Ayesha Nazir 45198 Movie Synopsis MDM
Ayesha Nazir 45198 Movie Synopsis MDM
Ayesha Nazir 45198 Movie Synopsis MDM
45198
Synopsis of Movie (LUDO)
Ludo is life and life is ludo... people are all colourful tokens on the board of life. Who's holding the dice
of their fate? It's not just a dialogue but a summary of the film. Four separate stories intertwined with
the dice!
Plot
A grim comedy anthology, which is intended to concentrate on an inevitable life risk and has four
separate backgrounds in an Indian subway. Four wildly different stories converge in the screw of fate,
chance and an eccentrated criminal, from a revived sex tape to a rogue suitcase.
'Ludo' tends to hit with an intriguing idea at the beginning. The captivating opening route, an attractive
start and a strange construction can set an attractive tone. Then, as the various characters on each
backstory are added, one by one, they are slowly put in a puzzle - sadly the pace starts to fade. This will
be one of the film's key weaknesses because it seeks to fit into every plot and character, the plot starts
to be overshadowed. So the thread is left to pass to another, until you can completely invest in a
character. And that too, with a narrator (Anurag Basu), who seems to bring it together and talks about
moral character and the twitch between the sins and the virtues. However, some Basu markings are
available for film treatment
Blues and reds, light and shadow play that sets a visual tone (cinematography - Anurag Basu). There is a
bunch of dark comedy, a romantic romance and a variety of different characters thrown in the middle of
it unintentionally. The music and history (Pritam) definitely lead the proceedings to a better conclusion.
This will almost be another Jagga Jasoos post processing, but somehow it has been saved - you would
feel like you're drinking green juices that are bitter if you have just a little less sugar. Editing is excellent,
you don't feel the actors in any of the scenes don't stand together, even kudos double to the body. Also
the camera is somewhere in the scenery and outside the beautiful Ranchi and Bhilai, which in the early
twentieth century used to be popular destinations. After watching the movie, I loved the songs and liked
the idea of making different third and fourth acts and also colors. Both these could not, however, do
GREAT together, because these hyperlinks in India are not fresh, where, for more than a decade, all the
different South Indian film industries began to play with this flavor, and sometimes Bollywood does try
too. Pankaj Tripathy, who is the character [Die], has already done several gangsters, so you will not get
anything more than the character's key USP. Abhishek Bachchan and the girl [the reds] have an adorable
section and the scene of the maid's parents being so intense that I vocally responded to her.
It is well done to adapt the rules of a game to a film, and implemented in a better, if not equally huge,
way to "Animal World"
The final objective is to hit the finishing square, regardless of how you roll the dice or play the game. You
get interested in different stories running concurrently, just like Ludo, Basu's movie begins in a tricky
way, but at the end you understand what he aims to express and thoroughly enjoy it.
As you expect from Basu's writing and narration, it took me a while to understand what's happening, but
once you're out of this mystery, you start to appreciate the performances of a brilliant cast. And a single
actor who has not justified his/her character can't be pointed out. Everyone did a good job, whether it
was an emotional lover, an unnecessarily dramatic police officer, or a smart 6-year-old girl.
You get engrossed in each and every person's stories and begin living with them. When he keeps making
a fool of himself, you feel bad for Rajkumar Rao, want to cry along with Abhishek Bachchan when he
sees his daughter, keep loving & hating Pankaj Tripathi depending on the hat he's wearing at that time-
gangster or lover, and keep wondering about the character of Basu until the end.
The only problem with the film is that while all you get is a cliched traditional Bollywood ending, you
expect an unconventional ending to such a story-a girl leaves the guy she is supposed to marry for the
one she loves, a married woman kills her husband and returns to the guy who has loved her all his life,
the gangster lives infinite times even after being hit by cars, being thrown in t t And he'll get that girl,
too. It seemed that he was born with the Sanjeevani booti, or that Yamraj himself was blessed.
Basu kept repeating that the life and life of Ludois is Ludo, and yes, that's what we expect. In fact, you
don't always have a happy ending, but all the stories here have one. And this is where the pinch is felt by
you.