Oh, okay. I see. You think this has nothing to do with you. You go to your mythology and you select out, oh I don’t know, the rape of persephone, for instance, because you’re trying to tell the world that you think maturation and sexual development are a kind of death and rebirth. But what you don’t know is that that narrative is not from claudian, it's not from ovid, it's not from callimachus, it’s actually from the oral tradition. You’re also blithely unaware of the fact that in the sixth century BC, Hesiod the rhapsode composed "Αὐτὰρ ὁ Δήμητρος πολυφόρβης ἐς λέχος ἦλθεν, ἣ τέκε Περσεφόνην λευκώλενον, ἣν Ἀιδωνεὺς ἥρπασε ἧς παρὰ μητρός· ἔδωκε δὲ μητίετα Ζεύς." And then I think it was a certain homeric hymnist, wasn’t it, who elaborated on it with an added narrative of Demeter's wrath? And then demeter's sorrow showed up in the choral odes of several different greek tragedies. Then it filtered down through the Alexandrians and then trickled on down into some tragic augustan vates where you, no doubt, fished it out of some georgic. However, that myth represents thousands of years and countless poets and so it’s sort of comical how you think that you’ve made a choice that exempts you from poetry when, in fact, you’re rehashing the "subversions" that were selected for you by the people in that poetic tradition. From a pile of “mythology”.
