Indian Architecture Indian Architecture Indian Architecture Indian Architecture
Indian Architecture Indian Architecture Indian Architecture Indian Architecture
Indian Architecture Indian Architecture Indian Architecture Indian Architecture
Senis
Hindu temples
History of India
Indus valley Buddhist influence civilizations Hindu temples Islamic influence Mughal empire
Brahmins
No central political authority-filled by the priestly Assumed power-almost every aspect of life By cash or others Vastushastra was sometimes more of a hindrance than a help to the craftsmen.
Senis
Created beauty simply by plasticity Traditional knowledge was passed on TEMPLE- more than one generation of master cutters and masons- settle around the building site for years. regional variations introduced for the building of a particular temple
Vastushastra
Principles of construction
circle
NO beginning & end Buddhists Stupas too dynamic for the GODS Gods-in buildings symbolizing unity, inertia and permanence
square
Square Mandala
Brahma-the creator
lesser gods
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Humanistic faade-given to the square able to accommodate a figure in a convoluted yogic posture. Human figure - basis of a system of proportion European Renaissance by Leonardo de Vinci Le Corbusier Modulor system of measurement Complex of forms with their basic unit remaining the square Basic grid for the greatest temples of India
Complex urban planning-Romans achieved 2500 years later Mohenjo-daro and Harappa Representative that planning principles found here are followed practically without change at all other sites Harappan house suited to the climate Advanced drainage system (INDUS RIVER) Left nothing monumental for posterity to marvel at Principles and response of the architecture to climate are a lesson to us all Peaceful life- bred a sense of complacency Aryan invaders encountered little or no resistance. City after city fell & the pathetic remains were either assimilated into the conquerors' way of life or fled further south
Buddhist influence
(500 BC) Vedic society was slowly stratifying into a rigid class system Brahmins, Kshatriyas, Vaishyas & Shudras Priestly class-gradually assuming dominance over society with a tenacious grasp over tedious rituals that controlled every aspect of life Added a superfluous complication to the busy life 2 major reformers-Gautama and Mahavira Based loosely on existing Hindu precepts but denying the role of the priests as media between Man and God. Buddhism held that only the soul was of import - God was a metaphysical Ashoka the Great. Ashoka proclaimed Buddhism as the state religion
SHIKHARA
MANDAPA
VIMANA
garbha-griha
SLAVE 1192AD1246AD
KHILJI 12901320AD
TUGHLAQ 13201413AD
SAYYID 14141444AD
Constraints a mosque-form begins to evolve Second major religious building type was the tomb
Need for strong fortifications Developments in the West - influence Holy Land - the Middle East Defensive forts developed into cities in which a large number of other structures were built - wells, palaces, stables and halls of audience Benefited from the other's knowledge Evolved new style of architecture - Persian in inspiration but Indian in execution
TEMPLES
Mysterious Encloses Phantasma of Darkness Rhythmic
MOSQUE
Clarity Inviting publicly Light & air Formal
MUGHAL ARCHITECTURE
Mughal dynasty established with the crushing victory of Babur at Panipat (15261857) Combined elements of Islamic art and architecture, which had been introduced to India during the Delhi Sultanate (11921398) Secure framework to flourish & commanded wealth & resources unparalleled in Indian history Mughal rulers themselves were extraordinary patrons of art, whose intellectual calibre and cultural outlook was expressed in the most refined taste. Qutb Minar - Persian art and architecture Monuments are found chiefly in Northern India-many remains in Pakistan
CONCLUSION
Indian architecture as it stands today is a pluralistic body of production that cannot in all justice be exemplified by the approaches, buildings and architects cited above.
THE END