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@justsmiledoe / justsmiledoe.tumblr.com

| 21 | part time simp | full time clown | lesbian | There are joys beyond my comprehension too. The horrors aren't special. my art tag

I don’t know how we’re letting trump get away with all this shit when I truly believe that if you threw a blanket over his head he would think it was nighttime and go to sleep like a bird

not that i am against the concept of international trade nor do i think tariffs are based or whatever but what is interesting is seeing how much of the american reaction comes down to “but *i* dont want to work in a factory for pennies and *i* dont want my currency to be worthless and to have to pay one billion dollars for iphone” without even acknowledging your comfort depends on a global population who is forced to live under those exact conditions. right. like it or not, for the world to exist as it does, someone’s got to do it. someone’s got to mine the precious metals, someone’s got to forge the machine parts. someone’s got to ruin their body for slave wages, somewhere. the fact that you and i don’t is a result of winning a total genetic lottery and it is the exception not the norm and do what you want with that information but at least dont be callous

submissive in the way a livestock guardian dog is submissive to the sheep it kills wolves for

love how much attention this post is getting i knew the gay people in my phone would understand me. btw here's the picture that inspired me to make this post in the first place:

Virginie Sélavy: There is also a lot of tenderness in the film between Lucie and Anna, who are very moving characters. How important is their relationship to the film? Pascal Laugier: That was a crucial element for me. I didn’t enjoy making this film very much. Everything, from writing the script to editing, was, for different reasons, very difficult. What gave me the strength to tell this story, to spend two years of my life in such a dark world, was the love story between Anna and Lucie. It was what connected me viscerally to the film. It’s a love that is not shared. Anna loves Lucie unconditionally and this love will kill her. That’s something very real that we all experience: to fall in love with the wrong person, the one who, without consciously wanting to, will destroy you. Just because they are what they are. Anna loves in an absolute manner, and in that sense, she is a sort of modern saint. She gives all of herself and she will pay for it very dearly. The world and its trivial reality are fatal to people like her…

MARTYRS: INTERVIEW WITH PASCAL LAUGIER from Electric Sheep Magazine

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