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isolation makes me hungry

@ikarons / ikarons.tumblr.com

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gorgeous gorgeous girls love paladins

...and also sorcerers or whatever I guess

you can find me here on ao3 (please do)!

current characters that I'm losing my mind about: INHALA (tiefling storm sorcerer, mildly unbalanced, professionally full of it) CLEMENCY (drow paladin dark urge. no further questions.) LAHYRA (half-drow draconic bloodline sorcerer, dark urge, sisterdaughterbeast) VERAINE (drow bardadin dark urge. both the coolest and most baitable nerd alive) CHORUS (tiefling lockadin dark urge, does not remember sowing what hes reaped)

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Anonymous asked:

From what I saw most of the people saying it's good they retconned the agents of fen'harel plotline weren't saying that it was a bad plotline or shouldn't have existed, it was that specifically the entirely white writers of Bioware could not have handled that story well, based on their history. Ideally they would have hired some new writers who could handle that story (or at least put in the work to educate themselves and also hire sensitivity readers) but they were never going to do that so the next best thing was that they just. Not.

i don't think the agents of fen'harel would have been handled any better in datv than the antaam were, to be clear, but i also think that given the writers' willingness to implement the antaam like that anyway, it's exceedingly generous to imply that sensitivity made them retcon the fact that solas had followers (<- specifically what irritated me in the post i saw). fundamentally i just don't believe they were interested in giving any nuance to the question of the veil

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like the elven viewpoint we get in vg isn't good anyway, it's laughably shallow and features gems such as bellara going maybe people are right to hate us :( and all that shit in harding's questline. the agents of fen'harel wouldn't have been Good Representation but at least if they existed there would've been acknowledgment that there are people who have their reasons to want the veil down. and it is literally narratively stupid that they just vanished!!!

pretty sure by now that they never actually wrote the mage ending for da2, just the templar ending

it’s relatively common knowledge that the harvester fight with orsino wasn’t supposed to happen if you sided with the mages but they were too short on time to do anything else so they threw it in anyway for the sake of having two boss fights, but that’s not what’s really got me thinking this

it’s cullen

because the narrative beats the story tries to hit with cullen are absolutely incoherent. he’s casually complicit in enacting the rite of tranquility until meredith tries to kill hawke and that’s the moment he puts his foot down? then meredith turns on her own people and cullen’s fighting her with us? then he stands down and lets hawke leave rather than get his ass handed to him? cullen’s trying to carry so much narrative weight in the climax and it’s like. why. lmfao. why is he even here. why do we get him as an ally in the final boss fight. what possible purpose does his presence actually serve.

I couldn’t make sense of it so I just assumed it was bad writing for a long time, but I no longer think that’s the case, because he’s not out of place at all in the templar ending

hawke and cullen fighting mages side by side. meredith succumbs to her paranoia and turns against her own allies. cullen heroically stands with hawke against her. the day is saved whoop dee do. that’s a perfectly coherent climax, actually! it makes sense!

it just took me years to notice because I always play through the ending they didn’t have time to actually write oops ¯\_(ツ)_/¯

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elvensemi

I think you’re probably right, and this is a problem only exemplified by the fact that I’ve never actually seen a first-time player go for the Templar ending. Like, I’m sure it happens, but the game itself is written in such a way that even people who weren’t leaning super strongly mage to begin with probably aren’t like “okay, yes, this seems like a clear cut, black and white issue! Let’s do a genocide!” and so I see a lot of people be like “uh, no, not doing that,” get slammed into the mage ending, and then just screech with rage and misery and intense confusion the whole way through. I think most people are probably seeing the ending they didn’t have time to write when they play the game, esp the first time. 

If this is actually the case, it would also explain why Cullen has extremely short memory. Despite being present both times Meredith tells Hawke she will kill them too for siding with the mages, Cullen still goes “wait I thought we were going to spare Hawke, though”.

In addition, with Orsino in the Side With the Mages ending, it makes zero sense that when he desperately needs Hawke’s help to save the rest of the Circle, he would suddenly and out of the blue, without any prompting whatsoever, go all, “By the way, I used to be buddies with the guy that murdered your mom and knew he experimented on corpses.” Even preserving that idiotic Harvester boss fight, he could literally have just given a heads-up or vaguely mumbled about a dangerous forbidden technique that he read about in a book somewhere that might be helpful now.

When I finally got around to playing a Templar run, it all made so much more sense - in part because Meredith is the one to bring it up. In the confrontation inside the Gallows, Orsino bitterly complains that despite all the accusations he had never used blood magic until this point, now that she is forcing them to fight for their lives. Meredith snaps back that no one knows blood magic automatically, and thus he must have learned it somewhere, at which point he finally admits to having heard about Quentin’s “research” (rather than having himself been a practicing blood mage or making demon deals). If present, Bethany is horrified - why would he cover it up? Why, because the revelation that the leader of the Circle had once been close to a man who later became a blood mage and then a serial killer who murdered the mother of Kirkwall’s great hero (Orsino claiming to have been aware of the blood magic but not the murders until after Quentin’s death) could trigger Templar crackdowns up to and including outright Annulment. This makes much more sense as a motive for both the cover-up and the later confession. His role is to protect the mages of the Circle. In this scenario, he felt unable to report actual crime to the authorities out of fear of violent/disproportionate collective punishments (at the time of the confrontation, Meredith is attacking innocent mages in retaliation for the actions of a single apostate, indicating this fear was perfectly rational), and now that he is about to die and has nothing to lose (Hawke is already about to murder him, so it’s not as if there is any reason to try to stay on their good side), he can speak freely in response to questioning from others. His rationale here is consistent with his dialogue with a pro-mage Hawke in Best Served Cold, where his primary fear is that if Meredith discovers any more cases of blood magic, she will be able to publicly justify an Annulment (hence why he wants Hawke to investigate rather than the Templars). Once an Annulment is already in progress, legitimacy be damned (given that she openly admits that this is retaliation for the assassination of Elthina rather than in response to any threat emanating from within the Circle) and Meredith has repeatedly made clear her refusal to revoke it, the old rules no longer apply. Here, to defend his claim of only resorting to blood magic out of sheer desperation, against accusations of personally being a blood mage all along, he would rather admit to having had a past relationship with a blood mage and learning from casual observation (instead of practice).

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Reblogged asharaks

i dont remember the post i saw or who made it so this doesnt count as a vague but 'actually it's good bioware retconned the agents of fen'harel because it would've been Bad Representation to have an antagonistic faction made up of the in-universe oppressed minority' well no it was straight up cowardice and the refusal to grapple with the reasons why marginalized peoples might come to believe their best recourse for a world that wants them dead top to bottom is fundamentally changing the nature of the world in a way that, yes, may read as apocalyptic to those currently in power, but the alternative is for the forgotten to continue slowly bleeding out to sustain their comfort

Not that bioware could have landed that but don't pretend it's More Nuanced not to even try. and it's literally just narratively stupid as hell

the sense of horror when you finish a book that was Ass Bad and you go to see what fellow haters are saying but all the reviews say it is the best thing they've ever read. feel like i just saw my reflection in the mirror move all by itself or something

Anders isn't my problematic fave because he isn't problematic. I think the wider concept of anders being 'wrong' the fandom has is a clear example of how biased the writing has been in the games. It's the same reason why people hate Jowan, or why they think the kinloch hold mages were stupid. There's a clear bias in the writing and framing of it all that guides the player towards feeling negatively.

The majority of answers you can give Jowan in Dao are negative, mocking, or downright insulting. The ones who aren't are just... Neutral. You can be a bit sympathetic to him in the circle origin but by the time you meed him in redcliff most of your dialogue choices are so fucking mean. In my replay I was trying desperately to be nice and sympathetic to him but the best you can do is be neutral and let him go but for every rude dialogue option there is no "you've been through something horrible, I'm sorry" or "you were manipulated, loghain took advantage of your vulnerability, I'm sorry" it's soooooo.

Likewise, I always make sure to speak to every single npc in the mage origins and the One mention of uldred before the broken circle quest is from the one mage who tells you about the different political faction enchanters are in, and it's with absolute disdain. That mage thinks uldred is annoying and it's implied that the other enchanters think so, too. Uldred who was an activist for mage liberation is treated as annoying for being an activist.

Then he turns out to be a blood mage and to have killed the majority of the circle, turning them into abominations. The message is clear: those who seek liberation are wicked. In the first game of the series, thus in the game which introduced the concept of circles at all, their existence is justified by the text. It overtly says: look at all those foolish mages, how dangerous they can be when One of them is wicked. Can you imagine if they were free? Can you imagine those abominations' destruction if they were out in the open?

Something similar happens in the mage origin, with Jowan. Through the whole origin, whilst Jowan is painted as annoying, he's definitely seen as a victim. Up until he uses blood magic, that is. Suddenly, the player is likely supposed to think "oh, so they were right to want to make him tranquil after all". Instead of being a way to show that the circle will often turn innocent mages tranquil, it shows you that greagoir was right to distrust Jowan, because he was indeed a blood mage. Instead of showing you how paranoid those in power are about mages, the writing justifies their fear and hatred.

Bear in mind this is the first game and likely the very first thing that happens to a lot of new players. The game does not expect you to know the intricacies of its lore yet, doesn't expect you to understand that blood magic is actually fucking neutral unless you sacrifice people for it. You might be tempted to argue that it's setting up for that realisation later and for you to feel bad about Jowan later, realizing he was led to blood magic because it was his only solution, because he and all other mages are caged like dogs (except this is ferelden, so the dogs are better treated than them). But then you've got the redcliff fiasco where it's obvious the writers expect you to fucking hate his guts

And while dragon age 2 is more overt in its depiction of mage suffering, it also tries to pass on the idea that kirkwall is a special case, that it's only the gallows that are this bad. That it's just Meredith whose craaazeyyy 🤪 and not just Meredith being a product of a corrupt system. The writers expect you to think of Anders as an unstable extremist, or as his writer puts it, a "bipolar terrorist" (note that ofc there's nothing fucking wrong with being bipolar, but I don't think his writer cares!)

With different writers and the exact same set of events, Anders blowing up the chantry would be easily recognized as a positive, as an act of justice, of rightful rebellion. Instead it's seen as a tragedy, a mistake. Instead Anders is categorized as a villain, morally grey even though Hawke themselves has a higher death toll than he ever will.

It's a lesson, I think. In narrative bias.

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IT DOESNT EVEN MAKE SENSE CONTEXTUALLY EVERYTHING WE KNOW ABOUT POSSESSION SUGGESTS THAT THERE NEEDS TO BE A FOUNDATION OF LOVE AND TRUST AND RESPECT FOR IT TO NOT RESULT IN A FUCKING BLOB CREATURE GOD!!!!!!!!!!!!!!!!!!!!

HE WAS STILL IN A CORPSE WHEN THIS HAPPENED LIKE ARE YOU SAYING YOU ALMOST RETCONNED ANDERS FIGHTING WITH KRISTOFF'S CORPSE. DID THIS DEMON POSSESS ANOTHER COMPLETELY IDENTICAL CORPSE AND STICK WITH ANDERS FOR MONTHS ALL FOR THIS EXTREMELY CONVOLUTED PURPOSE OF TRICKING HIM INTO POSSESSION. WHERE THE HELL WAS JUSTICE. WHAT!

WHY DID THE DEMON KEEP UP THIS WEIRDLY ELABORATE RUSE FOR 10 FULL YEARS

as a writer my relationship with dragon age can be summed up by that one interview where it’s gaider, jhep and someone else talking about the exalted march dlc, and at one point someone brings up, “yeah we were gonna have you meet justice still inside of kristoff and he’d be like, ‘kirkwall? i never went to kirkwall.’”

and in the five seconds before i read the next line my brain went, holy shit that’s genius— so anders was never possessed? he was just radicalized the way anyone who had his experiences would be? and the possession was an invention of varric’s— maybe he mentioned justice to varric over drinks once— an exoneration, an insanity plea, and, subconsciously, a personal way of coping with the fact that his friend did something that ripped his home apart. holy shit, that is actually such an incredible way of using the frame story of da2, what the fuck—

and then the next line someone else says, “yep, because the demon that possessed anders was just a random demon that tricked him into thinking it was justice.”

and im just like oh. right. this is dragon age. ok.

I NEED TO STOP BRINGING STUFF UP THAT RUINS THINGS FOR OTHER FANS SORRY I THOUGHT EVERYONE KNEW 😭 i remembered wrong it was from a twitter thread and it was all gaider answering these questions

source: this post by felassan, 2019

Everyone who cares about authorial intent more than me is a pedantic fool that doesn't understand art is interpretative and there's no ultimate meaning to anything and everyone who cares about authorial intent less than me is a mean-spirited bad-faith reader who refuses to meet the text where is at.

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Reblogged gyrovagi

top 3 ways a character can be confirmed transfem

ranging from ' room for doubt ' to ' completely undeniable ' :

3 . the character is coded in a way where her experiences align with or imply transfem experiences . for example , she has a history of being forced into certain roles against her will , and girlhood for her is analogous to freedom

2 . the character is explicitly identified as a trans woman within the canon of the story she appears in

1 . a reddit user says ' if ANYTHING hes a trans BOY ' about her

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