,
WY)
Walsh,
Tom
Cummisky,
Tim
(Columbus,
FL/FSU)
Rangell,
Nelson
(Indianapolis/Bloomington,
OH/Ohio
State)
Kennedy,
William
(Tallahassee,
Rekevics,
John
(San
Diego,
CA)
IN/IU)
Dotson,
Dennis
(Austin,
TX/UT
FL/FSU)
Rupp,
Jim
(Columbus,
OH)
Weir,
Michele
(Las
Angeles,
Austin)
Korb,
Kristin
(Las
Angeles,
Sacramento
State
(Sacramento,
CA/UCLA)
CA/USC)
CA)
Yasinitsky,
Greg
(Northeast/WSU)
Six
hundred
and
eleven
different
tunes
were
submitted.
Of
these
263
are
unduplicated;
meaning,
the
contributor
included
a
composition
that
is
used
in
their
area
but,
since
it
is
not
on
anybody
else’s
list,
it
may
be
considered
regional.
Another
87
tunes
only
have
one
duplication.
Concurrence
exists
for
many
tunes.
These
might
be
considered
most
significant.
Learning
should
progress
sequentially
according
to
difficulty.
It
should
be
noted
that
virtually
every
contributor
emphasizes
the
profound
significance
of
studying
the
blues
and
music
based
on
I
Got
Rhythm
chord
changes.
Two
lists
follow.
The
first
list
ranks
submissions
recommended
by
at
least
ten
contributors.
The
second
list
includes
those
included
on
at
least
five.
Numbers
to
the
left
indicate
how
many
contributor’s
lists
contained
the
reference.
91
Tunes
On
at
Least
10
Lists
Out
of
40
29
All
the
Things
You
Are
19
Some
Day
My
Prince
15
Corcovado/Quiet
13
Maiden
Voyage
11
Well
You
Needn’t
28
Autumn
Leaves
Will
Come
Nights
of
Quiet
Stars
13
Moment’s
Notice
11
What’s
New?
27
Body
&
Soul
18
Recorda
Me
15
Footprints
13
Straight
No
Chaser
10
Blues
for
Alice
26
On
Green
Dolphin
18
Softly
as
in
a
Morning
15
In
a
Mellow
Tone
12
All
Blues
10
But
Not
for
Me
Street
Sunrise
15
Invitation
12
Desafinado
10
Caravan
26
Stella
by
Starlight
18
There
Is
No
Greater
15
Lady
Bird
12
Dolphin
Dance
10
Mr.
P.C.
26
Take
the
‘A’
Train
Love
15
Like
Someone
in
Love
12
Four
10
My
Foolish
Heart
26
There
Will
Never
be
17
Billie’s
Bounce
15
My
Funny
Valentine
12
I
Can’t
Get
Started
10
Nica’s
Dream
Another
You
17
Days
of
Wine
and
Roses
14
Bye
Bye
Blackbird
12
My
Romance
10
Now’s
the
Time
23
Alone
Together
17
Giant
Steps
14
Donna
Lee
12
Speak
Low
10
Ornithology
23
What
is
This
Thing
17
Girl
from
Ipanema
14
How
High
the
Moon
12
St.
Thomas
10
Out
of
Nowhere
Called
Love?
17
‘Round
Midnight
14
Night
in
Tunisia,
A
12
Star
Eyes
10
Perdido
22
Have
You
Met
Miss
17
Satin
Doll
14
So
What
12
Yardbird
Suite
10
Shadow
of
Your
Smile,
Jones?
17
Wave
14
Solar
11
All
of
Me
The
22
In
a
Sentimental
Mood
17
Yesterdays
14
You
Don’t
Know
What
11
Anthropology
10
Song
for
My
Father
21
Blue
Bossa
16
Confirmation
Love
Is
11
Blue
Monk
10
Stablemates
21
Cherokee
16
Impressions
13
Doxy
11
Ceora
10
Triste
21
Just
Friends
16
Misty
13
Here’s
that
Rainy
Day
11
I
Hear
a
Rhapsody
10
You
Stepped
Out
of
a
21
Oleo
16
Night
and
Day
13
In
Your
Own
Sweet
11
Lover
Man
Dream
20
I
Love
You
16
Summertime
Way
11
Sweet
Georgia
Brown
20
Joy
Spring
15
Black
Orpheus
(A
Day
13
It
Could
Happen
to
You
11
Tune
Up
in
the
Life
of
a
Fool)
98
On
at
Least
5
Lists
Out
of
40
09
Airegin
08
Emily
07
Good
Bait
06
Lazy
Bird
05
I
Could
Write
a
Book
09
Angel
Eyes
08
Freddie
Freeloader
07
Hot
House
06
My
Shining
Hour
05
I
Mean
You
09
Back
Home
Again
in
08
Georgia
on
My
Mind
07
How
Insensitive
06
Once
I
Loved
05
I
Should
Care
Indiana
08
I
Thought
About
You
07
I
Remember
You
06
Our
Love
is
Here
to
05
It
Might
as
Well
Be
09
Darn
that
Dream
08
I’ll
Remember
April
07
Killer
Joe
Stay
Spring
09
Embraceable
You
08
If
I
were
a
Bell
07
Laura
06
Polka
Dots
and
05
It’s
You
or
No
One
09
Foggy
Day,
A
08
Inner
Urge
07
Lullaby
of
Birdland
Moonbeams
05
Milestones
(new)
09
Groovin'
High
08
Little
Sunflower
07
Meditation
06
Seven
Steps
to
Heaven
05
Moonlight
in
Vermont
09
Honeysuckle
Rose
08
Prelude
to
a
Kiss
07
Nardis
06
Stompin'
at
the
Savoy
05
My
Favorite
Things
09
I'll
Remember
April
08
Skylark
07
Over
the
Rainbow
06
Watch
What
Happens
05
Nearness
of
You,
The
09
Love
for
Sale
08
Song
is
You,
The
07
Peace
06
When
I
Fall
in
Love
05
Night
Has
a
Thousand
09
My
One
and
Only
Love
08
Sonny
Moon
for
Two
07
Sophisticated
Lady
06
You’d
be
so
Nice
to
Eyes,
The
09
One
Note
Samba
08
Stardust
07
Speak
No
Evil
Come
Home
To
05
Someone
To
Watch
09
Scrapple
from
the
03
Take
5
07
Stolen
Moments
05
Beatrice
Over
Me
Apple
08
Watermelon
Man
01
4
in
1
05
Bessie's
Blues
05
Things
Ain’t
What
They
09
Sugar
08
Way
You
Look
Tonight,
06
All
of
You
05
But
Beautiful
Used
to
Be
09
Tenderly
The
06
Come
Rain
or
Come
05
Countdown
05
Walkin'
09
Tenor
Madness
07
Afternoon
In
Paris
Shine
05
E.S.P.
05
Willow
Weep
for
Me
09
Whisper
Not
07
Along
Came
Betty
06
Freedom
Jazz
Dance
05
Equinox
05
Witch
Hunt
08
Beautiful
Love
07
Au
Privave
06
I
Got
Rhythm
05
Fee
Fi
Fo
Fum
05
Witchcraft
08
Bluesette
07
Bag's
Groove
06
It
Don’t
Mean
a
Thing
05
Half
Nelson
05
Yes
or
No
08
Don’t
Get
Around
Much
07
Cantaloupe
Island
06
It
Had
to
Be
You
05
How
Deep
is
the
Anymore
Ocean?
Keep
in
mind
that
no
list
can
be
taken
as
conclusive.
Contributors
to
the
above
lists
were
asked
to
submit
what
came
to
mind
at
the
moment.
Some
included
lists
that
they
created
for
their
teaching
curriculum
others
only
what
they
played
regularly.
Too
many
variables
exist
to
be
definitive.
Another
angle
is
that
of
compositions
most
recorded.
A
list
is
posted
at
www.jazzstandards.com
that
ranks
standards
in
this
manner.
Top
100
Jazz
Standards
(www.jazzstandards.com)
1
1930
Body
and
Soul
51
1946
Come
Rain
or
Come
Shine
2
1939
All
the
Things
You
Are
52
1936
There
Is
No
Greater
Love
3
1935
Summertime
53
1941
You
Don't
Know
What
Love
Is
4
1944
'Round
Midnight
54
1930
But
Not
for
Me
5
1935
I
Can't
Get
Started
(with
You)
55
1930
On
the
Sunny
Side
of
the
Street
6
1937
My
Funny
Valentine
56
1954
Misty
7
1942
Lover
Man
(Oh,
Where
Can
You
Be)
57
1938
Love
Is
Here
to
Stay
8
1930
What
Is
This
Thing
Called
Love?
58
1942
Perdido
9
1933
Yesterdays
59
1924
Tea
for
Two
10
1946
Stella
By
Starlight
60
1944
It
Could
Happen
to
You
11
1947
Autumn
Leaves
(Les
Feuilles
Mortes)
61
1941
I
Got
It
Bad
(and
That
Ain't
Good)
12
1929
Star
Dust
62
1941
Skylark
13
1932
Willow
Weep
for
Me
63
1938
Over
the
Rainbow
14
1939
What's
New?
64
1937
The
Nearness
of
You
15
1929
Honeysuckle
Rose
65
1928
If
I
Had
You
16
1925
Sweet
Georgia
Brown
66
1932
(I
Don't
Stand
A)
Ghost
of
a
Chance
17
1936
Caravan
67
1946
Angel
Eyes
18
1924
The
Man
I
Love
68
1931
Out
of
Nowhere
19
1935
In
a
Sentimental
Mood
69
1928
Lover
Come
Back
to
Me
20
1914
St
Louis
Blues
70
1939
Darn
That
Dream
21
1940
How
High
the
Moon
71
1931
All
of
Me
22
1924
Oh,
Lady
Be
Good!
72
1929
More
Than
You
Know
23
1941
Take
the
"A"
Train
73
1930
I
Got
Rhythm
24
1930
Embraceable
You
74
1935
Just
One
of
Those
Things
25
1947
On
Green
Dolphin
Street
75
1929
Mean
to
Me
26
1946
Tenderly
76
1938
September
Song
27
1936
The
Way
You
Look
Tonight
77
1926
Someone
to
Watch
Over
Me
28
1936
These
Foolish
Things
78
1926
I've
Found
a
New
Baby
29
1941
I'll
Remember
April
79
1940
Polka
Dots
and
Moonbeams
30
1930
Love
for
Sale
80
1937
Easy
Living
31
1933
Sophisticated
Lady
81
1936
Pennies
from
Heaven
32
1929
Ain't
Misbehavin'
82
1939
I
Didn't
Know
What
Time
It
Was
33
1932
Night
and
Day
83
1930
Memories
of
You
34
1918
After
You've
Gone
84
1932
It
Don't
Mean
a
Thing
35
1945
Laura
85
1931
Just
Friends
36
1949
Lush
Life
86
1937
They
Can't
Take
That
Away
from
Me
37
1928
Sweet
Lorraine
87
1943
Star
Eyes
38
1932
Don't
Blame
Me
88
1937
A
Foggy
Day
39
1938
Cherokee
(Indian
Love
Song)
89
1932
Alone
Together
40
1942
Night
in
Tunisia
90
1929
Just
You,
Just
Me
41
1917
Indiana
(Back
Home
Again
in
Indiana)
91
1935
My
Romance
42
1938
You
Go
to
My
Head
92
1942
Things
Ain't
What
They
Used
to
Be
43
1942
There
Will
Never
Be
Another
You
93
1943
Do
Nothin'
Till
You
Hear
from
Me
44
1930
Georgia
on
My
Mind
94
1934
Blue
Moon
45
1953
Satin
Doll
95
1931
I
Surrender
Dear
46
1938
Prelude
to
a
Kiss
96
1940
You
Stepped
Out
of
a
Dream
47
1944
I
Should
Care
97
1953
My
One
and
Only
Love
48
1936
Stompin'
At
the
Savoy
98
1927
'S
Wonderful!
49
1932
How
Deep
Is
the
Ocean?
99
1933
Smoke
Gets
in
Your
Eyes
50
1933
I
Cover
the
Waterfront
100
1953
Here's
That
Rainy
Day
One
might
ask,
“Why
does
it
matter”?
Four
points
can
be
considered:
1. A
standard
repertoire
represents
music
that
generations
of
performers
have
either
deemed
of
high
quality
or
enjoy
playing.
2. Standards
can
help
ones
learning
of
the
art
form.
They
are
especially
significant
for
young
musicians
to
use
as
a
foundation.
From
here
they
can
grow
in
any
of
several
directions.
Standards
are
a
great
teacher.
3. They
constitute
a
body
of
knowledge
that
is
transferable
from
one
location
to
another,
thus
allowing
musicians
from
various
locals
to
perform
with
each
other.
4. In
today’s
environment,
tradition
has
established
expectations.
Jazz
musicians
without
a
fundamental
internalization
of
at
least
a
certain
number
of
standards
will
find
themselves
unable
to
participate
in
many
settings.
Some
have
asked,
“Will
emphasizing
such
lists
not
cause
the
jazz
art
to
stagnate”?
Consider
this:
1. If
only
a
limited
number
of
standards
were
propagated,
yes;
but
there
are
so
many.
Considering
regional
favorites,
the
learning
of
standards
is
not
so
stagnant.
Six
hundred
and
eleven
are
on
only
forty
contributor’s
lists.
2. Amidst
the
learning
of
standards,
jazz
musicians
are
constantly
writing
their
own
tunes.
The
composer/performer
a
la
Bach,
Mozart,
Haydn,
Beethoven,
Liszt,
et
al
is
alive
and
well
in
jazz.
3. Various
regions
have
their
own
distinct
“standard”
repertoire
(along
with
one
that
is
more
universal),
which
is
important
for
such
a
creative
art
to
thrive.
4. What
is
considered
a
standard
changes
over
time.
There
are
compositions
common
in
the
1920’s
or
30’s
that
are
virtually
never
played
today.
Some
of
the
tunes
expected
of
every
true
jazz
musician
in
the
40’s,
50’s,
and
60’s
have
fallen
into
disfavor
while
others
have
risen
to
commonality.
More
will
become
popular
while
others
fade
as
the
years
progress.
Bottom
line:
one
should
note
what
is
called
at
various
gigs,
jam
sessions,
what
is
played
at
local
clubs,
in
the
area
universities,
by
members
of
regional
jazz
societies,
etc.
Learn
the
repertoire
of
your
residence.
Curricular
Repertoire
Freshman
Afternoon
In
Paris
Cantaloupe
Island
Impressions
Song
for
My
Father
Take
the
‘A’
Train
All
of
Me
Days
of
Wine
and
Roses
Killer
Joe
Sonnymoon
for
Two
Tenor
Madness
Autumn
Leaves
Doxy
Little
Sunflower
St.
James
Infirmary
Things
Ain’t
What
They
Bag’s
Groove
Equinox
Maiden
Voyage
St.
Louis
Blues
Used
to
Be
Blue
Bossa
Four
My
Romance
St.
Thomas
Walkin’
Blue
Monk
Freddie
Freeloader
Now’s
the
Time
Straight
No
Chaser
Watermelon
Man
But
Not
for
Me
Good
Bait
Perdido
Summertime
Yardbird
Suite
Bye
Bye
Blackbird
I
Got
Rhythm
Satin
Doll
Sophomore
All
Blues
Bye
Bye
Blackbird
How
Insensitive
My
Shining
Hour
Stardust
All
of
Me
Caravan
I
Can’t
Get
Started
Nearness
of
You,
The
Stolen
Moments
All
the
Things
You
Are
Corcovado
(Quiet
Nights
of
I
Could
Write
a
Book
Night
Has
a
Thousand
Stompin’
at
the
Savoy
Alone
Together
Quiet
Stars)
I
Got
Rhythm
Eyes,
The
Sugar
Anthropology
Darn
that
Dream
I
Love
You
On
Green
Dolphin
Street
Sweet
Georgia
Brown
Back
Home
Again
in
Don’t
Get
Around
Much
In
a
Mellow
Tone
Once
I
Loved
There
Is
No
Greater
Love
Indiana
Anymore
In
a
Sentimental
Mood
Recorda‐me
There
Will
Never
be
Bessie’s
Blues
Foggy
Day,
A
Invitation
Scrapple
from
the
Apple
Another
You
Billie’s
Bounce
Footprints
Lady
Bird
Seven
Steps
to
Heaven
Tune
Up
Black
Orpheus
(A
Day
in
Freedom
Jazz
Dance
Lover
Man
So
What
Watch
What
Happens
the
Life
of
a
Fool)
Georgia
on
My
Mind
Lullaby
of
Birdland
Softly
as
in
a
Morning
Wave
Blue
Bossa
Girl
from
Ipanema
Maiden
Voyage
Sunrise
Way
You
Look
Tonight,
Blues
for
Alice
Groovin’
High
Meditation
Solar
The
Bluesette
Have
You
Met
Miss
Jones?
Misty
Some
Day
My
Prince
Will
When
I
Fall
in
Love
Body
&
Soul
Honeysuckle
Rose
Mr.
P.C.
Come
Yardbird
Suite
But
Not
for
Me
How
High
the
Moon
My
Funny
Valentine
Junior
All
of
You
Girl
from
Ipanema
It’s
You
or
No
One
Out
of
Nowhere
Tenderly
Alone
Together
Half
Nelson
Joy
Spring
Over
the
Rainbow
Triste
Along
Came
Betty
Have
You
Met
Miss
Jones?
Just
Friends
Polka
Dots
and
Waltz
for
Debbie
Anthropology
Here’s
that
Rainy
Day
Laura
Moonbeams
Way
You
Look
Tonight,
Au
Privave
Hot
House
Lazy
Bird
Round
Midnight
The
Back
Home
Again
in
How
Deep
is
the
Ocean?
Like
Someone
in
Love
Scrapple
from
the
Apple
Well
You
Needn’t
Indiana
I
Love
You
Love
for
Sale
Seven
Steps
to
Heaven
What
is
This
Thing
Called
Beautiful
Love
I
Mean
You
Milestones
(new)
Shadow
of
Your
Smile,
The
Love?
Blues
for
Alice
I
Remember
You
Moment’s
Notice
Skylark
Whisper
Not
Body
&
Soul
I
Should
Care
Moonlight
in
Vermont
So
What
Willow
Weep
for
Me
But
Beautiful
I
Thought
About
You
My
Favorite
Things
Solar
Witch
Hunt
Caravan
I’ll
Remember
April
My
Foolish
Heart
Someone
To
Watch
Over
Witchcraft
Ceora
I’ll
Remember
April
Nardis
Me
Yes
or
No
Cherokee
If
I
were
a
Bell
Nica’s
Dream
Song
is
You,
The
Yesterdays
Come
Rain
or
Come
Shine
In
a
Sentimental
Mood
Night
and
Day
Speak
Low
You
Don’t
Know
What
Confirmation
Inner
Urge
Night
in
Tunisia,
A
Speak
No
Evil
Love
Is
Corcovado
(Quiet
Nights
of
Invitation
Oleo
Star
Eyes
You
Stepped
Out
of
a
Quiet
Stars)
It
Could
Happen
to
You
One
Note
Samba
Stella
by
Starlight
Dream
Desafinado
It
Don’t
Mean
a
Thing
Ornithology
Sweet
Georgia
Brown
You’d
be
so
Nice
to
Come
Embraceable
You
It
Had
to
Be
You
Our
Love
is
Here
to
Stay
Take
5
Home
To
Giant
Steps
It
Might
as
Well
Be
Spring
Senior
Airegin
Countdown
Fee
Fi
Fo
Fum
Lush
Life
Prelude
to
a
Kiss
Angel
Eyes
Dolphin
Dance
Giant
Steps
Moment’s
Notice
Round
Midnight
Angel
Eyes
Donna
Lee
I
Hear
a
Rhapsody
My
Foolish
Heart
Sophisticated
Lady
Beatrice
Donna
Lee
In
Your
Own
Sweet
Way
My
One
and
Only
Love
Stablemates
Cherokee
E.S.P.
Inner
Urge
Nica’s
Dream
Take
5
Con
Alma
Emily
Joy
Spring
Peace
What’s
New?
Confirmation
Categorical
Listing
(select)
Blues
Blues
(cont.)
Riff
Blues
Bebop
Blues
Minor
Blues
All
Blues
Jodie
Grind,
The
Bag’s
Groove
Au
Privave
Big
P
Black
Coffee
(ballad)
Jumpin’
with
Symphony
Bemsha
Swing
Barbados
Birk's
Works
Blue
Bolivar
Blues
Sid
(swing)
Bessie’s
Blues
Billie's
Bounce
Equinox
Blue
Trane
Nutville
Blue
‘n’
Boogie
Birdlike
Footprints
Blues
for
Philly
Joe
One
for
Daddy
’O
Blue
Monk
Bloomdido
Hassan's
Dream
Blues
for
Stephanie
Red
Top
Blue
Seven
Blues
for
Alice
Mr.
P.C.
Blues
March
Route
66
(swing)
Blues
by
Five
Buzzy
(Charlie
Parker)
Señor
Blues
Blues
on
the
Corner
Sack
O’
Woe
Blues
in
the
Closet
Cheryl
Cedar’s
Blues
Sandu
Blues
Walk,
The
Chi
Chi
Bridge/Non‐12
Chasin’
the
Trane
Señor
Blues
(Latin)
Bud's
Blues
Cookin’
at
the
Locomotion
(bridge)
Comin’
Home
Baby
St.
Louis
Blues
C
Jam
Blues
Continental
Unit
7
(bridge)
Cool
Struttin’
Stolen
Moments
Centerpiece
Sippin’
at
Bells
Bikini
(bridge)
Cousin
Mary
Teenie’s
Blues
Champ,
The
Cool
Blues
Scotch
and
Water
Doodlin’
Two
Degrees
East,
Three
Cool
Blues
Dance
of
the
Infidels
(bridge)
Filthy
McNasty
Degrees
West
Dig
Dis
Mohawk
Fine
and
Mellow
Vierd
Blues
Freddie
Freeloader
Now's
the
Time
Sidewinder
(24)
Five
Spot
After
Dark
Walkin'
Misterioso
Ool
ya
coo
Watermelon
Man
(16)
Freddie
the
Freeloader
West
End
Blues
Night
Train
Parker’s
Mood
Gingerbread
Boy
When
Will
the
Blues
No
Blues
(Pfrancin’)
Relaxin’
at
Camarillo
Gotham
City
Leave
Now's
the
Time
Straight,
No
Chaser
Sonnymoon
for
Two
Twisted
Speedball
Wee
Dot
Spontaneous
Yabada
Ool
Ya
(Dizzy
Combustion
Gillespie)
Tenor
Madness
Things
Ain't
What
They
Used
to
Be
Rhythm
Changes
Rhythm/Alt
Bridge
52nd
Street
Theme
Air
Mail
Special
Anthropology
Bop
City
Apple
Honey
Brownie
Speaks
[A
Cottontail
section
altered]
Don't
Be
That
Way
Chase,
The
Flintstones,
The
CTA
[A
sections
altered]
Goin’
to
Minton’s
Dizzy
Atmosphere
Goof
and
I,
The
Eb]
I
Got
Rhythm
Eternal
Triangle
Jumpin'
at
the
Woodside
Flying
Home
Lester
Leaps
In
Good
Bait
Moose
the
Mooche
Manteca,
solo
changes]
Oleo
Move
One
Bass
Hit
Room
608
Opp‐Bop‐Sha‐Bam
Serpent’s
Tooth,
The
Rhythm‐a‐ning
Third
Rail
Salt
Peanuts
Tuxedo
Junction
Seven
Come
Eleven
Shag
Shaw
‘Nuff
Steeplechase
Straighten
Up
and
Fly
Right
Theme,
The
Thriving
from
a
Riff
Tiptoe
Wail
Webb
City
Wee/Allen's
Alley
Songbook
Standards
Songbook
(cont.)
Ballad
Jazz
Standards
Bebop
All
of
Me
Laura
Angel
Eyes
Afternoon
In
Paris
[see
Bebop
Blues]
All
of
You
Like
Someone
in
Love
Black
Coffee
(blues)
Airegin
[see
Rhythm
Changes]
All
the
Things
You
Are
Love
for
Sale
Blue
and
Green
Along
Came
Betty
Anthropology
(rhythm)
Alone
Together
Misty
Body
&
Soul
Caravan
(swing
/Latin)
Confirmation
Autumn
Leaves
My
One
and
Only
Love
But
Beautiful
Countdown
Donna
Lee
Back
Home
Again
in
My
Romance
But
Not
for
Me
Dolphin
Dance
Half
Nelson
Indiana
My
Shining
Hour
Come
Rain
or
Come
Don’t
Get
Around
Much
Hot
House
Beatrice
Night
and
Day
Shine
(med)
Anymore
Ornithology
Beautiful
Love
Night
Has
a
Thousand
Darn
that
Dream
Doxy
Scrapple
from
the
Apple
But
Not
for
Me
Eyes,
The
Embraceable
You
E.S.P.
Yardbird
Suite
Bye
Bye
Blackbird
On
Green
Dolphin
Street
Georgia
on
My
Mind
Fee
Fi
Fo
Fum
Cherokee
Our
Love
is
Here
to
Stay
Here’s
that
Rainy
Day
Four
Darn
that
Dream
Out
of
Nowhere
I
Should
Care
Four
Brothers
Days
of
Wine
and
Roses
Softly
as
in
a
Morning
I
Thought
About
You
Giant
Steps
Foggy
Day,
A
Sunrise
In
a
Sentimental
Mood
Groovin'
High
Have
You
Met
Miss
Song
is
You,
The
Laura
I
Mean
You
Jones?
Speak
Low
Like
Someone
in
Love
In
a
Mellow
Tone
Here’s
that
Rainy
Day
Star
Eyes
Love
for
Sale
Inner
Urge
Honeysuckle
Rose
Stella
by
Starlight
Lover
Man
It
Don’t
Mean
a
Thing
How
Deep
is
the
Ocean?
Summertime
Lush
Life
Joy
Spring
How
High
the
Moon
Tenderly
Misty
Killer
Joe
I
Can’t
Get
Started
There
Is
No
Greater
Moonlight
in
Vermont
Lady
Bird
I
Could
Write
a
Book
Love
My
Foolish
Heart
Lullaby
of
Birdland
I
Hear
a
Rhapsody
There
Will
Never
be
My
Funny
Valentine
Moment’s
Notice
I
Love
You
Another
You
My
One
and
Only
Love
Nardis
I
Remember
You
Way
You
Look
Tonight,
My
Romance
(med)
Nica’s
Dream
I
Should
Care
The
Naima
(swing/Latin)
I
Thought
About
You
What
is
This
Thing
Nearness
of
You,
The
Night
in
Tunisia,
A
I'll
Remember
April
Called
Love?
Over
the
Rainbow
Perdido
If
I
were
a
Bell
When
Sunny
Gets
Blue
Peace
Satin
Doll
In
Your
Own
Sweet
Way
Whisper
Not
Polka
Dots
and
Seven
Steps
to
Heaven
Invitation
Witchcraft
Moonbeams
Solar
It
Could
Happen
to
You
Yesterdays
Prelude
to
a
Kiss
Speak
No
Evil
It
Had
to
Be
You
You
Stepped
Out
of
a
‘Round
Midnight
Stablemates
It
Might
as
Well
Be
Dream
Shadow
of
Your
Smile,
Stompin'
at
the
Savoy
Spring
You’d
be
so
Nice
to
The
Sugar
It’s
You
or
No
One
Come
Home
To
Skylark
Sweet
Georgia
Brown
Just
Friends
Someone
To
Watch
Over
Take
5
Me
Take
the
‘A’
Train
Sophisticated
Lady
Things
Ain’t
What
They
Stardust
Used
to
Be
Tenderly
Tune
Up
There
Is
No
Greater
Well
You
Needn’t
Love
What’s
New?
When
I
Fall
in
Love
Witch
Hunt
When
Sunny
Gets
Blue
Yes
or
No
Willow
Weep
for
Me
Yesterdays
(med)
You
Don’t
Know
What
Love
Is
Triple/Compaound
Modal
Latin
Latin
(cont.)
Fusion/Contemporary
Alice
in
Wonderland
Afro
Blue
(blues)
Black
Orpheus
(A
Day
in
Night
Has
a
Thousand
Chameleon
All
Blues
All
Blues
(blues,
triple)
the
Life
of
a
Fool)
Eyes,
The
(Latin
to
Chicken,
The
C.C.
Rider
(blues)
Cantaloupe
Island
Blue
Bossa
swing)
Chitlins
con
Carne
Emily
Footprints
(blues,
triple)
Caravan
(swing/Latin)
Night
in
Tunisia,
A
Comin’
Home
Baby
Footprints
Freddie
the
Freeloader
Ceora
(swing
bridge)
Gotta
match
Moon
River
(blues)
Chitlins
con
Carne
Once
I
Loved
Green
Onions
My
Favorite
Things
Impressions
Corcovado/Quiet
Nights
One
Note
Samba
Red
Clay
Señor
Blues
Impressions
of
Quiet
Stars
Recorda‐me
Señor
Blues
Someday
My
Prince
Will
Little
Sunflower
(Latin)
Desafinado
Señor
Blues
Turnaround
(Miles)
Come
Maiden
Voyage
Favela
Shadow
of
Your
Smile,
Tenderly
Milestones
(new)
Gentle
Rain
The
(ballad/Latin)
Free
Jazz
United
My
Favorite
Things
Girl
from
Ipanema
Song
for
My
Father
Blues
Connotation
Up
Jumped
Spring
(Coltrane
version)
How
Insensitive
St.
Thomas
Congeniality
Valse
Hot
So
What
Little
Boat
Triste
Freedom
Jazz
Dance
Little
Sunflower
(modal)
Triste
Lonely
Woman
Meditation
Watch
What
Happens
Turnaround
(Ornette)
Nica’s
Dream
Wave
When
Will
the
Blues
(swing/Latin)
Leave
Nica’s
Dream
(swing/Latin)