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知らないと言う罪と 知りすぎる罠

@dykemagik / dykemagik.tumblr.com

lilith. adult. she/her. anarchist jewish trans dyke. 日本語でOK
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Uika and her inner monster, Doloris

Admittedly when I first watched It's MyGO and Ave Mujica 0th, I didn't really think much of Uika. She and Doloris are presented as such vastly different entities that my brain kind of glossed over her, because I don't tend to go crazy for characters who are presented to us as always being bright and warm. Even when the last episode aired and I saw her undergo the transformation from Uika into Doloris, it still hadn't fully set in for me (though perhaps this is simply because I was busy losing my mind in excitement about seeing Ave Mujica at all as well as the sequel announcement).

But reading the interviews that came out after the anime finished airing completely changed that. Uika is Tomori's opposite in every regard? She has a secret so intense it made her voice actress stand out of her chair and yell when she heard it? I need to know more! What on earth could this seemingly kind character be hiding?

I've been keeping a close eye on her content ever since, and it's slowly making me feel insane. So, in anticipation for the anime, as well as their 4th concert which will happen in December and thus give us even more Doloris lore, I wanted to compile a post on the both of them in which I will present my various thoughts and theories.

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Right. Okay. We need to find a pub. Biggest, loudest, messiest pub in town. Bonus if there’s a brawl happening. It’s where she’ll be. […] That is the Corsair.

Doctor Who: The Thirteenth Doctor #9 by Jody Houser, art by Roberta Ingranata

nabokov killing a grey alien with a shovel: I awoke unremarkably to find my mother's favorite birdbath in the process of molestation by the grey nubs of some fat fingered and bug eyed hominid of vulcanized complexion. Being at the end of my wits and the begining of an experimental streak, I angrily shod and the fetched the heavy steel shovel from the garage. There was an exchange of swears and brandished gardening tools and extraterrestrial gibbering, at which point I -with all the vigor I could muster- beat the horny little hominid into a grey and yogurtish pulp

I have an opinion about the Switch 2 price but y’all aren’t gonna like it bc it’s more nuanced than just Nintendo bad greedy

Since someone actually asked

Like corporations are bad, but there’s a bigger reason that games cost so much. I’m actually okay with mainstream games getting more expensive bc it helps raise the floor on indie game prices (which should all be higher, Stardew Valley being $15 is actually bad for indie devs everywhere bc everyone compares your indie game to SV and is like why can’t you have this much content and be this cheap. SV should be like $40-50.) bc then me an indie dev might get paid more and not be starving.

The nuance is that twin evils are at work here: 1. video game costs have kept up with inflation (as they should to pay for the higher fidelity gamers demand and to pay the bigger and bigger teams) but wages have not. Ppl should be asking why isn’t our minimum high enough I can afford a game with a few hours of work (the equivalent of less than half an extra shift if you wanted to take it once a month)?

Essentially: please gain class consciousness, bite every billionaire, demand minimum wage and thus all other wages be raised to keep up with inflation and suddenly you will have money for games and consoles, and game devs will be able to make quality products that allow them to feed their families.

Evil #2, (this evil is also why AI has gotten so big) is that art has been even further reduced to things that are solely meant to be consumed, spit out and then immediately forgotten for the next item of consumption. This conflating of art (and video games are art!) with products and consumption is the other half of the nuance here. It’s not wrong for people to ask, hell even to demand they get paid well for making good art. They should be getting paid well for it.

Either that or gamers need to lower their impossible standards.

Anyways. Corporations are evil and not your friend, that includes Nintendo, but please consider using this anger to gain class consciousness and realize that the real thing to be mad about is not that games and consoles are more expensive, but that you are not getting paid enough, are being exploited, capitalism is a failed system and all billionaires are evil and need to be forcibly divested of their money.

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sotrias-labyrinth-deactivated20

I like that Dynasty Scans has a yuri tag

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sotrias-labyrinth-deactivated20

this website is so full of morbidly depressed people its kind of refreshing actually. no glamour no spectacle of a perfect life even the biggest blogs here are run by suicidal transsexuals with messy rooms who have strange sexual fantasies. found my people

the key to not fanonizing your faves is to simply become academia-brained about it. never make a statement about a character you can’t back up with at least three references to the source material

fuck an "intended audience" how about we normalize engaging with new and unfamiliar art pieces on their own terms

ladies and gentlemen, please welcome the difference between pushing a product and creating a work of art

I can't be bothered to find the thread rn. But there were a bunch of people talking about it, and I agree, so I'm sharing the idea here:

We need a death of the audience; lots of media gets worse because authors are too worried about a hypothetical audience. As someone engaging with media, you need to understand that you simply might not understand all of it, and that's ok. But also I think more authors need to realize that it's ok if not everyone in the audience will fully understand everything they're doing.

then we should also push more for audiences not ripping authors to shreds when they do something in their art they dont like

there is a reason authors are scared. it is not a hypothetical audience anymore when they send hatemail for the author taking the media into different directions than some people want it to

"Death of the audience" is such a good term! I'm gonna hang onto that, as someone who writes about a lot of niche stuff. Sometimes a character is going to have a job or a hobby or something the reader isn't familiar with, and you're not always going to get context for every tiny aspect of it. If not understanding a single word (that isn't at all relevant to the actual plot) is enough to pull you out of an entire story, that's kind of on you.

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