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obticeo

@0bticeo

(v.) i am silent. don't let it fool you, i write. sometimes. 20's.

Pinned

masterlist.

(all are reader inserts.)

dune.

feyd rautha | lurk.

hazbin hotel.

house of the dragon.

aemond targaryen | you owe a debt. (ao3 link)

invincible

mark grayson | boyfriend material. (ao3 link)

mark grayson | takeout misshap. (ao3 link)

jujutsu kaisen.

my hero academia

the ballad of songbirds and snake.

the magnus archives

jonathan sims, elias bouchard | the hungry gambling eye

twisted wonderland.

leona kingscholar | everybody wants to be a cat.

writing tags:

obticeo writes

blurb.

wip.

wips:

alastor | you twist, i turn/who's the first to burn?

hans landa | howlin' shame.

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Reblogged

More Voldemort! I don’t think I’ve ever drawn so much of him

I love how Tom Riddle turned out.. like.. what a punchable face! He’s the most beautiful person ever but you freaking hate him, you know? It’s perfect!

At one point I want to draw a progression of Harry’s scar, I have a very cool idea for it

it has been years and this still remains the most meaningful advice i have ever read. every time i'm editing my own writing and getting really fed up with it, i stop bashing my face in and just think about this. "You hate the most valuable thing about your art." my writing is supposed to read like i wrote it! because i did! i should be happy to have my own voice and style! ugh thank you forever to this tweet fr

bring back tumblr ask culture let me. bother you with questions and statements

reblog to let people know it's ok to bother you with questions and statements

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Reblogged

YOU WERE ALWAYS IT FOR ME

pairing mark grayson x gender neutral reader

in which you hear something you weren't supposed to. too bad he doesn't know you're awake. too bad you've loved him just as long.

tonight’s sleepover starts like any other—junk food, bad movies, playful bickering, even a little tickle fight that leaves you both breathless and grinning. you’ve had countless sleepovers before, so this one feels familiar, safe. you let out a content sigh through your nose, unconsciously curling closer to mark on the couch, the fluffy blanket tangled around both of you like a nest.

you're starting to struggle with keeping your eyes open, your eyelids getting heavier and heavier with each second of bad acting and lack of plot as you and mark watch the second bad movie of the night.

there's a particular scene in the movie that makes the two of you snort and chuckle. you nudge mark's side, shooting him a playful smirk. "if we're both still single by the time we're thirty, i say we just marry each other. what do you think?"

mark grins, tilting his head like he's actually considering it. "hmm. tough sell," he says, tugging lightly at the blanket that's mostly wrapped around you - not that he minds. "first you'd have to stop stealing all the covers every night. then you'd have to promise not to laugh at me when i inevitably ugly cry at the wedding. i've seen those tiktoks."

his tone is joking, but there's something warm in the way his fingers linger near yours in the blanket folds. he shrugs, trying too hard to sound casual. "but sure, deal. not like i've got better offers anyway. though i should warn you - i leave socks everywhere."

"oh please," you huff, nudging him again. "as if you could do better. face it, grayson - i'd be the best thing to ever happen to you." you cross your arms, feigning offense. you try ignore the way your heart skips a beat when you see his expression soften, as if he agreed. "and we both know without me, you'd die alone and maidenless surrounded by your comic books."

"ouch," mark laughs, pressing a hand to his chest like you've wounded him. but his smile softens, just for a second, before he adds, "guess i better start saving for a ring then." it's teasing. mostly. probably.

()

the two of you continue watching the movie, tossing out terrible impressions and adding to your ever-growing list of inside jokes. with twenty minutes left, your commentary slows, then stops. mark feels the exact moment you drift off - your breathing deepening, your body going slack against his side. your head settles heavy on his shoulder, and without thinking, his arm curls around you, pulling you closer. his own head comes to rest gently atop yours.

he's hyperaware of everything about you - the soft flutter of your pulse at the base of your throat, the quiet huffs of breath through your slightly parted lips. he can hear the rustle of fabric as your chest rises and falls, the faintest creak of the couch springs beneath your combined weight. it's overwhelming in the best way, this symphony of you. the steady rhythm of your heartbeat against his side feels like the most natural thing in the world, syncing up with his own until he can barely tell where he ends and you begin.

for a long moment, he considers staying exactly like this forever. the warmth of you pressed along his side, the familiar scent of your shampoo filling his senses, the comforting weight of your trust in him - it's better than any movie, any superhero moment. but then he notices the slight strain in your neck, the way your breathing hitches just slightly when you shift in sleep. he knows that position will leave you sore tomorrow, and that thought alone is enough to break the spell.

with painstaking care, he disentangles himself, one slow movement at a time. his hands are impossibly gentle for a guy as strong as him as they slide beneath your knees and shoulders, lifting you with the same reverence he'd give something infinitely precious. he barely breathes as he carries you, hyperaware of every shift in your heartbeat, every soft sigh you make in your sleep. the stairs creak underfoot, but you don't stir, just nuzzle unconsciously into his chest as he adjusts his hold. it takes everything in him not to press a kiss to your forehead when he finally lays you down in bed, settling the blankets around you with hands that shake just slightly.

the bed dips under his weight as he carefully settles beside you. propped up on one elbow, he watches the way your lashes flutter against your cheeks with each dream, how your lips part just slightly with each exhale. his free hand drifts to your side, fingers skating beneath the hem of your t-shirt to trace idle patterns against warm skin. he maps the curve of your waist like he's memorizing it, fingertips catching on the faint ridges of your ribs when you breathe in. you're so warm. so alive. so perfectly you.

"god," he whispers, voice cracking. the words come tumbling out before he can stop them. "this is— you're— okay, this is gonna sound stupid, but." he huffs a laugh at himself, thumb brushing your hipbone. "you're kinda... perfect? like, stupidly perfect. the way you laugh at your own jokes even when no one else does. how you always steal my fries but replace them when you think i won't notice. that stupid face you make when you're concentrating—"

his breath hitches when you shift closer in your sleep, your forehead nearly touching his. "and now i'm talking to you while you're asleep. that's... that's a new low, even for me." but he can't stop. not when the moonlight catches the slope of your nose just right, not when his fingers have found the steady heartbeat at your waist. "you have no idea, do you? that i'm yours. that you're it for me. always have been."

he finally lays down properly, scooting closer until your shared breath mingles in the scant inches between you. his nose brushes yours, hesitant. "would you hate me," he murmurs, so quiet even he barely hears it, "if i kissed you right now?" the question hangs in the air, vulnerable and raw. "just once. just to know what it's like before i lose my nerve tomorrow. before someone else takes you away from me."

"god, what am i doing?" mark pulls away abruptly, like he's been burned. his cheeks flush that pretty pink you love—the one that starts at the tips of his ears and bleeds down his neck, visible even in the dim light. his soft brown eyes dart away, lashes fluttering like he can't bear to look at you while his own confession hangs between you. his fingers flex against the sheets where they'd just been tracing your skin, like he's physically stopping himself from reaching back out. the way his throat bobs as he swallows hard makes your own breath catch.

he doesn’t kiss you. (he wants to. god, he wants to—can see the exact spot on your lips where his mouth would fit, can already imagine how you'd sigh into him.) but his lips brush your forehead instead, feather-light and lingering, like he’s trying to memorize the feel of your skin against his. it lasts a second too long to be casual, his breath shaky against your hairline. “i’ll try my best,” he murmurs, voice thick with something aching, “to enjoy the last few times i can quietly love you like this.”

his thumb swipes once under your eye—catching a lash you’ll never know fell, a secret wish he'll never speak aloud—before he carefully peels himself away. the bed creaks like a protest as he stands, his silhouette hovering for a heartbeat like he might crawl back in. then he's gone, padding softly downstairs to chug a glass of water like it'll douse the fire in his veins. (it won't. nothing ever does.)

what he doesn’t know: you felt the dip of the mattress when he climbed in. you heard the hitch in his breath as his fingers traced your ribs. you’ve been clinging to the edges of sleep like a lifeline, terrified he’d hear the way your heart pounded the second he whispered you’re it for me.

he loves me. HE LOVES ME. the realization thrums through you, electric and dizzying. your fingers clutch the sheets to keep from reaching out, from ruining this fragile moment where the truth hangs between you like a secret. you wait until his footsteps fade completely before letting out a shaky breath, pressing your burning face into the pillow. last few times? as if.

when the door creaks open later—mark returning, still flushed, still yours—you don’t pretend to be asleep. and for a suspended second, neither of you breathes. his lips part—to apologize? to flee?—but you’re done pretending. your hand shoots out, fingers curling into the fabric of his shirt, anchoring him there. no more running. not tonight.

"don't you dare think you can say things like that and just—get away from me, grayson." your fingers fist in his collar before he can retreat, fabric crumpling in your grip as you yank him down. he makes a punched-out noise, going down willingly — perhaps too willingly. his breath comes ragged, lips parted in shock—close enough that you taste the mint of his toothpaste, see the flecks of gold in his blown-wide pupils.

"fuck," he chokes out, throat bobbing as your nose brushes his. his entire body runs hot under your touch, heartbeat jackrabbiting against your knuckles where they press into his collarbone. you can feel the way his resolve unravels when you whisper: "why don’t you just stop quietly loving me? you know i prefer the noise anyway."

his hesitation lasts exactly three heartbeats. then he’s moving—clumsy with want, knees bumping yours as he folds himself back into the space he never should’ve left. his restraint snaps. one hand tangles in your hair, tilting your face up as his forehead drops to yours with a shaky exhale. "louder, it is then," he corrects, voice rough. and then he’s proving it, mouth crashing into yours like he’s been starving for it. (he has. for years.)

this one’s a little shorter than the last—just 1.7k words of pure, self-indulgent fluff. i had way too much fun writing it (mark grayson being a pining idiot? sign me up forever). hope you enjoyed the ridiculous cheesiness of it all—no apologies for the ending, because let’s be real… we all deserve some soft, gooey moments sometimes.
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Reblogged esoulix

matt just fired half the remaining tumblr support staff lmao

from my sources adjacent to tumblr--from which i can spread rumors and insider information freely because i dont give a fuck about ever working in the tech sector--im hearing this round of firings was focused on purging the senior staff, and not just from support but from the entire remaining tumblr workforce. i'm hearing there are about 25 people left.

This is important, people. Please don't scroll past this one.

While I don't think that Tumblr is about to shut down anytime soon, as a fandom old who lost my community and my people when the fandom diaspora happened from LiveJournal, I want to urge that you do something NOW:

  • Get your backup account(s) elsewhere NOW
  • Let your moots know your username(s) at those places NOW
  • Follow your moots at their places NOW

I mean this with all my heart. Get this done now. Get set up and find your people now. Tumblr is the home of fandom now, just as LiveJournal was the home of fandom way back. And you could end up losing your fandom home just as easily and quickly as us old LJ people did way back then.

It's a horrible feeling, and most old LJ users still mourn the loss of it to this day.

The rest of this gets a bit long, so it needs to go behind a cut, but please take a moment out of your scrolling to read it.

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nine people i want to get to know better

thank u for the tag @moonshapedbox <3

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dollaches-deactivated20250328

thank you for the tag my loves @moonshapedbox & @frillydolle !!! 🐇 🐇 — 9 people i want to get to know better

  • fave colour : pink
  • currently reading : unfortunately i don’t read :,( the last book i read was probably one of the harry potter ones
  • last song : go go dancer by lana del rey
  • last movie : spider-man into the spider verse
  • last series : game of thrones ( rewatching )
  • sweet, savoury or salty : usually savoury !!
  • craving : an ice chocolate
  • tea or coffee : neither
  • currently working on : my drafts
no pressure tags !!!! @abbyslvrrr @dearapril @blackdykegirlblogger @oceansiphone @satinprose @madewithsilk @jinxvex @cowgirlvi

ahh thank you for the tag! — nine people i want to know better. 🩶

  • favourite colour ; pink
  • currently reading ; the picture of dorian gray, oscar wilde.
  • last song ; young and beautiful, lana del ray.
  • last movie ; i can’t remember!! i don’t really watch movies.
  • last series ; gilmore girls <3
  • sweet, savoury or salty ; hmm, tricky question. i need to balance it so.. all? i need to have something sweet AND something savoury every day.
  • craving ; this gourmet chocolate cake from the bakery near me..
  • tea or coffee ; tea!
  • currently working on ; playing rise of the tomb raider, but later going to write some fics :)
i don’t have nine people to tag, but here we are—no pressure. @absfemme @kaykeryyy @rhyrhy @kissesz

Yayyy I love these 💞 - thank you for the tag boo 💕

  • Favorite color: Sage green
  • Currently reading
  • last movie; what happened to Monday
  • Last series ; Alice in borderland
  • sweet, savoury or salty ; salty FOR sureeee.
  • craving; love and affection (LMAO? Is that a option)
  • tea or coffee; tea!! Black or green.
  • currently working on; spider! Ellie x villain readerrr

i don't have nine people to tag eitherrr but no pressure to those who I do tag 🫶🏽 @s0phi3w4lt3n @yuriwashere1900 @0h-basic @luvsizedfrellie @saturnhas82moons

this is hellllllla sweet of you, thank youu for tagging me! ✰

  • Favorite color: all of them, can't pick one
  • Currently reading: nothing
  • Last song: why can't we be friends - the academic
  • Last movie: uhhhh dunno
  • Last series: arcane, rewatching it again
  • Sweet, savoury or salty: can't pick but since 'm eating something sweet...then sweet for now
  • Craving: does Ellie count?
  • Tea or coffee: three ginger tea or ginseng coffee ..
  • Currently working on: nuthin', mind is blank rn

No pressure at all, do it if ya wanna! ✰ ✰ ✰

thank u sm for tagging me! ♡︎ i'm so late to this but here goes :)

  • Favorite color: sage green or black
  • Currently reading: the woman who lied by claire douglas
  • Last song: lunch by billie eilish ;)
  • Last movie: harry potter and the philosophers stone
  • Last series: twd & arcane (kinda on repeat)
  • Sweet, savoury or salty: it's a back and forth - i need sweet than salty than sweet, u know?
  • Craving: honestly, too many female characters ;)
  • Tea or coffee: coffee all the way - sorry
  • Currently working on: too much, so many fics i have planned - my head might explode tbh

i don't have many but no preassure - do if u wanna, love u ♡︎

thank you so much for the tag, darling!

  • Favorite color: red and navy blue
  • Currently reading: Troilus and Cressida (for academic purposes)
  • Last song: hampstead
  • Last movie: parent trap
  • Last series: Lockwood & co
  • Sweet, savoury or salty: depends on my craving but I am more of a salty girlie
  • Craving: affection :(
  • Tea or coffee: TEA (sorry, i love tea more)
  • Currently working on: this one fic i have been thinking about and my parent trap au

npt (i will haunt u in dreams) : @etherealils , @godricgryffinsnore , @ticifics , @moonymeloncholymoney

  • Favorite colour : Green (especially the dark, emerald, phthalo type.)
  • Currently reading : Anna Karenina
  • Last song : Too Much - Dove Cameron
  • Last movie : Anora
  • Last series : The Bear
  • Sweet, savoury or salty : usually don't eat much or focus on tastes, but I guess actually like sour things...?
  • Craving : free time
  • Tea or Coffee : Coffee all the way
  • Currently working on : school + fics because the poll was unexpectedly biased :/

I really don't know who to tag so I'm just tagging mutuals bro (maybe that's what you're supposed to do and I'm clueless) :/

no pressure tho

hiyaaa thank you for the tag!!

favourite colour: black.

currently reading: a french fantasy book called janua vera.

last song: californication - red hot chili peppers

last movie: tenet

last series: invincible

sweet, savoury or salty: sweet (massive sweet tooth T^T)

craving: sleep and less academical pressure

tea or coffee: coffee (even though i drink much more hot chocolate than i drink coffee)

currently working on: exaaaams and part 2 of love me like an innocent

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Most attractive demigods

I am an equal opportunity critic so I want to ask about Luke's attractiveness. A lot of characters have a crush on Luke (Jason and Percy too) but I keep asking where the drop dead gorgeous Apollo and Aphrodite sons are at?

Apollo is supposed to be the embodiment of male beauty and Aphrodite is the goddess of beauty...so are any of their sons as hyped up as Luke when it comes to their looks?

Aside: I need to see a kid with Apollo and Aphrodite demigods as parents. He/she would be gorgeous! Can we get an Apollo/Aphrodite couple?

It's just weird to me that I can't recall Apollo's sons being described as handsome to the same extent as Luke. I guess Hermes is a fertility god and May must have been a beautiful woman but still...

This is only a headcanon/speculation at best,but I firmly believe May Castellan has some divine blood running through her veins. And those are my two cents.

  1. Before the curse,May was described as a blonde beauty with a contagious smile. Okay,this could be just good old charisma,but there's no reason to dismiss the idea of some sort of magic;
  2. Luke not only was uniquely handsome,but also particularly powerful and skilled. He was the "Best CHB Swordsman in 300 years",despite the existence of children of Athena,Ares,Big Three. But Luke "Son of the Jack of All Trades" somehow got the title;
  3. Kronos insisted on Luke being his host,despite his waning loyalty and fears. I'm pretty sure there were demigods more willing to host Kronos in the Titan Army,but Kronos insisted on Luke. However,Luke was still an inferior alternative to a Big Three child. Maybe this particular son of Hermes was more potent than most demigods,but still below Big Three level.

I have felt the same about May. If we can have headcanons about Sally having some divine blood, I think its totally fair for May to have similar headcanons.

Maybe May is a legacy of Apollo? It could help explain her inclination for prophecy. Heck, maybe throw in the possibility of legacy of Aphrodite/Venus too.

I feel like Luke's acclaim of being the best swordsman in over 300 years is underrated in pjo fandom (especially by people quick to hand over the title to Percy). I agree that it would make more sense for a war demigod to have that title. I wish we saw more of how being a Hermes kid helped Luke with this accomplishment (eg. speed, patron of athletes).

The only problem is that I wish Luke was more powerful. I wish we saw more powers besides the one off showings of skills we saw. I feel like a lot of his abilities are subtle such as his leadership abilities and charm. Which is valid but it would be cool to see more grandoise powers. Hermes may not be a big three god but his powers have the potential to manifest in awesome ways in his kids.

Anonymous asked:

Respectfully, did Percy Jackson even have any character development throughout the original series?

He doesn't have any flaws. He chose to take the prophecy from Nico, but he was always going to be the prophecy child.

He's good at the start and good at the end with no development unless you count being traumatised and depressed from a war as development, which it's not.

Not trying to be rude, sorry if I seem rude.

Worry not. It's a perfectly reasonable question and should usually be applied to most character studies. Also, buckle up. This is going to be long. Very long. It took me a while to get the time to post this and even more time to actually get my thoughts together. Like a lot of time. (To anyone who doesn't want to read the horrid mess of a post this is there's a partition at the end, after which all the most important points are summarized. ) Just skip to that, but hopefully, someone reads this whole thing because it took me eons to write.

I can see why you think that way, and it is contributed more so by Rick's absolute incapability of not recycling the dead horse that is the original pjo dynamics. He has inhibited character growth from almost every single character where all their epiphanies and character change in the end amounts to nothing, and they regress back to how they used to be, and any and all deviations their personality had are either dismissed or suppressed.

Percy is the victim of the latter. In the first book, he was a child, not particularly concerned with saving the world or being a halfblood. His life had been worse enough, and the halfblood situation had made it abysmal. Percy was living goal by goal. He wanted to get through the field trip, then through the semester, then through the Gabe interactions all so he could finally see his Mom, the one good thing about his life. Then that upends completely, and his only reprieve, the trip to Montauk, his safe place becomes the start of a series of grand tragedies in his life.

Sure, he stayed at the Camp, not willingly but for safety. He had nowhere to go, his life had been turned upside down, his mother was dead, and he wanted to go home, to have his mother back. He couldn't have cared less about the Gods and the world ending, but as soon as Chiron mentions Underworld, Percy is back on solid ground. He has a goal again. Get Sally back. He does everything to reach that goal. He fights monsters, prays to a godly father he refused to acknowledge beforehand, manipulate the press and the Gabe situation, bargain with immortal deities and such, and negotiate his way out of most of those bargains. All the while keeping in mind that he has a traitor to deal with, but Percy is the definition of "deal with one thing at a time. If it's not an immediate concern, it can wait." He does all that and is rewarded for it by being able to live, getting his mother back, and a taste of the life he has doomed himself to, and he almost seems to accept it. He even wonders if Camp Half Blood could be his home.

We see Percy do this throughout all the books. He is constantly changing his intentions, his goals, and his opinions on everything. He is also caught in his internal conflict of being with or against the Gods. The thing is, Percy has very little time for reflection as he is jumping from one existential threat to another, and yet he still manages to grow in the small ways. You need to see it individually book wise rather than over the whole series as Rick messes up terribly with character arcs and developments of literally every other character.

  • He begins by not caring about Poseidon's existence or his proximity, but in the end, he, too, is beholden to the intrinsic need of having a father. He, too, wants Poseidon to care for him like a father and is therefore hurt by being called a mistake. He knows Poseidon claimed him as a weapon against Zeus so he could rectify someone else's mistakes and restore Poseidon's reputation; who if not Percy would understand this manipulation the best? But the best lies are the ones you want to believe in, and so Percy keeps his silence because, of course, he wants to believe his father genuinely cares for him and loves him. Who doesn't?
  • He didn't want to be the hero, but by the end of the first book, when he is called one, he doesn't dislike the feeling. He accepts if only a little that this is to be his life now, and as the series progresses, he adds to the pros and cons.
  • In the Sea of Monsters he is very happy that Gabe is gone and it's just him and his mother again but by the end of it he has gained a new family member in Tyson and is very happy of the fact. He even manages to get over his initial hostility of Clarisse somewhat when he understands her situation.
  • Titan's Curse is all about Percy learning about the number of forces at play in the world of demigods. He tries to get along with the Hunters and Thalia; it doesn't work. He ends up almost losing Annabeth, someone who he considers a close friend by now. And so we see Percy spiral a little, show more of his anger issues as he interacts with Thalia or even Young Nico just after Annabeth falls from the cliff. Angry and impatient, he goes on his own quest.
I know most readers remember it as Percy, Annabeth, and Grover or the main cast always working together, but it's almost never like that. Somewhere along the way, Percy always ends up doing his own thing, which works because he best works on improvisations. It's Percy's plans that always end up working the most more so than Annabeth's. Just putting it out there.

Then it's just Percy having the worst month of his life. Annabeth is in mortal danger. No one seems to be hearing his opinions between Thalia and the Hunters. Then Bianca dies and Percy because he is Percy is completely and utterly guilty over it.

Note that Percy says he will do his best to keep Biancs safe and not outright promise to keep Bianca safe. But his non-existent self-esteem and other factors withstanding he blamed himself for it completely. Then Zoe dies, and Percy has lost yet another person he thought he needed to keep safe.

Percy is angry at the gods, but he is not surprised by their actions. But he is Percy, and he is determined to change the ways of Olympus, so he pressures the Council and his father to keep the Ophiptaurus, the very creature that threatens to topple their rule. It's his small was of rebelling, and Percy is always rebelling against the gods in his own way, almost never playing into their hands because as much as he despises Luke, he agrees with Luke too and unless he finds a better way to deal with the situation than what Luke is employing he too would have to one day follow in Luke's footsteps.

  • Now Percy, who trusts Chiron, even thinks of him as a secondary father figure realizes that Chiron for all his compassion for mortals and demigods will always in the end do the bidding of the Gods'. So he makes the snap decision to hide Nico's parentage from Chiron and from everyone else because Percy realizes no matter how much he loves or cares for certain people in his life, they are beholden to answer to a higher power he cannot gainsay, so he will have to take some secrets to the grave. He learns that in the end, some things he needs to shoulder himself.
  • And of course, the guilt of Bianca's death is no lesser, so he does the only thing he thinks can give him some relief from it. He takes the prophecy for himself, saving Nico and hoping it's enough to alleviate himself of this bile inducing sensation in his gut called guilt that is swallowing him whole.
  • Now, the Battle of Labyrinth is the most crucial. This is the book with maximum stress on Percy from all ends. From Sally dating Paul and Percy having to prove he is worth Paul's confidence in him in Goode, from Annabeth who is quite literally snippy and passive aggressive through the whole book either due to Rachel or due to her own prophecy even though Rachel and Percy are the two people who got them all out. Then there's the Nico situation. He knows Nico is spiraling, which is making Percy spiral and further strengthening his own guilt. And on top of all this, the Luke situation. Percy is literally caught between an enclosed space, with all four sides closing in on him rapidly while he is fending off mortal danger.

All this repressed tension is fully let loose when he explodes Mt. Helen's. And this is the tipping point. Percy wants to take the choice of Calypso's Island if only briefly and not because he loves her or anything of the sort but because it's his one escape. From everything from his own doomed prophecy. Yet again, Percy is trapped by his own fatal flaw. Personal Loyalty. So he chooses to carry out his responsibility because he has given himself no other choice.

If that wasn't enough of self-realization, he is faced with the horrifying realization of the devastation his power has wrought. His loss of control has single handedly released the greatest threat to Olympus. Hephaestus tells Percy he doesn't know the limits of his own, and by the gods, does that terrify Percy. Up until now, Percy knew his powers were dangerous, but now he knows that he is also dangerous; that he is the real danger. And it's not a reality he wants to ever confront, so he coils his power and holds it tight in a leash. (It's why Percy's burts of power always begin with an unraveling sensation in his gut or something breaking inside himself)
He is somewhat soothed by Poseidon's reassurance because not only does Poseidon not blame him, he also solidifies Percy's faith that he is doing the right thing. And if Poseidon sprinkles in the fact that Percy is the favorite child then who is he to deny himself the comfort of such sweet lies because, of course, Percy thinks it's a lie and of course Percy basks in it. He knows better than to trust gods, he knows better than to trust even his own allies because at the times like this, they will do and say anything to appease him, after all the fate of Olympus depends on him, does it not? And neither the Gods nor the demigods will risk a falling out with him at times like this.
  • He asks his father if he can help but is denied because he is needed here. Then he does his job as told, and Charlie dies. It's on him. He is struck with twice as much guilt. Over Beckendorf, and then over the state of Atlantis. He asks again if he can help his father and is denied again yet scorned by his father's family, for he can't even help them with the mess he started (or so he believes).
  • This is why Percy goes with Nico's plan of using the Styx. Because he assumes Nico of all people who already hated him has no reason to curry for his favor. But he makes a mistake. After all, Nico needs his father's favor, and Hades needs Percy gone. Percy can't really blame the kid, but he does anyway because why not? He is angry, he is furious, and everything is slipping from his fingers. He is going to die. Everyone is going to die, and it's all on him. It's all his fault, AGAIN. So he rages at Nico because for at least one single moment, he wishes this were someone else's burden, especially Nico's, but Percy's taken it for himself, and it's too late to back out now.
So he fights and manipulates and negotiates. Titans, River gods, his own demigods. Because don't forget Percy knows there's a mole and that's also his problem. Everything is his problem. All that work and so many dead. Silena, Michael, Ethan, and many more on both sides, and he is trying everything he can to make it better to fix things because, again, he thinks it's his fault. Imagine doing all that, and Rachel tells him he is not the hero, and Percy bristles because no, he doesn't want to be a hero, but of course, it offends him. Because, if he's not the hero, then it's not his burden, and then what the hell is he doing all this for if, in the end, he is not the hero that can save Olympus? Does that mean he read the prophecy wrong, and now he is going to get everyone killed because he wrongly assumed he isn't the hero. He is angry and impulsive, and he snaps at even Hermes. Because now HE is spiraling.

And somehow, it's all over with Luke killing himself, and it dawns on Percy, the truth. So despite all the hate because why wouldn't there be hate, Luke has singlehandedly tried to kill Percy more than Percy can count, and he calls Luke the Hero. Makes the choice because he believes in Annabeth's faith and Hermes's faith in Luke. It pays off and that's all that matters.

Finally finally it is all over. the Gods owe him, and finally, he has an answer on the path he wants to take to change the gods. He denies immortality because he is Percy Jackson, he is Sally Jackson's son and he knows better than to let others dictate the flow of his life, because he has better plans than wasting away inside for eternity, dancing on someone else's tune. He fights for the demigods, the non-Olympian gods and their children who Olympus has failed to do justice to, for Nico, and in some way for himself.

Then it's not over at all because Rachel has taken Blackjack and Percy knows the truth of the Oracle and he loves Rachel far too much to let her even try. But it works and she is okay; he can't be with her but she is alive and she is okay and Percy is extremely grateful for that.

But then there's a new prophecy, and even though he tries to find some peace with Annabeth, he knows it's not over. It's never over for him. But he can forget about it until he can no longer afford to ignore it.

___________________________________________

Of course, Percy repressed his trauma. The last time he let it out, he released the literal bane of the gods out. Do you think Percy could live with something like that happening again? What choice does he have? There's no one who can understand him. NO ONE. Not even Annabeth.

You can see him accept his role as a leader and grow more into it. In son of Sobek or even in Son of Neptune. He is more serious and more authoritative because he has so many people depending on him, so many expectations hanging on him. We can also see Percy's anger issues get out of hand. He is spiraling, the readers know he is spiraling, and Percy knows, but he can't do ANYTHING. HE IS LITETALLY DYING OR BEING ATTACKED, HE CAN'T, HE JUST CAN'T.

BUT WE KNOW IT'S THERE BECAUSE WE CAN SEE HOW MUCH PERCY HAS GROWN INTO SUICIDAL TENDENCIES. AND HE CAN'T ACT ON THEM MOST OF THE TIME BECAUSE OTHER PEOPLE ARE DEPENDENT ON HIM AND HIS FATAL FLAW WON'T ALLOW HIM TO PUT HIMSELF OUT OF HIS MISERY.

BUT WHEN HE HAS DONE EVERYTHING HE POSSIBLY COULD, AFTER HOUSE OF HADES, HE LETS POLYBOTES'S POISON CHOKE HIM, ALMOST KILLING HIM IF JASON HADN'T INTERVENED. THANK GOD FOR JASON GRACE.

Percy was this sassy, heavily independent, "I do my own thing" kid and now he is someone with more responsibilities than anyone with most of his free will stripped and most of his hopes ruined or deemed impossible. IT'S TRAGIC AND IT'S EXCRUCIATING AND HE CAN'T DO ANYTHING BECAUSE HE THINKS IT'S MAKING OTHERS HAPPY. IT'S SUCH A HORRIBLE SITUATION. IMAGINE BOOK 1 PERCY? HE WOULD HAVE LET IT BLOW UP IN EVERYONE ELSE'S FACE BEFORE HE EVER LET HIMSELF BE SO BROKEN.

I have seen so many people say how Percy is the standard hero who is always good and never makes bad choices, and I wonder which books they read. Percy always makes the supposed "right" choices at the cost of himself. His fatal flaw enabling his moral compass and the sheer guilt of the lives lost. He can't escape. He hates the gods, he hates the quests but he loves his family and friends so dearly, there's nothing he wouldn't do for them which means Percy is suffocating, drowning, choking in his own misery, his repressed trauma,his self loathing and being crushed to death by the weight of lives, responsibilities and expectations only he can hope to fulfil.

And one day Percy won't be able to take it. His lapses of control will increase in magnitudes so great, his inner rage will level the world. Destroyer, like Athena predicted, Destroyer like Kronos wanted and Destroyer like his name means.

Not every hero needs a villain arc. Percy is inspiring because after all this shit and all these horrors. He is still good, but WE NEED TO UNDERSTAND THE TOLL OF IT. PERCY IS STILL GOOD BUT AT WHAT COST? LOOK WHAT IT'S DONE TO HIM.

Rick has such a great potential for an arc like that but he is going to fuck it up, I know he is but I hope readers realize where it's all leading to and how much Percy has changed and how much he has sacrificed. Also, @hermesmyplatonicbeloved , @ogjacksonsimp , @cynicalclairvoyantcadaver , @helenofsparta2, @fourcornersofcreation thoughts? Did I stray too far from the canon, or am I getting it right at least a little? Because this post took days, I have no idea what it has devolved into.

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You know what? This is amazing.

I used to wonder how Percy's fatal flaw was loyalty, but this post explained it so nicely. Just another great post from @cynthiav06

But no, I don't think Percy would go on a Luke-style path or a Kratos-like rampage or explode in any way.

In fact, I don't even know if there's a good end for Percy. The way Rick is going, there probably won't be ever, but can one dare to hope?

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Reblogged

ORBIT (YOU BURN BRIGHTER WITHOUT ME)

pairing (slightly older) mark grayson x gender neutral reader

you loved him in the way people love stars—knowing the light is already dead by the time it reaches you. mark grayson was made of collisions: his hands, his heart, his promises. you didn’t mind the bruises. not until the day you became one of them. (or: in which love is not enough to save you, but it’s the only thing either of you knows how to bleed for.)

you loved him in the way people love stars—from a distance, knowing they’re already gone by the time the light reaches you.

mark grayson was always made of collisions. you learned this the first time he kissed you: his hands trembling against your jaw like he was afraid you’d disintegrate. (you didn’t. not then.)

it happened on your rooftop, the city lights smudged across the sky like a half-hearted constellation. he’d just stumbled back from a fight, his suit clinging to him in torn patches, his breath still uneven. you reached out to wipe the blood from his lip, and he caught your wrist. his palm was warm. his voice was cracked open.

"why do you always let me come back like this?"

you didn’t say because i love you or because i’m afraid one day you won’t. you just shrugged. "someone’s gotta keep you in one piece."

and then he kissed you.

it wasn’t sweet. it was a collapsing thing—his mouth desperate against yours, his fingers pressing into your skin like he was trying to memorize the shape of you. when he pulled away, his forehead rested against yours. his whisper was rough. "tell me i’m not gonna wreck you."

you stayed quiet.

later, tangled in your sheets with his heartbeat under your fingertips, he nudged his nose against your hair. "you’re thinking too loud," he murmured, lips brushing your temple.

"just memorizing," you lied.

"memorizing what?"

"this." your thumb traced the scar on his shoulder—the one he got saving a bus full of strangers he’d never meet. "you."

he laughed, soft and tired, tugging you closer. "i’m not going anywhere."

(you never told him the truth: that you were counting the seconds until the universe remembered he wasn’t yours to keep.)

the hospital ceiling is white as a tomb when you wake.

(mark remembers the sound your body made when it hit the ground. the viltrumite’s fist cracking into your ribs like they were nothing. like you were nothing. he was screaming your name, but his feet were rooted to the pavement—why couldn’t he move, why wasn’t he faster—)

he sits at your bedside now, his knuckles split and healing too slowly. he doesn’t cry. (heroes aren’t supposed to.) but his breath hitches when your fingers twitch—like even that small movement is a miracle he doesn’t deserve.

"hey," he says, voice frayed at the edges. "you’re okay."

(lie. you’re not. he isn’t either.)

(he replays it in his head every night: the way you looked at him right before it happened. you’d shoved him out of the way—always sacrificing, always so stupidly brave—and for one terrible second, he thought this is it, i’m going to watch you die.)

before, he’d trace constellations between your scars and call them beautiful.

now, his eyes skip over the wheelchair beside your bed like it’s a ghost he can’t face.

"you don’t have to stay," you tell him one night, watching his reflection warp in the rain-streaked window. the glass turns him into something fractured—all sharp edges and trembling hands. his shoulders tense, like you’ve struck him. another impact he couldn’t stop.

"i’m not leaving," he says, too fast. his voice cracks down the middle. it sounds like a prayer, not a promise. like if he says it enough times, it might become true.

(you wonder if he knows you can hear the guilt in his pulse. viltrumite-strong, and yet—)

his fingers twitch toward you, then curl into fists. "just—tell me what to do," he whispers. "tell me how to fix this."

you don’t answer. the silence between you grows teeth.

somewhere, a monitor beeps. outside, the city burns. mark grayson stays perfectly, painfully still—like if he moves, you might finally see him for what he is:

just a boy. just a liar. just another thing that couldn’t love you gently enough to matter.

the weeks pass in a blur of bruised knuckles and sleepless nights. mark trains like he’s trying to outrun the sun—punching through concrete walls, flying until his muscles scream, staring at the sky like it might crack open and give him a second chance. he hovers near you constantly, his hands twitching at his sides like he wants to reach for you but forgot how. (or maybe he’s afraid his touch will leave bruises now. maybe he’s right.)

one night, you catch him watching you from the doorway, his eyes hollow in the dim light. the shadows carve him into something sharp and unfamiliar. you take a breath.

"you don’t look at me like you love me anymore," you say, voice softer than the hum of the streetlights outside. "you look at me like i’m a mission you failed."

something in his face shatters.

for a long moment, there’s only the sound of his ragged breathing. then, quietly, like it’s being torn from his ribs: "every time i see you, i remember how weak i am." his hands flex, useless. "i don’t know how to love you without drowning in it."

the admission hangs between you, thick as blood.

(you think this might be the most honest he’s ever been.)

you leave.

(not forever. just for now. just long enough to remember how to breathe without the weight of his guilt pressing into your lungs.)

mark doesn’t stop you. he stands in the doorway of your shared apartment, his fingers leaving crescent moons in his palms. "i’ll be better," he says, like it’s a vow. like he can carve the weakness out of himself if he just bleeds enough.

you don’t say i know. you don’t say i’ll wait.

(but you press a kiss to his cheek—chaste, fleeting—and for a second, his pulse stutters like it used to.)

months later, you find him on your fire escape, his knees pulled to his chest like a child. the city sprawls beneath him, all neon and noise, but he’s staring at his hands like they’re still empty.

"i think," he starts, then stops. the words come out cracked: "i think i’m learning how to miss you without it feeling like a punishment."

you sit beside him. his shoulder brushes yours—warm, familiar.

(neither of you mention the way his comms device buzzes incessantly in his pocket. the way his eyes flicker toward the skyline every few seconds, braced for disaster. the way love, for him, has always been a countdown.)

but for now—

for now, his fingers lace through yours, tentative. "stay?"

you squeeze back.

(and somewhere, a star collapses in silence.)

1.1k words of angst and honestly? even i’m left heartbroken in the end. so sorry to everyone who read this—but at the same time, why are you here??? still. i really appreciate you guys for sticking around. i was in the mood to break some hearts, sooo... don’t worry, i’ve got the aftercare (fluff one-shot) ready to go once i finish this other one-shot and toss it into the queue! unless, y’know, you guys start yelling at me to post it sooner hahahah.
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