ART APPRECIATION  Commissioned by religious authorities for

churches and monasteries

ART  Christian Church, Rome and Constantinople
 Gold, jewelry (backgrounds)
 Italian word “Artis” – craftsmanship, skill
mastery
 Early Medieval Art – churches, Roman
 Greek word “Artezein” – prepare,
Basilica
“Andarkiskein” – put together
 Romanesque Art – France, semi-circular
 Latin word “Ars” – ability or skill (J.V. Estolas) arches, thick stones
 Plato: Art is that which brings life in  Gothic Art – 12th century, ribbed vaults,
harmony with the beauty of the world. decorative pinnacles
 F. Zulueta: Art is a product of man’s need to
express himself. MEDIEVAL ART
 John Dewey: Satisfaction and Fulfilment
 Churches and monasteries
 Romanesque – pointed arches, heavy and
 Art is a process – arrangement of different
thick walls
forms and elements
 Gothic – stained glass windows
 Art is a product – pieces, artworks
 Byzantine – large domes
 Art as imitation
 Art as expression TYPES OF MEDIEVAL ARTS

o ILLUMINATED MANUSCRIPT – religious text

HISTORICAL DEVELOPMENT OF with rich colours
o METALWORK – creation of religious
ART
artefacts
1. PRE-HISTORIC ART o PAINTING – iconography, fresco, pencil
painting
 Themes: Animals, humans, signs o EMBROIDERY – coloured wool sewn
 No perceived culture (writing) o CERAMIC ART – done handmade not wheel
 Cave art, parietal art, petroglyphs/petro o MOSAIC – broken pieces of coloured glass
graphs o SCULPTURE – elongated style of statues
 From Stone Age (40,000 and 10,000 BCE) o STAINED GLASS – fragmented pieces of glass
 Know “Upper Palaeolithic” o HERALDRY – coats of arms and badges of
 Modern Man (Homo Sapiens Sapiens) the noble
 Example: The Sistine Chapel of Palaeolithic
FAMOUS MEDIEVAL ARTIST
Art, 1870 at Altamira, Spain discovered by
Don Marcelino Sanz de Sautuola and his  Donatello – Feast of Herod
daughter  Leon Bautista Alberto – Santa Maria Novelle
 Filippo Brunellechi – Duomo
PHILIPPINE PRIMITIVE ART

 Angono Petroglyphs Site Museum – Carlos

3. RENAISSANCE AND MANNERISM
Francisco
 Alab, Mountain Province Petroglyphs RENNAISANCE (14th to 17th century)
 Petroglyphs in Penablanca, Cagayan
Province – charcoal drawing on cave walls  Early Renaissance – devotional and
humanized
 Petrographs in Anda Peninsula, Bohol
Province – red hematite prints  High Renaissance – humanism fully
implemented in painting and sculpture
2. ROMAN AND MEDIEVAL ART  Late Renaissance/Mannerism – no
instability compared to balance
ROMAN ART
MANNERIST PAINTERS
 500 BC to 1400 CE
 Michael Angelo –Sistine Chapel
 Correggio – portrait of radiating light of  Francois Boucher - the toilette of venus
Child Jesus  Jeane Antoine Watteau - father of rococo,
 Agnolo Brozino – allegory with Venus and pilgrimage in the isle of
Cupid  Jean-Honore Fragonard -
CHARACTERISTICS

 REALISM AND EXPRESSIONISM 5. NEOCLASSISCAL PERIOD (18TH

- Emotions was depicted in faces CENTURY)
- Nudity
- greek and Roman mythology (subject)
- Humans are natural and life-like, very
- natural white marble
realistic
- cool colors in painting
 PERSPECTIVE
- give importance of simplicity and aesthetic
- Adjustment in size, depth, making 3D
purity
 CLASSICISM
- Seculars FAMOUS ARTISTS
 INDIVIDUALISM
Painting
- Singular subject
- Free-standing figures - Anton Raphael Mengs
- Human beauty - Joseph Marie Vien
 LIGHT AND SHADOW - Pompeo Batoni
- Use of light and shadow to create depth - Angelica Kaufman
- Chiaroscuro - contrast - Jacques Louis David
 COMPLEX ARRANGEMENT
Sculpture
- Complicated arrangements of object
- Lots of complex interaction - Antonio Canova
- Very busy - John Flaxman
- Bertel Thorvaldsen

4. BAROQUE AND ROCOCO

6. ROMANTIC AND REALISM
BAROQUE
ROMANTIC
- Portuguese word - irregular pearl or stone
- rises because of religious conflict - opposed the idea that reason was the only
way to truth
FAMOUS ARTIST
- mysteries could be revealed with emotion,
 Peter Paul Rubens - Massacre of the imagination and intuition
innocents
FAMOUS ARTISTS
 Caravaggio - crucifixion of saint peter
 Rembrandt - Theodore Gericualt
 Bernini - ecstasy of saint teresa - Eugene Delacroix
 Gian Lorenzo Bernini - monumental statues - Francisco de Goya
of saints and figures - JMW Turner
- John Constable
ROCOCO (late Baroque period)

- rocaille (french for shell) and barocco

- king Louis 14 - youthful art
- detail, more on ornamentation, use of bright
colors IMPRESSIONISM

- Claude Monet in 1860, Paris

- First modern movement in painting
FAMOUS ARTISTS - they rejected academic art institution/
rebellion
- more on artificial, unnatural, uncommon 3. Contextual Plane
subjects, abstract
- analyze artwork in a different perspectives
IMPRESSIONIST ARTIST - elements: history, author, influence,
reaction
- Cezanne
- eg. Spolarium-Juan Luna, Mona Lisa-
- Pissarro
Leonardo da Vinci
- Whistler
- Manet
- Renoir
- Sisley CATEGORIES/CLASSIFICATION OF ART
- Dega 1. Visual Art (2D or 3D)

- Painting 2D, application of pigments

POST-IMPRESSIONISM - Sculpture 3D carving, modelling, casting,
- french art movement construction
- Paul Cezanne - Father of post impressionism 2. Architecture
- emotional, structural, symbolic and spiritual
elements - art and science of planning, designing, and
- they wanted to revive classic/natural art constructing buildings and non-building
structures for human use.
POST-IMPRESSIONIST ARTIST
3. Performing or Combined Art
- Paul Cezanne
- Vincent van Gogh - Music, sound and time
- Paul Gauguin - Dance, movement of the body in a rhythmic
way
- Film, movie or motion pictures
ASSUMPTION OF ART - Theater, use live performers
- Literary, writing, study of content of
A. Art is universal - you can see art everywhere literature
B. Art is not nature - difference if nature and - Performance Poetry, poetry composed for or
art during performance
C. Art involve experience - the actual doing of
something, first-hand experience to 4. Digital Art
understand art
- art made with the assistance of electronic
D. Art is expression - express your feelings or
devices, and intended to be displayed on a
emotion to convey through art
computer
E. Art a form of creation - product, art pieces
5. Applied Art

- application of design and decoration to

VARIED PLANES IN ART
every object (fashion design, interior design,
1. Semiotic Plane furniture design, graphic design)

- theory and study of signs and symbols

- swiss linguist Ferdinand de Saussure
(semiotician)
- e.g. traffic signs, billboard FUNCTIONS OF ARTS
• Personal Function
2. Iconic Plane - use to provide comfort, happiness a d
- choice of the subject which may bear social convenience to human beings.
and political implications - it satisfies individual needs for personal
- logos (e.g. Facebook logo) expression.
- feel contentment

• Physical Function Subjects

- to see the attractiveness and beauty of the - refers to any person, object, events or
objects anything that describes the arts
- applied arts - what
• Social Function Content
- used for social needs for display, - the meaning that it's communicated by the
celebration, and communication. artist
- used for interaction - why
- dance and music
Form
- development and configuration of the
PHILOSOPHY OF ARTS artwork, combination of different elements
- how
1. Integratas (Wholeness)

- it must not be deficient in what it needs to

be most itself. SUBJECT OF ART
2. Consonantia (proportionality) 1. Representational/ Objects of Art
- its dimensions should suitably correspond to - depict something easily recognized by most
other physical object as well as to a people
metaphysical ideal. - attempt to copy something that is real
- to portray the subject as it is
3. Claristas (radiance)
2. Non-Representational/Non-objective Art
- it should clearly radiate intelligibility, the
logic of its inner being and impress this - no real resemblance to any real subject
knowledge of itself and the mind of the - they do not represent anything and they are
perceiver. what they are (abstract)

Source of Subjects
BASIC PHILOSOPHICAL PERSPECTIVE OF
ART - nature
- history
1. Art as Mindset (Plato)
- Greek and Roman mythology
- imitation of the real that was an imitation of - Judeo-Christian tradition
the ideal - sacred oriental text
- art is an imitation of an imitation - other works of art

2. Art as Representation (Aristotle)

- the aim of art is not to represent the Types of Art Subjects

outward experience of things but to their
 Still Life - non-moving, non-living objects
inward significance.
 Self-Portrait - work of art showing the artist
3. Art for Art's Sale (Kant) himself
 Religious Themes - any religious matter
- art has its own reason for being
 Non-objective - imaginative, and not from
4. Art as an Escape anything seen by the artist
 Landscape - natural outdoor scenery
- sacred level of art not only transform
 Genre - everyday life, domestic scenes,
5. Art as Functional sentimental family relationship
 Visionary Expression - simplification and - Artist, object has no functional value
rearrangement of natural objects to meet - Artisan, object has functional value
the needs or artistic expression
3. Object
 Portrait - person or several people
- Artist, object has a lot of value
- Artisan,
METHODS OF PRESENTING THE ART
SUBJECTS
IMPORTANT PLAYERS IN THE ART
• Realism - it is the attempt to portray the
MARKET
subject as it is.
• Symbolism - the presentation of an invisible • Curator - they are the manager or overseer
sign. • Art Buyer - professional who is
• Fauvism - themes are either ethical, knowledgeable in art, look for an art
philosophical, or psychological (joy, • Art Dealer - person or company that buys
happiness, and comfort) and sells works or art
• Dadaism - a protest movement (irregular) • Private Collection - personal owned
• Futurism - it works aims to capture the collection of works, usually a collection of
speed and force of modern industrial society art-museum or art gallery environment
• Surrealism - it tries to reveal higher reality
that that of daily life.
• Abstraction - abstract means to move away MEDIUM AND TECHNIQUE
or separate.
• Medium - refers to the materials used to
Types of Abstraction produce artwork
• Technique - ability and knowledge or
• Distortion - the subject is in misshaped
technical know-how in manipulating the
condition
medium
• Elongation - the subject is lengthened
• Mangling - subject are either cut,
multilacerated
• Cubism - geometrical shape

GAMABA AND NATIONAL ARTIST

THE ARTIST AND THE ARTISANS - Gawad sa Manlilikha ng Bayan Award

- national living treasure
ARTIST - award that acknowledge folk and indigenous
- person who perform any of the creative arts artist
- drawing, designing, composing - administered by NCCA National Commission
of Culture and the Arts
ARTISAN - RA 7355 to preserve and promote tradition,
signed by Corazon Aquino in April 3, 1992.
- skilled worker who makes things by hand
Author: Senator Edgardo Anggara
- craftsmen
- December 17, 1993, first awarding
- jewellery and furniture
ceremony for GAMABA in Malacañang
CHARACTERISTICS Palace
- Incentive: specially design medallion, initial
1. Artistic Value
grant 100,00; monthly of 10, 000 stipend,
- Artist, clear artistic value 500,000 hospitalization or medication
- Artisan, artistic value
GAMABA AWARDEES
2. Functional Value
1. Ginaw Bilog - mangyang, ambahan poetry
2. Masimo Intaray - basal or gong music
3. Samaon Sulayman - maguindanao kulyapi
instrument ART HISTORY VS. ART APPRECIATION
4. Lang Dulay - acaba weaving, t'nalak • Art History
5. Salintan Monuv - tube skirt
6. Alonzo Saclang - kalinga dance and - movement
performing arts - timeline
7. Federico Caballero - suguidanon epic • Art Appreciation
tradition
8. Uwang Ahadas - yakan musical instrument - exploration and analysis
9. Darhata Sawabi - pis syabit weaving - feel what the artist wants to communicate
10. Eduardo Mutoc - Spanish colonial - era craft - process
of Pleateria
ART VS. NATURE
11. Haja Amina Appi - sama
12. Teofilo Garcia - tabungaw hat • Art
13. Magdalena Gamayo - Ilocos textile - Abel
- unchanging or non-repeatable
14. Amabalang Ausalin - siputangan headdress
- man-made
15. Estelita Bantillan - mat weaver
- artificial
16. Yabing Masalon Dulo - tapis
• Nature

- needs art to improve

NATIONAL ARTIST - recognition is given to
- nature creation
those who excel in the fields of music,
- natural
dance, theatre, visual arts, literature, film,
- recreating itself
and broadcast, architecture, and other allied
arts.

1. Lino Broca - broadcasting

2. Leonardo Locsin - architecture
3. Carlos "Botong" Fransisco - painting
4. Levi Celerio - literature and music (dahon as HUMANITIES
instrument)
5. Wilfrido Ma. Guerrero - theatre - humanitas, Latin word
6. Leonor Orosa Goquingco - dance - refers to art, literature, music, architecture,
7. F. Sionel Jose - literature dance and the theater -- in which human
8. Lucrecia Kasilag - music subjectivity is emphasized
9. Lauro "Larry" Alcala - visual art - discovering and understanding the nature of
10. Amelia Lapeña Bonifacio - theatre man
11. Ryan Cayabyab - music - deals with man as a being of purpose, of
12. Fransisco Mañosa - allied arts, architecture values, loves, hates, ideas
13. Resil B. Mojares - literature
14. Ramon L. Muzones - literature
15. Kidlat Tahimik - film AESTHETIC THEORIES
• Imitationalism
NATURES OF ARTS - realistic qualities
- copy = imitate
1. Art is everywhere
2. Art is a means f expression • Formalism
3. Arts as a creation
4. Art and experience - formal qualities
5. Art and beauty - formal = elements and principles
6. Art and nature • Emotionalism
- expressive qualities • Harmony - All part of the visual image relate
- emotions = feelings to and complements to one another
• Balance - visual equilibrium
• Instrumentalism
Kinds of Balance
- inspires people to act
- instrumental = important part of  Symmetrical - balance, equal weight
accomplishing a goal  Asymmetrical - unbalanced
 Bilateral - arranged equally to either side
• Institutionalism
 Radial - axis maybe horizontal or vertical
- display the artwork in a museum or art (spiral)
gallery • Rhythm - regular repetition of elements of
- institute= building/location art to produce the look and feel of
movement.
• Emphasis - create a focal point in the design
FUNCTIONS OF ART composition, it is how we bring attention to
what is important in it.
1. Beauty • Movement - visual flow of your design. It's
2. Happiness and hope the path that you intended your viewer's eye
3. Identify and understanding of oneself to follow.
4. Grief and healing • Visual Design
5. Remembering and mark-making • Repetition - helps to create patterns
6. Raising awareness • Unity - refers how well the elements of
7. Culture and togetherness design work together
• Proportion - size of an object in relationship
to another object

ELEMENTS OF ARTS
MUSIC
- formal or tangible aspects, "medium of
- Greek word "musike" art of muses
language"
- line, shape, form, value, color, texture, light,
space
ELEMENTS
1. Harmony - verticalization of pitch
 Line - expressive and have quality of it's 2. Key - tonality
own, foundation 3. Melody - tune of song or piece of music
 Shape - geometric, biomorphic (irregular 4. Pitch - lowness and highness
shape), amorphous (shapeless) 5. Rhythm - pattern of sound in time and beat
 Form - quality or likeness 6. Tempo - speed (low or fast)
 Value - lightness or darkness 7. Texture - harmonic materials combined in
 Color - Subtractive Colors - from pigments composition (monophonic, polyphonic,
 Additive Colors - property of light homophonic)
 Texture - used in paintings 8. Timbre - quality of the sound
 Light - creates illusion, chiaroscuro - strong
and theatrical lightning
 Space - are where elements interact GENRE
• Classical Music - the ability to coordinate
with other musician.
PRINCIPLES OF DESIGN
• Folk Music - reflects emotion of common
• Contrast - difference between elements or people. Cultural and popular music
subject with a work of art or composition
• Funk - know in late 1960s, most important 1. Physical - fitness
element of this genre is its rhythm 2. Mental/Emotional - sharpen our mind
• Hip-hop - intensified emotions, usually used 3. Social - interaction, socialization
bass, drums instrument 4. Cultural - tradition, culture
• Jazz - complex and strong beats featur. Use
cornet, trumpet, violen
• Meta Music - melody is influenced by the Kinds of Dance
structure of the song
• Opera Music - fantastic combination of the 1. Ethologic Dance - indigenous to a certain
theatrical art and musical invention and is race
played explicitly in big audience 2. Social Dance - for pleasure performed by a
• Rock Music pair or group of people for socialization
• Techno Music - fusion type of music. Based 3. Theatrical Dance - intended for viewing
on African-American music styles like audience
electro, jazz and funk. 4. Ballet - precise and highly formalized set
• Trance Music - performed in clubhouse. Fast steps and gestures
tempo and repetition beats. 5. Modern Dance - rejects many of the strict
rules of classical ballet
6. Filipino Dance - folk dance

DANCE Soulmaking - craft making, is a form of

- the art of body movement creating stories or transforming breif
moments from our daily life making it into
symbols and image.

Elements of Dance
1. Music - timing and tempo, accompaniment Categories of Soulmaking
2. Space - the area that the dance performers
occupy a d where they move • Crafting Images - imagining or representing
 Direction (forward, backward...) in any form ( weaving, quilting, doing
 Size (big small) crochet)
3. Movement - action of dances • Crafting Stories - write, engrave, and
 non-locomotor movement - occuring above describe images, words, objects
a stationary base • Crafting Instrument- making instrument
 locomotor movement - moving from one • Crafting Movements - perform life
place to another • Crafting Techniques- description of all
4. Timing - refers to moving to the beat of the exploration a d experience
music
5. Theme - the content or main ingredient of
the dance SEVEN DE VINCIAN PRINCIPLES
6. Techniques - skill in executing the movement 1. Curiosita or Curiosity - making his insatiable
quest for knowledge and continuous
improvement
Reason Why Do People Dance 2. Dimostrazion or Demonstration - testing
• As an approach for courtship knowledge through personal experience
• As a means of religious expression rather than taking others reports for granted
• As a way of expressing tribal unity 3. Sensazion or Sensation - the use of our
• As an aid to military education senses
4. Sfumato - painting technique to create
ethereal quality education, showing to
embrace ambiguity and change
Benefits of Dance
5. Arte/scienza - balance between art and Classification of Motif (Textile: clothes
science or fabric)
6. Coroporalita or "of the body" - healthy
monde requires a healthy body and the • Geometric - lines in various forms
importance of cultivating both fitness and • Realistic or Natural - direct replica of things
poise • Stylized - natural or man-made objects that
7. Connessione or connection - weaving are no longer recognizable
together multiple disciplines around single • Abstract - combination of colors, size and
idea shape without relationship to natural or
man-made objects

• Narrative - how all of us see the world and

how we connect with each other. Symbol - Greek word symbolon which
• Ownership - the state or fact of exclusive means contract, token, insignia, and means
rights and control over property of identification.
• Borrowing - understanding of appropriation
that the concept of new work is
recontextualize Types of Symbols
• Appropriation - action taking something for
• Iconograms - pictorial representation
one's own use, typically without the owner’s
• Pictograms - illustrative representation
permission.
• Cartograms - topographical, complex
TYPES OF APPROPRIATION function (statistics) and iconic facts, eg. Atlas
• Diagrams - functional representation
- Object Appropriation - transferred from
• Ideograms - represent concept
members of one culture to members of
• Logograms - conceptual representations like
another culture.
writing
- Cultural Appropriation - adopt customs and
• Typograms - typographical representation
knowledge from other cultures and use
• Phonograms - phonic representations
them from their own benefit.
- Subject Appropriation - one culture
represents members or aspects of another
culture. SOUL AND SPACE: CONCEPT AND
- Motif Appropriation - influenced by other IMPLICATIONS
culture other than their own without • Bahay Kubo - Cubo meaning cubes, kanalig,
creating works in the same style. bungalow
• Bahay na Bato - Spanish -Filipino shelter,
two-story levels. Caida - receiving room, Sala
Visual Elements Mayor - main living room, Comedor
• Torogan - ancestral house of upper-class
• Line - foundation of drawing
maranao, sultan and datu, elevated above
• Tone - lightness or darkness
the ground, no interior partition, Niyaga -
• Shape -
stylized mythical snake
• Color - hue, create mood
• Ifugao Bale - first pre-fabricated house in
• Form - is the physical volume of a shape
the world, windowless house, no nails
• Pattern - repeating or echoing the elements
house, three functional floors, animal skulls -
• Texture - roughness or smoothness
to please gods.
• The architecture (nipa hut) - multi-purpose
room (buluagan), cellar (silong)
Motif - is an image, spoken or written word, • Badjao Houseboat - 12-60 feet long,
sound, act, or another visual structural communal practice
device that has symbolic significance • Higaonon Tree House - hinterlands of
Agusan and Misamis Oriental
• Ibatan House - lime stone, wood and thatch, - church and religious matters
two structures: house proper and kitchen or - by friars
storage area - Philippine flora and fauna
• Mandaya House - Bamboo, elevated floor - Letras Y Figuras
line, made the bagani or warrior class a high

• American Influence (1900)

Vacant Space (How we maximize space)
- Escuela de Pintura but it paved way to open
• Gated Community - gardens, entertainment the Grabado Y Escultura
areas, garage and parks on vacant lots - Photo ethnography
• Filipino Street - socialization, dining, - commissions, sales, gifts
cooking, business, celebration - international art exposition
• Sari-sari Store Concept - daily interaction, - Felix Ressureccion Hidalgo
selling of goods
• Second Republic (1942-1945)
- Fernando Amorsolo
- Guillermo Tolentino
- Domenador Castaneda
- Victor Edades
INDIGENOUS PHILIPPINE ART - Galo Ocampo
- Hernando Ocampo
• Weaving - cordillera tribal group, use back - Japanese Period
straps loom to produce blankets and articles
of clothing. • Third Republic (1946-1972)

 Pina Cloth - antique, pineapple plants, - modernism

Barong Tagalog - art association of the Philippines
 Abaca Fiber - abaca plant, sinamay fabric - Philippine art gallery
and abaca rope - realism and neorealism
 Basket - cordillera, storage for food • Fourth Republic (1972-1986)
• Pottery - Burnay pottery in Ilocos Sur - Marcos era
 Palayok - used for cooking - Cultural center of the Philippines
 Banga and Tapayan - storing liquids - national arts center
 Clay made stove or kalan - used for cooking - Philippine high school for the arts
- Itak sa Puso ni Mang Juan - Antipas Delotavo
• Sculpture - woodcarving - Fernando Cobel
 Anitos • Fifth Republic (1986-present)
 Santos
- contemporary Philippine art
• Jewelry Making - home based industry - commercial galleries, improvement of
 Rings, earrings, bracelets institution formation of more art group

STYLES IN CONTEMPORARY FILIPINO ART

PHILIPPINE VISUAL ARTS HISTORY
• Social Realism -
• Pre- Historic Indigenous Art
• Figurative Art - representational
- clay pottery - manungol jar • Abstract Art or Non-Representational -
- woodcarving portrayed using color an form
- weaving • Conceptional Art - idea is more important
that the object
• Hispanic Influence (1800) • Pop-Surreal and Lowbrow Art - comic book
  Ludwig van Beethoven - leading transition
figure, "Fur Elise", "Ode to Joy", "madman",
CONTEMPORARY ARTISTS 32 piano sonatas, 9th symphony
• Benedicto Cabrera - national Artist for visual Qualities of Classical Music
art "Sabel"
• David Medalla - the avatar in Europe in • Natural Simplicity
performabce art • Elegance
• Pacita Abad - strong voice and identity, 50 • Balance
countries and 200 galleries • Discipline
• Elmer Borlongan - painter Filipino nuances, • Measure
daily and mundane • Self - Control
• Mark Salvatus - urbanization, internet,
technological age, 'intermedia" - mark
making 3. ROMANTIC ERA
• Leeroy New - youngest recipients of 13th
- Europe (1820-1903)
Artist Award, pioneer of "Aliens of Manila"
- Individualism, Nostalgia, Nationalism,
• Archie Oclos - painting murals public sphere
Exaggeration, Heroism, Romance
• Mars Bugaonon - printmaker
Two Contrasting Composition Types

• Miniature
Instrumental Music
- small pieces
1. BAROQUE PERIOD
- nocturne
- western Europe (1600-1750) - preludes
- Barok (corrupted, disjoined) - intermezzo
- Pachelbel's Canon in D - elude

Musical Life in Baroque Period • Grandiose

- The Court - work under the royalty - huge musical forces

- The church - work for church services and - orchestra in B flat
ceremonies
- The Opera House - for entertainment, first
The Virtouso
public opera house in Venice, Italy (1637)
• Franz List - piano, Sigismund Thalberg, rival
Qualities of Baroque Period
for piano Virtouso
• Extravagant • Niccolo Paganini - Violen,
• Calculation
• Contrast
4. MODERN PERIOD

- Europe (20th century)

2. CLASSICAL PERIOD
- massive technological and socio -political
- western music (1759-1820) change
- started in the city of Vienna
The Second Viennese School
- the first Vienna school: three major
composer who were based in Vienna - Tonality to Atonality
 Franz Joseph Haydn - father of symphony, - Serialism - 12 note technique to produce
"clock" symphony, "Mercury" symphony, equality
string quartet • Arnold Schoenberg
 Wolfgang Amadeus Mozart - play violen, • Albany Berg
keyboard instruments, "twinkle, twinkle little • Anton Webern
star", The Magic Flute", "Turkish March"
 5. IMPRESSIONISM (1860)

- fleeting, momentary impression

6. MINIMALISM (1960)

- simplicity

7. ELECTRONIC MUSIC

- electronic instruments

8. JAZZ

- improvisation, syncopation,
- Ragtime – earliest

IMPROVISATION ON VARIOUS ART

FORM
- improvisation is the process of creating raw
ideas or a new interpretation of an existing
art
- spontaneous performance

Types of Improvisation

1. Contact-Body Improvisation - is a dance

techniques in which points of physical
2. Sound Improvisation - musical improvisation
aka. musical extemporization
3. Theatre Improvisation - spontaneous acting
techniques

Solving Improvisational Challenges

• Mental Blocks - be patient

• Remembering New Movement - practice
• Fitting it all together - patience, proper
environment and enough practice and
encouragement
• Differences in concept - be open to all
possibilities
• Mindset - overcome fear, self-doubt, and
myriad of distractions