Reverie: Andantino Sans Lenteur

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The text describes musical notation and instructions for a Claude Debussy piece called 'Reverie'.

The musical piece being described is Claude Debussy's 'Reverie'.

The text includes various musical instructions like 'tres doux et tres expressif', 'meno', 'crescendo', 'ritardando' etc.

12/9/21

Reverie
Claude Debussy

  
Andantino sans lenteur

 (tres doux et tres expressif)

          
        

             
  
3


                                  
 

          
8

     


       

    
    

   
      
11



         
meno 

         
   
      

  
         
15

  

    
      
dim.

  

  
  

Public Domain
            
     
12/9/21 2

              
19



       
3 poco

 
           
cresc.

     
  
 
 


   
     
 
       
23

         
cresc.

          
piu

 
 
        

      
             

27

   

   
       
            
    
 

  
           
           
  
31


 espress.
  
          
dim.

   
  

                                    


              
36

     


     
         
  

Public Domain
                                       
12/9/21 3

        
41



   
dim.


            
 

    
        
  
a >tempo

  
  
46 47 51

  

       
rit.

           
        
 


                
    
3

             
52


3

   
3

         
  
piu  piu 


              
 
   


         
58

    
  

  
                
          
           
59


   3

     
3

 
cresc.

            
  

Public Domain
                 
         
12/9/21 4

     

66

3

3 3 3

    
(cresc.)

          
      
3 3

     
       
       
 
70


3

3 3 3 3

  
   
piu 

  

3 3 3 3 3 3

     
 
3
3

 3

   
     
                
73

3  3 3 3 3

    

    
 


3 3 3

 3

       
    
               

3

   
76

    
    
   
  
  

Public Domain
 
      
12/9/21 5

 
         
    meno 
80

 
 

   
    

    
  

       
      
   
85

 

   
      
          
    
    

      
                
  
un peu retenu 3

      
90


 
   
    

       
   
 
   
 


                
3

 
96




  

piu  rit. e perdendosi

                
      

Public Domain

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