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to write or not to write

@hamliet / hamliet.tumblr.com

Redemption arcs, existentialism, and well-executed romances are a few of my favorite things.

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Hi, I’m Kate, and I love talking about stories. Behold, the pinned post.

For navigational purposes (especially on mobile), here are some links to pages that list the fandoms I enjoy discussing, fanfic I’ve written, my analyses, and my reviews.

In line with enjoying discussions, I love asks (including ones from different perspectives), so there’s also a page for blog policy which boils down to a longwinded way of me saying that the only stupid questions are mean ones; please don’t be an ass.

Also! You don’t have permission to take my stuff and post it to other sites. Namely, Reddit. This shouldn’t need to be said but apparently it does. 

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what do you of Charlie as a main character, her development through season 1 , and how her development will continue in season 2 now that Sir Pentious is in heaven and the Vees being the main antagonists.

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Hi!

I looooooooooooooove Charlie <3 She is my second favorite character in the whole Hellaverse (after Lucifer) and I think she is one of my favorite protagonists ever.

As a main character, I like her for three reasons.

Charlie is at the centre of her story. I HATE when the story tells us the protagonist is important, but they end up having no impact whatsoever. Charlie is instead very active and shapes the conflict, in both good ways and bad ways. She comes up with the Hazbin Hotel project, she goes to meet Adam, she has the idea of speaking with Sera. It is her passion, which inspires both Angel and Pentious to try to be better. It is her bravery, which irks Adam and has him target the hotel. It is her and Vaggie, who find a way to protect Hell. Basically, you take Charlie away, the story disappears.

Charlie is very flawed. The second worse thing after a protagonist who does nothing is a protagonist who is always right. Thankfully Charlie is a disaster. She fails to both listen to others and to express herself. She wants to redeem people, but has no idea how. She doesn't understand neither others nor herself. Even when she is right, she is so for the wrong reasons. Charlie is a person with a lot of potential. She is powerful, inventive, charismatic, smart and determined. And yet, she fails to capitalize on all these talents because she doesn't wanna face the negative things about herself and the world. She is Miss Repression.

Charlie is a complex character. In fact, I think she is more complex than people give her credit for. A good example of this is her motivations. Charlie has two reasons to pursue her Hazbin Hotel Project:

  1. She wants to save the sinners and to build a better Kingdom (selfless reason) > external journey
  2. She wants to matter and to be needed by others (selfish reason) > internal journey

A good way to understand this double journey is to look at Charlie's two major inspirations.

CHARLIE = RAPUNZEL + JACK SKELLINGTON

Design-wise Charlie is a mix between Disney's Rapunzel and Jack Skellington.

Both Charlie and Rapunzel are blond princesses that wear their hair tied into a long braid. Not only that, but their hair is linked to their inner magic:

  • Rapunzel's hair is associated with the sun, so it can both heal and explode into a beam of light.
  • Charlie's hair is a metaphor of her feelings. She usually represses her emotions, so her hair is restrained. However, when she enters her demon form and unleashes her power, her hair gets untied.

Both Charlie and Jack Skellington are tall, white, humanoid demons, who wear tuxedos with bow ties. Charlie's allusion to Jack is even made official in some arts:

So, Charlie looks like both a Disney Princess and the Pumpkin King. What about it? Well, the point is that the Princess of Hell doesn't just look the part, but shares deep similarities with both characters.

Charlie is a (tame) deconstruction of the Disney Princess archetype. She is a princess, who is cheerful, optimistic, selfless, good to the bone and likes singing. So, everyone loves her right? Wrong. The world around her isn't as easily impressed by her spirit, but misunderstands it and mocks her. So, Charlie is basically Rapunzel if Raps were met with a cynical world the moment she escaped the tower:

He's got a dream He's got a dream See, I ain't as cruel and vicious as I seem Though I do like breaking femurs You can count me with the dreamers Like everybody else I've got a dream
Inside of every demon is a rainbow! Inside every sinner is a shiny smile! Inside of every creepy hatchet-wielding maniac, Is a jolly, happy, cupcake-loving child!

Rapunzel enters a sinister inn, shares her personal dream and is validated and understood by a bunch of bandits. Charlie explains her well-meaning goal to all of Hell and is humiliated and laughed at by everyone.

Charlie is a Disney Princess in Hell, who wants to grow into a leader who inspires others. However, it does not come easily to her, like it does to Rapunzel.

Charlie's external journey is a deconstruction and reconstruction of the Disney Princess archetype. Which struggles must a Disney Princess face in Hell? How can a Disney Song get through literal demons? How can Charlie maintain her idealism in the hellish world she is in?

Charlie and Jack face very similar struggles. They are the royals of a Kingdom full of fear, screams and pain. However, both are tired of it and decide to change it:

  • Jack wants to bring Christmas (warm, joy and goodness) in Halloween Town
  • Charlie founds the Hazbin Hotel to redeem sinners, so those people the universe itself has dismissed as lost

The intentions are good, but Jack and Charlie are not completely selfless, as they pursue them.

This is clear for Jack. The Pumpkin King is forcing Halloween Town to embrace a twisted version of Christmas, so that he can fill his existential void. Deep down Jack wants to change, but he embraces a superficial transformation (Sandy Klaus), instead than a deeper one (Sally).

Charlie is the same, even if she might not look like it. The Princess of Hell wants to redeem sinners, so that she can redeem her parents and so her very existence. She wants to make Hell a better place, sure. However, she wants to do so to prove she has value. Similarly to Jack, she is also superficial in her methods. Jack thinks all he has to do to understand Christmas is to color himself red:

Charlie thinks all she has to do to save others is to give them hugs and fluffy clouds:

Both look for superficial solutions to deep internal issues and complicated societal problems.

Charlie's internal journey is similar to Jack's. Both struggle with their most vulnerable and hidden parts (their shadow), wear masks (personas) and grow thanks to romantic partners (their animus/anima).

Anonymous asked:

Was Eren & Mikasa are in an abusive relationship the same way Fritz & Ymir were?

Mikasa loved him and so she turned a blind eye to all of his negative traits, constantly put up with Eren being emotionally unavailable and always went chasing after him just hoping and praying for the brief moments where he’d show he cared about her at all.

No. There were unhealthy aspects of it, but Eren never controlled Mikasa in the same way.

Anonymous asked:

what is wrong with me ? I'm a 30years old woman and never have been in a relationship before, never kissed anyone before nor holding hands or anything and I still don't know what I want, I don't know if I want a relationship but there are times I feel so lonely. I'm so scared of intimacy, I don't feel pretty at all, I hate my body and generally I'm absolutely not interesting, I don't know how to speak of myself and how to make proper conversation. I don't feel I have a true personality. I feel very vulnerable and impressionable, as if I were adapting to the person in front of me. I already talked about all of that with therapists but they couldn't really help me. I feel lost. I don't know how to identify myself, am I a asexual person ? I don't feel like I really loved someone in my life, I just had some crush when I was younger in boys mostly and one time a girl. And I knew for them I was invisible. I remember once a lesbian told me she will never date me and was def not interested (it wasn't even real it was just a colleague making a joke about it). I don't know myself if I even love human beings...I know it's bad to think that way. I just don't know what to do

Oh, Anon. I'm sorry you're going through this. Loneliness is agonizing.

I know it's bad to think that way

First of all, I'm just going to say that it's not bad. Thoughts are just thoughts. They are not determinants, they are not reality necessarily, and they are not a defining part of you.

I'm a 30years old woman and never have been in a relationship before, never kissed anyone before nor holding hands or anything... I don't know if I want a relationship but there are times I feel so lonely

I don't think this is as rare as it might seem. I actually know several people in this position, including who are older than that too. You shouldn't feel ashamed or like something's wrong with you for this.

The thing about relationships is that they are complicated. Whether you want one or not, you don't have to decide right now before you look for one. If you think you might want a relationship, I'd encourage you to first try to make friends. Find a local activity, a gym or place of worship or weekly dance nights or a cafe even, and start going there regularly to get to meet people.

I might also join a dating app, because you'll be able to interact with people with the screen as a safety line. You're not misleading them if you don't want to end up meeting them; most sites will give you an option to say "figuring out my dating goals" when they ask what you're looking for.

Everyone's just figuring it out. Try to work on your own life and try to be happy. It's okay to want to be happy and to pursue things that will make you happy, and to try things and then realize hey, this doesn't make me happy, or to realize that something you thought you didn't like actually does make you happy. It's okay to change your mind.

I might also try therapy again if you are able--I've had terrible therapists and I've had great ones, and it also might be trial and error. If you don't like them or don't think it's helping after a few sessions, find a different one. That's okay.

You're only thirty. You hopefully have a lot more life to live, and that's a lot of time to discover what you like and enjoy. Even if it's cringe or childish, find what you enjoy via trial and error. You have that time. You matter, and you deserve to be happy--as much as anyone can be on this very difficult planet.

Good luck.

Anonymous asked:

What do you make of having the protagonist getting beaten up as much as Mark from Invincible?

Mark's probably the author's favorite. Not kidding if a character is my favorite I put them through hell.

But in all honesty, I do think Mark is an incredible character. He's very well written and developed, and he's one of my favorite protagonists because the author clearly adores him. They're not afraid to write his unsavory moments nor his weaknesses as well as his strengths and heroism.

Anonymous asked:

How did people become adverse to superhero soap tropes particularly the secret identity stuff? Like, is this the MCU’s fault? Where’d it start?

It's complicated but the word I'd use is oversaturation... but in reality, there will always be an audience for superheroes. There has been since the epic heroes of at least 3000 BC Babylon. Gilgamesh, Odysseus, etc.

The current pushback I believe is related to the MCU and specifically to its aversion to creativity. I get that they're trying to keep things cohesive, but they're less and less willing to risk things for art's sake. Superhero stories can be art, and art can be commercially successful. They aren't mutually exclusive. And it's not just the MCU, but instead the western entertainment industry as a whole that feels stale and stifling. But since MCU films tend to be formulaic and also blockbusters, yeah, they get the majority of the heat.

Anonymous asked:

hi!

can i just say, I love your analyses and takes so much?

It made me feel better about certain characters and the thought you put into it..just *brain rewired moment* and being like, "oh."

really gives you something to think about and makes the source material more enjoyable, seriously.

thank you :)

nothing much else to say, just a random expression of appreciation ❤️

have a good day

AW Thank you!! This is really kind of you, and made me smile <3 Have a wonderful day!!

Did you ever comment on a video on YouTube that you disagreed with and got a nasty response, that happened to me last year, there’s this YouTuber who made a video on why Charlie from Hazbin Hotel is a poorly written character and I wrote a comment that she wasn’t and some random dude wrote the most obnoxious response to me, did you ever experience that and how did you react

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I'm going to guess that video is actually a very poor analysis, because while critique is possible, I don't see any solid argument for "Charlie is poorly written."

Honestly, when I see terrible takes, I just write my own metas aiming to prove the opposite. Part of writing a solid argument involves addressing counterarguments. You could also do this on YouTube.

Pettiness. It saves you from internet fights and can spur productivity. Who knew?

If you want to, you could paste said meta into the comments section for a response, but I'm going to warn that the majority of people who make bad faith arguments will not respond to your good faith arguments well. It's like that's old saying about pigeons:

So, in all honesty, there may not be a point to a direct response to them. But sometimes it makes me feel better to write it all out, even if they'll never see it, and then I post that stuff as metas. Yes, many metas start off as arguments I want to have with rude people but restrain myself from.

Sometimes, though, it's good to respond. Othertimes, no. It's a journey trying to find balance and learn when it is wise to respond directly, and when it is wise to write your own post. And you can be bit bitter about ignoring them. Like, there's a whole RWBY snark reddit that has routinely reposted my stuff to tear it apart completely uninvited... except they suck at formulating arguments, and I have no desire to post there or to argue with them. So when all else fails, comfort yourself by knowing you are not a pigeon shitting on a chessboard, and they are.

Anonymous asked:

Oscar and Jaune (RWBY) analogous to the Hobbits from LOTR? Both are heroism from the least likely places. Oscar has Frodo’s wisdom and gentility, as well as the burden of the mission (which he shares with Ruby). Rosegarden also evokes the image of the rustic love of Samwise and Rosy. Jaune is a bit of Pippin and Merry, the former’s impulsiveness and the latter’s self-doubt and planning. Both invoke the quiet strength, loyalty, and courage of Samwise - but Oscar also has Gandalf in his head.

Hi! I don't think they're necessarily intended to be allusions to LOTR, but I do think that Oscar and Jaune both fill similar archetypes to Frodo and Sam, Pippin and Merry. Oscar's journey is the same as Frodo's--the hero's journey.

Adolescence Review (by someone who used to work in child protection)

Recently watched Netflix's Adolescence and it was probably the best TV series I've seen. It's superbly acted (how was this Owen Cooper's first role?), fascinatingly filmed (every single episode is shot in one take), and brimming with empathy and nuance.

It also resonates personally with me. Once upon a time, I worked in child protection for a year. I've worked with kids like the main subject of the series, Jamie Miller. I can't and won't give details, but this series probably captures the heart-wrenching, soul-crushing reality of what it's like to work with kids who do horrific crimes.

Episode 1 is an excruciatingly detailed account of the dehumanization of arrest and imprisonment, and that's even with everyone doing their best to be kind to Jamie because he's a child (13, but looks younger). I guarantee you most cops don't try to be nice to most intakes.

There's really only one moment where a cop is cruel until the interrogation, and that's when Jamie's being strip-searched. The man conducting the search tells his father, who asks, in essence, "how would you feel if you were thirteen and strangers wanted to do this to you?" that "I was never accused of a crime." Well, bully for you, jerk-face.

Yet the viewer also understands the cruel necessity of having to conduct such a search, while also wanting to throw up. I do think a lot of the discourse around juvenile criminals resorts to "throw away the key" without considering what that means, and what humiliation and abuse kids go through when they're arrested (rightfully or wrongfully). The show following each and every motion and forcing the viewer to observe the father's face rather than the actual search forces the viewer to face their own thoughts on juvenile justice (especially because, at this point, you don't know whether Jamie did it).

But at the same time as Jamie is dehumanized in this way, you're confronted with the reality of how much he's dehumanized his victim at the end of the episode, when you see that he absolutely, 100% did do it. This thread of how Jamie dehumanizes women in particular continues in Episode 3.

Episode 2 is easily the weakest of the series. It's still great and offers, via a chaotic school with checked-out adults who can't care anymore and adults who do care completely overwhelmed and limited by their own humanity, a symbolic picture of what teenagers face. How can they learn when they aren't willing to listen? At the same time, how can they learn when no one is teaching? How can people teach when they are drowning themselves?

My criticism here is that the school appeared not exactly unrealistic, but also slightly hyperbolized. I think they could have stressed the struggles of trying to care when there's too much to care for even more than they did via an additional episode, an episode I think the second one almost introduced and then left dangling--one that focused on Katie's loved ones.

We hear about Katie's mom, and we meet Jade and see her rage over losing her best friend. We even see one detective voice how frustrating it is that Jamie will be remembered but Katie won't be. I wouldn't quite call this lip service because I do think the aim of the show isn't quite about this, but I do think the show should have spent an episode on Jade and/or Katie's family.

We know Katie isn't perfect as a victim, but that doesn't mean in any way that she deserved to be stabbed to death (or to have her pictures leaked). In fact, the show makes this emphatically clear. But I still think they missed a chance to make her more human, to show the loss through her loved ones.

If Episode 2 is the slightly-less-than-the-others episode, Episode 3 is the standout. The psychologist examines Jamie and he vacillates between inappropriately flirting with the psychologist to childishly requesting more hot chocolate to terrifyingly screaming in rage to sobbing in fear like a child in a nightmare to condescendingly mocking her like a rabid fan of Elon's would to desperately trying to wrench away the reality of what he did and trying to talk himself out of facing reality. And Owen Cooper, the child actor, makes all of this believable.

The reality is that the cruelty of what Jamie's done sinks in during Episode 3. He tells his psychologist that most other guys who have assaulted their victim, but he didn't, so he's better, right? And then he screams and sobs minutes later begging for someone to tell him that they like him, anyone. I found myself wanting to grab the psychologist and beg her to say that she "cared" (something I said in a similar moment during my work doing child protection). But I also understand why she didn't--not just professionally, but in terms of Jamie having to realize that he can't be entitled to people liking him when he's so cruel to women.

The psychologist also asks Jamie if he understands what death is. While he says all the right words to show he does, everyone over the age of 20 knows that he doesn't, and the show knows it too. I genuinely think that, until you get older, you cannot fully understand what it means for someone to be gone from this earth.

And therein lies the paradox of the show: Jamie doesn't fully understand what he's done. At the same time, what he's done has permanent, gruesome, irreversible consequences for everyone around him--and beyond that, because of the internet's influence beyond local boundaries.

Episode 4 is an episode I would call beautiful in a lot of ways, despite the fact that it's jagged and raw. We follow Jamie's family (dad, mom, and older sister) as they try to celebrate the dad's birthday about a year after the crime. We see how they're wrestling with the fallout and agony of knowing they raised Jamie--but they also raised Lisa, who is kind of an awesome kid.

And while Episode 1 actually has detectives musing that the parents might be abusive and that might explain it, this episode removes any doubts: Eddie and Amanda, Jamie's parents, are good parents. They are not perfect. Eddie has a temper. Amanda should have monitored his computer use more. But also? No parents are perfect. Arguably, the detective who interacts with his son in Episode 2 is a worse parent than they are. Yet his son is great, and Lisa is great.

There simply isn't a good explanation. Jamie was hurting, yes, but his pain can't be pinned down to a singular cause. The internet hurt him and gave him messages about masculinity that were harmful to say the least. But he also got those messages at school, even if he wasn't on the internet. And he got love at home, as well as some flawed interactions with his parents.

So who is responsible for Jamie's actions? Jamie himself. He chose.

Yet, the series also acknowledges that Jamie is a child, and he is not just "born bad." We see how other kids, like Jade punching Ryan, and Ryan loaning Jamie the knife, and Tommy joking around, and the bully leaking Katie's pictures--they have no comprehension of the extreme ramifications of their actions... but some of them also don't appear to care to learn. Normally, society would demand they care to learn, but that's not happening.

So then what? If society creates these kids, then what does society owe them? That's a question the series wants viewers to walk away contemplating, rather than giving a simple answer.

And there is some hope: Jamie deciding to plead guilty and accept responsibility. In that, we see how kids are supposed to be able to make mistakes and learn and grow. Yet Jamie's "mistake" is so shattering that Katie will never get to grow beyond it because of him, and to what degree Jamie can after pleading guilty isn't clear either. And in an era where their every action is captured online, can they ever really grow beyond?

I don't know that I have an answer to that. I've seen some kids I worked with grow up to be awesome. And I've lost touch with others, particularly those whose cases were more serious. There is no agony like seeing a child who has done something horrific and is suffering themselves and knowing you can't save them, and not knowing what the future holds for them. All you're left with is being able to hope that they'll learn to accept responsibility and grow, but in a system and society that makes that really impossible, is that even much of a hope?

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Reblogged

THE GREATEST REDEMPTION ARC OF ALL TIME IS NOT ZUKO'S

Apparently, I like getting hate in my inbox so let's continue criticizing a series that most people consider to be an untouchable masterpiece. Here's my controversial statement for the day. Zuko's redemptoin arc is... fine. It's just fine. (Remember to send all of your anon hate to linkspooky dot tumblr dot come slash ask). It is a servicable character arc where Zuko is clearly in a different place then where he began, but when I think greatest redemption arc of all time I think Spike from Buffy the Vampire Slayer.

So now in order to make my point I'm going to compare the two seemingly unrelated franchises which both feature a bad guy who eventually joins the heroes side.

Anonymous asked:

Is Invincible cynical about being a superhero? Most of them retire from being a hero or stop working for the government in this season..

Not exactly. It's deconstructing to reconstruct--the same way you might refer to ASOIAF as cynical about fantasy or HunterxHunter as cynical about shonen. To a degree, on the surface, that's the case. In actuality, the stories uphold the core values of what these genres, at their best, display.

So yes, Invincible is stripping away aspects of the superhero genre, exploring the reality of, well, the weight of responsibility, trauma, and the fact that government officials are still human beings and can be petty as well as face impossibly cruel decisions where there is no good answer. But it ultimately has a positive view of humanity, and the great and heroic things humans are capable of. It just can't acknowledge that without also acknowledging the bad, too.

What are some of your favorite pieces of media with existentialist themes? I’ve been doing a lot of research on existential philosophy and it really resonates with me, so I’d like to see more in depth how it’s explored in media :)

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I love existentialism!! It resonates with me as well.

Well, all of Dostoyevsky's novels are existentialist, and kind of classic existentialist literature. Bungou Stray Dogs, Attack on Titan, The Witcher (the novels), MXTX's novels--Mo Dao Zu Shi, Tian Guan Ci Fu, and The Scum Villain's Self-Saving System--all of these are pretty existentialist at their core.

I'd also say RWBY has quite a few existentialist themes, as does A Song of Ice and Fire (the novels).

Anonymous asked:

Thoughts on Mark prioritizing his loved ones this season? It is a pretty big departure from the previous seasons.

I think the entire show is basically about Mark trying to balance being a superhero and his normal life, so he's swinging in differently directions right now and trying to find a balance!

Anonymous asked:

Is Debbie the best character in Invincible?

No, Eve is. :P

Actually I think the comics do a much better job with Debbie's character; the show sanitizes her drinking problem and lashing out at Mark after Nolan's reveal.

What do you think Sir Pentious’s arc will be in season 2 now that he is in Heaven and far away from his friends and Cherri Bomb?

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I actually don't know that Ser Pentious will have a ton of focus this season. I am sure he will have some, but I think he may play a less direct role in this season before a more pivotal one going forward. But I could be wrong about that and would be happy to be!

Honestly, I think his arc will be supporting Emily, who was delighted to see him in heaven, in her promise to "figure something out" for Charlie. I also think, of course, that his arc is likely to tie back to Cherri Bomb.

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