This graph shows Michael Keaton’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
It is rare that a film becomes the widest release in the land entering its fourth weekend on the big screen, but that is right where The Wild Robot has found itself, only losing 25 locations this time around. Opening on September 27th, the movie was edged out by another robot feature, as Transformers One eclipsed the newcomer by eight cinemas in its second weekend at the box office. This weekend The Wild Robot holds the top spot, playing in over 200 more theaters than the second-widest release, as Smile 2 lands in 3,619 locations.
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The opening weekend turned out to be less inspiring than originally expected for Joker: Folie á Deux, as Monday final tallies reported the film making $2.3 million less than originally projected over its opening three-day frame. Despite those projections, the sequel nevertheless easily dominated the domestic box office, securing nearly $38 million from 4,105 locations, which it retains for its second weekend. As the film begins its sophomore session, it will have to fend off a flurry of new wide releases, including another sequel poised to make Joker a one and done at the top of charts.
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It was another weekend of box office glory for Deadpool & Wolverine, as the film once again claimed the top spot on the domestic charts by earning $15.5 million, taking its 38-day North American total to $599.8 million, and has since crossed the $600 million threshold, currently enjoying a domestic total of $606 million. This weekend, two new wide releases make their way into North American cinemas, with one poised to knock the dynamic duo from their perch once and for all.
While Deadpool & Wolverine has been in the spotlight for the majority of its run, it is time to shine some light, and box office, on this weekend’s most anticipated release, Beetlejuice-Beetlejuice. The long-awaited sequel to Beetlejuice debuts in 4,575 theaters this weekend, tying Toy Story 4 as the seventh-widest release of all time. 36 years after the original film, the dark fantasy-comedy brings back Michael Keaton as the titular character while featuring an array of Hollywood talent, including Winona Ryder, Catherine O’Hara, and Willem Dafoe among others.
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Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.
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Three new wide releases grace cinemas all across North America this weekend, while a flurry of big franchise hits are still widely available on the big screen. Newcomer Transformers: Rise of the Beasts won the domestic weekend last time around, but Spider-Man: Across the Spider-Verse retook its position at number one at the box office throughout the week. This week they fall from their respective places as widest release as The Flash and Elemental make their cinematic arrival.
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After having only one new wide release debut last week, this week will see three arrive in theaters. The largest of the three is 20th Century Studios’ oft-delayed action comedy, Free Guy, starring Ryan Reynolds and Jodie Comer. The film about a bank teller who discovers he is actually a background player in an open-world video game, opens in 4,165 theaters. The count is enough to topple Jungle Cruise from its two week reign as widest release, as the latter drops to 3,900 theaters this week. Next up is the biographical drama Respect, from United Artists Releasing and starring Jennifer Hudson as the late “Queen of Soul”, Aretha Franklin. The film opens in 3,207 locations. Lastly, is Sony Pictures, Don’t Breathe 2, the follow up to Don’t Breathe, which earned a worldwide total of $170 million nearly five years ago. The horror film, which returns Stephen Lang as “The Blind Man” releases in 3,005 theaters…
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Spider-Man: Far From Home was the first installment in the M.C.U. to come out after Endgame. It not only needs to tell a story by itself, it has the unenviable goal of setting up the post-Infinity Stones era of the M.C.U. Is it able to accomplish both of these tasks?
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Like we did with The Force Awakens, we are going to do a spoiler-free, detail-free review for Avengers: Infinity War. In other words, we are going to rate all of the movies in the MCU to see where Infinity War and the rest fit into place.
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It was a terrible summer at the box office, but Spider-Man: Homecoming was one of the few bright spots. It was one of three films to cross $300 million domestically and has a slim shot at finishing in the top five for the year. Does it deserve this success? Or did it thrive just because it’s part of the MCU?
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There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcockclassic as the Pick of the Week.
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As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit.
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December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
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The last weekend of the year is also the last chance for Oscar contenders to qualify for the Oscars. Two of the three films on this week’s list are absolutely Oscar-bait. Paterson has a better shot at Awards Season glory than The Founder does, but The Founder has a wide expansion planned for January, so it will likely do better at the box office. Meanwhile, the third film, Ocean Waves, is earning the best reviews and is a must see for fans of Studio Ghibli.
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There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.
On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all.
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Birdman was the big winner at the Oscars this year. It won four times, sharing top spot with The Grand Budapest Hotel; however, it won more prestigious awards, including Best Picture. Did it deserve to win? Or was it carried by hype?
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The Oscar ceremony is tonight and we will be live-blogging the winners... assuming I don't get bored and wander away. On a serious note, while my job is all about movies and I love watching movies, I love paying attention to box office numbers, I even love Awards Season. I hate ceremonies. As per usual, here is the list of nominees marked according to predictions / wishes. Nominees in Bold are the ones predicted to win by our readers. If I predicted a different film, those are in Italics. Meanwhile, the nominees I want to win, but don't think will win, are Underlined. There are a few categories where the film I really think deserves the award were not even nominated, plus a few I don't have a real opinion on.
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The polls are closed in our 18th annual Predict the Academy Awards contest, and it has turned out to be the most exciting two-horse race in the history of the contest.
After weeks of intense debate among our voters, we have a virtual tie in the biggest categories of all: Best Picture and Best Director. The predicted Best Picture winner is, in fact, a statistical dead heat. Boyhood garnered 47% of the total vote, and Birdman 46%, giving the Linklater epic the tiniest of edges.
Best Director is a clearer contest, but still close, and still a bout between Boyhood and Birdman. Richard Linklater is favorite to win Best Director, perhaps in part because he’s more “due” for the award than Alejandro Gonzalez Inarritu. As noted, though, “favorite” is strong, given the closeness of this category, with Linklater getting 55% of the votes and Inarritu taking a 46% share.
The other big story about this year’s contest is just how much of a two-horse contest it really is. With 93% of the Best Picture vote going to Birdman and Boyhood, the remaining nominees were left to split the other 7% of the vote. American Sniper, The Grand Budapest Hotel, The Imitation Game and The Theory of Everything each gathered a handful of votes from The Numbers readers, and Selma and Whiplash are given virtually no chance at all.
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The Independent Spirit Awards winners were announced last night and there were few surprises. Birdman led the way with 3 wins, but it wasn't the only film to come away with more than one award.
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, finishing with Best Lead Actor. As I previously mentioned, three of the four actor races are not even close; however, this is the one exception and there is a two-horse race to pay attention to.
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The Screen Actors Guild winners were announced Sunday and there were some surprises, mostly in the negative. Birdman picked up the biggest prize, but there were six different winners in the six categories.
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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We are still waiting for the DGA nominations to be announced, but we had the first major awards show on Sunday. The Golden Globes winners were announced Sunday night and while there were not a lot of surprises, there are some things worth talking about. Leading the way with three wins was Boyhood, while Birdman and The Theory of Everything each picked up a pair of wins.
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The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
It's an excellent week for limited releases with several films earning overwhelmingly positive reviews. This includes a couple that are also earning really loud buzz. Of these, Birdman is probably going to win the weekend race on the Per Theater Chart, while Dear White People should also be a hit. Diplomacy, Housebound, The Tale of Princess Kaguya, and others also deserve to find audiences, but not all will do so for various reasons (wrong genre, opening in Video on Demand, etc.).
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When the RoboCop remake was announced, a lot of people thought it would be a disaster. The original RoboCop is widely considered a classic that not only offers a lot of action, but is also a smart satire. Some where expecting the film to be a complete train wreck. That wasn't the case, at least not with critics. Granted, 49% positive isn't a good score, but it is better than expected. Will I like it more than I thought I would? Or will I recommend skipping this movie and sticking with the original?
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2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
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After a weak start, January rebounded and a couple of films on last month's preview cracked $100 million at the box office. Granted, Lone Survivor is technically a December release, but Ride Along will become one of the rare January releases to reach the century mark. Unfortunately, there doesn't appear to be too many February releases that have a real shot at $100 million. It is very likely that The Lego Movie will reach that milestone, but most of the rest of the movies will be lucky if they reach $50 million. Last February was very similar. We had one surprise $100 million hit, Identity Thief, plus a couple of solid midlevel hits, Warm Bodies, for instance. However, for the most part, the month was one miss after another. This means 2014 could continue its winning ways, or at the very least, shouldn't fall behind 2013's pace.
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When the Pixar Short Film Collection, Volume 1 came out five years ago, I was super excited. Not only do I love Pixar's theatrical release, but I like short films in general and there are so few places to get them. I'm less excited about volume 2, because Pixar has been releasing its short films on DVD and Blu-ray, so if you have been keeping up with their releases, you have this already. But, is there more to this release than just the short films?
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