The Danger of A Single Story
The Danger of A Single Story
The Danger of A Single Story
Akshay Wuppuluri
Mrs. Moosman
IB LA 11
27 August 2020
writing, reading, and getting creative at a young age and read foreign books from America and
from the British. They all had one thing in common; the books only had white people with blue
eyes. Adichie started drawing those generic drawings and started writing stories about them as
well. What she learned was that at a young age, children are vulnerable to what they read, see,
and hear. They are left with an imprint about what they should read and write and listen to and
do, which carries on throughout their lifetime as they age from children, into teenagers, into
adults. Soon, she saw and read African books, which caused her to have a mental shift in her
perception of the literature she had started reading. The discovery of African writers saved her
from having a singular story of what books are. African writers expanded her way of thinking.
When Adichie came here to America, her roommate fell for the single story that many
people in American see and think of when they hear the word Africa or African. In America, we
are told that in Africa there are a lot of poor people who walk miles and miles for water, who
don’t drive cars and such, who are always fighting diseases like malaria and AIDS but that is
what we see and that is what we are told by the news and by the internet and by our parents
and our elders. But in Africa, things may be different as not all are poor and the conditions
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there are getting better. This is the single story that we Americans believe in and this is how it is
created, showing people as only one thing, over and over again and they become that thing
that people are showing, spreading, and being told about. Without seeing a variety of different
perspectives, we get single minded and don’t tend to expand our way of thinking. Believing in
your single story only will confine you to a space that will not allow you to explore and expand
your horizons.