nice work, bone daddy

werewolf yuri

[Fig. 01 Mikuchondria]

The powerhouse of YOUR cell

Different Stories Resonate with Different People

I will always reblog this.

I once spent three hours scouring the internet to find this comic again, I will not let that be repeated.

like how dare I have hobbies, right?

this gif is fucking frying me

the work is mysterious and important

Happy New Year! Josef Lada, 1928

Demon Lover From Lustige Blätter, 1905.

Art by Julia Zhuravleva

people will say "why cant the eldritch gods just be nice to humans :((" and then kill a bug for existing near them

my dearly beloved mutual you cant just leave this in the tags

While exploring a vast and inscrutable city which seems to predate life on earth I am gently picked up by something incomprehensible with the higher-dimensional equivalent of a cup and piece of paper, then lovingly set outside in my natural habitat. Unfortunately the being exists outside of time and can't really tell human cities apart from one another so I appear without warning in ancient sumer.

literally so obsessed with werewolf bts where the guy in the suit is just hanging out. my favorite images ever

it’s a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets “chuckied,” a term coined by yours truly referring to the shift between the first and second acts of child’s play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the film’s serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckying—just like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgi’d in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later child’s play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transform—the thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasn’t seen yet, something they don’t know to brace themselves for. it’s a fine line to walk, of course, but that’s the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you

hurdy gurdying or gurdly hurdying? 🤨

there are two punchlines here, the first is predictable, the second really surprises you

I love when I see videos on other sites and they find they’re way to me naturally

Artist @ cartumante on X

I appreciate the accuracy of the dildos from that one company

I like that "monster fuck III: the princess and the dragon" is a noticeably thinner book than "monster fuck II: the princess and the orc" like this time her adventure is cut a little short