Thank you for selecting the advanced guitar effects processor ZOOM Player 2020 (hereafter

called “2020”).

The 2020 is a sophisticated multi-effect device with the following features and functions:

• A total of 19 built-in individual effects, which can be combined in patches of

up to six effects of five types. 20 preset patches and a user memory for 20
additional patches offer extraordinary flexibility.

• Integrated foot pedals and informative control panel show settings at a glance
and allow easy operation like a compact effector.

• Compressor and distortion effects are generated using analog circuitry, to

assure rich and natural-sounding sustain and distortion effects.

• By using the optional foot controllers FP01 or FS01, pedal wah effects and
single effect on/off switching are possible, for further enhanced playability.

Please take the time to read this manual carefully, in order to get the most out of your 2020 and to
ensure optimum performance and reliability.

1
 Contents

Safety Precautions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3
Usage Precautions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3

Terms Used in This Manual •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••4

Names and Functions of Controls and Connectors •••••••••••••••••••••••••••••••••••••••••••••••••5

Front Panel • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5
Rear Panel • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6

Connection Examples • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to one guitar amplifier (Example 1) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to two guitar amplifiers (Example 2) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to a tape recorder or mixer (Example 3) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Using headphones for monitoring (Example 4) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7

Playing a Patch (Use of the Play Mode) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8

Selecting a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8
Adjusting the patch level • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9
Bypassing the Effects • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9

Editing a Patch (Use of the Edit Mode) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10

What Is a Patch? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
Entering the Edit mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
Panel Display in Edit Mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11
Editing a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11
Turning Effect Modules On and Off • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Compare • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Storing a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12

Effect Types and Parameters • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13

Effect Module 1:Compressor + distortion (COMP+DIST) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13

Effect Module 2: Equalizer (EQ) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 14
Effect Module 3: Modulation • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 15
Effect Module 4: Delay • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 16
Effect Module 5: Reverb • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17
Patch Level • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17

Other Functions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
Restoring Individual Factory Preset Patches (Patch Recall) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
Restoring All Factory Preset Patches (Initialize) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18

Application Examples for Use of Foot Pedal and Foot Switch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19

Using the FP01 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19

Using the FS01 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19

Specifications • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 20

2
Safety Precautions Usage Precautions
Please observe the following safety tips and precautions to • Electrical interference
ensure hazard-free use of the 2020. The 2020 uses digital circuitry that may cause interference
and noise if placed too close to other electrical equipment,
• Power requirements such as TV sets and radio receivers. If such problems
The 2020 is powered by the supplied AC adapter occur, move the 2020 further away from the affected
AD0003/AD0004. Do not use any other kind of AC equipment. Also, when fluorescent lights or devices with
adapter to prevent malfunction and safety hazards. built-in motors are close to the 2020, the unit may not
function properly.
When wishing to use the 2020 in an area with a different
line voltage, please consult your local ZOOM distributor • Cleaning
about acquiring a proper AC adapter. Use a soft, dry cloth to clean the 2020. If necessary,
slightly moisten the cloth. Do not use abrasive cleanser,
• Environment wax, or solvents (such as paint thinner or cleaning
Avoid using your 2020 in environments where it will be alcohol), since these may dull the finish or damage the
exposed to: surface.
• Temperature extremes
• High humidity or moisture
• Excessive dust or sand Please keep this manual in a convenient place for future
• Excessive vibration or shock reference.

• Handling
Since the 2020 is a precision electronic device, avoid
applying excessive force to the switches and buttons. Also
take care not to drop the unit, and do not subject it to
shock or excessive pressure.

• Alterations
Never open the case of the 2020 or attempt to modify the
product in any way since this can result in damage.

• Connecting cables and input and output jacks

You should always turn off the power to the 2020 and all
other equipment before connecting or disconnecting any
cables. Also make sure to disconnect all cables and the
AC adapter before moving the 2020.

3
 Terms Used in This Manual
This manual has been written so that it can be easily understood also by first-time users. However, the 2020 offers
several special functions which are not available with a conventional compact effector. This section explains some of
the terms used throughout the manual to describe such functions.

• Effect Module
GROUP BANK No. PATCH No.
The 2020 offers five basic effect groups, as shown in the
0 1–4
illustration below. Such an effect group is referred to as an
“effect module”. Each effect module can be thought of as a 1 1–4
single compact effector. The 2020 therefore operates like USER 2 1–4
five compact effectors connected in series. The following
3 1–4
effect modules are available:
4 1–4
PATCH 0 1–4

INPUT COMP+ DIST EQ MODULATION DELAY REVERB OUTPUT

1 1–4
PRESET 2 1–4
3 1–4
PATCH LEVEL
4 1–4

• COMP+ DIST (Analog compressor and distortion • Parameter

effects)
The elements which determine the sound of an effect are
• EQ (Equalizer and wah effects)
referred to as “parameters”. Parameter values can be
• MODULATION (modulation effects such as chorus
adjusted for each effect module, to create your own patches
and flanger)
with the 2020.
• DELAY (delay effects)
• REVERB (reverberation effects)
• Mode
• Effect Type The functions of the 2020 can be roughly divided into three
different categories. These are called “modes”, as described
Each effect module contains several effect variations which
below.
are called “effect types”. Each effect module can use one
effect type at a time. For a list of effect types in each effect
• Play Mode
module, see the table on page 13.
In this mode, patches can be selected and played. This is
the default mode of the 2020 when power is turned on.
• Patches and Groups
The 2020 allows you to use a maximum of five effect • Edit (Manual) Mode
modules simultaneously. A combination of effect modules, In this mode, the parameters of each patch can be edited.
each with individual parameter settings plus the final output The mode can also be used as a manual mode to switch
level setting, is referred to as a “patch”. effect modules on and off during a performance using a
The 2020 has two memory areas or “groups” where patches foot pedal.
are stored: the user group for patches created by the user,
and the preset group for factory defined patches where only • Special Mode
the output level can be changed. Serves to return some or all patch data to the factory
preset condition.
• Bank
The 2020 calls up patches in sets of four, and the foot pedals
serve to switch between patches. Such a set of four patches
is referred to as a “bank”. To select a patch, first specify the
group and the bank, and then use the foot pedals to select
patch number 1 - 4.

4
Names and Functions of Controls and Connectors

Front Panel

COMP+ DIST EQ MODULATION DELAY REVERB (EDIT VALUE)

EFFECT 1 CLN I 3 OD I 5 DST I
2 CLN II 4 OD II 6 DST II
1 EQ 2 WAH 1 PIT
2 PHA 3 FLG 4 TRM
5 STEP 6 CHO
1 MONO
2 PPD
1 REV
2 E/R
3 DELAY (1)
PARM1 COMP
[0-3]
HIGH
[–7-+7]
SENS
[0-10]
PIT
[–12-+12]
DEPTH
[0-10]
[0-10](x100mS)
DELAY TIME
TIME
[1-10]
TIME
[0-90](x100mS) BANK
PARM2 EDGE MID FREQ FINE RATE TONE FEEDBACK GROUP • BANK
[0-99](mS)
[0,1] [–7-+7] [1-64] [–10-+10] [1-50] [–7-+7] [0-10]
(9) USER
PARM3 3 – 6 GAIN
[1-8]
MIDf
[1-16]
BAL
[0-10]
2 – 5 PERK
[0-10]
6 STR
[0,1]
FEEDBACK
[0-10]
MIX
[0-10] ( )
PRESET (2)
BOTH
PARM4 ZNR
[0-15]
LOW
[–7-+7]
MIX
[0-10] PATCH LEVEL
GROUP (10)
PARM5 LEVEL [0-31]
[1-8] STORE (3)
1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB
VALUE
(8)
+ (4)
ZOOM
ADVANCED GUITAR EFFECTS PROCESSOR
EDIT (MANUAL)
–

CANCEL PARAMETER SELECT (5)

(6)
(7)
1 2 3 4

(11)

(1) Display (4) VALUE + / - keys

The display shows vital information for operating the 2020, These keys serve to change the value of a parameter.
such as group and bank numbers of a patch, effect parameter Tapping the VALUE + key increases the value by one step,
values and other messages. and tapping the VALUE - key decreases the value by one
step. Keeping a key depressed changes the value
(2) GROUP key continuously. To increase the speed of the change, press the
• In Play mode other key as well.
Serves to select the memory group for the patch, as • In Play mode
follows. The keys serve to adjust the output level of the patch.
USER Only patches from the user group are • In Edit mode
available. The keys serve to select an effect type and adjust the
PRESET Only patches from the preset group are currently selected parameter.
available.
BOTH Patches from both groups are available. (5) PARAMETER SELECT keys
Serve to select the parameter to be edited in Edit mode.
• In Edit mode
Serves to compare the currently edited patch with the (6) EDIT (MANUAL) / CANCEL key
patch before editing (compare function). For details, Pressing this key switches from Play mode to Edit mode.
please refer to page 12. The Edit mode can also be used as Manual mode to switch
effect modules on and off with a foot pedal.
(3) STORE key The key also serves to return from the Edit mode to the Play
Serves to store an edited patch with its new parameter and mode, and to cancel a store process.
level settings in the user group.

5
(7) Edit mode LED (10) BANK pedal
This LED lights up when the 2020 is in the Edit (Manual) • In Play mode
mode. Selects the next higher bank.
• In Edit (Manual) mode
(8) Module cursor LED Switches REVERB for the effect module on and off. The
• In Play mode pedal LED lights up when REVERB is on.
Lit LED indicates which effect module in the current
patch is ON. (11) Pedal 1 - 4
• In Edit mode • In Play mode
Lit LED indicates which effect module in the currently The pedals serve to select a patch. The respective pedal
edited patch is ON, and flashing LED indicates the LED lights up.
currently edited effect module. • In Edit (Manual) mode
The pedals serve to switch the effect modules
(9) Parameter cursor LED COMP+DIST, EQ, MODULATION, DELAY on and off.
Flashing LED indicates the currently edited parameter in The respective pedal LED lights up.
Edit mode.

Rear Panel

CONTROL IN OUTPUT
INPUT TUNER MANUAL(SW) PHONES
OUT VOLUME /WAH(PEDAL) L/MONO R (REC OUT) DC9V 150mA

SERIAL No.

(1) (2) (3) (4) (5) (6) (7)

(1) INPUT jack (5) OUTPUT L/MONO/R connectors

Serves for connection of a guitar. Serves for connection to a guitar amplifier. To use the 2020
in stereo, connect cables to both jacks. For a monaural
(2) TUNER OUT jack setup, connect the cable to the L/MONO jack.
The guitar signal from the input is supplied without
alteration at this output, to allow tuning without the need for (6) PHONES (REC OUT) jack
cabling changes. For connection of a pair of stereo headphones. Since the
output at this jack has been processed by an amp simulator,
(3) CONTROL IN VOLUME jack it can also be used as recording output for connection to a
This connector allows use of the optional foot pedal FP01 to tape recorder or mixer.
control the volume level of the 2020. Since the level is
adjusted between the EQ module and the MODULATION (7) DC INPUT (AC adapter) jack
module, the volume can be changed without affecting The supplied AC adapter is connected here. To guard
reverberation. against inadvertently disconnecting the adapter cable, wind
the cable once around the hook. As long as the AC adapter
(4) CONTROL IN MANUAL/WAH jack is connected here, the unit is turned on. There is no separate
This jack serves for connection of the optional foot switch power switch.
FS01 or foot pedal FP01. The FS01 can be used to switch
between Play mode and Manual mode, and the FP01 can be
used to control the wah effect of the EQ effect module.

NOTE When connecting the FP01 to a CONTROL IN jack,

use the EXP. OUT connector of the FP01.

6
 Connection Examples

Connection to one guitar amplifier Connection to a tape recorder or mixer

(Example 1) (Example 3)

GUITAR AMPLIFIER
OUTPUT L/MONO INPUT MTR/Mixer
PHONES OUT INPUT

ZOOM

ZOOM

2020
2020
To use the 2020 with one guitar amplifier, connect the
output of the musical instrument to the INPUT jack of the By connecting an adapter cable to the PHONES jack with a
2020, and the OUTPUT L/MONO jack of the 2020 to the stereo miniature phone plug at one end and two standard
amplifier. With this connection, stereo effects such as reverb mono phone plugs (or two RCA-type phono plugs) at the
and ping-pong delay are output in mono.
other end, the output of the 2020 can be fed directly to a
multi-track tape recorder or a mixer. Since the PHONES
Connection to two guitar amplifiers jack output is processed by an amp simulator, the recording
(Example 2) will have the characteristic guitar amplifier sound, although
it is a line connection.

Using headphones for monitoring

(Example 4)
OUTPUT
GUITAR AMPLIFIER L/MONO

OUTPUT R INPUT

ZOOM

PHONES OUT INPUT

2020 ZOOM

To use the 2020 with two guitar amplifiers, connect the

OUTPUT L/R jacks of the 2020 to the amplifiers. A well 2020
balanced stereo sound can be obtained when the stereo
effects are activated. This setup is suitable for example to practice individually
without disturbing others.

7
 Playing a Patch (Use of the Play Mode)
In the Play mode, a patch is selected and played. When the Selecting a Patch
2020 is turned on, it goes into the Play mode automatically.
• Turn off the amplifier(s) and set the volume control to
In the Play mode, the following information is shown on the
minimum. Then connect the 2020 to the instrument
display. and amplifier(s).

(1) Group • Turn on the amplifier(s) and adjust the volume to a

The currently selected group is shown in the GROUP suitable position while playing the instrument. The
field. 2020 is turned on automatically when the cable from
the AC adapter is connected to the 2020.
(2) Bank number
The currently selected bank number is shown in the • Select the desired group with the GROUP key.
BANK field.
In the 2020, patches are divided into the user group for
patches which can be created and altered freely by the user,
(3) Patch number
and the preset group for factory defined patches where only
The currently selected patch number is indicated by the the output level can be changed. Choose the group from
pedal LED (1 - 4). which you want to select a patch. With each push of the
GROUP key, the group setting cycles through the following
(4) Effect module on/off three settings which are shown on the display.
The effect module on/off condition in the patch is
indicated by the module cursor LED. • U (USER) User group only
• P (PRESET) Preset group only
• U or P (BOTH) User group and preset group

(1) (2)
COMP+ DIST EQ MODULATION DELAY REVERB (EDIT VALUE)
EFFECT 1 CLN I 3 OD I 5 DST I 2 PHA 3 FLG 4 TRM 1 MONO 1 REV
1 EQ 2 WAH 1 PIT 3 DELAY
2 CLN II 4 OD II 6 DST II 5 STEP 6 CHO 2 PPD 2 E/R
PARM1 COMP
[0-3]
HIGH
[–7-+7]
SENS
[0-10]
PIT
[–12-+12]
DEPTH
[0-10]
[0-10](x100mS)
DELAY TIME
TIME
[1-10]
TIME
[0-90](x100mS) BANK
PARM2 EDGE MID FREQ FINE RATE TONE FEEDBACK GROUP • BANK
[0-99](mS)
[0,1] [–7-+7] [1-64] [–10-+10] [1-50] [–7-+7] [0-10]
PARM3 3 – 6 GAIN MIDf BAL 2 – 5 PERK 6 STR FEEDBACK MIX USER
PRESET
[1-8] [1-16] [0-10] [0-10] [0,1] [0-10] [0-10] ( )
BOTH
PARM4 ZNR LOW MIX GROUP
[0-15] [–7-+7] [0-10] PATCH LEVEL
PARM5 LEVEL [0-31]
[1-8] STORE

(4) 1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB

VALUE

+
ZOOM
ADVANCED GUITAR EFFECTS PROCESSOR
EDIT (MANUAL)
–

CANCEL PARAMETER SELECT

1 2 3 4 (3)

8
• Select the bank with the bank pedal. Bypassing the Effects
A bank is a group of four patches. There are five banks each You can temporarily turn off all effects in a patch. This is
(numbered 0 through 4) for the user group and the preset useful for example to check the sonic character of a patch.
group. With each push of the bank pedal, the bank number is
incremented by one. The bank number display flashes. • In the Play mode, press the pedal whose LED is lit (the
pedal that was used to choose the current patch
GROUP=PRESET GROUP=USER GROUP=BOTH number) once more.

All effects in the patch are now bypassed and the original
instrument sound is heard. In the bypass condition, the
LEDs of pedals 1 - 4 flash and the indication “bP” appears
alternately on the group and bank number display.

Press the same pedal again, or select a different patch to

return to normal play mode.

NOTE Only pressing the BANK key does not yet change the
patch. To activate the patch and change the sound,
press one of the pedals 1 - 4, as described below.

• Select the patch by pressing one of the pedals 1 - 4.

The LED of that pedal lights up, showing that the patch has
been selected.

Adjusting the patch level

The final output level of the patch — called the patch level
— is also stored as a parameter along with the other
parameters of the patch. In the Play mode, the patch level
only can be adjusted.

• Press the VALUE + / - keys in the Play mode.

When one of the VALUE + / - keys is pressed, the current

patch level setting is shown on the display as a numeric
value (0 - 31). Pressing VALUE + increases the value and
pressing VALUE - decreases it. To change values
continuously, hold down the key. To change values more
rapidly, press the other key as well.

NOTE • The patch level setting change made in this way is

only temporary. If you select a different patch
without storing the new level setting first, the
setting will be lost. (For details on how to store
settings, please refer to page 12.)

• While other parameters of patches from the preset

group cannot be altered, the patch level can be
changed and stored. This is useful for example to
match levels when combining user patches with
preset patches.

9
 Editing a Patch (Use of the Edit Mode)

What Is a Patch? Entering the Edit mode

Before you attempt to edit a patch, you should have a • Select the desired patch in the Play mode (from the
general idea how patches are created. In the 2020, a patch user group or the preset group) and press the
can contain the following effect modules: EDIT/CANCEL key. The 2020 is now in the Edit
mode, and the Edit mode LED lights up.
• COMP+DIST (Analog compressor and distortion
effects) • Pressing the EDIT/CANCEL key once more returns
the 2020 to the Play mode.
• EQ (Equalizer and wah effects)

• MODULATION (modulation effects such as chorus

and flanger)

• DELAY (delay effects)

• REVERB (reverberation effects)

A combination of these effect modules, each with individual

parameter settings plus the final patch level setting, is
referred to as a “patch”.

In the Edit mode, you can call up the various parameters of

an effect module and change these parameters according to
your wishes and preferences.

PATCH

INPUT COMP+ DIST EQ MODULATION DELAY REVERB OUTPUT

1 CLEAN 1 1 EQ 1 PITCH 1 MONO DELAY 1 REVERB

2 CLEAN 2 2 WAH 2 PHASER 2 Pingpong DELAY 2 E/R
3 OVERDRIVE 1 3 FLANGER 3 DELAY
4 OVERDRIVE 2 4 TREMOLO
5 DISTORTION 1 5 STEP
6 DISTORTION 2 6 CHORUS

PATCH LEVEL

FP01

10
 (3) COMP+ DIST
EFFECT 1 CLN I 3 OD I 5 DST I
EQ MODULATION
2 PHA 3 FLG 4 TRM
DELAY
1 MONO 1 REV
REVERB (EDIT VALUE)
(2)
1 EQ 2 WAH 1 PIT 3 DELAY
2 CLN II 4 OD II 6 DST II 5 STEP 6 CHO 2 PPD 2 E/R
BAL 2 – 5 PERK 6 STR HIGH PIT DEPTH
PARM1 COMP SENS TIME TIME
[0-10](x100mS)
[0-10] [0-10] [0,1] [0-3] [–7-+7] [0-10] [–12-+12] [0-10]
DELAY TIME
[1-10] [0-90](x100mS)
PARM2 EDGE MID FREQ FINE RATE TONE FEEDBACK GROUP • BANK
[0-99](mS)
[0,1] [–7-+7] [1-64] [–10-+10] [1-50] [–7-+7] [0-10]
PARM3 3 – 6 GAIN MIDf BAL 2 – 5 PERK 6 STR FEEDBACK MIX USER
PRESET
[1-8] [1-16] [0-10] [0-10] [0,1] [0-10] [0-10] ( )
BOTH
PARM4 ZNR LOW MIX GROUP
[0-15] [–7-+7] [0-10] PATCH LEVEL
PARM5 LEVEL [0-31]
[1-8] STORE

1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB

VALUE

+
ZOOM
ADVANCED GUITAR EFFECTS PROCESSOR
EDIT (MANUAL)
–
(1)
CANCEL PARAMETER SELECT

1 2 3 4

Panel Display in Edit Mode Editing a Patch

In the Edit mode, the following information is shown on the • In the Edit mode, use the PARAMETER SELECT
panel display. keys to select the desired parameter.

(1) Effect module on/off The left/right PARAMETER SELECT keys control the
The LEDs of pedals for effect modules which are on module cursor LEDs and the up/down PARAMETER
(pedals 1 - 4 and BANK pedal) are lit. SELECT keys control the parameter cursor LEDs. The
display indication changes accordingly.
The pedals 1 - 4 and the BANK pedal correspond to
HINT the following effect modules.
The topmost row of parameter LEDs corresponds to
HINT the EFFECT parameter which changes the effect
Pedal 1 COMP+DIST
Pedal 2 EQ type. When the effect type is changed, the setting of
Pedal 3 MODULATION parameters 1 - 5 also changes. Therefore it is best to
Pedal 3 DELAY first select the effect type and then work on the other
BANK pedal REVERB parameters when creating an effect from scratch.

(2) Parameter value • Use the VALUE +/- keys to change the parameter
The value of the parameter currently selected for editing value.
is shown on the display.
The value of the currently selected parameter is changed. To
(3) Parameter type change values continuously, hold down the key. To change
The type of the parameter currently selected for editing values quickly, press the other key as well.
is indicated by the flashing module cursor LED and
parameter cursor LED.

COMP+ DIST EQ MODULATION DELAY REVERB

EFFECT 1 CLN I 3 OD I 5 DST I 2 PHA 3 FLG 4 TRM 1 MONO 1 REV
1 EQ 2 WAH 1 PIT 3 DELAY
2 CLN II 4 OD II 6 DST II 5 STEP 6 CHO 2 PPD 2 E/R
PARM1 COMP HIGH SENS PIT DEPTH TIME TIME
[0-10](x100mS)
[0-3] [–7- +7] [0-10] [–12-+12] [0-10] [1-10] [0-90](x100mS)
DELAY TIME
PARM2 EDGE MID FREQ FINE RATE TONE FEEDBACK
[0-99](mS)
[0,1] [–7-+7] [1-64] [–10-+10] [1-50] [–7-+7] [0-10]
PARM3 3 – 6 GAIN MIDf BAL 2 – 5 PERK 6 STR FEEDBACK MIX
[1-8] [1-16] [0-10] [0-10] [0,1] [0-10] [0-10]
PARM4 ZNR LOW MIX
[0-15] [–7-+7] [0-10] PATCH LEVEL
PARM5 LEVEL [0-31]
[1-8]

1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB

11
 For details on the parameters of each effect module,
Storing a Patch
HINT please refer to “Effect Types and Parameters” on If an edited patch (or a patch whose patch level setting was
page 13. changed in the Play mode) is not stored, the change will be
lost when another patch is selected. To preserve a setting,
• Change other parameters in the same way. store the patch as described below.

NOTE Parameter setting changes made in this way are only

temporary. If you return to the Play mode or select a • Press the STORE key in the Play mode or Edit mode.
different patch without storing the new settings first,
the settings will be lost. For details on how to store a This activates the store mode, and you can now choose the
patch, please refer to next section.
bank number and patch number in which you want to store
the patch.

NOTE For patches from the preset group, parameters other

Turning Effect Modules On and Off than the patch level cannot be stored. Therefore,
even if a patch was chosen from the preset group, the
In the Edit mode, each effect can be turned on and off store destination will automatically become “U”
independently from others. (user group) if a parameter other than the patch level
was changed. If only the patch level was changed,
the store destination can also be “P” (preset group).
• Pressing a pedal corresponding to an effect module
that is currently on (pedal LED and effect module • Use the BANK pedal and pedals 1 - 4 to specify the
cursor LED are lit) turns the effect module off. bank number and patch number.

The LED goes out. Press the pedal again to turn the effect If no input is made, the patch will be stored in the original
back on. bank number and patch number.
The effect module on/off setting can also be stored as
HINT part of a patch. NOTE When a patch is stored, the patch that was previously
stored in that number will be overwritten (erased).
Take care not to erase a patch that you want to keep.
When wishing to restore the factory preset patches,
please refer to the explanation on page 18.
Compare
During editing, it is possible to temporarily return to the • Press the STORE key again. The patch is stored, and
setting that was active before starting the editing process. the 2020 reverts to the Play mode.
This is called the “compare” function. If the STORE key has not yet been pressed for the
NOTE second time, you can use the EDIT/CANCEL key to
• In the Edit mode, press the GROUP key. cancel the store process and return to the
immediately preceding mode.

The previous value of the parameter where the cursor is When connecting the FP01 to a CONTROL IN jack,
currently located and the indication “CP” appear alternately HINT use the EXP. OUT connector of the FP01.
on the display.

• Press the GROUP key once more.

The 2020 returns to the Edit mode.

The compare function is useful for example to check

HINT how a certain parameter change affects the overall
sound. When the parameter is selected with the
PARAMETER SELECT keys, the value of that
parameter is shown on the display.

12
 Effect Types and Parameters
In this section, all effect types and parameters of the 2020 are explained. Parameters that are the same for several
effects are explained in detail only the first time they appear.

COMP+ DIST EQ MODULATION DELAY REVERB

1 CLEAN 1 1 EQ 1 PITCH 1 MONO DELAY 1 REVERB

2 CLEAN 2 2 WAH 2 PHASER 2 Pingpong DELAY 2 E/R
3 OVERDRIVE 1 3 FLANGER 3 DELAY
4 OVERDRIVE 2 4 TREMOLO
5 DISTORTION 1 5 STEP PATCH
6 DISTORTION 2 6 CHORUS LEVEL

■ Effect Module 1: Parameter 1 COMP 0 to 3

Compressor + distortion (COMP+DIST) Parameter 2 EDGE 0, 1
Parameter 4 ZNR 0 to 15
The compressor effect maintains the volume at a certain
level without impairing the sense of tone and attack. The
distortion effect produces a characteristic tube- amplifier- 3 OD I (Overdrive 1)
like distortion combined with long sustain.
Overdrive effect with the warm distortion sound that is
1 CLN I (Clean 1) typical for tube amplifiers.

Parameter 1 COMP 0 to 3
This effect type uses only the compressor, to obtain a clean
sound without distortion. The effect is especially suitable for
Parameter 2 EDGE 0, 1
electric guitars. Parameter 3 GAIN 1 to 8
Parameter 4 ZNR 0 to 15
Parameter 1 COMP 0 to 3
Parameter 2 EDGE 0, 1 Explanation
(3)GAIN: Determines distortion intensity in the overdrive
Parameter 4 ZNR 0 to 15
circuit. The higher the value, the deeper the distortion.

Explanation
(1)COMP (compressor): determines the depth of the 4 OD II (Overdrive 2)
compression. The higher the value, the smaller the level
difference, and the longer sustain is obtained. Overdrive effect with heavy, fuzzy distortion.
(2)EDGE: At a setting of “1”, the treble range is
emphasized. This parameter makes the sound more Parameter 1 COMP 0 to 3
distinct.
Parameter 2 EDGE 0, 1
(4)ZNR (Zoom Noise Reduction): This parameter
Parameter 3 GAIN 1 to 8
adjusts the threshold for the ZNR feature which cuts
Parameter 4 ZNR 0 to 15
noise during performance pauses. You should set the
parameter to a value as high as possible, but without
causing the instrument release to sound unnatural. 5 DST I (Distortion 1)

2 CLN II (Clean 2) Hard distortion effect similar to a large amplifier driven to

full capacity.
Clean sound effect with flat characteristics that is suitable
also for electro-acoustic guitar.

13
 Parameter 1 COMP 0 to 3 is the center frequency.
Parameter 2 EDGE 0, 1 (4)LOW (low range): Adjusts the low frequency range. A
Parameter 3 GAIN 1 to 8 value of 0 (zero) signifies flat response. The higher the
Parameter 4 ZNR 0 to 15 value, the stronger is the low frequency boost.
(5)LEVEL: Determines the EQ module output level.

6 DST II (Distortion 2) The LEVEL parameter allows compensation for the

HINT change in output level due to a tone boost or cut.

Distortion with a thick, full-bodied character that is ideal for When HIGH, MID, and LOW are all at the flat
setting, the LEVEL setting "5" produces the same
the heavy metal genre. volume as EQ OFF.

Parameter 1 COMP 0 to 3
Parameter 2 EDGE 0, 1 2 WAH
Parameter 3 GAIN 1 to 8
Parameter 4 ZNR 0 to 15 This is an auto wah effect where the emphasized frequency
range changes according to the dynamics of the input signal.
If the optional foot pedal FP01 is used, manual pedal wah is
■ Effect Module 2: Equalizer (EQ) also possible.
This effect module comprises two effect types to control the
tonal character of the sound. Parameter 1 SENS 0 to 10
Parameter 2 FREQ 1 to 64
Parameter 5 LEVEL 1 to 8
1 EQ (Equalizer)
Explanation
This is an equalizer with independent boost/cut for the high, (1)SENS (sensitivity): Determines the sensitivity of the
medium, and low frequency range. The mid-range control is auto wah effect. The bigger the value, the bigger the
a parametric type allowing the user to freely select the frequency change even at low volume levels. At a setting
center frequency. of 0 (zero), the frequency range emphasis acts as a fixed
bandpass filter.
Parameter 1 HI -7 to +7 (2)FREQ (frequency): Determines the reference
Parameter 2 MID -7 to +7 frequency.
Parameter 3 MID f 0 to 16 At a SENS setting of 0 (zero), the foot pedal FP01
Parameter 4 LOW -7 to +7 HINT acts as a pedal wah, and at other settings as a
Parameter 5 LEVEL 1 to 8 controller which changes the auto wah sensitivity. For
details, please refer to page 19.

Explanation
(1)HI (high range): Adjusts the high frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger is the high frequency boost.
(2)MID (midrange): Adjusts the medium frequency range.
A value of 0 (zero) signifies flat response. The higher the
value, the stronger is the medium frequency boost.
(3)MID f (midrange frequency): Determines the center
frequency for cut/boost. The higher the value, the higher

Equalizer Operation
Gain
Mid f

0 Frequency

LOW MID HI

14
■ Effect Module 3: Modulation 3 FLG (Flanger)
This effect module has six effect types which vary the pitch
over time.
This effect adds a delayed component to the direct sound,
with periodically changing delay time in the range of several
1 PIT (Pitch) to several tens of milliseconds. The result is an intense,
distinct sound. When combined with distortion, a swirling
“jet sound” type flanger effect can be obtained.
This effect shifts the pitch up to one octave up or down, and
adds the shifted signal to the direct sound.
Parameter 1 DEPTH 0 to 10
Parameter 2 RATE 1 to 50
Parameter 1 PIT -12 to +12
Parameter 3 PEAK 0 to 10
Parameter 2 FINE -10 to +10
Parameter 3 BAL 0 to 10
Explanation
(1)DEPTH: Determines the depth of the flanger effect.
Explanation
(2)RATE: Determines the speed of the flanger variation.
(1)PIT (Pitch): Determines the pitch change in semitone
(3)PEAK: Determines the amount of feedback. Increasing
steps. The setting range is one octave up or down.
this parameter stresses the modulation impression and
(2)FINE: Allows fine adjustment of pitch.
adds a distinct character to the sound.
(3)BAL (Balance): Determines the balance between effect
sound and direct sound. At a setting of 0 (zero), the
output signal contains only the direct sound, and at a 4 TRM (Tremolo)
setting of 10 only the effect sound.
This effect periodically varies the intensity of the sound.
By setting the pitch to 0 (zero) and somewhat raising
HINT the FINE parameter, you can create a chorus effect The effect can be adjusted from conventional tremolo to a
with slight modulation. strong clipping effect.

Parameter 1 DEPTH 0 to 10
2 PHA (Phase)
Parameter 2 RATE 1 to 50
Parameter 3 PEAK 0 to 10
This effect adds a phase-shifted component to the direct
sound, with a variable amount of phase shift. The effect
Explanation
creates a warm, distinct sound that is different for example
(1)DEPTH: Determines the depth of the tremolo effect.
from flanger or chorus.
(2)RATE: Determines the speed of the tremolo variation.
(3)PEAK: Increasing this parameter deforms the tremolo
Parameter 1 DEPTH 0 to 10
waveform to a trapezoid shape, which causes a strong
Parameter 2 RATE 1 to 50
clipping effect and adds a distinct character to the sound.
Parameter 3 PEAK 0 to 10

Explanation 5 STEP
(1)DEPTH: Determines the depth of phase shift.
(2)RATE: Determines the speed of phase shift. This effect causes random pitch changes and creates an auto
(3)PEAK: Adds a distinct character to the sound by arpeggio sound.
emphasizing the effect.
Parameter 1 DEPTH 0 to 10
Parameter 2 RATE 1 to 50
Parameter 3 PEAK 0 to 10
Effect of the PEAK Parameter
Level Level

Time Time
PEAK=0 PEAK=10

15
Explanation
(1)DEPTH: Determines the depth of the pitch change. 1 MONO
(2)RATE: Determines the speed of the effect (arpeggio rate)
(3)PEAK: Determines the amount of feedback. Increasing Orthodox digital delay with a delay time of up to 1000
this parameter stresses the feeling of modulation and milliseconds.
adds a distinct character to the sound. Parameter 1 DELAY TIME (x100 ms) 0 to 10
Parameter 2 DELAY TIME(x1 ms) 0 to 99
This effect creates a sound that is similar to the
HINT sample- and-hold function of a synthesizer.
Parameter 3 FEEDBACK 0 to 10
Parameter 4 MIX 0 to 10

6 CHO (Chorus) Explanation

(1)DELAY TIME (x100 ms): This parameter adjusts the
This effect adds a component with periodically changing delay time (interval between delayed sounds) in 100-ms
pitch to the direct sound, which results in a spatially wide steps.
impression. The effect can be used in mono or stereo. In (2)DELAY TIME (x1 ms): This parameter adjusts the
principle, this is similar to the flanger effect, but without the delay time in 1-ms steps. The sum of parameters (1) and
PEAK parameter. (2) becomes the final delay time. When parameter (1) is
10 (= 1000 ms), parameter (2) is fixed at 0 (zero).
Parameter 1 DEPTH 0 to 10 (3)FEEDBACK: Determines the number of repetitions of
Parameter 2 RATE 1 to 50 the delay sound. The higher the value, the more
Parameter 3 STEREO 0, 1 repetitions are added.
(4)MIX: Determines the balance between effect sound and
Explanation direct sound. At a setting of 0 (zero), the output signal
contains only the direct sound, and at a setting of 10 only
(1)DEPTH: Determines the depth of the pitch change.
the effect sound.
(2)RATE: Determines the speed of the rate change.
(3)STEREO: A setting of 0 (zero) gives a monaural effect
and a setting of 1 a stereo effect. 2 PPD (Ping-pong delay)
To obtain a pleasant chorus effect, adjust the depth
HINT according to the rate parameter. This is a ping-pong type delay where the delayed sound
alternates between the left and right channel.

Parameter 1 DELAY TIME (x100 ms) 0 to 10

■ Effect Module 4: Delay Parameter 2 DELAY TIME (x1 ms) 0 to 99
This effect module adds an echo component to the direct Parameter 3 FEEDBACK 0 to 10
sound. You can choose between simple monaural delay and Parameter 4 MIX 0 to 10
stereo ping-pong delay.
When the 2020 is used in a monaural configuration,
NOTE only short delay signals are output from the
OUTPUT L/MONO jack.

Ping-pong Delay

Left (Delay Left)

(Direct)

Right (Delay Right)

16
■ Effect Module 5: Reverb contains only the direct sound, and at a setting of 10 only
the effect sound.
This effect module includes three types of reverberation
effects.
NOTE When the 2020 is used in a monaural configuration,
only short delay signals are output from the
OUTPUT L/MONO jack.
1 REV1 (Reverb 1)
By combining this effect with the ping-pong delay of
HINT the DELAY module, complex multiple delay effects
This effect simulates hall-type reverberation, adding rich can be created.
ambience to the sound.

Parameter 1 TIME 1 to 10 ■ Patch Level

Parameter 2 TONE -7 to +7 Parameters 4 and 5 of the REVERB module serve to set the
Parameter 3 MIX 0 to 10 patch level. This setting can also be stored as part of the
patch.
Explanation
(1)TIME: Determines the duration of the reverberation. Parameter 4 PATCH LEVEL 0 to 31
Higher values increase the reverb time and the apparent Parameter 5 PATCH LEVEL 0 to 31
room size.
(2)TONE: Determines the tonal quality of the Explanation
reverberation. The higher the value, the brighter the (4)/(5) PATCH LEVEL: Determines the individual output
sound. level for each patch.
(3)MIX: Determines the balance between effect sound and
direct sound. The patch level parameter can be set regardless of
HINT the REVERB module on/off status. It is also possible
to change the patch level in the Play mode.
2 E/R (Early Reflections) When all modules are OFF, the PATCH LEVEL
setting "25" produces the same volume as in the
This is a short, room-type reverb effect, which adds body bypass mode.
and ambience to the sound without causing excessive
boominess.

Parameter 1 TIME 1 to 10
Parameter 2 TONE -7 to +7
Parameter 3 MIX 0 to 10

3 Delay

This effect is similar to the ping-pong delay of the DELAY

module, but with a maximum delay time of 900
milliseconds.

Parameter 1 TIME (x10 ms) 0 to 90

Parameter 2 FEEDBACK 0 to 10
Parameter 3 MIX 0 to 10

Explanation
(1)TIME (x10 ms): This parameter adjusts the delay time
in 10-ms steps.
(2)FEEDBACK: Determines the number of repetitions of
the delay sound. The higher the value, the more
repetitions are added.
(3)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal

17
 Other Functions

Restoring Individual Factory Preset Restoring All Factory Preset Patches

Patches (Patch Recall) (Initialize)
The 2020 contains a ROM (read-only memory) in which all This special function returns all patches in the preset group
factory preset patch data are permanently stored. Even if and the user group to the factory preset condition. Use this
patches have been edited and stored in the user group (or function with care, because all patches you have stored in
patch level settings have been changed and stored in the the user group will be lost.
preset group), the original factory preset patches can be
individually recalled at any time. • Turn off the 2020 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
• Turn off the 2020 (with the amplifier volume set to the STORE key depressed.
minimum), and turn the unit back on while keeping
the EDIT/CANCEL key depressed. The indication “AL” flashes on the display. This shows that
the unit is ready for recalling all patches from the internal
The indication “FC” flashes on the display. This shows that ROM.
the unit is ready for recalling individual patches from the
internal ROM.

• When wishing to initialize all patches

Press the STORE key once more. This restores all patches
• Press the STORE key. to their factory preset condition. The 2020 then switches
to the Play mode.
You now can select the group, bank number and patch
number you want to restore. • When wishing to cancel the function
The indication “FC” appears alternately on the group and Press the EDIT/CANCEL key. The 2020 switches to the
bank number display. Play mode without changing the patch settings.

• Use the GROUP key, BANK pedal, and pedals 1 - 4 to

select the desired patch.

At this time, the sound of the patch can be monitored.

• Press the STORE key once more.

The selected patch is now restored to the same setting as

when the unit was shipped. (For patches in the preset group,
the patch level is set to the initial value.)

• Turn off the 2020, and then turn it on again for normal
use.

The 2020 will be in regular Play mode.

18
 Application Examples for Use of Foot Pedal and Foot Switch
The optional foot pedal FP01 and foot switch FS01 allow easy volume control and mode switching during a
performance.

Using the FP01 The action of the FP01 depends on the SENS parameter
setting of the WAH effect.
The optional foot pedal FP01 can serve to operate the
volume control or WAH function of the 2020 and to switch
• If SENS is set to 0 (zero)
effects.
The auto wah function of the effect is turned off, and the
• Using the FP01 to Control the Volume FP01 operates as a pedal wah.

• If SENS is not set to 0 (zero)

• Connect the FP01 to the CONTROL IN VOLUME
jack of the 2020. The FP01 varies the auto wah SENS parameter between 0
and 10. This means that the FP01 acts as an auto wah
controller.

NOTE When connecting the FP01 to a CONTROL IN jack,

use the EXP. OUT connector of the FP01.

FP01

CONTROL IN VOLUME INPUT

Using the FS01
ZOOM
The optional foot switch FS01 can be used to switch
between the normal Play mode and the Manual mode where
effects can be individually switched on and off.
2020
• Turn off the 2020, and connect the FS01 to the
• In the Play mode of the 2020, use the foot pedal while CONTROL IN MANUAL/WAH jack of the 2020.
playing the instrument.

NOTE The general volume control of the 2020 is

independent of the individual patch level settings.
Since the level is adjusted between the EQ module
and the MODULATION module, operating the
volume control does not affect reverberation.
FS01
• Using the FP01 for Pedal Wah CONTROL IN MANUAL/WAH INPUT
• Turn off the 2020, and connect the FP01 to the
CONTROL IN MANUAL/WAH jack of the 2020. ZOOM

2020

• Turn on the 2020 and select the patch.

FP01
• Push the FS01 once.
CONTROL IN MANUAL/WAH INPUT
This switches the 2020 to the Manual (Edit) mode. The
ZOOM on/off status of individual effect modules can now be
controlled with the BANK pedal and pedals 1 - 4.

2020 NOTE In Manual mode, selecting patches is not possible.

• Turn on the 2020 and select the effect type WAH in the • Push the FS01 once more.
EQ module.

19
 Specifications
The 2020 reverts to the normal Play mode, and patch selection is possible.

ZOOM PLAYER 2020

Number of effect programs: 19 types (5 modules)

A / D conversion: 16-bit 64-times oversampling MASH converter
D / A conversion: 16-bit linear

Inputs: Guitar input Phone Jack (Mono) x 1

(nominal input level -20 dBm, input impedance 470 kΩ)
Outputs: Line Phone Jack (Mono) x 2
Headphones (also recording output): Mini phone jack (Stereo)
PHONES (output power 35 mW into 32 ohms)
REC OUT (nominal output level -20 dBm,
recommended load impedance 10 KΩ or more)
Tuner out Phone Jack (Mono) x 1
(nominal output level -20 dBm,
recommended load impedance 47 KΩ or more)

Control connectors: Foot pedal input

Manual mode foot switch / wah control input

Display: 2-character, 7-segment LED display

Power supply: 9 V DC, 150 mA (from supplied AC adapter)

Dimensions: 300 x 210 x 42 (W x D x H)

Weight: 1.2 kg

* 0 dBm=0.775 Vrms
* Design and specifications subject to change without notice.

20