obsessed with this

reaction image potential

The “How could you?!” in that little face is audible

GameFreak: yeah we named this PMD team FLB after their members Foodin, Lizardon, and Bangiras

GameFreak's translators realizing their team name translates into a play on words without them needing to do anything:

There isn't any one "correct" way to respond to trauma. There isn't one "right" way to heal. There aren't feelings that are wrong.

We are all unique, and that means our responses, feelings and healing are going to be different.

Sometimes self care is unfun. Sometime it’s really unpleasant.

Crying in therapy because you finally opened up

Waking up early to reset your sleep schedule

Eating healthy food

Getting moving when all you want to do is sleep

Washing your face and brushing your teeth

Doing the dishes

Self care isn’t always fun and cute but that doesn’t mean it isn’t important

i had a dream i was playing undertale and i got to the snowy area and it was mostly the same but papyrus was replaced with this new character Prunsel.

Prunsel’s sprite was a high-contrast black and white photorealistic eyeball, roughly twice as big as papyrus, and looking directly at the viewer. whenever Prunsel “spoke”, the music completely cut out and instead of text it was an ominous red glow emanating from the text box

a world without trans people has never existed and never will

prints

I drew all Eeevelutions in my style!

theres a phenomenon that happens on here i have been calling "normalize loving parents posting" which is when you spend a lot of time on tumblr and are exposed to a lot of one specific counter-cultural narrative day in and day out until you start to forget what the dominant ideas are for most of the human population and thus feel the need to "defend" things that are widely accepted and popular. it's called this because of the time a bunch of text posts about shitty dads were circulating and then people with good relationships with their dad didn't feel included enough and started making "uhmmm can we normalize loving parents? not everyone has a deadbeat dad, MY dad is great" type posts, seemingly forgetting that good relationship with dad is a cultural norm that is expected and encouraged. i think its good practice, especially when im annoyed, to stop before i hit the post button and ask myself if this is a real issue or if im normalize loving parents posting. because often im about to try to normalize loving parents

common examples of normalize loving parents posting:

saluting our bravest warriors who aren't afraid to stand up and advocate for the status quo

i know this is old news but its not because the genocide of palestinians is old news and current news. today, april 2025, israel ordered the evacuation of the partially-functioning al ahli baptist hospital and bombed it, the same hospital that it bombed in october 2023 and killed nearly 500 people and then denied it, smeared everyone who would "dare to accuse israel of bombing a hospital," released false voice notes with fake actors pretending it was hamas operatives who accidentally bombed it so that news outlets could no longer report on israel bombing hospitals without having to add "hamas-run health ministry says..." to provide doubt on accounts of palestinian suffering, and then eventually just bombed every single hospital in gaza anyway

right now they're still bombing the hospital, but they did order the evacuation first. the thing about ordering a hospital to be evacuated before bombing it is that it proves you are destroying hospitals for the sake of destroying hospitals. the other thing about ordering a hospital to be evacuated is that it still kills all the critical patients and all the patients who need it anyway in an area where a hundred people are being killed daily. already a child has reportedly died while being evacuated.

that's kind of the point of targeting hospitals. its the point of targeting so many and so frequently that you can keep palestinians suspended in a state of genocide, while everyone else who reads about is suspended in a state of helplessness and confusion. they bombed a hospital? didn't they already bomb that hospital? was it really them who bombed it? i didn't know those people were still alive and those hospitals were still functioning. patients died wheeled out in a hospital bed while the ER was lit on fire? ah, didn't that already happen before?

i’m trying to have a yaoi moment with you. man to man i’m trying to have a yaoi moment with you right now

real question,

why do proshippers love rape so much? do you guys want to rape someone irl?

why do you guys love pedophilia/grooming so much? have you ever had thoughts about doing those actions or irl minors?

why do you guys love incest so much? is this just a way for you to vent your frustration cause your sibling(s) /step sibling(s) rejected you for your literal illegal behavior?

why do you guys love all these crimes so much? why do you love it when someone calls sexual and predatory abuse attractive as if it hasn't traumatized billions of people word wide?

this is like a genuine question I'm being deadass

Proshippers do not "love" these things. Rather, we're committed to defending the right of people to write about them - even in ways we might personally find disgusting or upsetting - because we understand that engaging with something in fiction is not predicated on defending or desiring it in real life. Even if someone is aroused by something in fiction, it doesn't logically follow that they're aroused by the same thing in real life, because context - the question of how, when, why and with whom - is foundational to both desire and consent. Meaning: it is possible - and, indeed, extremely normal - to enjoy something only as a fantasy: to be compelled, aroused by or interested in it only because it's fictional, in much the same way that we might be compelled, aroused by or interested in all manner of ideas or activities only under specific conditions.

For instance: I enjoy cake! But if someone handed me a piece of filthy, rotting cake they found on the floor, I would not want to eat it, because the context of the cake matters to my willingness to consume it. Similarly, I enjoy murder mysteries! But if someone in my life was brutally killed by an unknown assailant, I would be devastated, not entertained. And this latter example is particularly important, because our consumption of fiction is at all times informed by our awareness of the fact that the characters don't exist. No matter what befalls them on page, stage or screen, no real person has been harmed, which allows us to react to the content differently than if we were seeing the same events unfold in person, or in a live recording.

Now: it's true that, just as fiction is influenced by reality, so too can reality be influenced by fiction, both on the individual level and at scale. Fictional characters might not exist, but their stories still meaningfully impact real human beings, both positively and negatively. But this impact doesn't work on anything even vaguely resembling a universal, one-to-one basis, such that X story is guaranteed to cause Y effect, or that X topic is only ever explored for Y reason - and this is just as true for dark, unsettling and taboo topics as for anything else.

Which is why it's important to understand that, particularly when it comes to sex and desire, human beings are complex. At the most basic level of arousal, our bodies and brains are frequently in conflict. From teenagers dealing with unwanted erections to seniors mourning their loss of libido, none of us has perfect control over when and how we get turned on - and this extends to situations involving rape and assault. It is common, for instance, for rape victims to experience some level of arousal in response to their assault, because our bodies and minds do not exist in a state of perfect sync. Many victims experience deep shame as a result of this, thinking that, because they got hard or wet or came, they must've secretly wanted it - a trauma that's intensified if their assailant makes the same claim. Victims, too, can have complex relationships to their assailants, particularly if they were abused by family members or as children; can sometimes take years or decades to understand that they were harmed at all.

Regardless of whether we've been victimised ourselves, are proximal to someone else's trauma or are simply impacted by living in a world where such things can happen, fiction is the safest possible way to explore these ideas. But precisely because people are so different - precisely because our reactions to the same event or idea can vary so wildly - these stories will not always look the same. What disgusts or triggers one person might be healing to another, and that's not determined by how eroticized the content is or isn't. Sexual trauma responses can encompass opposite extremes: where one rape victim might be utterly repulsed by rape content and need to avoid it for their healing, another victim will feel compelled to seek or create it in order to achieve the same ends, and neither of them is wrong.

I have, for instance, known victims to write their own assaults into fiction. Sometimes these accounts are eroticized as a way of regaining control over a situation in which they had none. Perhaps the writer wants to accurately depict the confusion they felt at being aroused while being assaulted; or, conversely, perhaps their lack of arousal at the time increased the level of physical pain they experienced, and they want to write something which shows that, even if they had been aroused, it would still have been rape. Or on yet a third hand, perhaps they weren't sure if a given experience was rape or not, and want to try and make sense of it. Perhaps they want to try and imagine their assailant's perspective, to better comprehend what happened to them and why. This might mean a complicated, nuanced depiction that sways between awareness of the crime and minimization of it; it might also involve painting them as a flat-out villain, or as someone who believed they were acting only out of love. All of these things are possible! But no matter how much some or all of these portrayals might disgust you, the casual reader, you will not be able to tell, just by looking, who has "really" been assaulted, and who is exploring these topics for other reasons.

Because of course, not all people who write about abuse have experienced it themselves; nor should this be a requirement. Sometimes, we write about dark things, not to achieve catharsis in relation to a personal experience, but to conquer our fear of it happening to us, or perhaps even just to get an adrenaline rush - as is, for instance, extremely common with fans of horror content. Our brains produce a variety of fun chemicals in response to various stimuli, and we don't generally get to choose which ones we find the most engaging. Some people are horror junkies from childhood, seeking out scary stories from the moment they're old enough to ask for them, while others remain terrified of something as mild as cartoon comedy horror well into old age. There's no morality associated with this; it just is - and that all comes back, once again, to the fact that we understand fiction as a separate thing to reality. No matter how horrific the thing depicted, our enjoyment (of whatever kind) is predicated on knowing that no actual human beings being harmed, even if the bad in the story - an axe murder, a war, a rape - is something that really does happen. And returning again to matters of sex, regardless of whether they rise to the level of a kink or fetish, all sexual proclivities are ultimately products of native inclination, life experience, trauma, and/or the overlap of all three, while a specific fantasy might be either literal, metaphoric or a mix of both. A literal fantasy, for instance, might be: what if my hot boss fucked me over his desk at work, because he's hot and I want to sleep with him. A metaphoric version of the same fantasy might be: what if I was so insanely desirable that my boss fucked me despite his being married and straight and me being a man. To take another example, and one which has been studied extensively by psychologists, literary historians and academics alike, rape fantasies are commonplace, not because the vast majority of people are rape apologists, but because, at the level of metaphor, they allow the possibility of sex without having to take ownership of one's own desires, which is of particular value if, say, you've been taught that wanting sex makes you slutty and wrong and gross; which is, in turn, why so many old Harlequin and Mills & Boon romances feature encounters that we'd now class as non-consensual between the hero and heroine. It wasn't because the writers didn't understand rape: it was because they were writing in a time where women were taught that wanting sex made them harlots, such that it was difficult for them to fantasize without shame. The hero knowing what the heroine "really" wanted and giving it to her despite her protests was a loophole. I could go on, but the key point is this: given that nobody on Earth can perfectly control their own arousal, it is imperative to acknowledge that being turned on by something doesn't mean wanting it in real life, because the alternative is forcing yourself to choose between sexual shame and justifying it in real life. And neither of those things has ever led anywhere good.

i'm a horror writer and no one's EVER asked me if i want to put parasitic wasps in someone's eyeballs irl. what do I have to do to get podcasters to bring the same energy to the interview as people who don't like Game of Thrones bring to the blog post?