Pinned
Trans men and trans women are not opposites. Hope this helps!
Pinned
Trans men and trans women are not opposites. Hope this helps!
i didn’t even realize this was a flat earth thing at first, i thought it was sincere, i thought this was advocating solar worship
we make fun of americans and their burgers but a good burger at the right moment really will return your will to live, is the thing
Don't worry everybody I promise to be normal tonight.
One drink in: Who would like to swear fealty to my cause
Michael Parenti, "Fascism in a Pinstriped Suit," essay published in Dirty Truths: Reflections on Politics, Media, Ideology, Conspiracy, Ethnic Life and Class Power (1996)
When I am not writing I am not writing a novel called 1994 about a young woman in an office park in a provincial town who has a job cutting and pasting time. I am not writing a novel called Nero about the world's richest art star in space. I am not writing a book called Kansas City Spleen. I am not writing a sequel to Kansas City Spleen called Bitch's Maldoror. I am not writing a book of political philosophy called Questions for Poets. I am not writing a scandalous memoir. I am not writing a pathetic memoir. I am not writing a memoir about poetry or love. I am not writing a memoir about poverty, debt collection, or bankruptcy. I am not writing about family court. I am not writing a memoir because memoirs are for property owners and not writing a memoir about prohibitions of memoirs. When I am not writing a memoir I am also not writing any kind of poetry, not prose poems contemporary or otherwise, not poems made of fragments, not tightened and compressed poems, not loosened and conversational poems, not conceptual poems, not virtuosic poems employing many different types of euphonious devices, not poems with epiphanies and not poems without, not documentary poems about recent political moments, not poems heavy with allusions to critical theory and popular song. I am not writing "Leaving the Atocha Station" by Anne Boyer and certainly not writing "Nadja" by Anne Boyer though would like to write "Debt" by Anne Boyer though am not writing also "The German Ideology" by Anne Boyer and not writing a screenplay called "Sparticists." I am not writing an account of myself more miserable than Rousseau. I am not writing an account of myself more innocent than Blake. I am not writing epic poetry although I like what Milton said about lyric poets drinking wine while epic poets should drink water from a wooden bowl. I would like to drink wine from a wooden bowl or to drink water from an emptied bottle of wine. I am not writing a book about shopping, which is a woman shopping. I am not writing accounts of dreams, not my own or anyone else's. I am not writing historical re-enactments of any durational literature. I am not writing anything that anyone has requested of me or is waiting on, not a poetics essay or any other sort of essay, not a roundtable response, not interview responses, not writing prompts for younger writers, not my thoughts about critical theory or popular songs. I am not writing a new constitution for the republic of no history. I am not writing a will or a medical report. I am not writing Facebook status updates. I am not writing thank-you notes or apologies. I am not writing conference papers. I am not writing book reviews. I am not writing blurbs. I am not writing about contemporary art. I am not writing accounts of my travels. I am not writing reviews for The New Inquiry and not writing pieces for Triple Canopy and not writing anything for Fence. I am not writing a daily accounting of my reading, activities, and ideas. I am not writing science fiction novels about the problem of the idea of the autonomy of art and science fiction novels about the problem of a society with only one law which is consent. I am not writing stories based on Nathaniel Hawthorne's unwritten story ideas. I am not writing online dating profiles. I am not writing anonymous communiqués. I am not writing textbooks. I am not writing a history of these times or of past times or of any future times and not even the history of these visions which are with me all day and all of the night.
Anne Boyer Garments Against Women, 2016
I know I wasn't supposed to.
But I went into the woods.
Another me came out.
We seem to be equally suspicious that the other is the imposter. I keep checking him for roots and he keeps doing the same to me. Is it a double bluff? Is he gaslighting me into thinking I'm the neverwas thing and he's the human being with organs and anxiety? Is he truly unaware he's a mockery given shape? If he can be unaware of it, I can be too.
That's kind of a lonely thought, really.
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It's been several days and the tests are all inconclusive. We both bleed normal blood that doesn't turn into a spider and jump to the ceiling when you touch it with a hot wire. We know the same trivia. We pretended to know the same stuff we forgot that we were embarrassed not to remember. We both got uncomfortable at the exact same time when we walked into the cathedral.
We arm wrestled and didn't tie somehow, but we weren't sure if winning meant he was more likely to be fake or less likely.
I worry that we don't really know anything about accursed other selves from the woods.
Wikipedia has been less than helpful.
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Mom claims she knows which one of us is her 'first boy' but refuses to tell us on the basis that she loves us both and thinks we should get along.
He thinks she can't tell and is too embarrassed to tell us. I think its because she wants to double her chance at grandkids. The difference in opinion is interesting, but is it a sign of an imposter, or the divergence of our experiences?
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We've decided to flip for the job. I won, so I don't have to find new work. I don't know if that's a win.
I think the curse is that neither one of us is an unnatural imposter out to kill the other. Or else whichever one of us is the monster has realized they don't think my life is worth killing to steal.
I know I think about smashing that copy of my own face open with a rusty fire axe, a gush of sea water and blasphemous screams roiling from the empty hole that should contain bone and brains, and it just seems like a lot of trouble and effort.
I think I'm going to start going by my middle name.
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Another me just showed up on our doorstep.
He's caked in mud, sticks and twigs in his hair, babbling about harrowing experiences. I'm fixing him some tea while the other-other me hands him the pamphlet we made just in case.
Now he's telling us about the Night King. Like we don't know.
I need a bigger place.
[T]hey frequently transgress the spatial boundaries imposed by humans to organize and govern spaces […]. [W]etlands spread out and do not conform to the straight and consistent lines between land and water. […] The smells of wetlands, of decomposing vegetation, of sulphur, were […] off-putting for [British] settlers in Aotearoa […]. Soon after the British-led military invasion of the Waikato region in 1863 and the confiscation of 480 000 ha of Maori lands, [...] [t]he ‘great swamp region of the Waikato’ was described as a picture of ‘desolation’ and ‘stagnant water’ where the ‘ground quaked and quivered beneath’ one's feet, and opened up unexpectedly to suck people down into ‘horrible depths of [the] black, stinking bog’. […] The omnipresent dangers of ‘damp vapour arising’ were deemed ‘highly prejudicial to residents’ health throughout Aotearoa. […] The ‘tepid swamps’, it was reported, poisoned the ‘otherwise pure air’ […].’ The Napier Swamp Nuisance Act enabled local government officials to ‘fill in’ (meaning to drain, establish levees, and build up the soil) any parcel of land deemed a muddy watery odorous ‘nuisance’ without the consent of the landowners. […] [P]oliticians suggested [that Aotearoa] be decontaminated through strategic interventions to remove and remake wetlands […]. Such ideas, which fused medical and socio-economic theories, justified indigenous dispossession and drainage works […].
Text by: Meg Parsons and Karen Fisher. “Historical smellscapes in Aotearoa New Zealand: Intersections between colonial knowledges of smell, race, and wetlands.” Journal of Historical Geography Volume 74, pages 28-43. October 2021.
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On 24 December 1928 Italy’s fascist regime launched […] a fourteen-year national land reclamation programme aimed at [...] Italy's ‘death inducing’ swamps […]. The Pontine Marshes, a marshland spreading across 75,000 hectares south of Rome was given top priority […]. [T]he fascist regime used an extensive propaganda machinery to promote the programme […] as a heroic quest for producing an 'ideal' [...] landscape [...]. Newsreels documented step by step the struggle […], with Mussolini himself often featuring, overseeing the project, or even working the land. […] Nearly 3,000 newsreels and many documentaries were produced [...]. This was [...] [among] Italy's most important public works project[s] [...], a transformative enterprise that [...] would engage with an "untamed" natural environment and [force] it into a sanitised version of ideal fascist nature. [...] [The marshes] were linked to the idea of wilderness, [...] undisciplined, uncivilised, and unproductive [...]. This policy […] aimed […] [at] removing “unhealthy” [...] areas, through the process of sventramento (disembowelment). […] The construction of New Towns [...] in the Pontine Marshes [...] aimed at producing the 'ideal' settlement [...]. [These newly constructed] municipal buildings often boasted prominent towers [....] reigning supreme over the Marshes [...].
Text by: Federico Caprotti and Maria Kaika. “Producing the ideal fascist landscape: nature, materiality and the cinematic representation of land reclamation in the Pontine Marshes.” Social & Cultural Geography Volume 9. 2008.
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[I]n Recife in the Northeast of Brazil [...] the transformation of the city was predicated on [...] [a] notion of whiteness that required the enclosure of wet, amphibious space to make dry land. [...] Racialised groups – of black, indigenous, and mixed heritages – and the houses, marshlands, and mangroves where they lived, were subject to eradication [...]. [F]rom the 1920s to 1950s, during the rise to hegemony in Brazil of [a form of eugenicist, modernist nationalism,] [...] [the] idea's heartland [was] the Northeast. [...] Recife is also a centre of Brazilian black culture [...]. One of the key sites in Brazil's slave and sugar trades [...], the city was [...] [a] hub. Many of these people lived in what came to be called mocambos, a word that designated an informal dwelling, but came to mean much more. [...]. Mocambos were seen as [...] the place where exploited labour was kept out of sight. [...] They were also [...] the inheritance [...] of the quilombo - the community of escaped slaves. [...] In July 1939, the proto-fascist administration [...] of Agamenon Magalhães, put in place by Getúlio Vargas' repressive Estado Novo, launched the Liga Social Contra o Mocambo (Social League Against the Mocambo, LSCM). The League emerged out of a tellingly named “Crusade” against the mocambos. [...] Mocambos were characterised as repellent, unhygienic, and dangerous: “the mocambo which repels. The mocambo which is the tomb of a race … a sombre landscape of human misery … which mutilates human energy and annuls work" [...]. These were the decades of the embranquecimento of the Brazilian population through public policies of immigration, miscegenation, and sterilisation [...]. This white supremacist ideology was inseparably a politics of nature. Magalhães wrote [in 1939]: The idle life, the life that the income of the mocambos provides [...]. It is a life of stagnant water. … [that] generates in its breast the venom of larvae, which are the enemies of life. Enemies of life, as are the mocambos and the sub-soil of cities, where the polluted waters contaminate pure waters [...]. Attempts to “cleanse” the city functioned through a distinct process: aterramento, the making of land. [...] Or as 1990s mangue beat [mangrove beat] musicians [...] put it, “the fastest way also to obstruct and evacuate the soul of a city like Recife is to kill its rivers and fill up its estuaries” [...].
Text by: Archie Davies. "The racial division of nature: Making land in Recife". Transactions of the Institute of British Geographers Volume 46, Issue 2, pp. 270-283. First published 29 November 2020.
kinda fucked up that im not a tv show character or like a 14 year old's oc Because i would've been really really good at that
Sylvia Plath, The Unabridged Journals of Sylvia Plath
That poor pest control guy did not know what he was getting into, but given the state of my yard i feel like he should have known what he was getting into.
He was going door to door offering to spray the base of the house for pests for a discount rate because one of our neighbors signed up for pest control and he walked down my driveway (covered in spiderwebs), up onto my front porch (covered in spiderwebs), and knocked on my door (covered in spiderwebs) and said "hi, I'm John from the bug company, would you be interested in a discount service because it seems like you may have a spider problem."
And I said, "oh, no, I'm sorry, I won't be spraying for spiders, I like them. I want to encourage them."
And he gave me kind of a weird look and was like "why?" And I was honest and said that they were my pest control, they take care of my mosquitoes and and and flies, and then I kind of laughed and said that I should stop because I know way too much about spiders and if he let me go I'd talk his ear off.
And then he made his fatal mistake and asked what I knew about spiders, and if I knew what kinds of webs he'd walked past to get on the porch and what spiders were in my yard.
So then he got to hear my thoughts on brown vs black widows and why I wished there were as many black widows as there used to be but I had a big beautiful one under my patio table right now and even if I prefer black widows because they aren't invasive the same way that brown widows are i still like the brown widows and i had a lovely one who lived in my patio chair from August until the firestorm in January and she was so good and kept eating cockroaches and had made five big egg sacks and how I was so proud of her and I used to have a lot more orb weavers but their numbers never recovered after the tropical storm last year but I had a cute one on the shed that I took a picture of yesterday and of course there are tons of wolf spiders and jumping spiders and cellar spiders if you wanted to count them too and some false widows but I hadn't seen any of them this year and, well, yeah, anyway they're not actually dangerous mostly and widows want nothing to do with you but a bite wasn't pleasant but much better than a recluse bite but I almost never see recluses around here but i wouldn't, would I, because they're not called brown gregarious spiders, oh and there are black footed yellow sack spiders around and you don't want those to bite you but their little toes are so cute and I'm sorry, sorry, sorry like I said I can go off about spiders, but also I don't want to spray because I've got so many pollinators, I've got a whole wisteria vine full of carpenter bees, actually i saw a male valley carpenter bee last week, did you know they're golden and fuzzy? He was so cool! But, yes, sorry, I won't be spraying but thank you for asking, and I'm sorry I was the crazy spider lady at you!
happy autism awareness day to all the girls who had “ friends” growing up who were actually bullying them . to the girls who always sat alone in the grass and wondered why nobody wanted to talk . to the girls who spoke to animals like they were listening . to the girls who created a little world in their room . to the girls who always felt ashamed for how deeply they love things and how passionately they enjoyed media . to the girls who covered their ears when they were overwhelmed by everything . to the girls who carrying a special thing around to feel safe . to the girls who never understood what they did wrong to feel so lonely . to the girls who were diagnosed later in life because they weren’t little boys who liked trains. you are so special and beautiful and you’re not worse for it, you love deeply and that is so wonderful please never try to push that down . I LOVE YOU !!!!!
Clarissa Pinkola Estés, Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype
growing up as a closeted lesbian trans girl is so bizarre bc you really will leave everyone around you shocked and confused thinking why is that faggot straight