Soulmaking

and Art
Appropriation
Module 11
Soulmaking 01 Crafting Poems

- is an alternate way to learn and Crafting Stories

explore the extent and the actual meaning 02
of what we do in our daily lives. It intends
to enhance the artist and creativity in us. It
is actively exploring and using creativity
and imagination. It is a type of craft that 03 Crafting Instruments
turns short memories into pictures, and
signs connect to people who
understand cultural identity and embody
sensitivity and tranquility. 04 Crafting Movements
1. Crafting Poem
A. Seizing Inspiration.
B. Fleshing it out.
C. Structure and form.
D. Content.
E. Voice and Imagery.
F. Word Choice.
G. Concept and Clarity.
H. Line Length.
I. Rhythm and Sound.
J. Read it aloud.
2. Crafting Stories
A. Show Do Not Tell.
B. Shock and Surprise.
C. Relatability.
D. Raise the Stakes.
E. Mining the Depths.
F. Make It Memorable.
3. Crafting Instruments
- The transformation of any
discovered or used material into a
musical instrument allows you to
discover harmony and balance to
produce a beautiful and magical tone.
4. Crafting Movements
A. Select the right music.
B. Start creating the dance step.
C. Plan the Chorus Part
D. Plan the ending.
E. Practice more.
F. Be ready for the performance.
 SEVEN (7) DA VINCIAN PRINCIPLES

1. Curiosita. An insatiable curiosity about life and a constant desire for continuing knowledge.

2. Dimonstraziones. A dedication to creativity, patience, and a desire to learn from failures of the
past. It is more the scientific approach used in everyday life.

3. Sensaziones. Continuous sensory enhancement as a way of enlivening memory. They ought to be

mindful of what is happening around them to be creative. We listen passively all too frequently in
industry and ignore critical knowledge that might motivate a new idea.

4. Sfumato. The word is simply translated into smoke. We are able to embrace uncertainty, confusion,
and vulnerability. As the old saying goes, uncertainty and transition are the only two inevitable
things in life.
 SEVEN (7) DA VINCIAN PRINCIPLES

5. Arte/ Scienza. Developing a balance between creativity and reality. Creativity without
rationality, after all, is a daydream, and reality is dull without creativity. The contrast between
art and science, as well as whole-brain thought, are other words for this.

6. Corporalita. The aim is to keep the body safe and the mind balanced. Have you ever seen a
completely sick artistic person? While here and there are several examples, they are very rare.
One of Da Vinci's core ideas is that our bodies stay fit and fit to keep our minds fit. Fit minds
give efficient and effective ideas.

7. Connesione. This is a clear realization that all events and phenomena are related. When we
talked early, it is not just a matter of coming up with something brand different, often finding the
similarities in how to use old material in new ways.
 NARRATIVES,
APPROPRIATION,
BORROWING AND
OWNERSHIP
 Narrative
- Narrative means the choice of events to be linked
and to relate – so, instead of a story itself, it is a
depiction or particular manifestation of the story. The
easiest way to remind people of the distinction between
a story and a narrative is to change events' sequence.
You have a new version of the same past with a
different case sequence. The narrative translates the
story into facts, or better, understanding for the receiver
(the viewer or the reader). Every story incident is a unit
of information provided by the viewer. A story is
paradoxical since it tries to express the facts by
covering it.
 Appropriation
- in art and art history refer to artists' work
utilizing prior artifacts or pictures of painting with no
initial transformation. Art of appropriation poses
questions of authenticity, originality, and authorship,
and it belongs to the long-standing Modernist art
tradition, which questions art itself. Since the 1980s,
artists have used the appropriation extensively.
Left: Robert Colesscott, Les Demoiselles d’Alabama, 1985; Right: Pablo Picasso, Les Demoiselles d’Avignon, 1907
 Borrowing
- In fact, while this type of work has usually only
ever been considered a learning activity, other artists
have taken pictures or forms from their work, which
they can appreciate by reproducing and using.
 Ownership
- Many artists' copying of art was a vexing
problem in modern years; nevertheless, such a form of
copying was popular in art history.

Copyright
- All work of art, including but not limited to, photos, drawings, sketches,
maps, diagrams, caricatures , logos, engravings, sketches, designs, and
architectural models, can be liable to copyright.
 Copyright Ownership
Physical possession varied greatly from ownership of
copyright. Copyright is generally the artist or author's
property but may vary based on conditions such as
occupations or licensing
agreements.
 CULTURAL
APPROPRIATION
According to the critics of the custom, cultural appropriation is
distinct from acculturation, assimilation, or even cultural fusion
because it is a form of colonization. When members of a majority
society borrow cultural features from a community of marginalized
communities, such elements are incorporated without their own
background – and sometimes against express wishes.
 1. Object Appropriation
Physical artworks will be the first kind of item we
will be dealing with. It will refer to the
FIVE (5) ACTS OF appropriation of those items as appropriations for
CULTURAL objects. Object appropriation occurs when the
ownership of a physical piece of art is passed
APPROPRIATION from members of a particular group to people of
the other.
 2. Content Appropriation
FIVE (5) ACTS OF Content appropriation is going to be the mark for this kind
CULTURAL of possession. When this kind of appropriation occurs, the
artist has made significant re-use of an idea first expressed
APPROPRIATION in an artist's work from another culture. A musician who
sings songs from another culture has engaged in the
appropriation of content.
 3. Style Appropriation
FIVE (5) ACTS OF Something less than an entire expression of an
artistic idea can be appropriated. Often
CULTURAL artists do not only replicate works from another
APPROPRIATION culture but also take something from that culture.
In common with works of another culture, artists
produce works with stylistic elements.

4. Motif Appropriation
It is possible to identify another type of content
appropriation. This method of appropriation is similar to
style appropriation, but only simple motifs are appropriated.
Such appropriation can be referred to as motif appropriation.
It happens when artists, without the production of pieces,
are inspired by the art of a society other than theirs.
FIVE (5) ACTS OF
CULTURAL
5. Subject Appropriation
APPROPRIATION
- A final appropriation which differs from
the other types can be identified. In various
discussions on cultural appropriation, questions
have been raised about externals portraying
individuals or entities from another society in
their artworks.
 Write the 7 da Vincian
Principles and think how each
principle can be applied in your
daily life.