2015 개정 YBM 박준언 5과 학교 기출 모음
2015 개정 YBM 박준언 5과 학교 기출 모음
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2015 YBM
[5 ]
다음 글을 읽고 물음에 답하시오. [5과]
Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. In the past, the main goal of many painters was to imitate
reality. One popular story from ancient Greece tells of two famous painters. ①They wanted to prove
their skills in a competition. ②One of them painted grapes that looked so real that birds actually tried
to eat them. ③ The other artist, however, won the competition. ④ His picture of a curtain fooled not
animals, but his competitor, who tried to pull the painted curtain aside to see the picture behind it. ⑤
His painting represents objects in great detail, and at the same time what we see in reality is
described differently in the picture. The purpose of this kind of realistic art was to capture a moment
in time and hold it forever. To these artists, what mattered most was the vividness of the moment.
2. 위 글에 내용을 읽고 아래 글을 완성하고자 한다. 문맥상 빈칸에 들어갈 적절한 표현을 위 글에서 찾아 쓰시오 . (형
태를 변형시키지 말고 , 빈칸에 한 개의 단어만 쓸 것)2)
➡ Realism in the arts is the attempt to 1)___________ actual objects truthfully. The artists reject
imagination and pursue the 2)___________of the moment with a close observation of outward reality.
With their 3)___________ of describing extreme reality, they tried to portrait the present as it is.
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(A) Some artists used illusions ⓐto tell a story. Sometimes, they hid messages in their pictures so
well that we might miss them even when they are right before our eyes.
(B) It is, in fact, a secret message that the artist hid in the picture. He draw ⓑ the distorted the
shape of a common object to make it harder to recognize. It can be identified only when it is viewed
from a specific angle. It is a skull, spread out! The skull was a reminder of death, a common theme
in Renaissance art. The artist must have painted the skull to remind us that we will, one day, die.
(C) The artist, however, may not have wanted to frighten the viewers with too direct an image and
hid the message. The painting probably hung on a wall right beside the stairs, so that ⓒ the viewers
could see the skull in its original shape while coming down.
(D) As an example, look into the picture of two men painted by Hans Holbein the Younger. Between
them are many ordinary objects that look so real that ⓓthe even the smallest detail can be detected.
If you look at the picture closely, however, you will see a strange form at the bottom center.
(E) Artists are also able to paint images from our dreams on their canvases. René Magritte, a
Belgian painter, understood one thing better than anyone else ― that common, everyday objects can
be painted ⓔin surprising ways. When appreciating his picture, the image feels real, but we cannot
explain exactly what we see, just as if it were a dream. Magritte tried to capture the workings of the
human unconscious through fantastic images.
3. 위 글의 단락 (A)와 (E)에 사이에 들어갈 (B)~( D)의 내용을 순서에 맞게 배열한 것으로 가장 적절한 것은?3)
① 하은: ⓐ is the purpose of paintings that represent artists' own messages that may be hidden in an
unexpected way.
② 병재: Painters used ⓑ to elaborate common objects as much as possible without using abundant colors.
③ 연서: ⓒ means that the viewers should go to the specific place to see the original version of the picture.
④ 원우: ⓓ shows that Hans Holbein the Younger is one of the realistic artists who think ordinary objects are
closely related to the human unconscious.
⑤ 진영: ⓔ means the way of appreciating the work of Rene Magritte, because the image is so precise that we
cannot explain all the details in the picture.
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In the past, the main goal of many painters was to ______________. One popular story from
ancient Greece tells of two famous painters. They wanted to prove their skills in a competition. One
of them painted grapes that looked so real that birds actually tried to eat them. The other artist,
however, won the competition, when his picture of a curtain fooled not animals, but his competitor,
who tried to pull the painted curtain aside to see the picture behind it.
① copy reality
② win the competition
③ take us away from reality
④ confuse us with their works
⑤ compete among famous painters
Some artists used ⓐillusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might ⓑmiss them even when they are right before our eyes. Here is a picture of two men.
Between them are many ⓒunfamiliar objects that look so real that even the smallest detail can be
detected. If you look at the picture closely, however, you will see a ⓓst range form at the bottom
center. Can you tell what it is? It is, in fact, a ⓔsecret message that the artist hid in the picture.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
He distorted the shape of a common object to make it harder to recognize. It can (A)[identify / be
identified] only when it is viewed from a specific angle. To catch the message, look for the arrow on
the right of the picture. Then, view the picture from that angle with your nose directly against the
paper, and the secret message will appear. It is a skull, (B)[spread / spreading] out! The skull was a
reminder of death, a common theme in Renaissance art. It stands for the short, meaningless nature
of life, and the artist (C)[should / must] have painted the skull to remind us that we will, one day,
die. The artist, however, may not have wanted to frighten the viewers with too direct an image and
hid the message. The painting probably hung on a wall right beside the stairs, so that the viewers,
while coming down, could see the skull in its original shape.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. (A)Its purpose was to capture a moment in time and hold (B)it forever. In
this picture, a boy seems to be emerging from the dark space of the picture. He has one foot on
the frame, seemingly trying to pull himself out of the scene. To these artists, what mattered most
was the vividness of the moment.
→ A : __________________________________________________
B : __________________________________________________
Rene Magritte, a Belgian painter, understood one thing better than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism.
[보기]
[consciousness / competition / illusionary / movement / realistic / unconsciousness]
Surrealist painters tried to capture the (A) __________ of the (B) _____________ through (C)
_____________ images.
→ (A) : _____________________________________________
(B) : _____________________________________________
(C) : _____________________________________________
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11. 다음 Gwangju World Gimchi Festival 에 관한 안내문의 내용과 일치하지 않는 것은 ?11) [5과]
◈ Activities
• There is a competition to pick the best Gimchi,
as well as another one for foreigners to
demonstrate their Gimchi-making skills.
◈ Notices
• Volunteers offer free Gimchi cooking lessons for
anyone who wants to learn some new recipes.
• Among the many kinds of Gimchi featured in the
demonstrations are Chonggak Gimchi and Gat
Gimchi.
① 10월 한 달 동안 열린다 .
② 주중과 주말 운영 시간이 다르다.
③ 외국인들이 참여하는 김치 만들기 대회가 있다.
④ 무료 김치 만들기 수업이 있다.
⑤ 배추김치와 갓김치 만들기 시연 행사가 있다.
Summers and mangoes go hand in hand in India. The International Mango Festival, held every year
in the summer, celebrates everything about mangoes. It features many events and activities
associated with the mango, including mango eating competitions, quizzes, and mango carving. Started
in 1987, the festival exhibits more than 550 varieties of mangoes and provides a rare opportunity to
taste them all for free. Various products based on mangoes, such as mango juice and mango ice
cream, are offered while chefs from famous restaurants present new recipes that include mangoes.
Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
ⓐconfuse us with their extreme reality. At other times, artists turn ordinary images into something
strange and make us wonder about them. Artists are also able to paint images f rom our dreams on
their canvases. With their magic, artists can attract us and ⓑtake us away from our everyday lives.
Rene Magritte, a Belgian painter, understood one thing that common, everyday objects can be
painted in surprising ways. His paintings represent objects in great detail, but at the same time they
ⓒdiffer from how we see reality. For example, look at the lady in the picture. Where is she riding?
Is she in front, behind, or among the trees? The image feels real, but we cannot explain exactly
what we see, just as if it were a dream. Magritte belonged to an art movement called Surrealism.
Surrealist painters tried to capture the workings of the human ⓓunconscious through fantastic images.
We can think of art as a history of illusions. Looking at the world through art, we come to appreciate
it from ⓔexpected, surprising, and fresh perspectives.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Some artists used illusions to tell a story. Sometimes, ⓐthey hid messages in their pictures so well
that we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them are many ordinary objects that look so real that even the smallest detail can be
detected. ⓑIf you look at the picture closely, however, you will see a st range form at the bottom
center. It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
common object ⓒto make it harder to recognize. It can be identified only when it is viewed from a
specific angle. To catch the message, look for the arrow on the right of the picture. Then, view the
picture from that angle with your nose directly against the paper, and the secret message will
appear. It is a skull, spread out! ⓓThe skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist ⓔshould have
painted the skull to remind us that we will, one day, die. The artist, however, may not have wanted
to frighten the viewers with too direct an image and hid the massage.
(B) 고친 표현 : ______________________________
In the past, the main goal of many painters was ⓐto imitate reality. One popular story from
ancient Greece ⓑtells of two famous painters. They wanted to prove their skills in a competition.
One of them painted grapes that looked so ⓒreally that birds actually tried to eat them. The other
artist, however, ⓓwon the competition, when his picture of a curtain fooled not animals, but his
competitor, who tried to ⓔpull aside the painted curtain to see the picture behind it.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
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This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and hold it forever. In this
picture, a boy seems to be emerging from the dark space of the picture. He has one foot on the
frame, seemingly trying to pull himself out of the scene. To these artists, what mattered most was
___________________________________.
It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
ⓐordinary object to make it more ⓑdifficult to recognize. It can be identified only when it is viewed
from a ⓒparticular angle. To catch the message, look for the arrow on the right of the picture. Then,
view the picture from that angle with your nose directly against the paper, and the secret message
will appear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must have painted
the skull to remind us that we will, one day, die. The artist, however, may not have wanted to
frighten the viewers with too direct an image and ⓓrevealed the message. The painting probably
hung on a wall right beside the stairs, so that the viewers, while coming down, could see the skull
in its ⓔoriginal shape.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Rene Magritte, a Belgian painter, understood one thing better than anyone else - that common,
everyday objects can be painted in surprising ways. His paintings ⓐrepresent objects in great detail, but
at the same time they differ from bow we see reality. (A)____________, look at the lady in the picture.
Where is she riding? Is she in front, behind, or among the trees? The image feels real, (B)_________,
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters tried to capture the workings of the human ⓑ
unconscious through fantastic images. We can think of art as a history of ⓒillusions. Looking at the
world through art, we come to ⓓappreciate it from unexpected, surprising, and fresh ⓔperspectives.
(A) (B)
① For instance however
② For example what is more
③ In other words on the other hand
④ Moreover however
⑤ In addition what is more
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20. 다음 글의 밑줄 친 우리말과 일치하도록 < 보기> 의 단어들을 모두 사용하여 쓰시오. (어형 변화, 단어 추가 있음
). 20) [5과]
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them are many common objects that 정말 진짜 같아서 가장 작은 상세부분조차도 감지될 수 있는.
<보기>
[look / can / even the smallest detail / detect / real]
정답: ___________________________________________________
21. 다음 글에서 어법상 어색한 부분인 두 곳 (3단어 이내)을 찾아 바르게 고쳐 쓰시오. 21) [5과]
Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, artists turn ordinary images into strange something
and make us wonder about them. Artists are also able to paint images from our dreams on their
canvases. With their magic, artists can fascinate us and take away us from our everyday lives.
In the past, the main goal of many painters was to ___________________. One popular story from
ancient Greece tells of two famous painters. They wanted to prove their skills in a competition. One
of them painted grapes that looked so real that birds actually tried to eat them. The other artist,
however, won the competition, when his picture of a curtain fooled not animals, but his competitor,
who tried to pull the painted curtain aside to see the picture behind it.
① imitate reality
② reproduce history
③ make things surreal
④ turn reality into illusion
⑤ mix reality with dreams
René Magritte, a Belgian painter, understood one thing better than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture, Carte Blanche. Where is she riding? Is she in front, behind, or among the trees? We cannot
answer it exactly. The image feels real, but we cannot explain exactly what we see, just as if it were
a dream. Magritte belonged to an art movement called Surrealism Surrealist painters tried to capture
the workings of the human unconscious through fantastic images
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and hold it forever. Take a
look at the painting, Escaping Criticism. In this picture, a boy seems to be emerging from the dark
space of the picture. He has one foot on the frame, seemingly trying to pull himself out of scene.
① ②
③ ④
_________________________________________________________
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Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes.
(A) Can you tell what it is? It is, in fact, ⓐa secret message that the artist hid in the picture. He
distorted the shape of a common object to make it harder to recognize. It can be identified only
when it is viewed from a specific angle.
(B) The artist, however, may not have wanted to frighten the viewers with too direct an image and
hid the message. The painting probably hung on a wall right beside the stairs, so that the viewers,
while coming down, could see the skull in its original shape.
(C) Here is a picture of two men. Between them are many ordinary objects that look so real that
even the smallest detail can be detected. If you look at the picture closely, however, you will see a
strange form at the bottom center.
(D) Then, view the picture from the specific angle with your nose directly against the paper, and the
secret message will appear. It is a skull, spread out! The skull was a reminder of death, a common
theme in Renaissance art. It stands for the short, meaningless nature of life, and the artist must
have painted the skull to remind us that we will, one day, die.
Some artists (A)___________ their messages in their paintings (B)___________ well that we might
miss them even when they are right before our eyes.
(B) ______________________________
① ⓐ, ⓒ ② ⓐ, ⓔ ③ ⓑ, ⓓ
④ ⓑ, ⓔ ⑤ ⓒ, ⓓ
34. 다음 글의 내용을 한 문장으로 요약하고자 한다. 빈칸 (A), (B)에 들어갈 말로 가장 적절한 것은?34) [5과 ]
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, but his competitor, who tried
to pull the painted curtain aside to see the picture behind it.
↓
This is a story about two rivals competing to see whose painting could (A)_____________ the world
more realistically, which eventually resulted in one of them being (B)_____________ when he was
fooled by the other even if his lifelike painting tricked animals.
(A) (B)
① copy defeated
② distort frustrated
③ imitate superior
④ duplicate relieved
⑤ transform unsatisfied
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Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, artists turn ordinary images into something
strange and make us wonder about them. Artists are also able to paint images f rom our dreams on
their canvases. With their magic, artists can fascinate us and take away from our everyday lives.
36. 다음 본문의 내용과 일치하도록 아래 대화문의 빈칸 (A)~(D)에 들어갈 가장 적절한 한 단어를 본문에서 각각 찾아
쓰시오 . (단, 필요시 어법에 맞게 형태를 바꿀 수 있음 )36) [5과]
This kind of realistic art was popular during the ancient Greek and Roman
times and then again during the Renaissance. Its purpose was to capture a
moment in time and hold it forever. In this picture, a boy seems to be emerging
from the dark space of the picture. He has one foot on the frame, seemingly
trying to pull himself out of the scene. To these artists, what mattered most was
the vividness of the moment.
↓
A: What are you doing now?
B: I am reading an article about Pere Borrell del Caso.
A: Pere Borrell del Caso? Who is he?
B: He is a Spanish painter. Look! This is his well-known painting called Escaping Criticism.
A: It's interesting. The boy is attempting to get (A)_____________ of the painting he was created in.
He no longer seems to remain inside the frame, (B)_____________ himself from the dark space of
the picture. Also, he's quite lifelike.
B: Right! In this art technique, the artists are said to have blurred the boundary between real and
imaginary space.
A: That must have (C)_____________ why the boy was painted so realistically. What was the
purpose of this kind of art?
B: It was to capture a moment in time and hold it forever. For the artists, to keep a
(D)____________ record of the moment was the most important thing.
(B) _____________________________
(C) _____________________________
(D) _____________________________
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Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, artists turn ordinary images into something
strange and ⓐmake us wonder about them. Artists are also able to paint images from our dreams
on their canvases. With their magic, artists can fascinate us and take us away f rom our everyday
lives.
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece ⓑtells of two famous painters. They wanted to prove their skills in a competition. One of
them painted grapes that ⓒlooked so real that birds actually tried to eat them. The other artist,
however, won the competition, when his picture of a curtain fooled not animals, but his competitor,
who tried to pull the painted curtain aside to see the picture behind it.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and ⓓhold them forever. In
this picture, a boy seems to be emerging from the dark space of the picture. He has one foot on
the frame, seemingly ⓔtrying to pull himself out of the scene. To these artists, what mattered most
was the ___________________________________.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
① realization of fantasy
② symbols in the painting
③ vividness of the moment
④ imitation of the great works
⑤ outstanding artistic competence
① Artists not only make people fascinated with their realistic paintings, but they also delude them with strange
ones.
② There was a contest between two artists to see how realistic they could make their images.
③ The picture of a curtain looked so genuine that even his rival was fooled and tried to pull it aside.
④ The Greek and Roman paintings were intended to copy the realities of life as they were.
⑤ Renaissance artists tried to reinterpret ancient Greek and Roman paintings, imitating styles and themes for
that ti me.
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Every year, newspapers f rom around the world ⓐcover huge ocean storms that hit different regions.
These storms leave thousands of people injured or dead, while forcing others to run away from their
homes. They also give rise to amazing stories of survival. Here is a story of a young man ⓑwho
survived Hurricane Sandy, one of the most violent storms ever to hit the United States. A lady
named Christine at Toms River, New Jersey, where the hurricane hit hard, ⓒwas lucky enough to
escape f rom her house before the storm hit. When she returned to her damaged house, after the
storm had passed, she found a note.
Whoever reads this, I'm DYING - I'm 28 years old. My name is Mike. I had to break into your
house. I am very cold. I didn't take anything. A wave threw me out of my house down the block. I
don't think I'm going to make it. The water outside is at least 10 feet deep. I cannot be rescued.
Tell my dad I love him and I tried to get out. It is number is *** -***-****. His name is Tony. I hope
you can read this. I' m writing it in the dark. Goodbye. God help me.
Christine did not know ⓓif Mike survived. She called the number on the note, but no one
answered. She then posted the note and the story on her SNS. The sad message made the rounds
on social media for some time, before falling into the hands of a local radio station show host. After
several tries, ⓔthe radio show host finally located Mike and heard his story.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Rene Magritte, a Belgian painter, understood one thing better than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time ___________________________________. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters t ried to capture the workings of the human
unconscious through fantastic images.
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures well and
we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them are many ordinary objects that look (1):[so / real / even the smallest detail / can /
detect]. If you look at the picture closely, however, you will see a strange form at the bottom center.
Can you tell (A):[what is it / what it is]? It is, in fact, a secret message that the artist hid in the
picture. He distorted the shape of a common object to make it harder to recognize. It can be
identified only when it is viewed from a specific angle. (B):[Catching / To catch] the message, look
for the arrow on the right of the picture. Then, view the picture from that angle with your nose
directly against the paper, and the secret message will appear. It is a skull, spread out! The skull
was a reminder of death, a common theme in Renaissance art. It stands for the short, meaningless
nature of life, and the artist (2):[must / paint / the skull / remind / us] that we will, one day, die. The
artist, however, may not have wanted to frighten the viewers with (C):[too direct an image / too a
direct image] and hid the message. The painting probably hung on a wall right beside the stairs, so
that the viewers, while coming down, could see the skull in its original shape.
45. 위 글의 (1)과 (2)에 제시된 단어를 모두 활용하여 아래 제시된 [조건]에 맞추어 문맥과 어법에 맞게 바르게 영작하
시오. 45)
[조건]
• 반드시 주어진 단어는 모두 포함할 것
• (1)과 (2) 각각 10 단어 이하로 영작할 것
• 필요하다면 어형을 변화시킬 것
답: (1):__________________________________________________
(2):__________________________________________________
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In the past, the main goal of many painters was to imitate reality. One
popular story from ancient Greece tells of two famous painters, Zeuxis and
Parrhasios. They wanted to prove their skills in a competition. Zeuxis
painted grapes that looked so real that birds actually tried to eat them. The
other artist, however, won the competition, when his picture of a curtain
fooled not animals, but his competitor, who tried to pull the painted curtain
aside to see the picture behind it. This kind of realistic art was popular
during the ancient Greek and Roman times and then again during the Renaissance. Its purpose was
to capture a moment in time and hold it forever. In this picture, a boy seems to be emerging from
the dark space of the picture. He has one foot on the frame, seemingly trying to pull himself out of
the scene. To these artists, what mattered most was the vividness of the moment.
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes.
Here is a picture of two men. Between them are many ordinary objects that look so real that even
the smallest detail can be detected. If you look at the picture closely, (A)___________, you will see
a strange form at the bottom center. Can you tell what it is? It is, (B)______________, a secret
message that the artist hid in the picture. He distorted the shape of a common object to make it
harder to recognize. It can be identified only when it is viewed from a specific angle. To catch the
message, look for the arrow on the right of the picture. Then, view the picture from that angle with
your nose directly against the paper, and the secret message will appear. It is a skull, spread out!
The skull was a reminder of death, a common theme in Renaissance art. It stands for the short,
meaningless nature of life, and the artist must have painted the skull to remind us that we will, one
day, die. However, the artist (C)너무 직접적인 이미지로 보는 사람들을 겁주고 싶지 않았을지도 모른다
and hid the message. The painting probably hung on a wall right beside the stairs, so that the
viewers, while coming down, could see the skull in its original shape.
(A) (B)
① thus for instance
② in addition therefore
③ in short on the contrary
④ moreover besides
⑤ however in fact
49. 위 글에서 밑줄 친 (C)의 우리말과 같은 뜻이 되도록 <보기> 의 단어를 활용하여 영작하세요. 49)
<보기>
[not / may / frighten / want / too / the / a(n) / viewers / image / direct / with]
________________________________________________________________________________________________
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50. 다음 글의 내용을 한 문장으로 요약하고자 한다. 빈칸 (A), (B)에 들어갈 말로 가장 적절한 것은?50) [5과 ]
Artist work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, artists turn ordinary images into something
strange and make us wonder about them. Artist are also able to paint images from our dreams on
their canvases. With their magic, artists can fascinate us and take us away from our everyday lives.
Artists can make us (A)_______________ in different ways with their painted images that are
extremely realistic, (B)_______________ and dreamlike.
(A) (B)
① inspired traditional
② deceived odd
③ confused ordinary
④ fascinated familiar
⑤ disappointed strange
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, but his competitor, who tried
to pull the painted curtain aside to see the picture behind it. This kind of realistic art was popular
during the ancient Greek and Roman times and then again during the Renaissance. Its purpose was
to capture a moment in time and hold it forever. In one picture, a boy seems to be emerging from
the dark space of the picture. He has one foot on the frame, seemingly trying to pull himself out of
the scene. To these artists, what mattered most was the vividness of the moment.
Some artists hid messages in their pictures so well that we might miss them even when they are
right before our eyes. Here is a picture of two men, ①calling "The Ambassadors", Between them are
many ordinary objects ②that look so really that even the smallest detail can be detected. If you look
at the picture closely, however, you will see a strange form at the bottom center. It is a secret
message that the artist hid in the picture. He distorted the shape of a common object to ③make it
harder to recognize. It can be identified only when it is viewed from a specific angle. View the
picture from the right arrow next to the picture with your nose directly against the paper, and the
secret message will appear. It is a skull that was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and it ④must paint to remind us
that we will, one day, die. The artist, however, may not have wanted to frighten the viewers with too
direct an image and ⑤hidden the message.
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① All the details in the picture can be recognized correctly and instantly.
② The secret message was placed on the right of the picture.
③ The image containing a message was not expressed directly.
④ The skull in the painting was regarded as a typical symbol of delight in life.
⑤ Viewers can identify hidden images, appreciating the picture at the front.
어색한 것 번호 바른 형태
(1) ( ) → ________________________________________
(2) ( ) → ________________________________________
(3) ( ) → ________________________________________
Rene Magritte, a Belgian painter, understood one thing better than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters tried to ______________________________________.
55. 다음 글의 밑줄 친 (A), (B), (C)에 들어갈 어법에 맞는 표현으로 가장 적절한 것은 ?55) [5과]
It is, in fact, a secret message (A)[what / which] the artist hid in the picture. He distorted the
shape of a common object to make it harder to recognize. It can be identified only when it is viewed
from a specific angle. To catch the message, look for the arrow on the right of the picture. Then,
view the picture from that angle with your nose directly against the paper, and the secret message
will appear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must have painted
the skull to remind us that we will, one day, die. The artist, however, may not have wanted to
frighten the viewers with (B)[too a direct image / too direct an image] and hid the message. The
painting probably hung on a wall right beside the stairs, so that the viewers, (C)[while come down /
while coming down], could see the skull in its original shape.
(A) (B) ( C)
① what - too direct an image - while come down
② what - too a direct image - while coming down
③ what - too direct an image - while coming down
④ which - too a direct image - while co me down
⑤ which - too direct an image - while co ming down
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56. 다음 글의 우리말과 일치하도록 < 보기 >의 단어들을 이용하여 어법에 맞게 문장을 완성하시오. 56) [5과]
* 유의사항
1. <보기>의 단어들 중 필요한 단어들만 골라 사용할 것 (추가 어휘 없음 )
2. <보기>의 밑줄 친 단어는 필요하다면 어형을 변형할 것 ( 그 외는 변형하지 말 것)
3. 주어진 칸에맞게 순서대로 쓸 것
<보기 >
that / so / them / can / be / that / really / between / real / be / look / detect
In the past, (화가들의 주요한 목표가 현실을 모방하는 것이었다). One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, but his competitor, who
_____________________.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and hold it forever.
<보 기>
to / be / the min / painters / or / reality goal / imitate
① tried to pull the painted curtain aside to see the picture behind it
② had no doubt that the curtain was just real.
③ thought his co mpetitor’s painting was hidden behind the curtain
④ waited for the painting to appear behind the curtain
⑤ thought that the picture of the curtain was painted as if it were real
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Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes.
Here is a picture of two men. Between them are many ordinary objects that look so real that even
the smallest detail can be (A)[detected / ignored]. If you look at the picture closely, however, you will
see a strange form at the bottom center. Can you tell what it is?
It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
common object to make it harder to recognize. It can be identified only when it is viewed from a
specific angle. To catch the message, look for the arrow on the right of the picture. Then, view the
picture from that angle with your nose directly against the paper, and the secret message will
appear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must have painted
the skull to (B)convince / remind] us that we will, one day, die. The artist, however, may not have
wanted to frighten the viewers with too direct an image and hid the message. The painting probably
hung on a wall right beside the stairs, so that the viewers, while coming down, could see the skull
in its (C)[original / distorted] shape.
① What can be seen from the picture are painted in great detail.
② When seen from high up on the right side of the picture, the distorted image is identified as a human skull.
③ Death was a popular subject during Renaissance art.
④ The distorted skull represents human life being brief and pointless.
⑤ The artist distorted the shape of the skull so that the meaning it has could be caught i mmediately when
viewed from the front.
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정답 (A)___________ (B)___________
René Magritte, a Belgian painter, understood one thing better than anyone else ― that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels
_________, but we cannot explain exactly what we see, just as if it were a dream. Magritte belonged
to an art movement called Surrealism. Surrealist painters tried to capture the workings of the human
unconscious through fantastic images.
(A) Depending on the perspective f rom which you look at the painting, the unseen part of the image
can be seen or not.
(B) The image of the woman and the horse is sliced into segments by the landscape.
(C) Where she is riding the horse looks different from person to person, depending on where to
focus on in the picture.
(D) Although the description of the landscape is in detail, the painting can be said to be associated
with fantasy.
① A ② A, B ③ B, D
④ B, C, D ⑤ A, B, C, D
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64. 위 글을 통해 알 수 있는 surrealism의 특성을 한 문장으로 요약하고자 한다. 빈칸 (A), (B0dp 들어갈 가장 적절한
말을 <보기 >에서 골라 각각 한 단어로 쓰시오 .(단, 필요시 어형을 적절히 변형할 것). 64)
Surrealism is characterized by illogical images that (A)__________ reality and dreams while it
(B)__________ the human unconscious.
<보 기>
except / ignore / explore / minimize / mix / deny / challenge / dividew
정답 (A)___________ (B)___________
Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, artists turn ordinary images into something
strange and make us wonder about them. Artists are also able to paint images f rom our dreams on
their canvases. With their magic, artists can fascinate us and take us away from our everyday lives.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and (A)hold / held it forever.
In this picture, a boy seems to be emerging from the dark space of the picture. He has one foot on
the frame, seemingly (B)try / trying to pull himself out of the scene. To these artists, (C)that / what
mattered most was the vividness of the moment.
(A) (B) ( C)
① hold try that
② held try that
③ hold trying that
④ held try what
⑤ hold trying what
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67. 다음 (A), (B), (C)의 각 네모 안에서 문맥에 맞는 낱말로 가장 적절한 것은?67) [5과 ]
Some artists used (A)[illusions / illuminations] to tell a story. Sometimes, they hid messages in their
pictures so well that we might (B)[miss / notice] them even when they are right before our eyes.
Here is a picture of two men. Between them are many ordinary objects that look so real that even
the smallest detail can be (C)[deceived / detected]. If you look at the picture closely, however, you
will see a strange form at the bottom center. Can you tell what it is?
(A) (B) ( C)
① illusions miss deceived
② illuminations notice detected
③ illusions miss detected
④ illumination notice deceived
⑤ illusions notice detected
Rene Margritte, a Belgian painter, understood one thing better than anyone else ―that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters t ried to capture the workings of the human
unconscious through fantastic images.
Rene Magritte, a Surrealist painter, represented objects in great detail, but in (A)_____________ way
from out perspectives with (B)_____________ images to capture the workings of (C)_____________.
(A) : __________________________
(B) : __________________________
(C) : __________________________
It is, in fact, ⓐa secret message that the artist hid in the picture. He distorted the shape of
ⓑa common object to make it harder to recognize. (A) It can be identified only when it is viewed
from a specific angle. (B) It is a skull, spread out! The skull was a reminder of death, a common
theme in Renaissance art. (C) It stands for the short, meaningless nature of life, and the artist must
have painted the skull to remind us that we will, one day, die. (D) The artist, however, may not have
wanted to frighten the viewers with too direct an image and ⓒhid the message. (E) The painting
probably hung on a wall right beside the stairs, so that the viewers, while coming down, could see
the skull in its original shape.
To catch the message, look for the arrow on the right of the picture. Then, view the picture from
the angle with your nose directly against the paper, and the secret message will appear.
① A ② B ③ C ④ D ⑤ E
ⓐ가 가리키는 것: ____________________________________.
ⓒ의 이유: _____________________________________________.
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might ⓐcatch them even when they are right before our eyes.
Here is a picture of two men. Between them are many ⓑordinary objects that look so real that even
the smallest detail can be ⓒdiscovered. If you look at the picture closely, however, you will see a
strange form at the bottom center. Can you tell what it is?
It is, in fact, a secret message that the artist hid in the picture. He ⓓtransformed the shape of a
common object to make it. ⓔeasier to recognize. It can be identified only when it is viewed from a
specific angle. To catch the message, look for the arrow on the right of the picture. Then, view the
picture f rom that angle with your nose directly against the paper, and the secret message will ⓕ
disappear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must have painted
the skull to remind us that we will, one day, die. The artist, however, ⓖmay not have wanted to
frighten the viewers with too direct an image and hid the message. The painting probably hung on a
wall right beside the stairs, so that the viewers, while coming down, could see the skull in its original
shape.
① 6개 ② 5개 ③ 4개
④ 3개 ⑤ 2개
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In the past, the main goal of many painters ⓐwere to imitate reality. One popular story from ancient
Greece ⓑtells of two famous painters. They wanted to prove their skills in a competition. One of
them painted grapes that ⓒlooked so really that birds actually tried to eat them. ⓓThe other artist,
however, won the competition, ⓔwhen his picture of a curtain fooled not animals, but his competitor,
who tried to pull the painted curtain aside ⓕ to see the picture behind it.
This kind of realistic art was popular during the ancient Greek and Roman times and them again
during the Renaissance. ⓖIt’s purpose was to capture a moment tin time and hold it forever. To
these artists, ⓗthat mattered most was the vividness of the moment.
① 1개 ② 2개 ③ 3개
④ 4개 ⑤ 5개
Rene Magritte, a Belgian painter, understood one thing better than anyone else - ⓐwhich common,
everyday objects can be painted in ⓑsurprised ways. His paintings represent objects in great detail,
but at the same time they ⓒdiffer from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels ⓓreal,
but we cannot explain exactly, ⓔthat we see, just as if it ⓕwere a dream. Magritte ⓖwas belonged
to an art movement called Surrealism. Surrealist painters tried to capture the workings of the human
unconscious through fantastic images.
We can think art as a history of illusions. ⓗLooked at the world through art, we come to appreciate
it from unexpected, surprising, and fresh perspectives.
① 2개 ② 3개 ③ 4개
④ 5개 ⑤ 6개
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In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist,
_______________________________________, won the competition, when his picture of a curtain
fooled not animals, but his competitor, who tired to pull the painted curtain aside to see the picture
behind it.
The main goal of painters in the past, which was to (A)_____________ reality, is shown in the story
of a competition between two painters, where one painter (B)_____________ the other with his
realistic painting.
(A) (B)
① imitate recognized
② imitate fooled
③ present recognized
④ present fooled
⑤ estimate recognized
Rene Magritte, a Belgian painter, understood one thing better than anyone else - (A)[that / what]
common, everyday objects can be painted in surprising ways. His paintings represent objects in great
detail, but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement (B)[called / calling] Surrealism. Surrealist painters tried to capture the workings of the
human unconscious through fantastic images. We can think of art as a history of illusions. (C)[Looked
/ Looking] at the world through art, we come to appreciate it from unexpected, surprising, and fresh
perspectives.
(A) (B) ( C)
① that calling Looked
② what called Looking
③ that called Looking
④ what calling Looked
⑤ that called Looked
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Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them are many ordinary objects that look so real that even the smallest detail can be
detected. If you look at the picture closely, however, you will see a strange form at the bottom
center. Can you tell what it is? It is, in fact, a secret message that the artist hid in the picture. He
distorted the shape of a common object to make it harder to recognize. It can be identified only
when it is viewed from a specific angle. To catch the message, look for the arrow on the right of the
picture. Then, view the picture from that angle with your nose directly against the paper, and the
secret message will appear. It is a skull, spread out! The skull was a reminder of death, a common
theme in Renaissance art. It stands for the short, meaningless nature of life, and the artist must
have painted the skull to remind us that we will, one day, die. The artist, however, may not have
wanted to frighten the viewers with too direct an image and hid the message. The painting probably
hung on a wall right beside the stairs, so that the viewers, while coming down, could see the skull
in its original shape.
Q: Why did the artist try to hide the message of the skull in the painting?
<조 건 >
1) 주어 , 동사, 목적어를 반드시 사용
2) 부가적인 내용을 추가 시 감점함
3) 시제에 맞출 것
A: ______________________________________________________.
In the past, the main goal of many painters was ( ). One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so ⓐreal that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, but his competitor, who tried
to pull the painted curtain aside to see the picture behind it.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was ⓐto capture a moment in time and ⓒhold it forever. In this
picture, a boy seems ⓓbeing emerging from the dark space of the picture. He has one foot on the
frame, seemingly ⓔtrying to pull himself out of the scene. To these artists, what mattered most was
the vividness of the moment.
① to imitate reality
② to tell stories
③ to paint the landscape of dreams
④ to describe an important event in the past
⑤ to appreciate Surrealism during the Roman times
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① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes.
Here is a picture of two men. (가 )Between them is many ordinary objects that look so real that
even the smallest detail can be detected. If you look at the picture closely, however, you will see
(A)a strange form at the bottom center. Can you tell what (B)it is?
It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
common object to make (C)it harder to recognize. (D)It can be identified only when (E)it is viewed
from a specific angle. To catch the message, look for the arrow on the right of the picture. Then,
view the picture from that angle with your nose directly against the paper, and the secret message
will appear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must ⓐhave been
painted the skull to remind us that we will, one day, die. The artist, however, may not have wanted
ⓑto frighten the viewers with ⓒ too direct an image and hid the message. The painting probably ⓓ
hung on a wall right beside the stairs, so that the viewers, while ⓔcoming down, could see the skull
in its original shape.
① A ② B ③ C ④ D ⑤ E
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Rene Magritte, a Belgian painter, understood one thing better than anyone else--the common,
everyday objects can be painted in surprising ways. (A) His paintings represents objects in great
detail, but at the same time they differ from how we see reality. (B) Where is she riding? Is she in
front, behind, or among the trees? (C) The image feels real, but we cannot explain exactly what we
see, just as if it were a dream. (D) Magritte belonged to an art movement called Surrealism. (E)
Surrealist painters tried to capture the workings of the human unconscious through fantastic images.
① A ② B ③ C ④ D ⑤ E
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of the
painted grapes ⓐwhich looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, ⓑbut his competitor, who tried
to pull the painted curtain aside to see the picture behind ⓒthem. This kind of realistic art was
popular during the ancient Greek and Roman times and then again during the Renaissance. Its
purpose was to capture a moment in time and hold it forever. In the painting, Escaping Criticism, a
boy seems to be emerging from the dark space of the picture. He has one foot on the frame,
seemingly ⓓtry to pull himself out of the scene. To these artists, ⓔwho mattered most was the
vividness of the moment.
① ⓐ, ⓑ ② ⓑ, ⓒ
③ ⓒ, ⓓ ④ ⓓ, ⓔ
⑤ ⓔ, ⓐ
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Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes. Here is a picture of two men.
(a)Between the is many ordinary objects that look so real that even the smallest detail can be
detected. If you loo at the picture closely, however, you will see a strange form at the bottom center.
(b)Can you tell what is it? It is, in fact, a secret message that the artist hid in the picture. He
distorted the shape of a common object to make it harder to recognize. It can be identified only
when it is viewed from a specific angle. To catch the message, look for the arrow on the right of the
picture. Then, view the picture from that angle with your nose directly against the paper, and the
secret message will appear. It is a skull, spread out! The skull was a reminder of death, a common
theme in Renaissance art. It stands for the short, meaningless nature of life, and the artist (c)must
have painted the skull to remind us that we will, one day, die. The artist, however, may not have
wanted to frighten the viewers with (d)too a direct image and hid the message. The painting probably
hung on a wall right beside the stairs, (e)so that the viewers, while coming down, could see the skull
in its original shape.
① In order to hide a secret message, the painter tried to distort all the objects in the picture.
② Viewers are not likely to recognize the skull at a glance in front of it.
③ The secret message in the picture can be identified only at the front.
④ The theme of death was one of the great taboos in Renaissance art.
⑤ The artist must have wanted to frighten viewers with skull's original shape.
① ⓐ, ⓒ ② ⓑ, ⓒ
③ ⓑ, ⓓ ④ ⓒ, ⓔ
⑤ ⓓ, ⓔ
Telling Stories
Here is a picture of two men. Between them are many ordinary objects (A)____________ look so
real (A)____________ even the smallest detail can be detected. If you look at the picture closely,
however, you will see a strange form at the bottom center. Can you tell what it is?
It is, in fact, a secret message (A)____________ the artist hid in the picture. He distorted the shape
of a common object to make it harder to recognize. ⓐ It can be identified only when it is viewed
from a specific angle. ⓑ To catch the message, look for the arrow on the right of the picture. ⓒ It
is a skull, spread out! The skull was a (B)(re ) of death, a common theme in Renaissance art.
ⓓ It stands for the short, meaningless nature of life, and the artist must have painted the skull to
remind us that we will, one day, die. ⓔ The artist, however, may not have wanted to frighten the
viewers with too direct an image and hid the message. The painting probably hung on a wall right
beside the stairs, so (A)____________ the viewers, while coming down, could see the skull in its
original shape.
Then, view the picture from that angle with your nose directly against the paper, and the secret
message will appear.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
답: __________________________
93. 위 글의 내용 중 문맥상 (B)에 들어갈 한 단어를 주어진 철자로 시작하여 쓰시오. 93)
답: re_______________________
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94. 다음 글의 내용을 읽고 보기의 단어를 모두 배열하여 주어진 뜻에 맞게 빈칸의 문장을 총 8단어로 완성하시오 .(부
분점수 없음, 필요시 어형을 변형할 것)94) [5과 ]
Imitating Reality
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled no animals, but his competitor, who tired to
pull the painted curtain aside to see the picture behind it.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and held it forever. In this
picture, a boy ________________________________ of the picture. (이 그림에서는, 한 소년이
어두운 그림의 공간에서 빠져나오려고 하는 것처럼 보인다) He has one foot on the frame, seemingly
trying to pull himself out of the scene. To these artists, what mattered most was the vividness of the
moment.
<보 기 >
to / space / seem / from / be / dark / emerge / the
답 : ____________________________________________________________________________________________
Rene Magritte, a Belgian painter, understood one thing ⓐbetter than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they ⓑdiffer from how we see reality. For example, loo at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we ⓒcan explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters tried to capture the workings of the human ⓓ
unconscious through fantastic images.
We can think of art as a history of illusions. Looking at the world through art, we come to
appreciate it from ⓔunexpected, surprising, and fresh perspectives.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
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96. 다음 글의 문맥에 맞게 빈칸에 들어갈 말을 아래 보기에 주어진 단어를 재배열하여 쓰시오 . 단, 보기의 단어는 한
번 씩만 모두 사용하고 형태를 변화시키지 말 것.96) [5과 ]
Artists work magic with visual images. Their colors and shapes can fool us. Sometimes, their works
confuse us with their extreme reality. At other times, ______________________________________and
make us wonder about them. Artists are also able to paint images f rom our dreams on their
canvases. With their magic, artists can fascinate us and take us away from our everyday lives.
<보 기 >
ordinary / strange / into / artists / turn / something / images
답: _____________________________________________________________________________________________
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures ⓐso well
that we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them ⓑare many ordinary objects that look so real that even the smallest detail can be
detected. If you look at the picture closely, however, you will see a strange form at the bottom
center. Can you tell ⓒwhat is it? It is, in fact, a secret message ⓓthat the artist hid in the picture.
He distorted the shape of a common object to make ⓔit harder to recognize. It can be identified
only when it is viewed from a specific angle.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
To ⓐget the message, look for the arrow on the right of the picture (A) Then, view the picture from
that angle with your nose ⓑright against the paper, and the secret message will ⓒemerge. (B) It is
a skull, spread out! (C) The skull was a reminder of death, a common theme in Renaissance art. (D)
It stands for the short, ⓓmeaningful nature of life, and the artist must have painted the skull to
remind us that we will, one day, die. (E) The painting probably hung on a wall right beside the
stairs, so that the viewers, while coming down, could see the skull in its original ⓔform.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
The artist, however, may not have wanted to frighten the viewers with too direct an image and hid
the message.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
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Rene Magritte, a Belgian painter, understood one thing better than anyone else−ⓐthat common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from ⓑhow we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain the thing exactly ⓒwhich we see, just as if it were a dream. Magritte belonged to
an art movement ⓓcalled Surrealism. Surrealist painters tried to capture the workings of the human
unconscious through fantastic images. We can think of art as a history of illusions. Looking at the
world through art, we come to appreciate it from ⓔunexpecting, surprising, and fresh perspectives.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures well and
we might miss them even when they are right before our eyes. Here is a picture of two men.
Between them are many ordinary objects that look so real that even the smallest detail can be
detected. If you look at the picture closely, however, you will see a strange form at the bottom
center. Can you tell what it is?
It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
common object to make it harder to recognize. It can be identified only when it is viewed from a
specific angle. To catch the message, look for the arrow on the right of the picture. Then, view the
picture from that angle with your nose directly against the paper, and the secret message will
appear. It is a skull, spread out! The skull was a reminder of death, a common theme in
Renaissance art. It stands for the short, meaningless nature of life, and the artist must have painted
the skull to remind us that we will, one day, die. The artist, however, may not have wanted to
frighten the viewers with too direct an image and hid the message. The painting probably hung on a
wall right beside the stairs, so that the viewers, while coming down, could see the skull in its original
shape.
101. 다음 <보기 >는 위 본문을 요약한 문장이다 . 주어진 조건을 활용하여, < 보기 > (A)에 들어갈 내용을 위 본문에 주
어진 단어만 사용 또는 변형하여 완성하시오. 101)
<조건 >
1. 반드시 본문에 있는 단어들을 그대로 사용하거나 변형하여 쓸 것 .
2. 글의 흐름과 내용에 적합 할 것.
<보기>
In order for some artists to covey hidden messages in the pictures. they use illusionary images
difficult to recognize by (A)________________________________ or using indirect messages.
답:_____________________________________________________________________________________________.
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<조건 >
1. 주어, 동사를 포함한 완전한 문장으로 완성할 것 .
2. 문장의 첫 글자는 대문자로 기입할 것.
3. 15단어 이내의 답안을 기입할 것.
답: ____________________________________________________________________________________________.
This kind of realistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. ⓐIts purpose was to capture a moment in time and ⓑhold it forever. In this
picture, a boy seems to be ⓒemerging from the dark space of the picture. He has one foot on the
frame, seemingly trying to pull ⓓhimself out of the scene. To these artists, what mattered most ⓔ
were the vividness of the moment.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
The Renaissance was the period of time from the 14th to the 17th century in Europe. The word
“Renaissance” means rebirth. It was a rebirth of education, science, art, literature, music, and a
better life for people in general. The High Middle Ages which had come before the Renaissance had
been characterized by famines, wars, and diseases. People had had little time for music of art and
life had been cruel and short. One of the big changes in art was to paint and sculpt subjects as
realistically as possible. This is called realism and many new techniques were introduced that make
the subjects and the background in a picture look like they do in real life. This also meant giving
subjects more emotional qualities.
It is a secret message that the artist hid in the picture. He distorted the shape of a common object
to make it harder to recognize. It can be identified only when it is viewed from a specific angle. To
catch the message, look for the arrow on the right of the picture (A)_________, view the picture from
that angle with your nose directly against the paper, and the secret message will appear. It is a
skull, spread out! The skull was a reminder of death, a common theme in Renaissance art. It stands
for the short, meaningless nature of life, and the artist must have painted the skull to remind us that
we will, one day, die. The artist, (B)__________, may not have wanted to frighten the viewers with
too direct an image and hid the message. The painting probably hung on a wall right beside the
stairs, so that the viewers, while coming down, could see the skull in its original shape.
(A) (B)
① Therefore however
② Therefore moreover
③ Therefore in fact
④ Then however
⑤ Then moreover
Surrealism was a 20th century art movement that explored the deep “unconscious minds” of people.
ⓐThe Surrealists rejected the rational world as it was based on real recorded experiences and it did
not take into consideration the imagination. ⓑ Now in our modern times, artists became to pursue a
fairly rational view of world. ⓒThey sought a new kind of reality, a higher level of reality that they
called “surreality,‘ and its images were based on their dreams and imagination. ⓓ Over the years
there have been many artists associated with Surrealism which continues to exert its influence on art
to this day. ⓔHowever, the major figures who were most responsible for creating the golden age of
Surrealism were Joan Miro, Salvador Dali and René Magritte.
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
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107. 다음 글의 내용을 한 문장으로 요약하고자 한다 . 빈칸 (A), (B)에 들어갈 말로 가장 적절한 것은?107) [5과]
René Magritte, a Belgian painter, understood one thing better than anyone else-that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we reality. For example, look at the lady in the picture.
Where is she riding? Is she in front, behind, or among the trees? The image feels real, but we
cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called Surrealism. Surrealist painters t ried to capture the workings of the human
unconscious through fantastics images.
↓
Surrealist painters tired to paint fantastic images like the landscape of (A)___________ to capture
the activities of the human (B)____________.
(A) (B)
① realities subconscious
② stories thought
③ spaces brain
④ dreams unconscious
⑤ forests nature
Some artists used illusions to tell a story. Sometimes, they hid messages in their picture (that / so
might / we / them / well / miss ) even when they are right before our eyes.
Here is a picture of two men. Between them are many ordinary objects that looks so real that even
the smailest detail can be detected. If you look at the picture closely, however, you will see a
strange form at the bottom center. Can you tell what it is?
______________________________________________________________________________________
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109. 다음 글에서 교과서에 나온 다음 그림에 대한 에세이를 주어진 단어를 활용하여 완성하시오. 109) [5과 ]
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so real that birds actually tried to eat them. The other artist, however,
won the competition, when his picture of a curtain fooled not animals, but his competitor, who tried
to pull the painted curtain aside to see the picture behind it.
<보기>
- 아래 제시한 단어를 모두 포함하는 한 문장의 영문으로 작성.
- 필요하면 제시한 단어의 어형을 변형할 수 있음.
- 의미를 구현하기 위해 필요한 다넝를 추가할 수 있음.
Q: Why does the wirter mention the two artists in ancient Greece?
A: ____________________________________________________________________________________
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111. 위 글의 밑줄 친 his competitior 가 구체적으로 누구를 가리키는지를 본문에 내용을 토대로 한글로 설명하시
오. 111)
______________________________________________________________________________________
Sometimes artists' work ⓐ _________________________. In the past, the main goal of many
painters was to imitate reality. One popular story from ancient Greece tells of two famous painters.
They wanted to prove their skills in a competition. One of them painted grapes that ⓑlooked so
really that birds actually tried to eat it. The other artist, however, won the competition, when his
picture of a curtain fooled not animals, but his competitor, who tried to pull the painted curtain aside
to see the picture behind it.
This kind of realistic art was (A)[popular / uncommon] during the ancient Greek and Roman times
and then again during the Renaissance. Its purpose was to (B)[release / capture] a moment in time
and hold it forever. In this picture, a boy seems to be emerging from the dark space of the picture.
He has one foot on the frame, seemingly trying to pull himself out of the scene. To these artists,
what mattered most was the (C)[vagueness / vividness] of the moment.
(A) (B) ( C)
① popular release vagueness
② uncommon release vividness
③ popular capture vagueness
④ uncommon capture vagueness
⑤ popular capture vividness
114. 위 글의 밑줄 친 ⓑ에서 어법상 어색한 부분 (들)을 수정하여 올바른 문장을 쓰시오 .114)
정답: ___________________________________________________
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Some artists used illusions to tell a story. Sometimes, they hid messages in their pictures so well
that we might miss them even when they are right before our eyes.
(A) To catch the message, look for the arrow on the right of the picture. Then, view the picture from
that angle with your nose directly against the paper, and the secret message will appear. It is a
skull, spread out!
(B) It is, ⓐ_________, a secret message that the artist hid in the picture. He distorted the shape of
a common object to make it harder to recognize. It can be identified only when it is viewed from a
specific angle.
(C) Here is a picture of two men. Between them are many ordinary objects that look so real that
even the smallest detail can be detected. If you look at the picture closely, ⓑ _________, you will
see a strange form at the bottom center. Can you tell what it is?
The skull was a reminder of death, a common theme in Renaissance art. It stands for the short,
meaningless nature of life, and the artist must have painted the skull to remind us that we will, one
day, die. The artist, ⓒ _________, may not have wanted to frighten the viewers with too direct an
image and hid the message. The painting probably hung on a wall right beside the stairs, so that the
viewers, while coming down, could see the skull in its original shape.
ⓐ ⓑ ⓒ
① in fact however however
② however therefore moreover
③ thus moreover otherwise
④ first eventually thus
⑤ moreover thus first
정답: ___________________________________________________________________________________________
정답: ___________________________________________________________________________________________
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118. 위 글의 내용을 한 문장으로 요약하고자 한다. 빈칸 (A), (B), (C)에 각각 들어갈 낱말을 본문에서 찾아 문장을
완성하시오. 118)
Some artists use (A)___________ to turn (B)___________ images into something (C)___________
and make us wonder about them.
정답: ___________________________________________________________________________________________
and make us wonder about them.
(A) Here is a picture of two men. ⓐBetween they are many ordinary objects that look so real that
even the smallest detail can be detected. If you look at the picture closely, however, you will see a
strange form at the bottom center. Can you tell what it is?
(B) It stands for the short, meaningless nature of life, and the artist ⓑmust has painted the skull to
remind us that we will, one day, die. The artist, however, may not have wanted ⓒto frighten the
viewers with too directly an image and hid the message.
(C) To catch the message, look for the arrow on the right of the picture. Then, view the picture from
that angle ⓓwith your nose directly against the paper, and the secret message will appear. It is a
skull, spread out! The skull was a reminder of death, a common theme in Renaissance art.
(D) It is, in fact, a secret message that the artist hid in the picture. He distorted the shape of a
common object to make it harder to recognize. It can be identified ⓔonly when it viewed from a
specific angle.
119. 위 글의 주어진 글 (A)에 이어질 내용을 순서에 맞게 배열한 것으로 가장 적절한 것은 ?119)
① ⓐ ② ⓑ ③ ⓒ ④ ⓓ ⑤ ⓔ
Rene Magritte, a Belgian painter, understood one thing better than anyone else - that common,
everyday objects can be painted in surprising ways. His paintings represent objects in great detail,
but at the same time they differ from how we see reality. For example, look at the lady in the
picture. Where is she riding? Is she in front, behind, or among the trees? The image feels real, but
we cannot explain exactly what we see, just as if it were a dream. Magritte belonged to an art
movement called (A)Surrealism. Surrealist painters tried to capture the workings of the human
unconscious through fantastic images.
• 각 빈칸에 한 단어씩 쓸 것
• 전체 문장을 답안지에 쓸 것
→______________________________________________________________________________________________
→______________________________________________________________________________________________
In the past, the main goal of many painters was to imitate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. ⓐOne of
them painted grapes that looked so real that birds actually tried to eat them. ⓑThe other artist,
however, won the competition, when his picture of a curtain fooled not animals, but his competitor,
who tried to pull the painted curtain aside to see the picture behind it.
This kind of ⓒrealistic art was popular during the ancient Greek and Roman times and then again
during the Renaissance. Its purpose was to capture a moment in time and hold ⓓit forever. In this
picture, a boy seems to be emerging from the dark space of the picture. ⓔHe has one foot on the
frame, seemingly trying to pull himself out of the scene. To these artists, what mattered most was
the vividness of the moment.
In the past, the main goal of many painters was to simulate reality. One popular story from ancient
Greece tells of two famous painters. They wanted to prove their skills in a competition. One of them
painted grapes that looked so (A)[vivid / vividly] that birds actually tried to eat them. The other artist,
however, won the competition, (B)[when / which] his picture of a curtain fooled not animals, but his
competitor, who tried to pull the painted curtain aside to see the picture behind it. This kind of
realistic art was popular during the ancient G reek and Roman times and then again during the
Renaissance. Its purpose was to capture a moment in time and hold it forever. In this picture, a boy
seems to be emerging from the dark space of the picture. He has one foot on the frame, seemingly
trying to pull himself out of the scene. To these artists, (C)[that / what] mattered most was the
vividness of the moment.
Some artists used illusions, hiding messages in their pictures so well that we might miss them even
when they are right before our eyes. Here is a picture of two men. Between them are many ordinary
objects that look so real that even the smallest detail can be detected. If you look at the picture
closely, however, you will see a strange form at the bottom center. It is, in fact, a secret message
that the artist hid in the picture. He distorted the shape of a common object to make it harder to
recognize. It can be identified only when it is viewed from a specific angle. To catch the message,
look for the arrow on the right of the picture. Then, view the picture f rom that angle with your nose
directly against the paper, and the secret message will appear. It is a skull, spread out! The skull
was a reminder of death, a common theme in Renaissance art. It stands for the short, meaningless
nature of life, and the artist must have painted the s 11 to remind us that we will one day, die. The
painting pro ably hung on wall right beside the stairs, so that the viewers, while coming down, could
see the skull in its original shape.
somethings strange
97) ③
98) ④
99) ⑤
100) ⑤
101) distorting the shape of a common
object
102) It stood for the s hort, meani ngless
nature of life.
103) ⑤
104) ④
105) ④
106) ②
107) ④
108) so well that we might miss them
109) (The artist) must have painted the
happiest moment of his wife and himself
being together.
(I fell like) I'm i n a dream when I see it.
110) Because the writer want to show that
the main goal was imitate reality.
111) 커튼 뒤에 있는 그림을 보려고 커튼을 열러
했던 사람(포도를 그린 사람 )
112) ③
113) ⑤
114) looked so real that birds actuall y tried
to eat them.
115) ⑤
116) ①
117) 1) It was a reminder of death.
2) The artist may not have wanted to
frighten the viewers.
118) Some artists use illusions to turn
ordinary images i nto something strange.
119) ⑤
120) ④
121) ③
122) (A) Artists hid messages in their
pictures so well that we might miss them
even when they are right before our eyes. /
(B) I think of my mother as a person who
loves me more than a nyone else in the
world.
123) ④
124) ①
125) ③