Pinned
My pronouns are we/us because we’re in this together. Hold my hand
Pinned
My pronouns are we/us because we’re in this together. Hold my hand
Givenchy, S/S 1999.
why you hatin on the red hot chili peppers, man?
although i don’t agree with your taste in music, i have to respect your ability to type out this message while longboarding across campus
i so wish i had never followed you
but you have. you have followed me. and now you can never unfollow me in a way that matters
never not thinking about ‘how do you sleep’ because the concept of writing a diss track and being like *spits* fuck you. you and your chart-topping hits and your loving wife and friends and your dead mom, actually, while we’re at it, and your pretty face and your mass appeal music and that one conspiracy and your secret hidden messages to me and—
Photography by Anton Corbijn for the Echo and the Bunnymen’s album The Game
Infinite Stairs and Dissected Buildings | Marcin Bialas | Socks Studio
Marcin Bialas is a Polish artist who’s specialized in etchings and drawings in black an white. Among his large production, a recurring theme is dissected buildings and surreal constructions, such as infinite staircases and labyrinthine interiors, an atemporal combination of G.B. Piranesi and Brodsky/Utkin prints. The structures seem unfinished, yet already in ruin, able to plunge the viewer into an uncomfortable feeling. Somewhere between nightmares and theatrical settings, Marcin Bialas’ retro drawings explore the dramatic potential of different projections and points of view.
Kensa Hung (Chinese, 1993) - Walrus (2021)
Dolev Elron
Hedy Lamarr in as Karen Vanmeer in Boom Town (1940)
Indians and Chinese people make up such a huge chunk of the planet and yet people in the west think it’s a radical idea to conceptualize them as human
Turkey vultures By: Michael P. L. Fogden From: Wildlife of the Deserts 1980
There's a lot of posts on this site talking about how Sun Tzu was brilliant for his time but a lot of what he says seems blindingly obvious now, basic logic written out by an exasperated general trying teach idiot aristocrats how not to get their people killed, but perhaps he really does hold modern-day relevance considering the US has spent the last 60 years picking battles it can't win and now wants to gut its own logistics