N.H. Crowhurst - Audio Handbook No.1 - Amplifiers
N.H. Crowhurst - Audio Handbook No.1 - Amplifiers
N.H. Crowhurst - Audio Handbook No.1 - Amplifiers
There are many books of circuits, and others giving the theory of
I
various circuits for people with different levels of technical education ;
but there seems to be a lack of books to help to solve the " obscure "
problems that arise when a piece of equipment has been built, but just
doesn't work. This book has been prepared to fill that gap, particularly DISTORTION
in relation to audio frequency amplifiers.
T
HIS chapter deals with various kinds of distortion caused by
Perhaps it can be regarded as the gap between theiJ1y and practice. operating valves under incorrect conditions, in some way or
Books of the constructional type give practical instruction, anc..l books other. T o understand this matter properly, one must be able to
of theory undoubtedly cover all the possibilities that can occur to appreciate the full significance of valve characteristics, acconiing to
stop our particular piece of equipment from working properly ; but their type. The best means to this end is the drawing of what is known
how often bas it been helpful to have an experienced man at hand to as a load line. Engineering text books make the treatment so mathe-
put his finger on the trouble ? The author has often successfully matical that ordinary un-mathcmatical people seldom understand it
played the part of" the experienced man "-even over the telephone. properly, even though they may have passed exams in the subject.
So he realised that what could be achieved this way could well be put So rhe author makes no apology in offering an explanation in simpler
into book form. lt is witb this in mind that the T ROUDLB T RACrNG language.
Gum.B has been prepared. Where the man on the telephone would
say to him " so-and-so happens," the reader turns to the guide to find Different Forms of Valve Characteristics
the appropriate symptoms, and there sees a reference to the chapter In the first place, there arc two ways of showing valve character-
or chapters explaining d1e possible causes in detail. i~tiC!l-thi.~
can be confusing. Figure I shows both ways for the same
But the book should not be left on the shelf until tro4blc comes.
It has been arranged in a logical sequence for reading, so as to gain
valuable permanent knowledge of the subject. When some particular
problem o.rises, and the reader perhaps only remembers that it was
dealt with in this book, then he can use the guide. (It has been
assumed, of course, that the wiring and circuit values have been
checked to diagram, and that still something is wrong.)
Whether the reader has little or much practical experience or
theoretical knowledge, the author believes his book will be of interest
and h elp. He h as tried eo avoid using expressions that those with
inadequate technical knowledge would not understand, and he is
confident that this presentation will also prove helpful to many who
have learned the theory in more technical terms, because often the SO 100 ISO 200 250
ANOOE \()LTS
" classtcal " explanation does not give a really clear understanding (b)
of the matter.
IIG. I. DlfrCRCNT PRLSLNTATIONS OF VALVE (' HARAC rl IU~liCS.
N. H. CROWHt.'RST.
London, 195 I. type of valve. The: 11rrangemcm at (a) gives curves showing how anode
current changes when ~rid voltage is altered, for fixed values of anode
voltage. I f, in use, only anode current fluctuated when a signal voltage
fluctuation was applied to the grid, then these curves would tell the
whole story. This would happen if anode and cathode (or filament)
were connected clirectly to h.t. plus and mmus respectively. But then
II
AUDIO HANDBOOK No. r : AMPLIFIERS DISTORTION
there would only be anode cummt ftucn1Mions, and the valve would shown doned. However, a practic:~l valve cbaracrerislic is curved, so
be no good as an amplifier, b~::~oause signal voltage is also required, the anode currem ftu~tuations follow the shape at the right drawn in
whether to be passed on to the grid of the next valve, or to be fed to a solid line instead of the dotted sine wave. Thus the wave is distorted
loudspeaker through a Lransformer. As soon as some arrangement due to the " <.:urvature" of t he valve characteristic.
is made so that voltage fluctuations are obtained, the curves of Figure Now turn to the characteristics shown at Figure I (b) for the ~amc
I (a) cease to tell the story prope rly. valve a~ that represented at Figure I (a). Here graphs have been
But for the moment imagine that there are no anode vollag~:: ~ignal plotted showing how anode current changes when a.t1ode voltage is
ftu~tuauons, so one of these C\lrves could be used. Figure 2 shows the altered, for six different fixed grid voltagcs. At (a) the graphR showed
method usually c hosen. T he grid voltage reference 1incs arc drawn how Rnode current changed when grid voltage is a ltered, for five
different fixed a node voltoges. For a triode type vAlve, these two
types of characteristic are similar to look at, and for this reason they
can easily be confused at first sight. To know wlhich one lS being used,
the reference scales must be examined. At (a) the quantity plotted
along the bottom is grid voltage, And rhe curves are " labelled " with
anode voltagcs, while at (b) the quantity plotted along the bottom is
anode voltage, and the curves are " JabcUed" with grid volrages.
Each set of cu1 ves presents the same information in a different
way. In fact, one set of curves can be made from the other. Tllis is
rather laborious, and the reader will probably never bother to d o it ;
but understanding how it can be done helps in sct:ing t heir usefulness.
OISTOQTEO OOTPUT Figure 3 shows the method. This is just a copy of the curves at Figure
(ANOOE) CURRENT. T, with the labelling left ofT the curves thcm~elvcs, so that number5
DOTTED CURVE IS
-5 PURE SINE WAVE
-2 _,
GRID VOLTS
(a)
F IC1. J, FIO.I RLPC\HOTO~IIO\\.l ii ECOVP\I!I~01'00fTlltTW01-0R\1S
FIC. 2. \IHT HOL) 01• I JS INO A CURVh rROJ\1 I IG. I (11}. 01 PR L~~l\ rATION.
down further, and o sine wave is drawn on thrm, representing a pure can be written in identifying the same points on both sets of curves.
signal input voltage to tihe grid. If the characteristic were stra1ght, as At (a) a grid voltage is represemoo by an upright straight line, while
shown dotted, then each value of grid voltage would cause the at (b) it is represented by a curve. Thus the points I, 2, 3 are all at a
corresponding anode <.urreut marked off by the dotted Jines horizontally, grid voltage of zero on both Uiagrams, and points 8, 9, xo, n, xz arc
and extending to the right, so t hat a sine wave representing a pure all at a grid volmge of mim1s 2. At ( b) an anode voltage is represcnled
signal currenc fluctuation in the anode circuit could be drawn, as by an upright straight line, while at (a) it is represented by a curve
12 I3
AUDIO HANDBOOK No. r: AMI'LIFJERS
DISTOR'r!ON
Thus points 7, xI, 15, 18, 20 arc all at an anode voltage of 200 on both
diagrams. The reader can trace out the corn::~pondencc of other
points on hoth g raphs for hinuclf
Load Lines
But what is a load line ? And how does it help show the behaviour
of the valve? Suppose the anode h.t. ~upply, of 250 volts, is con-
nected to the " top " end of a 25,000 Ohm resistor, the " bottom "
end of which is connected to any valve anode, as at Figure 4· If the
valve does not pass any :~node current,
.. 250 there will be no currem through the
--~------=-v..::O~L~TS r esistor, and the anode voltage \~·~11 be the
same as h.t. plus, 250 volts posllwc. But
25000 if the valve draws to milliamps, there wlll
OHMS be a volt drop of 250 volts in the 25,000
Ohm rcsisror, so its bottom end will be l• lG. ' · L0,\0 Ll~ll IN ITS SIMl'l.f.ST rORM-CI RCUIT O F F JO. 4.
250 volts negative from h.t. .Plus, i.e.,
zuu. If the valve draws say, 4 milliamps, and to the righr so that a sine wave can be drawn as input to
there will be a volt drop of 100 volts, the rid, and a cdrresponding output wavefo.rm be drawn by reference
leaYing the at100e at 250 - IOO = to Je curve. Again, if the ~urve .were stnught, rhe output would be
150 volts pmirive. A Jot more points pure but curvature causes distortion.
could be taken, representing uiifercm In practice this curve need not be drawn to find out whether the
_ _.._____ ~--o anode voltagcs according to the currenr
taken by the valve; but they will all be
FIO. 4. CIRCU I T FOR found to connect up in the straight line
SIMrLI. LQ,\0 liNE,
AB or Figure 5 (a). Whatever happens in
the grid circuit, the anode vol[age and current must be given by some
point along this line, because of the volt drop in the 25,000 Ohm
resistor. For this reason, such a line i!i caUcd a 25,000 Ohm load line.
At Figure 5 ( b), the curves of Figures I and 3 (b) are redrawn
and the zs,ooo Ohm load line drawn on top of them. Now suppose
that the grid voltage is minus r. T hen the combination of anode
cur rent and anode voltage must be somewhere along the curve marked
"grid volts - x." Since it must also be on the load line AB, the only
possible anode voltage and current in the circuit of Figure 4, when tht:
grid volt.age is minus r, is given by point D on figure 5 (b), ahout
120 volrs, S milliamps. Similarly other points along rhe load line,
where the grid voltage curves cross ir, lettered C, E, F, G, H. give the
anode voltage anci cunenr for t he grid voltage represented by each
curve.
I4 15
AUDIO HANDBOOK No. r: AMPLI FIERS DISTORTION
load line causes disto(tion. Straightness of the curve depends upon Load Lines for Practical Circuits
~tcps of anode yol~age corr~sponding to equal steps of grid voltage Figure 8 shows load lines representing two types of circuit applied
betng equal. If adJacent gnd voltage curve.s are for grid voltages at to triode type characteristics, and Figure 9 applies the .same type.s of
uniform intervals (in Figure 5 (b) the intervals are all 1 voir), then the circuit to tetrode or pentode characteristics. At (a) in each case, the
curves must cross the load li11e aL cxaclly uniform spacing for there load liuc arraugemem represents resist.auce/capacitam:c coupling,
to be no disrortion. Inequality of spacing, in any way, indicates that shown in Figure Io. The load line AB represent~ the d.c. drop down
distortion will be caused. In Figure 5 (b) the space CD is sljgbtly
longer than GH, and spaces nearer zero grid voltage arc longer than
those nearer H. In this case the uiiference is only slight, and so the
clisronion is only slight, as shown in Fi~re 6.
Now, to apply this idea of load lines ro practical cases, first notice
how the slope of a load line depends upon the resistance it represents.
Figure 7 shows three Joau lines each starting from a h.t. voltage of
250, plotted to a current scale different from that of Figure s. Line
ANODE VOLTS.
(o) f!ESISTANCE/CAPAC!TANCE (b)
COUPLING.
1'10. 8. LOAD LIKES l'OR PRACTICAL CIRCUITS- TRlOOilS.
ANODE
FIO 7. .SHOWING flOW SLOJ'El Of I.OAD UNE DEPBNDS ON VALUC.
!6 17
AUDIO HANDBOOK No. 1 : AMPLIFIERS DISTORTION
parallel with Ru reducing the effective lond resistance; but the part of d1c load line, before the other is reached (this is what happens
operating poim is still fixed by the volt t.l rop down R1 only. So the if incorrc~t grid bias is used).
operating load !me. (;1), will have a steeper slope, but will still pass Too little bias means that the cntl where the zero grid volts curve
through point B. cros~e.~ will he reached fi rst. Unless the vnlvc ts used under " power
drive" conditions (explained later), when the grid voltage runs past
zero, Lht [a~l that the grid starts to collect electrons, as welt as the
anode, means that grid current '>"ill cau~c a volt drop in the grid
circuit rcs i~tances ; this volt drop will start suddenJy at one point
in the waveform, where the grid passes zero voltage, so the volt drop
will not follow the waveform, as it does in the anode resistor, but will
., come on suddenly, causing distortion. In effect the grid circuit
resistance i ~ 11Su111ly so high that all the voltage above zero is dropped
in it, and the waveform at the grid is flattened off as if chopped off
at the voltage when: the g lid passes through zero.
Too much grid bias results in distortion at tht: other end of the
load line, before the positive excursion from btas voltage reaches zero.
This is known as " anode bend " distortion, becau~e it i~ due to the
curvature of the anotle ~:u nent cnaractcristk when the grid voltage is
almost cutting oft the anode current. This form of distorlion is not so
drastic as grid current di~tortion . Figure l i (a) shows a typical wave-
form produced by insufficient bias, while (b) shows one produced by
too much bias, as shown on an oscilloscope screen wh en the input is
pure (shown dotted so that departure from the proper :ihape can be
fiO. 10. R ESIST A 'lCL,CAPACITAM; I COUPLIN(l C: IRCU II .
seen better).
In (b) of Pigmes 8 and 9, the load line arrangement is for choke/
capacitance or transformer coupling. rn each case AB represents the
volt drop ciue to rhe·rcsistance of the winding connected in the anode
circuit. But the winding wiU have a very high inductance, which is
not cousidered in the load line diagram for the mome.nt. T his
inductance is used to provide coupling to a load resistance that is
much higher rh~n the winding resistance, and it is this load resistance
that fixes the slope of the load line, represented by CD, still passing
~
through B, because the winding rc5istancc fixes the operating point ~
due to grid bms. (o) TOO LITTLE BIAS. (b) ( c ) REACTIVE LOAD
The slope is fixed by the actual load resistance value tor choke
coupling, nnd by the transferred, or matched, resistance for trans- FIG. 11 . OISTOR IION CAUSLO B¥ V"-RIOVS I NCOilREC'T OPt R .\TJNr.
former ~:oupliug, a& explained in Chapter 9· (.0N11tnONS.
Allernotove causes arc alvtn 1n rho tc•l.
Wrong Grid Bias
I n Figures 8 and 9, the load lines shown are about the" optimum," Wrong Load Resistance
or bc~t values, for the curves of the valves as drawn. ~ow turn to see That is what can happen when the correct load is there, but the
the effect of operating umlt:r incorrect conditions. T o obtain the full grid bias is wrong. Now to sec what happen~ when the load goes
use of the load lines shown in Figures 8 and 9, not only musr rhc load haywire. The simplest way tor this to happen is by using the \Hong
line have the correct slope, but the opcrntil1g poinl must be in the resistance, or combination of rcsb tancc~, for the valve i n question.
correct place along it, otherwise signal voltage applied to Lhe grid will Suppose first that the valve is a triode, with characrerislics similar
swing the anode ~urrcn 1 and voltage beyond one end of the useful to those in Figure 8, repeated to show this point in F igure 12 : with
I8 I9
AUDIO HANDBOOK No. 1 : AMPLI FIERS
DISTORTION
the correct load line AB, there is no distortion ; using a higher value,
passing through the same operating polnt, gives a load line such as those shown in Figure 9, repeated for t:hls purpose in Figure r3.
CD, representing twice the resistance of AB; this still gives little or The optimwu load line is AB, and CD and EF represent loads of
UJ
g r---~~~---~~~--~4
z<(
FIQ. 12. Oll I I' RENT LOA I) RI SIS I ANCCS- TRIOOCS. 11(.,, IJ. Oll H KtN I I UAO Kl .'>l~l ANl' U - PENTOUL S 01{ JJCAM iiTROI>L.S.
no d istortion, and produces a slightly larger anode voltage swmg, as double an~ half optimum respectively. The half "alue, E F, reduces
shown by the dotted lines. Using a lower value, however, not only "?ltag~ swtng at the output to about haJf; but there is little or no
drops the available swing, but also causes distortion, as shown by the dJstomon. The double value meets the zero grid volt curve where it
line EF, representing a value one-third that of AB . bends, over ami begim to meet _tlu; others, while the other end of the
For voltage amplifier stages, it is good to use a higher value than l~ad lme reaches up ro .v~ry high anode voltages (off the right J1and
the " optimum" to get higher Rain; but a higher h.t. supply voltage ~1~c o~ lh~ figure). 1 his shows two bad features: (a) excessive
is needed, because of the greater volt drop in the ll.igher anode resistor dJStoruon ~s caused; (b~ hJgh anode voltages occur, which may do
value. But for power amplifiers there is no advantage in matching to a damage. 1 he resuJL of usmg too low a value does not cause distortion ·
load higher than " optimum," although it will not cause distortion. bll:t the output is roughly proportional to load resistance, so valuabl~
To see why, take the following typical figures. Operating anode voltage gam or power output may be lost.
250, anode current 40 rnilliamps, oprimum load 4,000 Ohms: with T he \~avc_to~ caused by working a !J'iodc with too low a load
this optimum load, the voltage ~wing will he from ahout r2o volts rcs1stance JS similar to t~e anode bend distortion of Figure u (b),
72·5 milliamps, to about 380 volts 7'5 rnilliamps, a signal output of w~lc that caused ~y wo;kin~ a ~etrode or pentode with too high a load
about 2 · 1 watts. Using double the load, 8,000 Ohms, the swlng changes restsrance causes dJstortJon stmilar to that shown in Figure rr (a)
from about 95 volts 6o milliamps to about 405 volts 20 milliamps, a . W~th RJC coupling it must be remembered that the load resis~n e('
signaJ output of about 1 ·5 watts. IS £!Ot Slf!!ply the ano~e coupling resistor, but is effectively the coupling
(The formula for power output is rcststor m parallel w1th gnd leak or input resistance of the following
s ta~e.
voltage swing current swing
- 8ooo
Elliptical Load Lines- Reactive Load
current swing in mllliamps, power in watts.) Tho~e cases Ileal with wr~u~ ~ias or wrong Joad, always supposmg
For triodcs, the exact load is not highly important; but it is the l?a<.l m th~ valve anode CJrcwr behaves as a pure resistance. Jn
better to be on the Wgh side than the low side of the optimum value. J?rac."tlcc, cspeCJ~Y at the ends of the frequency range, it is seldom
Turning to tetrodes and pentodes with characteristics similar to like a pure rcststance. Inductances and capacltaoccs in the circuit
make the load line er elliptical." Tllis is not so difficult to understand
20
21
AUDIO H ANDBOOK No. I: AMPLIFIERS DISTORTION
22
AUDI O HANDBOOK No. r: AMPLIFIERS
the output. Tllis is known as " low-loading." By working at a greater
negative bias, even bigger outputs can be obtained from the same pair
of valves by swinging deliberately further <; round the bend," the 2
greatest posslbiliry being achieved when the operating point r~::achc)
the middle of the " bend "-the arrangement known as " Class B
o perated." Intermediate values of bias give coudltiMs known ll~
"Class AD operated." These have the advantage of being less critical INSTABILITY
to adJUSt for satisfactory working than rhe full Class B condition.
S
Still bigger outputs can be obtained from some rypes of valve by OME of the results of instability arc not unlike those produced by
workmg them in push-pull like this, with a slightly higher h .t. supply the forms of disronion dealt with in rhe last chapter, which is
voltage, and by driving the grids positive over part of the cycle nt why rhis one is put next to it. A variety of effects come under
maximum outpur. This requires special atrention ro chc lilagc before, tbe heading of instability. The word means unwanted oscillation, or a
to see that the necessary power to supply the grid current is available t7ndcncy to os~illatc. The frequency of unwanted oscillation is usually
withou t causing distortion. As much literature has been devoted to c1tber low or high, ofr~n below or abov~ rhe audio ranpe of frequencies.
circuit d~igns for this purpose, this book will not go into details of Below the low end Jt causes what 1s known as ' motor-boating."
such circuits. Above the high end, ir causes " h.f. blocking." Sometimes it is not
above the range of audible frequencies, when a high pitched squeal
Recognising and Locati11g Cause of Distortion will be heard.
From the information in this chaptre· it i ~ evident that a variety of
causes can introduce distortion of one of the types s hown in Figure 1 1, Motor-boating
and careful checking up is necessary even after the uffcmliug stage has Take motor-boating first, because the possible cau~cs are fewer
been located, in finding just why the distortion appears. If an oscillo- than for h .f. forms of instability. It w.ill not occur in amplifiers having
scope is available, the distortion is easy to recognise from this figure ; fewer than three :;cage~. It i~; due to positive feedback at a low frequency.
but in the absence of an oscilloscope, it may be necessary to rely on The mos~ common cause is i?Sufficien.t decoupling of the h.t. supply.
listening rests. Waveforms as in Figure n (a) result in sound very Use of e1rher larger drcouphng rapawors, or smaller coupling capa-
like that produced if the speech coil is knocking against the pole piece
or some other object at one end of its trAvel. Having checked that this
is not happening, it will be known that one of the types of distortion
resulting in this kind of waveform muM be occurring. Wavefurms
shown at (b) or (c) do not cause such nouceablc distortion to the ear,
but can be recognised best on certain programmes as producing a
rather sharp reproduction.
If all sounds above a certain level, regardless of frequency (pitch),
are distorted, then the trouble is incorrect loading or biasing of a valve
somewhere. If the low frequency or high frequency sounds are
particularly distoned, then the trouble :Irises due to reactances, the
low due to a couplin~ inductance (choke or transformer primary)
of too low value, t he high d ue to insufficient correction capacitance on
the output tctrode or rentorle.
A simple check for locnlising the cause of distortion is to measure
·~ ,
anode currents, or volts acro~s bias rc:.i:.tors, while the amplifier is in
use. Anode bend causes a rise in current or bias volts when 9gnal is
prtSent. Grid current causes a drop in current or bias volts. Slight
changes proportional to signal level are normal; but a sudden change
when a certain level h reached indicate~ distortion. Dias or load
resistors should be a ltered accordingly to correct the defect.
1'10. 16. TYriCAL CIRCUIT LIADL C ro ~10TOR·00A'f1NO.
2-f 25
INSTABILITY
AUD IO HANDBOOK No. r: AMPLIFIERS
citors, may effect a cure. Figure 16 shows one circuit where this may be
the case, and the capacitors marked Cc may be made smaller, or those
marked cd larger. . . .
Another circuit that can be unstable IS shown m F 1gure 17.
The cause is usually unbalance betwee.n the output valves at extremely
low frequencies, due to slightly different values. of. the. lettered co~
ponent!> that should be identical. Although this c!rc.mt has been ID
favour with quality enthusiasts,, a g~od p~~se-sphttmg transfor~er
saves a valve avoids this cause of msrab1hty, and generally g1ves
quality not inferior to that from the circuit of Figure 17.
26 27
AUDIO HANDBOOK No. r: AMPLIFIERS INSTABILITY
This can be achieved by seeing that the anode connection of one stage " line." Figure 19 shows the method diagrammatically. If metal-cased
is near to the grid connection of the following stage. The coupling electrolytic capacitors are used, it may be advisable to use a chassis
capacitor, or transformer, should be quite close, so the leads are short, earth, where the chassis mounting forms the earth return ; but care
and grid resistors, anode coupling resistors, and other components should be taken to sec that the capacitors are near to the stage to which
connected to " hot " electrodes, should be kept close to the valve pins. they are connected. It is simpler, for high gain amplifiers, to use one
Where for some reason, e.g., the grid connection is on the top cap, of the carton-packed electrolytics, so that mounting position is not so
the coupling lead cannot be kept short, and may not readily be taken important, and the necessary care can be taken by means of the negative
up inside the valve screen, a screened lead should be used, and also a return lead.
screened valve cap where the gain is high.
Electrodes that are decoupled to earth may have longer leads, if Turning to h.f. oscillation in single valves by themselves, one
that assists the layout for keeping " hot " leads short. But there is possibility occurs with beam tetrodes, such as the KTZ63, as high
another point here that requires care : a lead may be taken from a gain amplifiers. Some of the recommended circuits for these valves
screen or cathode pin to a dccoupling capacitor, mounted a little use a high series screen feed resistor with a decoupling capacitor to
distance away ; but the return lead from this decoupling capacitor earth, as in Figure 20. But under some conditions this circuit will
should be taken back to an earth point for the stage it is decoupling. produce an oscillation of extremely high
It must be realised that although there is no signal voltage on a Jrequency, due to the geometrical
decoupled electrode (so that it is not " hot " in the usual sense) there structure of the beam electrodes. When
is a signal current, and if this is not returned to the correct point, it this happens, the anode current falls
can be responsible for unwanted coupling that will cause instability. almost to zero, and the screen volts drop
For this reason it is best to arrange a separate earth line, only con- down nearly to zero. The frequency of
nected to chassis at one point, preferably at the amplifier input, and oscillation is so high that it is not passed
connect all earth returns from each stage back to one point on the earth on to later stages, but it blocks signal in
the valve concerned, giving the break-
through effect. The cure is usually
., effected by using a lower value of screen
feed resistor, with perhaps a somewhat
lower value of anode resistor, to main-
rain the correct balance of anode and
screen cuxrents.
The next possibility occurs generally
in high slope output valves. Both
triodes and pentode or tetrode types are
subject to it. The cause is that the grid
wiring forms a h.f. tuned circuit, and the FIO. :20. 1 IllS BRAM TIIT·
anode load is inductive at the frequency RODE CJRCUI r CAN CAUSE
ofoscillation. A capacitor from anode or H.P. IJLOC'K INO.
cathode will sometimes cure this ; but
the more general cure is the insertion of resistors known as " anode
'>toppers" and "grid stoppers." For pentodes or tetrodes, sometimes
1.creen stoppers arc necessary as well. Suitable values arc : 50 to
500 Ohms for anode stoppers, according to valve impedance ; and 5,000
to 15,000 Ohms for grid stoppers, again according to size of valve
(larger valves requiring lower values because of the grid input capaci-
tance). Figure 21 shows a typical push-pull output stage with grid and
anode stoppers fitted.
IIG. 19 MHIIOD OF I:ARTH WIRING 10 AVOID INSTABILITY AND It is important that " stopper " resistors should be connected so
O'IIIER TROUBLES.
the resistor itself is right against the valve-holder pin.
28 29
AUDIO HANDBOOK No. I : AMPLIFIERS INSTABILITY
A problem occurs where this form of oscillation starts up in an Locating H.F. Oscillation
output intended for power drive operation. Grid stoppers cannot be OsciiiJation originating in a single stage can usually be located by
voltage and current measurements. A valve, known to be up to
standard, is found to be working at low anode current, with apparently
almost zero bias and full h.t. volts on the anode. All circuit values
check, so it seems as if Ohm's Law has gone wrong! H.f. oscillation is
the explanation--only parr of d1e actual bias being produced across the
self-bias resistor, the rest caused by grid current. If the oscillation
causes blocking, the voltages will show a change whenever sound
breaks through.
Parasitic Oscillation
There is another type of oscillation that appears, sometimes in
Class B amplifiers using power drive, only when a signal is being
passed. The waveform on an oscilloscope is shown in Figure 23. A
shock-excited wave train is set up
at each point where grid current
ceases. Usually the frequency of
FIG. 2 1. METHOD OF W IRING GR ID AND ANODE STOPPERS. this wave train is too high to be
audible, and if only rhe one note,
inserted as in Figure 21, because they would defeat the object of shown in Figure 23, were being
providing power drive. The only alternative is to provide a stopper passed through the amplifier, there
resistor connected in parallel with the drive output, as in Figure 22. would be no audible evidence of
The appropriate value can only be determined by experiment, as it the effect. The trouble becomes
evident when mixed signals, such as
music, arc passed through the
h.t .+ amplifier. The h.f. oscillation
during part of the wave has dte
effect of choking higher frequencies
in d1e Signal for part of the low FIG. 23. J'ARASITIC OSCJLLA rtON.
frequency wave only, so the repro-
duction is like a rather bad case of intermodulation. When a low
frequency is reproduced at high level, so as to cause this effect, t he
higher frequencies sound " dithcry."
To cure this trouble, lower value shunt grid stopper resistors
(Figure 22) should be tried. I f reducing this value fai ls to stop parasitic
oscillation before it causes distortion in the drive stage a better drive
transformer is needed, probably with less step-up, or greater step-
down.
.___ _ BIAS
L-----CO!'INECTIONS
PlO. 22. SrQPPER CONNECTIONS WHI I POWER DRIVB (CLASS B,).
31
I '
1000/1
w
u
z
~
800/1
700/1
600/1
2001
os w S00/1
0 "6 ~
~i
4 00/1
07-
o·a ,......... 300/1 _ so ~
a. 70
I :::> er we./)
~ 200/1
UJ u~ so
u 0 45 ~ z::t
~0
~
a. 40
~ ~ (/)
w
a.. 110. 27. AN ABAC I O R CALCU1 Arl '-IG
0 (Y
~u..
30 MATCHII\Ci RA110.
'---"'
c./) 100/1 40~ -0 (See page 49)
UJ
z
z er t-
a: 80/1 t- 20
:::>
~~
:::> 70{1 ....
t- t- Uc.J)
60~ -
~ a: a
101
O..I
oo a: - 35 -z
u<C
w SO/I z
J
a:
u ~
a: w~
30~
...:t...
~ 0 ~0 8
~~
IJ... 30/1
a: c./) z 7
0 z <( 6
a:
w
~ ~
5
t- 25 w
~ ~
4
a.. t-
20~
c./) 3
a:::>
9 2
IS
32 33
HOW MUCH GAIN ?
not contribute appreciable gain. In fact, sufficient voltage to swing
one of the output valves must be provided at the anode of the stage
3 before it.
Choice of Valves
The gain contributed by each stage depends upo~ the type of
valve used and the circuit in which it is used. lncreasmg the anode
riOW MUCH GAIN? resistor will increase gain to a certain extent, but often at the expe~e
of quality. High gain triodc valves, such. as t?e H~3, can opera~e w1th
an anode resistor of 50,000 Ohms, and w1ll g1ve a hule more gam, but
not double by using one of 10,0000 Ohms. An h.f. tetrode or pentode,
ilE provision of m~r~ gain than is needed makes the job f!lO~e such as th~ KTZ63 or 6}7, will give more gain than the H63 with
T difficult. So a dec1s1on must be made as to how much gatn IS
necessary.
Inputs Used
50 ooo Ohms. It will give ten times as much gain with an anode resistor
of'500,000 Ohms, but the quality will suffer. An inte~mediate val~e
can be chosen, according to the balance between gam and quality
desired.
An amplifier to be used for reproducing only gramophone records These high gain valves wlll not usually provide a larg~ voltage
need not have much gain. If it has to amplify from a microphone, swing without distortion, because of their curvarurc. For th1s reason
then the gain required will depend ou the type of microphone used. it is best to use high gain type valves for early stages and. change to a
A carbon microphone (which of course needs polarising) requires lower gain valve, with a lower anode impcdanc~ an~ working at rather
little more gain than a gramophone pick-up-one extra stage would higher h.t. on the anode, for the later stages .. Cucu~t values are usually
be suOicicnt for most purposes. Moving coil microphones arc not so given in valve tables or data, such as coupling rcs1stors (anode load),
sensitive, so one extra stage would only provide enough gain for close bias resistors, etc.
talking into a moving coil microphone. Two extra stages would be
needed for long range work. A ribbon microphone is usually less
sensitive than a moving coil type, and so may require yet more gain.
I t is when these higher gains are used that more difficulties arise, in
both stability and hum pick-up. However it is quite possible to build
very good equipment for high gain, by careful anention to the points
mentioned in Chapters 2 and 5·
Type of Output Stage
Another aspect of the gain question is the type of output stage
to be used. If long grid base triode type output valves are used-the
ones needing a large grid bias-an extra stage will be needed to get
enough voltage swing to drive them. A point to watch here is that the
drive stage must be capable of delivering the required swing without
distorting. Usually distortion occurs first in the output; but it can
oflen be in the drive stage, unless care is taken to see that it can produce
enough swing. A drive stage will need a higher h.t. supply than all
earlier stages, because this is one essential for getting necessary swing.
If the output \ISes power drive, then the drive stage often produces
no voltage gain at all, or very little. It is devoted to convening the
voltage swing produced by the previous stage into power. Then, care
is necessary to sec that the stage before has enough swing to drive the
driver.
A point that may be overlooked in working out gain is that a valve
used for phase splitting, such as in the circuit shown in Figure 17, does
34 35
RESISTOR VALUES
20°/o
4 TABLE I. TOLERANCE PREFERRED VALUES
1--HHHI J-
PREFERRED LOWER UPPER
VALUE VALUE VALUE
RESISTOR VALUES l --.
BROWN BLACK 100 80 120
37
HUM
most noticeable at low levels, but it will certainly not be more notice-
5 able at high levels, as is the effect of interm~d~lation or parasitic
oscillation, which otherwise sounds somewhat Similar.
Hum Pick-up . .
T he foregoing forms of hum are caused by fatrly obvtous means.
HUM Now follow those forms that are more difficult to track down, due to
various forms of pick-up.
(t) MAG NET I C
M
AINS hum in the output from an amplifier can be very objection-
able, and is sometimes difficult to track down or eliminate. One Where an input transform~r is used, or an inte~-valve transform~r
thing that often helps i s recognition of the " type " of hum. between the earlier stages, thts component can pick up a magneuc
The reader may have noticed that there are different qualities of hum, hum field from either the mains transformer or the main smoothing
as well as a difference in loudness, although they are all basically choke. Such hum gives a deep note, almost pure 50 or 100 cycle.
" 50 cycle." To track it down, it is best to earrh the core (and case, if metal)
of the suspected transformer, rem~ving it f~om. the chass.is, k~eping the
Heaters connections intact. Then rotate 1t gently m different dtrecuons as far
A true 50 cycle hum, which is a very deep note by itself, is seldom as the leads will allow. I f the hum is caused by magnetic induction in
loud enough to be objectionable. The most common source is valve the transformer core, this movement will vary the hum level. If the
heaters. If the hum is due to unbalanced earthing of the heaters (if the magnetic field causing the induction is strong, it will be difficult to find
heaters arc not earthed at all they cause a hum that is higher pitched a position where the hum can be eliminated, and pro?ably even ~ore
or " ticky ") then a humdinger across the heater supply, with the difficult to contrive a fixing for the transformer m the re(jmred
slid er to earth, will provide means of adjusting out the residual 50 cycle position! . . . .
hum. I f the hum is due to magnetic induction inside the earlier s tages Input and intervalve transformers for hig~ gam appl!cauoas .are
of a high gain amplifier, demagnetising the valves in a large de- usually mounted in Mumetal cases to prov1de screerung ~gamst
magnetiser, such as watchmakers use for demagnetising watches, may magnetic hum pick-up. This does not. completely prev~nt p1c~~up,
remove the hum. But this process may have to be repeated whenever so it may still be necessary to pay attentiOn to the mountmg postuon.
the valves are changed, so tl1e most satisfactory solution where an Layout is a great help. The input sta~e should be kept .as far as
amplifier has enough gain to cause this particular trouble is to run the possible from the supply end of the chassts, where the mams tra?-
fi rst stage heaters from a rectified and smoothed d.c. supply. formcr and smoothing choke are-if they are on the same chassts.
Aluminium chassis are better than steel ones for this purpose. Another
H.T. Smoothing useful aid in an equipment where the voltage amplifier is on a separate
A bum that is oiten mistaken for so cycles is really chiefly 100 chassis from the output section, is to use mains transformer and chokes
cycles, and is often caused by insufficient smoothing on the h.t. that work at low a.c. flux density. Some manufacturers specialise in
supply, particularly to the early stages. If this is the cause, provision components for this purpose. It is nor practical to work supply com-
of extra decoupling for the early stages is the simplest remedy; but ponents for power stages at low flux density, so if the whole amplifier
before making drastic alterations to include this, it should be " lashed is on the same chassis, the alternative is to mount the supply com-
on" to see whether it proves a remedy. ponents-mains transformer, ch~kes and ~pacito~s-on a. separate
Insufficient smoothing on the h.t. supply can cause another chassis, which can be kept at a sausfactory d1stance from the mput end
trouble, not recognisable as hum. This occurs where practically of the main chassis.
unsmoothed h.t. is used to supply the anodes of push-pull valves. Due (2) I N D UCT I VE
to the push-pull action, no hum is heard, because the two hum voltages Other forms of hum pick-up occur in the wiring of the amplifier.
cancel. (Adequate smoothing may prevent hum being caused in earlier There are two types of pick-up that ea~ caus~ trouble,. and t~c. hum
stages.) But because of the large hum voltage on both anodes of the picked up differs in character so that w1th a httle ~xpenence 1t IS not
output valves, the gain of the valves is modulated at hum frequency, difficult to recognise the type, a~d he~cc go ~ore ~uectly to the cause.
usually 100 cycles. The result on music or speech is that the repro- One type is called electromagnetic, or mducuve, p1ck-up, and produc~s
duction sounds "chopped" or "dithery." This will probably be a deep hum similar in character to the others dealt with so far .. I t tS
caused by the wiring forming a loop somewhere through whtch a
39
HUM
AUDIO HANDBOOK No. 1 : AMPLIFIERS
(4) EARTHING
num field can induce a voltage in the circuit, which gets amplified Another form of pick-up is caused by incorrect carthiH~. This
along with the signal volt::tges. This type of pick-up is particularly fonn can be very puzzling until understood. Often an amphfier that
~ikely in low impedance circuits, such as the primary of a step-up performs quite satisfactorily on test develops a severe- hum when
mput transformer; but it can also occur in high impedance circuits, installed. Returned to test, the hum has disappeared. The commonest
especially where there is high gain.
cause of this trouble is the method of earthing.
To avoid this hum, the leads from the primGry of the input There must be only one earth path.. All earth ~onn.ections sho.uld
transformer should be twisted all the way from the transformer winding be kept separate from the chassis, to wluch ~onnecuo~ 1s ma~e at JUSt
to the input lead itself. Other leads that can cause trouble of this kind one point, preferably at the input. Connection to an tnstallauon earth
arc Lite anode decoupling and screen decoupling circuits. Leads from should be made at this point only. There may also be an earth con-
capacitors used for this purpose in early stages of a high gain amplifier nection through three-core mains lead. If so, one or other earth
should bt:' twisted together, and the earth retum made as close to the connection must be removed, leaving only one good earth.
" hot " terminating point as possible. Poor earth return arrangement In all mains installations there arc capacitance currents to ea.rth,
can also cause hum for a different reason deAlt with later. and these currents cause small voltages in the earth connecoons
themselves. If the amplifying equipment is c.onnected to tw~ d!fferent
" earth " points in the building from n~o different places m m own
(3) CAPACIT IVB earth wiring, then the small difference m voltage at hum frequency
T he other type of pick-up is called electrostatic or capacitive, and between the different installation earths will send a small current
produces a " ticky ,. hum as a rule. It is due to stray capacitance througn the amplifier earth. Line. . -~his cu.rrent w~l cause voltagcs
coupling from places where there are a.c. hum voltages to signal wiring, along the earth line that w11l be mJCCted mto earlier stages of the
usually at high impedance, but not necessarily. amplifier. . . . .
Complete screening of the amplifier prevents this kind of pick-up The usual effect m a good eqwpment IS : no earth-slight
inside the amplifier, as well as ensuring stability. But this kind of '' ticky" hum; one carth-O.K.; two earths-deep hum: I f there
hunt urn still get picked up. If are earth leakages in the amplifier .itself-say fr.om one s1d~ of the
the amplifier is not earthed, a mains-then anything may happen tn the way .ot h~. ~t will often
tick.y hum may appear; a be found that reversing the mains plug connecuons w1ll gtve less h~m
I
connection to a good earth will one way round than the other. This is particularly the case w1th
cure it. a.c.fd .c. amplifiers.
If an input lead is not
screened, or the screening not
L...---+--' connected to amplifier chassis,
capacitance transfer may take
place through the input Wins-
former, even though rbe input
is low impedance. If screened
fiG 2•. A K~ISTOR IN SfRIE!l WITII lead is nOt available, earthing
TIIIJ RI:SI!RVOJR CAPAClTOR, l'(LOUCES one Sl.dC of the IOW l'rnpedance
ll.AOIA'flON OP" riCKY" HUM.
V>luc> •ho"n are 10 ll"e d roJth auUo only. input is a good second best .
As with magnetic, so also
with electric, it is possible to reduce the effect by cutting down the field
at its source. Reducuon of the magnetic field is achieved by working at
lower flux density in mains transformer and chokes. One source of
static field is the sharp current pulses that charge the reservoir capacitor,
producing peaks of voltage round the supply drcuit, and even back
through the mains. A suirahle resistor connected in series with the
reservoir capacitor (sec Figure 24) will reduce this effect, and at the same
time lengthen the rectifier's life.
41
SCREENING
6 process), he should see that any Mumetal case he uses has all the
necessary holes, etc., already, so he need not work on it further .
.M.umetal is not s uccessful as a screen against very strong fields,
because it saturates at a fairly low flux density. For tbi5 reason it is
sometimes an advantage for the mains transformer, and perhaps the
smoothing choke as wcU, to be mounted in steel cases. Some types arc
SCREENING finished in steel cases as routine. The steel case round the mains
lrausfonm:r or choke ensu res that the field outside the case is small
HERE arc three basic kinds of screen, ami Lhe requirements for enough for the Mumctal ca~c ruuml Lhc input Lr<lnbformer to l.kal with
--- ---
.......... ......
- - - - -- -- -- --
..,.... -·- -~---- ·
---INTERFERING FfELD.
- INDUCED CURRENTS
--c> FIELD DUE TO CURRENTS
43
AUDI O HANDBOOK No. r AMPLIFIERS
Electrostatic
Electrostatic screening keeps electric fields out (or in). It is
~~cnlial for an electrostatic screen to be well earthed. This is not
7
essential for the other two types for lhcir own purpose; but by seeing
th:~t they are earthed, the one screen mny serve a double purpo~.
For an electrostatic screen it is nor essenNtl that lids or joints should NOISE
make good contact all round, and the screen need not be continuous,
it can have holes in it (e.g., for ventilation), without destroying its wo lcinds of noise wiU be dealt with in this chapter: that known
electrostatic screening properties. (Some valve screens are an example
of this.) Sheet tinned iron (such as a cocoa tin) will serve for electro-
static screening provided there is no electromagnetic effect to be dealt
with as well.
T as valve hiss, and various other noises in the form of crackles
and bangs.
Valve Hiss
Valve hiss is quite a normal form of noise, and cannot be elimin-
Applications ated altogether from high gain amplifiers. H owever, rhere are ways of
The reader should never look upon any :;creen as being perfect. keeping it to a minimum. In the first. place, whatever noise .th~ first
Whatever type is used, it only reduces the eftect by a certain amount. stage develops will always be present af the voluJ?e contr~l .ts an the
If the correct type of screen is used, the amount i~ mually adequate, grid circuit of the first swgc, because the amplifier ilselr JS always
and so efl:cctive that it appears to remove the trouble completely. But if working " flat-out." By having the volume control after the- first or
the field requiring screening is too strong, any screen becomes inade- second valve, the noi~e dne to the early stages will be turned down when
quate, and further steps must be taken. volume is turned down.
It should be emphasised that clcctromaguclic screcnjng only I t should be mentioned that the volume control should not be
excludes a/temnting fields, and in fact is more efficient in doing so at put too late in the ampliJicr either, tor another reason. Suppose
higher frequencies. This characteristic is the reverse of that for different type~ of mic.Tophonc arc to be used, or the same one used
magnetic screening, which is most efficient for steady, or d.c., fields alternatively for long range pick-up or close speaking, then wi~cly
and low frequency alternoling fields. different setting~ of the volume conrrol will br needed. If tl1e amplifier
The purpose ur Sl.tetning has been referred to in earlier chapters, has enough gain to cope with the weakest microphone, or l?ng range
but it \\ill be well here to point out the applications of each cype of pick-up, then it will have plenty in reser~e for thest ron~cr nucrophone
screen. Magnetic screens are almost exclusively used against magnetic or close talking. If the volume control 1s, say, JUSt beiore the output
hum pick-up. Electromagnedc screens help reduce inducrive hum stage, as it is turned well Jowu for the lauer job, so the previous s tage
pick-up, and also remedy instability if it is due to inductive coupling. "'ill be overloading and distorting, before the output from the \'Olumc
Electrostatic screens arc used against electrostatic hum pick-up, and control is high enough to give full output.
provide a remedy for in&tability due to capacitive coupling. In high Valve hiss is proportional to anode current for a ~ivcn type of
gain amplifiers, screening between stages to prevent instability muH valve. At low levels, in the early stages, little gain will be lost by
be both electromagnetic and clectro~tatic. working the valve at lower anode voltage and current; but 1t will
cause considerably less noise. The anode v~ltagc ~.:<~n bl.! dropped by
providing extra stages of dccoupling which will also be advnntngeous
in reducing hum in the b.t. supply.
Crackles and Bangs
T hese arc another sort of noise, and arc not normal. They can
be due to defective valves, but arc far more often due to faulty joints
in the wiring-dry joints. These arc caused by poor soldering, :~nd the
remedy is to use greater care in cleaning the lead and contact point
to be soldered, and in the use of soldering flux and the iron. A good
resin cored solder, with no separate flux, is recommended, after care
has been token to sec that the parts to be joined are cleaned. Both
45
44
AUD IO HANDROOK No. 1: AMPLIFI ERS
pans should be tinned before being brought together. Ailcr this the
two parts should be brought together, a good mechanical joint made
(by bending over, or inserting through a hole or slot, if provided), and
8
the iron together with enough l>oldcr applied to the juim for just long
enough for the solder to flow all rou nd the joint Do not use too much
solder to make a large " blob/' or too little, ~ that the joint is not
adequately filled with solder. INTER MODULATION
Other contacts beside soldered ones c:an be the eau~~: of lTackles
and bangs) and often are. The shdmg contacts of volume controls N'I'RRJ\.tonutATfON mt>ans that low frequencies in the signal modulate
and switch contacts arc frequent offender~. Cleaning the contacts will
at least provide a temporary remedy. Dust from the resit>tance track
may collect on a volume control slider. Removing th~.: ~.:over, blowing
away rhe dust, and replacing the cover, often gives a new lease ot lite
I high frequencies in the same signal, in the same way as a broadcast
carri~.:r frequcm..y is modulated by tht: audio frequencies in the
pro~ramme. The result is that the intensity of the high frequencies
goes ur and down during l.':tch cycle of the low frequency cau~ing the
to an old control. Noise can also be due to a break or hre1ks in the track modulation. The effect 1s that reproduction goes " d ithcry " or
itself, for which the only cure ts a new control Switch contacts can be " ch uppctl up " when a loud low frequency signal appears.
cle~~ned from time to time, but a good ~witch should uot !Cl!uin: mu~.:h Intcrmodulation, m sul1lctcnt de~ree to cause aurally nouceable
aucntion1 especially if it is enclosed so that dust cannot reach the eiTect, seldom occurs in amplifiers, provided they are free from other
contacts. In a wcll~designed swi tch, the con:acts are self-cleaning in form s of distortion ; but it quite frequently occurs noticeably in
operation, and good contact pressure ensures good cont:\Ct. pick-up~, Jouuspeakcn; 1 anu Ul.:l:l!Sionaliy in mkrophoncs.
Most pick-ups arc ol the magnetic type, using an armature lhnt
moves between two pole pit'Ccs The output from the pick-up depends
upon the changing magnetic field due to this movement. To gain
~e n~i tivily, the pick-up i:s dcl>ignt:d :so that l>mall movement caused by
the needle m the grOO\'C of rhe record prod uces as much change in
magnetic field as pos-.ihlt' Rtlt the bigger the change, the more curved
does the characteristic become) and ~o relative movements due to low
frequencies modulate the intensity of the clc~.:tril.:al output at l1igh
frequencies being reproduced at the same time. It is a general principle
for magnetic type (or variahlc reluctance,~~~ they nrc technically calle<l)
pick-ups, that improved freedom from distortion requires lower
~cnsitivity, or lower output. Another cau~c of intt:rmodulatioo is
non-linear behaviour of the control used for centrmg the armature.
This is usuallv made of rubber or some subHi tutc, which may pcnsh
wi th age, eau~ing distortion not present when the pick-up was new.
Dccausc of non-linear bdlavioul' of the \.Tysutll many piew cly:.tal
pick-ups cause intermodulation at high levels. The modern moving
coil or ribbon pick-ups eliminate intennod ulalion, but have the di~
advantage of extremely low output, or sensitivity. The light-weight
pick-ups reduce intcrmodulation to a very low order, and have a
reasonable output, although much less than that of the older types.
Loudspeakers can cause intermod ulation for two reasons: ( r)
Uneven magnetic field in the air gap, over the distance Lhrough which
the coil moves; and (2) uneven control fur<.c from the centring
spider. Distortion due to (1) is not easy to check. Distortion due to
(2) cru1 be detected by careful feeling of the action of the cliaphragm.
As the cone is moved back and forth with the fingers, the pressu re
47
AUDIO HANDBOOK No. r: AMPLIFI ERS
against the fingers, pushing it from its central position, should steadily
increase in both Ulr~:clions. Somctime;:s the spider uevelops an " oil-
can " action, so that it avo1ds the centre position, travelling past it
quickly; sometimes it is not as had as that, hut there is central ;~,one
9
of movement practically without any opposition due to the spider, and
beyond this movement the spickr sud1.h:nly begin~ to show greater
opposition to further movement. Either of these cases produce con- ~1ATCHING
siderable modulation distortion. C.arcful refitting of the ~pider can
HllRB are tWO place-s Wan amplifier where matching is important-
T
often improve such a speaker.
Jmermodularion dinonion i~ nuL t:a~y Lu track uowu witl1ouL the input and the output. The general idea of output matching
special equipment, since it can originate almost anywhere in the chain. is well known, bur often only partly understood. The require-
Any measurement to detect it relies on the use of equipment known ment of input matching is often not realised at aJl.
to be free of ir. The method used to check loudspeakers for inter- The formula for turns ratio in matching is well known,
Z2 T Z ;- -
modulation distortion consists of feeding in two fairly high freque::m:ie::s ~.. = 1 or 1 = '\1 T l
c
49
AUDIO HANDBOOK No. 1 : AMPLIFI ERS MATCHING
only making a dillc rcncc of 2 db. (There is a scale provided on the Tlu.: value usually given by the manufacLU rcr of the loud~pcakc!'
opposite side of the ratio line, giving db gain due to n step-up trans- is not mud1 above the lowest n:ading-ofu~n it~ illlpc.:druJcc at t,ooo
former.) cycles. It is quite a ~implc..:
As another example, a ubbon microphone has an impedance of matter to measure the loud-
! Ohm (0·5). This requires a ratio of 400 I to match it to So,ooo Ohm~ speaker impedance at a few spot
or 500/ r to match it to us,ooo Ohms. If LliD microphone were used frequenc1es. It is connected to
with the same transformer as that used for the moving coil microphone, the output of an amplifier, with a
it would only match to 800 or r,250 Ohms, and there would be 10/ J resistor in series With it, of a
too little step-up-a deficiency m gain of 20 db. On the other hand, value somewhere near to the
using a 400/r or 500[1 rransfol'mer for the 50 Ohms microphone1 expected impedances. A con-
would match it to 8 or nk Megohms, which would result in very poor stant frequency disc, or on audio
quality indeed, giving an extremely " woofy " reproduction. signal generator, provides a con-
Input matching is not highly critical, bur a very w1de range of stant note input to the amplifier
impedances is encountered, so that different transformer ratios are a of ~ve ra! known frequencies,
definite requirement, according to purpose. and at each frequency voltage riG 1J 1\11 I 100 Or ~I EASU R il'\(J
LOU I>\ II A" I R I \1I'LOANC. L.
readings arc taken acroc;~ horh
Output Matching the resistance and the loud-
Output matching requires more careful attention, because in-
speaker. FJgure 29 shows the method. The loudspenker impcdnncc is
correct ratio results in loss of output and considerable distortion. The
given by
problem is complicated by the fact that the impedMce of a loudspeaker
change<; for difT~rrnt frequencies. Z - R X V.
Figure 28 show!. a rypic::tl moving coil loudspeaker impedMce Vr
characteristic. The lowest value of impedance shown, nt about 6oo where R is the value of the :.crie:. resistor of known value.
A fact often not realhcd i:; t.hat the q uality of a loudspeaker
depends upon the output impedance of the amplifier, quite apan
from the matter of matchjng, T he ratio has been calculated so that
I
~~
4ll
when the loudspeaker is connected to the secondary of the transformer,
the output valve(s) " sec" their optimum load impedance in rhe
primary, according to the iormula
zl
Zm
.jT1
T2
L~t~----'-:-='--1-~:---1-:.
where zl is the optimum load impedance, and zl that of the speech
coil. But the extra factor determining the quality of the loudspeaker
reproduction, even if the amplifier has a perfectly flat response and is
50 100 200 matched into its correct load, is the a.c. resistance of the output
valve~.
u~ing pentodes or tetrodcs the a.c. resistance of the valves is
~ 1 \J , !M IMI'II),\ NC"~ C'H ARA<. ll KI S II< OF A TYPICAL \IOVINO COI L
lOUDSPI::A KI R several times the optimum load resistance, usually about five times.
Using triodes the a.c rcshtam.e is usually between one-fifth and one-
cycles, is not much more than the d.c. resistance of the speech coil third of the optimum load impedance. This a.c. n:~i~ tancc is
T he rise in impedance at the low frequency end, sh0\\1\ centred at " matched " through the output transformer; thus, if the a.c. resistance
llhclut roo cycles, is due to the diaphragm resonance. If the diaph ragm is one-quarter of the optimum load impedance, the speech coil
i~ clamped n:sonance disappears, and any alteration to cabinet design impedance will " see," or be looking out of an impedance, on the
that alters rcsonnnce will alter the impedance characteristic at this end secondary or the transformer, one-quarter of its own.
in a corresponding way. The stC}ldy rise aL the high frequen cy end is Figure 30 shows the effect of two typical types of output stage
due to the inductance of the ~rrech coil. The question is: What on the response of the loudspeaker whose impedance characteristic is
value is to be taken as the loud~pcaker impedance ? shown in Figure 28. It is assumed that the loudspeaker gives a perfectly
50 51
AUD I O HANDBOOK No. r : AMPLIFIERS MATCHING
time or two at .its resonant frequency before coming to rest; noQw
short the speech coil terminals and repeat the action : the tendency to
oscillate will be notict!ably reduced, in fact there will probably be no
overshoot at all. This difl'erence in movement wiil occur whatever
form the impedance conncctecl to rhe loudspeaker terminals takes.
When it is connected to an amplifier, the impedance is the a.c. resistance
of rhe valve(s), matched down by the o11.1tpuc transformer.
Thus if the a. c. resistance of the output valve(s) is low compared
to the optimum load; the speech coil movement will he damped, so as
not to over-shoot. But if the a.c. resistance is high compared to t he
optimum load, the llpt:edi coil will nol be damped appreciably, and
overshoot wi!l occur. The effect of Insufficient dampmg on repro-
duction, as well as over-accentua1ing frequet\cies in the vicinity of
HC. 30. E~H!C J OF Ol. TPUT A.C. RF;SIS lA I'<.:£ ON FltEQUP.~CY RI:SPONS D resonance, will be to make the diaphragm "ring " on its resonant
OF LOLDSPCAKllR. Wl lJI IMPEDANCE ClfARAC'rERJSTIC OF Fl(l. ~.
frequency, rather than play the t.rue note, and, also, whcneve.r a tranllient
appears, the diapb.ragm will " ring" on resonance. .
fiat response when fed with a volLagt: Lhat is constant for all frequencies. From this it is evident that rriodes will give hetter reproductmon
Curve A shows rhe response when fed from a triodc whose a.c. resistance th:.n tetrodes or pentodes, although the: latter are much more efficient
is one-quarter that of its optimum load, while curve B shows the typt:s of valvt:. But mu<.:h ~.:an be done lo ov~;:n;omt: lhdr dcfidc~cy
response fed from a tetrode wJlose a.c. resistance is five times its from the quality viewpoint b)' the use of negative feedback, wht cb
optimum load. In both cases the optimum load is marched for the forms tl1e Sllbject of the ne}.'t chapter.
value of loudspeaker impedance at 6oo cycles. l t will be noticed that
the pentode over-accentuates both low and high frequencies. High
note correction in the form of a capacitor from nnode to cathode can
modify the response to d!at shown in Figure 30, curve C.
At low frequendes in the region of resonance, the actual load
resistance " seen , by the tetrode wiU be much larger than optimum,
which, as seen in Chapter r, will cause distortion. To get over this
trouble the impedance of the loudspeaker al n:sonance should be
matched to the optimum load value. Th.is would mean that the load
impedance at other frequencies will be even lower compared to a.c.
resistance, further exaggerating the poorness of the response shown in
Figure 30 for pentodes or tetrodes.
Dampins
There IS another aspect of this matching question closely related
to this a.c. re~istance/load impedance ratio, cnJled " damping." It has
been stated that the r ise in impedance at the Jow fre<!ut:nde~ is due ro
resonance, which means it is due to diaphragm movcmem. Since
diaphragm movcmcnil has such a pronounced effect on impedance at
these frequencies, it is not surprising to find th:.t the i mpedance
connected to the loudspeaker, resulting from the a.c. resistance of the
amplifier output stage, matched down by the transformer, altecLs the
movement of the diaphragm.
This facr can be veLified fairly simply by disconnecting the
Joud~peakcr altogether, and pushing the diaphragm iu, amllt:Lliug go
suddenly ; it will be seen to overshoot-perhaps it will oscillate a
53
NEGATIVE FEEDBACK
s6 57
AUDIO HANDBOOK No. r : AMPLIFI ERS
NEGATI VE FEEDDACK
drive stages. A special feature is the resistor R 6 which makes the
circuit self-balancing, to compcmatc for inequalities in individual
valves, so that " matched pairs " are unnecessary. The resistors
R1 to R 1 should all be 10°•0 tolerance values, as the balancing action
depends on their accuracy.
At ~d) is a circuit that can be applied by winding extra turns of
fine wire gauge on to an existing output transformer tor the cathode
windings. The two set!> nf wrns must be equal in number, and again
care should be taken llo see they are connected the correct way round.
One way will increase gain and maybe c.:au:.c oscillation, while the other
way will reduce gain. The latter is the required method of connection.
Incidentally this is voltage feedback, not current tcedback, because the
voltage is fed into the cathode circuit instead of being taken from it.
Another way of looking at the arrangement is to think of it as being
partly a cathode follower, due to the cathode windings.
(a) (b)
(d)
59
HO~r 1\llANY
II
WATTS ?
AUDIO HANDBOOK No. 1 :"AMPLIF IERS
'
T HB answer to this question depends largely on another : What
!kind of watts ? The previous chapter explained how negative
feedback can be used to reduce effective a.c. resistance so that
rerrodes and pentodes can be used for outpllt stages, giving quality
very little inferior to that from triodc stages. One poim to be remem-
bered in using negative feedback in this way_, is that it does not really
alter the valve's characteristics. All the while the part of the character-
isti~o-s being used is reasonably near perfect (known a.<\ linear), negative
feedback "does the trick." But as soon as the c urved parts come:: inro
play, negative feedback ceases to be so wonderful.
Notice what happens when feedback is applied to tetrodes,
particularly at the low fi:cquency resonance Qf the loudspeaker. The
load line is still too near horizontal, because of the rise in loudspeaker
impedance. Negative feedback cancels some of the gr\lf input at this
frequency-more than it does at other frequ.encies-so that a shorter
part of the load line is used. Negative feedback helps rhe damping
problem, because when the diaphragm goes to move more than it
should fo.r the current passed to its speech coil, a voltage is caused by
this movement wltich is fed back along with negative feedback voltages.
This produces a current in the output opposing Lhc movement and
preventing overshoot.
But overloading still occurs l'ery suddenly with tctrode or pentode
type valve~, especially when too high a value of load line occurs, as at
loudspeaker resonance, due to the fact that grid voltage curves converge
together at the " knee " of the characteristics. In a triode type valve,
the effect of too much grid voltage input is tOo start grid current, or go
round the anode bend. Neither of these produce such sudden stoppage
o f swing as does the zero grid end of a load line of too high value with a
tetrodc, so distortion does not s lart ~o suddenly. For this reason triode
type output stages give " nicer watts " than tetrodes or pentodes with
the same nominal output.
This affects the How many watts ? problem. Sudden distor1jon
gives the same effect as the speech coil knocking agaiu~t a pole piece in
the loudspeaker, which is very noticeable and annoying. Less sudden
distortion can be tolerated more readily. Consequently, if the output
is limited eo a cerraln absolute maximum, as in 17igure 32, the maximum
should be sufficient to ensure that even sudden peaks do not" go over."
I f suddcu peaks do nor cause such drastic distortion, a large margin
is not needed. This aspect, too, favours Lriodes for quality, although
cost is against thcni. Even so, it is possible to get good quality in small
amplifiers with terrodes more cheaply than witl1 triodes, but a large~· o .. 0
nominal .output must be speet'jiucl. z
00
....
60 61