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    12 HindustaniMusicVoca

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    Akshat
    The document provides information about the structure and sections of a vocal music theory exam for Class XII students. It includes 30 total marks divided among 3 sections - Section A contains short 1-mark multiple choice questions, Section B contains 2-mark descriptive questions, and Section C contains 6-mark long answer questions requiring notations. Questions will cover topics related to Indian classical music theory, forms of musical embellishments, biographies of musicians, raga descriptions, tala descriptions, and notations in prescribed ragas and talas.

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    12 HindustaniMusicVoca

    Uploaded by

    Akshat
    102 views3 pages
    The document provides information about the structure and sections of a vocal music theory exam for Class XII students. It includes 30 total marks divided among 3 sections - Section A contains short 1-mark multiple choice questions, Section B contains 2-mark descriptive questions, and Section C contains 6-mark long answer questions requiring notations. Questions will cover topics related to Indian classical music theory, forms of musical embellishments, biographies of musicians, raga descriptions, tala descriptions, and notations in prescribed ragas and talas.

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    The document provides information about the structure and sections of a vocal music theory exam for Class XII students. It includes 30 total marks divided among 3 sections - Section A contains short 1-mark multiple choice questions, Section B contains 2-mark descriptive questions, and Section C contains 6-mark long answer questions requiring notations. Questions will cover topics related to Indian classical music theory, forms of musical embellishments, biographies of musicians, raga descriptions, tala descriptions, and notations in prescribed ragas and talas.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    102 views3 pages

    12 HindustaniMusicVoca

    Uploaded by

    Akshat
    The document provides information about the structure and sections of a vocal music theory exam for Class XII students. It includes 30 total marks divided among 3 sections - Section A contains short 1-mark multiple choice questions, Section B contains 2-mark descriptive questions, and Section C contains 6-mark long answer questions requiring notations. Questions will cover topics related to Indian classical music theory, forms of musical embellishments, biographies of musicians, raga descriptions, tala descriptions, and notations in prescribed ragas and talas.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    BR INTERNATIONAL SCHOOL

    VOCAL- CODE-034
    CLASS XII (2022-23)
    One Theory Paper – 2 hrs Total Marks – 30

    General Instructions
    ⚫ Section-A
    Attempt all Questions (Each Question will carry 1 mark) ⚫
    Section-B
    Attempt all Questions (Each Question will carry 2 Marks)
    ⚫ Section-C
    Attempt any two Questions (Each Question will carry 6 Marks)

    S.No. SECTION-A Marks

    1. Sangeet Ratnakar was written in : 1


    1. 10th century 2.
    11th century 3.
    12th century
    4. 13th century
    2. Kampit and Plavit are the types of 1
    1. Alankar
    2. Khatka
    3. Aalap
    4. Gamak
    3. Komal swaras used in Raga Bageshri- 1. 1
    Ga Ni
    2. Re Dha
    3. Dha Ni
    4. Re Ni
    4. Choose the correct statements: 1

    A. Ma is called Adhvadarshak swar.


    B. Sandhi Prakash Ragas are sung during night only.
    C. Jati of Raga Bhairav is Bhairav.
    D. Sangeet Parijat was written by Pt. Ahobal.

    Choose the correct option:


    1. A & B
    2. B & C
    3. A & C
    4. A & D
    5. Choose the correct statement: 1
    A. Dhamar Tala has 10 Matras.
    B. 2nd and 3rd strings of Tanpura are called Jodi ke Taar.
    C. Gandhar Gram is extinct now.
    D. Malkauns is Sampurna Jati Raga.

    Choose the correct option:

    1. A & C
    2. A & D
    3. B & C
    4. B & D
    6. Match List I with List II 1

    List I List II
    A. Drut Khayal I. Re Dha
    B. Ragavivekadhyaya II.
    C. Bhairav III. Choota Khayal
    D. Meend IV. Sangeet Ratnakar

    Choose the correct answer from the options given below:

    1. A - IV, B - I, C - II, D - III


    2. A-II, B-I, C-III, D-IV 3. A-III, B-IV, C-I, D-II
    4. A-IV, B-I, C-III, D-II
    7. Statement I- A specific pattern of notes is called Alankar. Statement 1
    II- Alankars can be composed in any Raga.

    Choose the correct option:


    1. Statement I & II both are true
    2. Statement I & II both are false
    3. Statement I is true but II is false
    4. Statement I is false but II is true
    8. Statement I- Rupak Tala has 7 matras. 1
    Statement II- Dhamar Taal has Khali on its first beat.

    Choose the correct option:


    1. Statement I & II both are true
    2. Statement I & II both are false
    3. Statement I is true but II is false
    4. Statement I is false but II is true
    SECTION-B
    9. Describe in brief any two of the following: 2
    Murchhana, Gamak, Meend
    (OR)
    Describe in brief the life sketch of Pt. Krishna Rao Shankar Pandit and his contribution to
    music.

    10. Give a brief description of Sangeet Parijat. 2


    (OR)
    Give a brief account of historical development of Time Theory of Ragas.

    11. Write salient features of Raga Bhairav OR Raga Malkauns. 2


    (OR)

    Describe in brief the life sketch of Bade Ghulam Ali Khan and his contribution to music.
    12. Describe briefly any two of the following: 2
    Alankar, Khatka-Murki, Gram
    (OR)

    Give a brief description of Sangeet Ratnakar.


    13. Identify the Raga from the following phrases of swaras and elaborate it upto 50 swaras- 2

    (OR) Write
    the method of tuning of Tanpura.
    SECTION-C

    14. Write the notation of Dhamar in any one of the prescribed Ragas. 6

    15. Give introduction of Tala Dhamar Or Jhaptala and write Tigun of Dhamar Or Chaugun of 6
    Rupak.

    16. Write the notation of Vilambit Khayal in any one of the prescribed Raga. 6

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