Then that means that our Anya has found her family. We have found the heir to the Russian throne.
- Anastasia (1997), dir: Don Bluth, Gary Goldman
@bronzedragon / bronzedragon.tumblr.com
Then that means that our Anya has found her family. We have found the heir to the Russian throne.
- Anastasia (1997), dir: Don Bluth, Gary Goldman
I understand all this
or not so friendly since some of y’all don’t know how to fucking act.
•when a retail worker greets you and asks you for help, you can politely decline. there’s no need for the nasty attitude, that’s literally their job.
•check your coupon dates and what they can be used for. your cashier isn’t responsible if your coupon expired or if you chose not to read what it’s actually going to cover.
•speaking of fucking coupons, yes you have to actually show the cashier your coupon.
•don’t haggle. it’s not a yard sale.
•something discontinued or out of stock? has nothing to do with the people that work there. don’t yell at them.
•if you’re looking for a particular item, take a picture of it or write it down. getting frustrated with an employee because you walked in looking for something but gave the most vague details is unfair. companies repackage things constantly and come out with hundreds of products each year.
•yes retail workers do get paid to pick up after a store. but should you leave your coffee cups and gum wrappers around? no, who fucking raised you?
•please watch your children. it’s your job to watch your child, not a retail worker’s.
•not all stock rooms are full of products. most of the time everything is out on the floor.
•don’t hit on retail workers you fucking creep. especially when you know they can’t voice their discomfort. they don’t want you. them being pleasant is part of their job description
a lot of these are common sense and just behaving like a kind and considerate human being. don’t be a dick
#she blend
We see them all the time - horses in fiction. And there is so much to learn about them that it can be a little overwhelming! But I work with horses a lot so I thought I’d be able to help some of you guys out by going through the basics you’ll need for writing. (by the way, I only ride English style. If somebody wants to do something similar for Western riding, by all means, fire away.)
It’s the height. Horses and ponies are measured in hands - 1 hand = approx 4 inches. A pony is anything below 14.2hh,(hands), a horse is anything taller. Any pony smaller than 14hh would really only be suitable for children. A stockier 14.2hh could hold teens or small adults, but most teens and adults would probably ride horses. 16hh would be an average size.
A Mare is a female horse. They can be quite moody sometimes - which they show by being uncooperative and putting their ears back. A Stallion is a male horse that has not been castrated. They can be very, very strong willed, and are typically not suitable for the novice rider. A gelding is a male horse that has been gelded/castrated, They often have a more relaxed, placid nature. A colt is a young male, and a filly is a young female.
Training a horse under saddle is called ‘Breaking.’ A horse is typically broken around ¾ years of age, once it has finished growing. Breaking correctly is a long and patient process - not something that your character can do in a few minutes.
Horses have four gaits. Walk, trot, canter, and gallop - in that order of ascending speed. Nobody trots away from danger. if your characters are fleeing, they are in a flat out gallop.
For describing scenes - you’ll really only need to talk about the reins and the bit. Pressure on the reins (held by the rider) should slow the horse down. The horse feels this pressure acting through the bit.
All you really need to worry about for the saddle are the stirrups, and the girth. The girth is holding the saddle on, and the feet go into the stirrups.
Is difficult! Your character won’t be a pro withing a couple of days. Its hard on your legs, and learning to balance can be tricky too. Somebody who is very comfortable in the saddle is relaxed and secure, and able to deal with however the horse acts. The rising trot, when the rider goes ‘up and down’ in sync with the horses movement in the trot, can be particularly difficult.
The average gallop is around 45km/h. So, bear i mind that a horse cannot outrun a car or anything like that. Jumping ability varies - a heavier horse will struggle over a 90cm hedge, but a quality animal could easily pop 1.60m (but only with a good rider.) If your character gallops the horse on hard ground, it could easily go lame - they aren’t invincible!
Horses don’t eat the same way as dogs or cats. They are grazers - meaning they need to eat little, and often. Your character giving them a Handel of oats once a day is really not going to keep them alive. They need forage - grass or hay - and a lot of it.
Showing how the horse is feeling can be a really great tool for expressing the ‘mood’ of a scene.
Relaxed - A relaxed horse will have its ears back lazily, but not pinned against its head. It will likely doze off and close its eyes, maybe while resting a hind leg.
Alert - Horses are super smart animals, and many say that they have a sixth sense that lets them know when something is coming. An alert horse stands up straight, and has its ears pricked forward.
Upset - If something bad is happening, the horse won’t be in good mood. It might pin its ears flat back against its skull, and bare its teeth. It will flick its tail irritably, and a horse will kick out or bite at something if its unhappy.
Horses are deeply empathetic animals. They are herd animals too, and can form deep connections with their people. A horse who is fond of a person may whinny when they see them, and nuzzle their face and neck. A real trust can form between horse and rider. To show this as your story progresses, the horse will become pleased to be with the character, and the character’s nerves aboard the horse will begin to fade.
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If you have any more specific questions, feel free to message me. All of this is very basic, and I am more than happy to help some fellow writers.
Happy writing, Aoife - @writingguardian
Nice! Super useful for Fantasy writers in particular :)
Thor and Loki in Thor: Ragnarök + Neil Gaiman’s Norse Mythology
Palette Chalange - Favorite Movie + We Know Hot for @udaku-tchalla
Everyone. May I introduce you to the Snow Leopard.
Still, it was a great honor.
Shuri shouting out the floor is lava and recording the confusion among the avengers wondering why tchalla king of Wakanda hopped up on a counter cause goddammit his little sister pulls this shit all the time and peter is stuck on the wall because he’s also a child of the internet and understands the meme life and now his fate is sealed there will never not be a time Shuri isn’t camera ready and yelling out the floor is lava to see the wackiest places she could get peter to stick on
T’Challa ignored her once so she developed synthetic deployable lava and the next time she yelled the floor is lava it actually was. T’Challa lives in fear now because he knows if he doesn’t pretend the floor is dangerous, it will be.
Once she got peter to stick onto T’Challa.
Everytime she does this, Thor is the first to find high ground. because Loki used to play the same game, and Loki was never one for ‘pretend’.
Anyways there’s a website that tells you whether Thanos killed you or not when he wiped out half the planet