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@billpottsismygf / billpottsismygf.tumblr.com

Alice - British - 20s - Previously the-doctor-deduces-camelot and the-three-gayridebs / Keep up with the Dickens Daily tag here or the dedicated blog here / Vote for which book we will be reading here and subscribe here!

Doctor Who: The Robot Revolution

Firstly, I've never watched a new episode of Doctor Who this early in the day, and I watched it five hours later than I might have done. Frankly, it's absurd. Is it better or worse than last season's midnight release? I suppose it's better for kids but worse for me, and I still don't see why they can't release it on iplayer at the same time as the actual god damn broadcast. But anyway, this is meant to be about the episode itself.

And the episode was… fine? I don’t know that I have particularly strong feelings about it. I think it was quite messy and unclear and tonally inconsistent, but it wasn’t awful. The robots and the whole idea of Missbelindachandra were extremely silly, but it was interlaced with some really dark things. Of particular note is Sasha 55, who I immediately really liked because the actress was giving such a great performance, then she told the Doctor to take her to the stars and I knew she was toast. Really pretty bleak stuff, and quite cruel to introduce us to a would-be companion like that and then immediately kill her. I’m glad the Doctor has a moment to mourn her, but although Ncuti’s acting is as good as ever, it still felt somewhat hollow. People used to accuse the Chibnall era of having Now Pause For Emotion sections, and it kind of felt like that here. We didn’t have enough time to get to know her, even though I really liked what we saw of her, for that moment to feel like anything but a reason to have the Doctor stand there and shed a single tear. Great performances all round, as noted, but even so I wasn’t fully sold on it.

Speaking of being sold on things, I really wasn’t at all sold on the story until the every ninth word thing started happening. I picked up on it immediately, and then was miffed that I could have been paying attention to the main sentences instead of constructing the secret one in my head, given that they recap just the ninth words immediately afterwards, but still! It was a fun and intriguing bit of storytelling. It somewhat fell apart at the end, though. I didn’t really understand how Alan’s every ninth word being truthful could possibly be related to the robots not hearing every ninth word. Also, as soon as it's revealed that Alan is also leaving nuggets of truth every ninth, it seems to cease being true. As I said, messy.

Speaking of Alan, he was an okay villain, if extremely cartoonish. He’s like a caricature of the misogynist abusive boyfriend, who then also decides to overthrow an entire planet just for the fun of it. I liked the idea there, but the execution was just a bit silly. Even this idea that he’s secretly in pain is not explored enough for it to hold any weight.

The time fracture is also extremely confusing. It apparently goes back variously 6 months, 10 years, and 5,000 years. Huh? We really do not get enough explanation of how and why the time fracture worked or happened. The Doctor says he’s closed it now, but surely that’s not it… I’m guessing this is going to be part of the series arc, but I don’t know that it’s seeded particularly well because I’m actually not sure. Maybe this is all the explanation we are going to get. At least it’s confirmed that the mystery of how the certificate got back there is yet to be explained. I think I need to watch it again, because I’m now wondering if the time fracture (allowing for the 6 month and 10 year gaps) happened because of the star certificate already being 5,000 years ago… The Doctor did say something like that, but at the time I took it to mean that it went back in time because of the time fracture. Hmmm… Anyway, either I’m an idiot or it’s really poorly explained, or possibly both.

The solution of using the paradox of the star certificate was nicely foreshadowed, I suppose, but paradoxes have never worked this way before. Ah well, it was fine. Alan becoming a sperm and an egg did make me laugh.

I should talk about Belinda herself, since I’ve barely mentioned her so far! I like her. I like that she’s a nurse. I especially loved her immediately switching into nurse mode as soon as she reached the rebel base and saw that there were people who needed care. Varada Sethu makes her very likable, and special shout out to her saying “Am I six?” to the Doctor’s time-wimey explanation; that made me laugh.

I also like that she’s a reluctant companion. We don’t usually get that in the modern show and I suppose it’s because of the fact that, this series, the TARDIS can’t land where the Doctor wants it to (as in the classic series). It’s fun! It looks like she will get more into the idea of adventuring from the next time trailer, but I like the idea of having a bit of an Arthur Dent figure who just wants to go home but can’t. (It’s also rather Arthur Dent – and Amy Pond, I suppose – that she spent the whole episode in her pajamas.)

I don't love the trope of the companion being the mystery coming back again, but at least the Doctor’s being open with her about it this time. And, more importantly, she's confronting him about testing her DNA in secret! That’s a huge improvement on Amy and Clara. Again, I’m not overjoyed about her being Special TM, but at least the way they’re going about it is maybe less gross?

There’s also the final shot, explaining why they can’t land. Did the Doctor and Belinda just not see all of that debris when they looked out the doors? It’s a bit of a contrivance for all of these famous landmarks to be floating around in one spot, and I can’t say I’m overly invested in worrying that Earth will be forever destroyed (because obviously it won’t be), but, as I’ve said, I do love the more Classic Who vibe this storyline lends itself to, so I’m definitely on board for a fun time.

So, yeah. Overall, it was a bit messy and confusing. I’d say it was a mediocre to poor episode, but with promising elements for the series to come.

Random thoughts:

  • Did the Doctor completely shut down the hospital at the start of the episode? That seems pretty likely to lead to people’s deaths.
  • Why did they have to kill the cat? :(
  • Hello again, Mrs flood. Has she moved house or does Belinda live on the same road as Ruby?

first they made it mandatory to log in everywhere. create an account to download your free template Log in to access resource give us your email nowwwww. Now the humble password is being killed too. open your magic email link! type your 6 digit code that we texted you because we required your email and your phone number! we’re gonna call you and whisper a code sweetly in your ear so you can log in to your account. yes it has a password but you cant use that anymore. okay? poob is gonna call you. now poob is just gonna call you.

So apparently Tumblr ate my original post about this but:

A couple weeks ago I’m going to get lunch and as I open the fridge, my mother attempts to communicate to me that any chicken currently in the fridge is ok for people to eat, because the chicken that was intended for the dog to eat has been used up.

What she actually says is, “That’s human chicken.”

After taking a minute to process all horrible implications of the phrase “human chicken”, I decide to go a different route and hold the tupperware of chicken out to my sister, saying, “Behold, a man!”

This was evidently the wrong choice, as it meant I had to explain to my parents who Diogenes was, thereby cementing the incident in their minds and leading to me, just now, opening the fridge to see the following incredibly cursed image:

This is the funniest post I have ever read on Tumblr for so many…many reasons.

New tag game! I'll start:

I am Pluto. Lord of the lord. Bringer of the lord. Fear me for I am not in the same place.

and anyone else I didn't mention who wants to join in

note: you don't have to use your real name. I just used my user, and you can too lol

I am Ava. Lady of the Soul. Bringer of my favorite bands. Fear me, for I don't know what to do.

I am Abbie, lady of the year. Bringer of course. Fear me, for i am not sure

I am Pam, lady of my friends. Bringer of the world. Fear me for I have a good relationship with my friends.

I am Ivy, lady of the dragon, bringer of the world of competitive marching music. Fear me, for I don't know how to make a little guy that lives in the shower lol.

I am Amy. Lady of this book. Bringer of the lamb of War. Fear me for I have contacted the FBI.

I am Toast. Lady of your lovely wife. Bringer of the hatch. Fear me for I don’t have any other way of being in the hospital 🏥

“It is said that, during the fantasy book in the late eighties, publishers would maybe get a box containing two or three runic alphabets, four maps of the major areas covered by the sweep of the narrative, a pronunciation guide to the names of the main characters and, at the bottom of the box, the manuscript. Please… there is no need to go that far. There is a term that readers have been known to apply to fantasy that is sometimes an unquestioning echo of better work gone before, with a static society, conveniently ugly ‘bad’ races, magic that works like electricity and horses that work like cars. It’s EFP, or Extruded Fantasy Product. It can be recognized by the fact that you can’t tell it apart form all the other EFP. Do not write it, and try not to read it. Read widely outside the genre. Read about the Old West (a fantasy in itself) or Georgian London or how Nelson’s navy was victualled or the history of alchemy or clock-making or the mail coach system. Read with the mindset of a carpenter looking at trees. Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works. I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense. You are allowed to make pigs fly, but you must take into account the depredations on the local bird life and the need for people in heavily over-flown areas to carry stout umbrellas at all times. Joking aside, that sort of thinking is the motor that has kept the Discworld series moving for twenty-two years.”

— “Notes from a Successful Fantasy Author: Keep It Real” (2007), Terry Pratchett. (via the-library-and-step-on-it)

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