Fine Art - November 2020
Fine Art - November 2020
Fine Art - November 2020
Saints walking around headless, vagina-shaped wounds and a Jesus being crushed like a grape:
welcome to medieval man's intriguing perception of the world. Thanks to a growing fixation on the
body and body parts, some of the works of art created in the late Middle Ages meet with
amazement and sometimes incomprehension today. How should we, from our position in the
present, look at these works of art from so long ago? 'Body Language' introduces you to the role
of the body in devotion in the late Middle Ages (1300-1500) and to the surprising/sometimes
bizarre works of art associated with it.
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Born out of her fascination for shop displays, Lisa Sudhibhasilp imagined an exhibition in a
hardware store. Improvising a series of sculptural interventions in situ, the artist played with
existing display structures, proposing the hardware store as a place where the display of
materiality can be contemplated like works of art in exhibition spaces. Photographer Johannes
Schwartz documented the artist's ephemeral installations and the existing fixtures and fittings,
creating a portrait of the store.
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In this interview directed by Han Ulrich Obrist, Cesar Paternosto revisits his career as a painter
with passion and sincerity. With an introduction by Lucy R. Lippard.
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Gerhard Richter
Manuella Editions 2020 ISBN 9782917217917 Acqn 31046
Pb 21x28cm 104pp col ills £24.50
The Fondation Louis Vuitton has always held a particular interest for Gerhard Richter, who has
become one of the standout artists of its collection. Deeply engaged with modern history painting,
his art has been reinventing painting's modalities and finalities since the 1960s, pushing frontiers
in the vocabulary of figurative and geometrical abstraction. With this monograph, the Fondation
presents numerous works by Richter from the collection. The selection includes examples from
the 'Strip' and 'Flow' series, as well as more recent series of lacquer-painted photographs. The
artworks are accompanied by an interview with Richter by Dieter Schwarz and essay by Philippe
Dagen.
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This catalogue is published in conjunction with the first presentation in France of work by contact
Gonzo, a Japanese performance collective hailing from Osaka and founded by Yuya Tsukahara
in 2006. Tsukahara's performances are characterised by jarring physical contact, oftentimes
suggestive of street fighting or butoh dance forms. Just as Hunter S. Thompson, pioneer of gonzo
journalism, rejected the conventions of the written press, contact Gonzo nonchalantly
transgresses the codes of contemporary dance. Starting with a presence on YouTube, where it
posted raw and resolutely amateurish videos of performances in public space, the collective
quickly made a name for itself.
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'Coo-ee!' is a loving and caring celebration of a land that is both beautiful and brutal, hardy and
vulnerable. Melbourne-based artist Claudia Van Eeden crafts a vibrantly optimistic ode to the
landscape, iconography, and visual language of Australia. Presenting her work as a travel diary of
sorts, where every page features an original painting, she renders the scenery, weather, passers-
by, and native flora and fauna in loose, playful brushstrokes. Van Eeden celebrates Australia in a
way that balances humour with sincerity in a style that extends beyond kitsch to rest somewhere
closer to that of naive art.
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As part of a series of commissioned projects, in 2019 the National Museum of Modern and
Contemporary Art, Korea, collaborated with American artist Jenny Holzer, who employs language
in various public spaces to address collective concerns and private anxieties. Her work draws
attention to societal issues and political injustices by emblazoning text on all kinds of objects and
surfaces. These interventions bring many pressing contemporary concerns to the surface, often
amplifying the voices of historically marginalised groups. 'For You' presents her work in the form
of posters, LED signs, and carved stone, all installed in various indoor and outdoor spaces at
MMCA.
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An Introduction To Ukiyo-E
Tokyo Bijutsu 2020 ISBN 9784808710446 Acqn 30923
Pb 18x26cm 128pp col ills £30
This book explores the fascinating world of ukiyo-e, and specifically ukiyo-e prints, from three
perspectives: the artists, the themes depicted, and the techniques employed to create these
prints. This bilingual volume is intended as an introduction to ukiyo-e, featuring carving and
printing techniques, tools and processes. A helpful guide for English readers but also for
Japanese readers who might find it helpful in communicating the allure of ukiyo-e to people in
other cultures.
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Yoshida Hiroshi
Tokyo Bijutsu 2020 ISBN 9784808710576 Acqn 30925
Pb 21x30cm 176pp col ills £46.50
Hiroshi Yoshida (1876-1950) was a 20th-century Japanese painter and woodblock printmaker. He
is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his
excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of
non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the
Swiss Alps, the Grand Canyon, and other National Parks in the United States.
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Hokusai Close Up I
Tokyo Bijutsu 2020 ISBN 9784808710019 Acqn 30926
Pb 21x30cm 112pp col ills £38.50
Details from the prints of Hokusai, focusing on demons and creatures from Japanese folk-tales.
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Hokusai Close Up II
Tokyo Bijutsu 2020 ISBN 9784808710026 Acqn 30927
Pb 21x30cm 112pp col ills £38.50
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Details from the prints of Hokusai, focusing on beautiful women, children, and travellers.
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Hokusai Close Up IV
Tokyo Bijutsu 2020 ISBN 9784808710040 Acqn 30929
Pb 21x30cm 112pp col ills £38.50
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Ito Jakuchu
Tokyo Bijutsu 2020 ISBN 9784808710064 Acqn 30930
Pb 21x30cm 192pp col ills £46.50
Ito Jakucku (1716–1800) was a Japanese painter of the mid-Edo period when Japan had closed
its doors to the outside world. Many of his paintings concern traditionally Japanese subjects,
particularly chickens and other birds. Many of his otherwise traditional works display a great
degree of experimentation with perspective, and with other very modern stylistic elements.
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Kawase Hasui
Tokyo Bijutsu 2020 ISBN 9784808711535 Acqn 30932
Pb 21x30cm 216pp col ills £49
Kawase Hasui (1883-1957) was a Japanese artist. He was one of the most prominent print
designers of the shin-hanga ("new prints") movement. Kawase worked almost exclusively on
landscape and townscape prints based on sketches he made in Tokyo and during travels around
Japan. However, his prints are not merely meisho (famous places) prints that are typical of earlier
ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature
locales that are tranquil and obscure in urbanizing Japan.
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Kiitsu Suzuki
Tokyo Bijutsu 2020 ISBN 9784808710255 Acqn 30933
Pb 18x26cm 146pp col ills £43
Suzuki Kiitsu (1796-1858) was a Japanese painter of the Rinpa school. A student of the famous
painter Sakai Hoitsu, he was for a long time considered a minor member of Rinpa school of
Japanese painting. In recent years his work has been reevaluated and gained recognition,
leading to a series of major exhibitions of his art in 2016-2017 in Tokyo, Hyogo, and Kyoto. Kiitsu
is best known for his byobu folding screens, often a reinterpretation of screens by other Rinpa
artists, but he has been most acclaimed for his original screens.
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Sekka Kamisaka
Tokyo Bijutsu 2020 ISBN 9784808710200 Acqn 30934
Pb 18x26cm 128pp col ills £40
Kamisaka Sekka (1866-1942) was an important artistic figure in early twentieth-century Japan.
Born in Kyoto to a Samurai family, his talents for art and design were recognized early. He
eventually allied himself with the traditional Rinpa school of art. He is considered the last great
proponent of this artistic tradition. Sekka also worked in lacquer and in a variety of other media.
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For two decades museums throughout Japan have been holding exhibitions focusing on "yokai",
demons, goblins, and tricksters. A large number of publications have also contributed to making
these apparitions a familiar part of life. The book focuses on the cute, kawaii demons we now
take for granted, going back to explore their roots.
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This book brings together scores of kawaii (cute) ukiyo-e on many themes. It is meant to be a
light-hearted introduction, with charming animals that make one smile, children we want to
protect, sophisticated, elegant designs, and intriguing fashions.
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Watanabe Seite was active as a painter from the last years of the Edo period through Meiji. While
studying he embraced the refined taste of Edo aesthetics, he blended these with new Western
sensibilities, combining unconventional compositions with abbreviated characters and subtle
brushwork to complete his own unique style.
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This book is one in a series with "kawaii" (adorable) as its theme. Sengai's paintings are
undeniably kawaii and do seem to fit contemporary tastes. Rather than kawaii though, Hakuin's
paintings put sterness or austerity to the fore,and many scholars of Zen painting value that aspect
of his work.
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