“I’m a great admirer of folklore. Truly, I think the degree to which the bourgeoisie has appropriated the culture of the poor is very interesting, it’s very shocking. Fairy tales are part of the oral tradition of Europe. They were simply the fiction of the poor, the fiction of the illiterate. And they’re very precisely located. If you mention folklore in Britain, people’s eyes glaze over with boredom. They associate it with people wearing white suits with bells round their legs. It is associated with the embarrassing, with the quaint. Therefore people are genuinely shocked when they look at Grimms’ stories, which the Grimm brothers collected from the German peasants, to see them full of the most ghastly events. One of the stories that I don’t deal with in “The Bloody Chamber” is about children who are left out in a wood because their parents would rather they starve out of their sight than under their eyes. This, of course, was an everyday fact of most people’s lives in Europe until the industrial revolution. The imagery is perpetually enchanting because a lot of the imagery is the imagery of the unconscious; beautiful and refreshing, it refreshes the imagination. But the circumstances of the stories are simply transformed accounts of ordinary people’s lives. It’s something to do with Western Europe that these stories have gone into the bourgeois nursery and have been dissociated from the mainstream of culture.”
— Angela Carter, Interview for Marxism Today’s “Left Alive” (1991)