summer’s almost over and i still haven’t gone on a roadtrip with my best friend who i’m secretly in love with and watched them nap in the afternoon sun when it’s my turn to drive only to look away quickly as soon as they start to wake up and avoid their eyes guiltily for the rest of the evening, and had dinner in a cheap diner where i kept looking at their laughing mouth until i started wondering, recklessly, what it might be like to lean across the table and kiss them there, and then down at their hands playing with one of the laminated menu cards and trying to work up the courage to say something i couldn’t quite put into words, and gotten into a terrible fight in the middle of the desert about who took the wrong turn somewhere and said such awful, cutting things that neither of us really meant, and had to share a bed in one of the motels along the way because they only had one room left and it was one with a double, and woken up with my arm around their waist or slung over their shoulder and their legs tangled with mine, and lain in the trailer at the back of their dad’s truck wrapped in fleece blankets to watch the stars, and returned home feeling sad and empty to a house that seems too big and too quiet without their presence to fill it. what’s with that.
My Favorite 25 Essays of 2018
- “The Silence: The Legacy of Childhood Trauma” by Junot Díaz in The New Yorker
- “The Rage of the Incels” by Jia Tolentino in The New Yorker
- “One Year of #MeToo: A Younger Generation’s Remedy for Rage” by Amanda Petrusich in The New Yorker
- “Unheard Grief, Unmovable Men: How an Old Mexican Folktale Speaks to Our Pain Today” by John Paul Brammer in Catapult
- “How Fairy Tales Teach Us to Love the Unknowable” by Cate Frick in Catapult
- “I Used to Insist I Didn’t Get Angry. Not Anymore” by Leslie Jamison in The New York Times Magazine
- “Gillian Flynn Peers Into the Dark Side of Femininity” by Lauren Oyer in The New York Times Magazine
- “Is Television Ready for Angry Women?” by Sophie Gilbert in The Atlantic
- “Do Beyoncé Fans Have to Forgive Jay-Z?” by Hannah Giorgis in The Atlantic
- “How Famous Women Clean Up After Men” by Soraya Roberts in Longreads
- “The Miracle of the Mundane” by Heather Havrilesky in LongReads
- “Sharp Objects Finale Recap: Don’t Tell Mama” by Angelica Jade Bastien in Vulture
- In Conversation: Kathleen Turner in Vulture
- “Why 536 was the worst year to be alive” by Ann Gibbons in Science Magazine
- “When Priyanka Met Nick: A Love Story” by Abby Aguirre in Vogue
- “The Female Price of Male Pleasure” by Lili Loofbourow in The Week
- “We Need to Start Taking Young Women’s Love Stories Seriously” by Marian Crotty in Electric Literature
- “Female Agency in Movies” by Kellie Herson in The Outline
- “Mourning for the Void” by Hazel Cills in Jezebel
- “Cracked Fairy Tales and the Holocaust” by Sabrina Orah Mark in The Paris Review
- “How to Be Pretty On TV” by Elisa Gabbert in LitHub
- “Your American Dream Baby” by Vivian Zhu on her personal blog
- “We Prioritize Boys’ Suffering At Girls’ Expense” by Shannon Keating in BuzzFeed
- “You Owe Me An Apology” by Brittany Packnett in Elle
- “Why is our quest for validation online becoming so desperate?” by Emily Reynolds in HuckMag
Moon and Venus by frankastro
i killed a plant once because i gave it too much water. lord, i worry that love is violence.
— José Olivarez, from “Getting Ready to Say I Love You to My Dad, It Rains,” Citizen Illegal
This is so beautiful and weirdly relatable that I’m reblogging again.
— The Song of Achilles, Madeline Miller.
i wish i had my copy of kafka’s diaries with me because every entry goes something like this:
Sunday. I woke up in great pain and coughed up blood. Had coffee. Later I went to the theatre and a woman looked at me, but I could not make eye contact because I am repulsive. I am full of terror. I wish Goethe was alive because only he truly understood me.
okay but this is my constant state of being
tbh i’d rather be in the gardens of Versailles rn
Everyone rn (inc me)
i killed a plant once because i gave it too much water. lord, i worry that love is violence.
— José Olivarez, from “Getting Ready to Say I Love You to My Dad, It Rains,” Citizen Illegal
Oscar Wilde’s Lipstick-Covered Tomb | Via
The practice started in the late 1990s, when somebody decided to leave a lipstick kiss on the tomb. Since then lipstick kisses and hearts have been joined by a rash of red graffiti containing expressions of love, such as: “Wilde child we remember you”, “Keep looking at the stars” and “Real beauty ends where intellect begins”. Kissing Oscar’s tomb on the Paris tourist circuit has become a cult pastime.
A fine of €9,000 ($12,000) was imposed on anyone caught kissing or damaging the historical monument, but it had no effect. It was hard to catch people in the act, and most culprits were tourists who were long gone before the police could bring them to court. Appeals from Wilde’s grandson Merlin Holland to stop the practice also fell on deaf ears. A plaque asking fans to respect the tomb instead of defacing it went in vain.
Meanwhile, those greasy red lipstick stains seeped into the stone making it harder and harder to clean. Every cleaning eroded a layer of stone rendering it even more porous, so the next cleaning had to go even deeper and wear away the stone even more.
I have no idea why anyone would believe Oscar Wilde isn’t delighted by this.
It’s beautiful and illegal. Oscar Wilde would most certainly be delighted by such lovely vandalism.
If the rose at noon has lost the beauty it had at dawn, the beauty it had then was real. Nothing in the world is permanent, and we’re foolish when we ask anything to last, but surely we’re still more foolish not to take delight in it while we have it. If change is of the essence of existence one would have thought it only sensible to make it the premise of our philosophy. - W. Somerset Maugham
more pictures from the most beautiful museum in the country! // ig: kristinelizabeths