If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

Thank you so much for this!

20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Uncontrollable Behavior

If you're a writer you're supposed to write a lot of bullshit. It's part of the gig. You have to write a lot of absolute garbage in order to get to the good bits. Every once in a while you'll be like "Oh, I wish I hadn't wasted all that time writing bullshit," but that's dumb. That's exactly the same as an Olympic runner being like "Oh, I wish I hadn't wasted all that time running all those practice laps"

You can only reblog this today.

I missed my chance last year. Not gonna let it happen again

Writing Dialogue - What to Leave Out

Dialogue is tricky for many reasons, but a good place to start is knowing what shouldn’t even be in dialogue to begin with. 

Filler Words

While using words like Um, Uh, Like, ect. can do a lot to show a character’s hesitance or nervousness, there are other great ways to show these emotions without those filler words. Add body language, gestures, facial expressions, or pauses to show the character’s anxiety. I’ve seen ellipses used to denote pauses in dialogue, but only do this if you’re stingy with them. 

Also, be economical. Don’t use more words than you need to. When I’m editing my own dialogue, one word I’m always deleting is “that.” If you cut it from the following sentences, they roll off the tongue much easier. 

“I didn’t know that she was there.”

“I found out that he was cheating on me.”

“He said that he’d meet us there.”

Long Explanations

Say you’ve just written this fantastic chapter where your protagonist has been through absolute hell, yet they discovered something crucial to your plot. Then, in the next chapter, your protagonist meets up with another character and needs to catch them up on everything that just happened. It is more than okay to say something like, “Sarah told Bill what happened.” Focus instead on how Bill reacts or what he says in response. Readers  don’t want to hear an explanation of something they just read, so keep that in mind when recapping events between characters.

Greetings

When I answer the telephone, I say hello. When I see someone at work, I say hey and ask how it’s going. That’s realistic dialogue. But despite its authenticity, it has no place in fiction. Have you ever noticed how people on TV never say goodbye when they’re on the phone? Or they tend to just barge into a scene and start talking? We know people usually greet each other appropriately, but we go with it because we don’t want to waste time on trivialities when we’re enjoying a story.

Character Names

Use character names in dialogue sparingly. When two characters are speaking to each other, it’s redundant to use the other’s name.  A general rule of thumb is to only use a character’s name in dialogue when you’re trying to get that character’s attention, or if there are multiple people in the scene and you need to make it clear who she’s speaking to. When in doubt, leave it out!

And some last tips!

-Watch movies or television, or listen to an audio book. Part of learning to write great dialogue is hearing it. 

-Find a dialogue heavy scene you enjoy and analyze it! Do some characters speak in only fragments? Do some rarely use contractions? How many simple sentences vs. compound/complex sentences are there? How does the author denote accents or bizarre speaking patterns? 

-Read aloud dialogue you’ve written, either by yourself or with a friend. 

-If you’re writing prose, write the scene in script format first. Don’t worry about anything except the words inside those quotation marks.

Now go put words in people’s mouths!

Other great resources:

How to Write Great Dialogue

The Power of Silence

How to Write Dialogue

Foundation of Dialogue

Do you think I meant to write "stoopid" google docs. Do you think I meant to describe a character as "stoopid." Do you think that is what I meant to do

Getting writing advice is so funny because one writer will tell you that you have to at least know where your plot is going or you wont be able to write a good story, and immediately after another writer will tell you that you just have to start writing and letting your story take you wherever it wants to go, and then these two writers will agree that there's not one writing style and everyone needs to do it their own way. Like okay, net zero advice, thank you.

Writer's block is so fucking stupid, what do you mean I spent two months unsure of my ability to continue my own stories only to write a 4k chapter to the start of my next major fic within three days? What the actual fuck??

i love being a bad writer. pages upon pages of incoherent planning, massive blocks of prose interspersed with dialogue, white room syndrome, spending 8 pages describing the love interests outfit and 1 describing how the mc killed a man. entire scenes missing. entire chapters missing. i write once a week, but i write 50 pages in that time. i read, but only fanfiction and the same 2 childrens fantasy series ive been reading for years. half of my characters don't have names yet. entire sections read like wattpad fanfiction. its objectively horrible. i wouldn't love it any other way.

how does being punched in the face feel like

literally i just wanna know

It depends on where you get hit

Cheek: a round dull pain that clocks your entire head in a different direction. It’s painful and throbs but the main effect of a punch to the cheek is how jarring it is. You feel it in your mouth, your teeth. And no matter how you position that punch the knuckles will always hit the jaw and cheek bones adding a frame of sharp pain in which the redness will be painted.

Temple: getting hit on the temple pushes your head to the side rather than turning it. It’s disorienting because it leaves you very off balance. It essentially feels like a bad pressure headache, like when you have a sinus infection on a plane, but in one spot and on the outside. It’s sharp in the middle and radiates outward and even after the initial impact it pulses like an earthquake epicenter. It easily causes long lasting headaches and is the most likely of these examples to cause a concussion.

Eye: this is a weird one. The fist doesn’t fit within the eye socket so either the knuckles on the brow and cheeks bones protect the actual eye or they don’t. The former option gives a full spreading pain below the eye which results in the classic black eye look and a sharp pain on your brow similar to hitting your shin on the couch. The latter option, well bad things can happen when a hard fast object makes direct contact with your eye but for the sake of this it feels like a vacuum bc the concave shape is being covered and pressurized. The eye feels pushed back and pulled forward all at once. It doesn’t necessarily hurt that bad for that long unless the punch was meant to do damage. I’m fortunate to say I don’t know what it would feel like then.

Nose: remember that prank kids used to pull where they’d line up their hands with their nose, push them in one direction and crack a knuckle at the same time to pretend to break their nose? Yeah that’s what it looks like when someone punches you from the side in the nose, except it’s someone else’s hand and your nose makes the sound instead of their knuckle. It’s just like breaking any bone where you hear it and feel the action if it being done but that moment of shock blankets you for a split second until all the pain comes rushing back. It’s sharp and needlelike and can give you black eyes just to add insult to injury. If you get hit in the nose from the front it’s like the uncomfortableness of when you have to sneeze but can’t. Except that feeling took all the steroids and is now using your face as a punching bag to express its roid rage. It crackles outward like static electricity under your skin, your eyesight gets fuzzy and you can’t tell if it’s because you’re tearing up, it’s hard to open your eyes, or you’re momentarily stunned and blinded. Just know it’s all three. I find that this one knocks the wind out of you the most. Gotta remind yourself to breathe just don’t try to do it through your nose.

If you really want to know what this feels like I’d suggest joining a mixed martial arts because they’ll teach you correct form and power distribution and you can spar with pads and actually hit each other.

I’d also recommend learning what it feels like to punch someone in the face. It’s much more fun and pretty damn cathartic when they deserve it.

i was just being stupid but these descriptions are actually so well written i could feel them lmao bless

Well, thanks for “being stupid,” because this is a great ref for writers.

this is funnier the earlier in march you reblog it it

✨ it’s march ✨

😔 it’s march 😔

Baby it’s March🤡