This graph shows Daisy Ridley’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
After a stellar weekend at the box office that saw Five Nights at Freddy’s topple a 12-year-old Halloween weekend record, the film adds 114 locations this week. Now it’s available in 3,789 cinemas throughout North America,the horror feature becomes the widest release in the land. Currently enjoying a six-day domestic total of just over $92 million, Freddy’s is poised to once again reign over the box office field. This week however see’s a trio of wide releases make their nationwide entrance into theaters.
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Despite dropping 82 locations this week, TAYLOR SWIFT | THE ERAS TOUR will remain the widest release for the third consecutive week, still available in a 3,773 theaters, outpacing a bevy of newcomers, including the supernatural horror, Five Nights at Freddy’s as it makes its way into theaters. The concert film will likely fall into second place at the box office, but there are still plenty of opportunities to see the mega event on the big screen.
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Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
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Star Wars: The Rise of Skywalker closes off the sequel trilogy of the Star Wars franchise. The film missed expectations, both critically and commercially. That said, it was still a $1 billion hit worldwide, so it was massively profitable. Is the film a fun way to end the sequel trilogy, despite the critical reception? Or was it a major misstep like many called it?
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Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next twofilms combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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Star Wars: The Last Jedi was the biggest box office hit of 2016, both domestically and worldwide. It also earned 91% positive reviews and a solid A from CinemaScore. It is also hated by a minority of very loud, very aggressive people. Are the majority right? Do the minority have a legitimate case to make?
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The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
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After rankingStar Wars: The Force Awakens for those who still haven't seen it, we can do a full featured review. The film smashed box office records here and earned 92% positive reviews. Is it as good as its box office / Tomatometer Score? Or did people just get caught up in the hype?
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November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
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